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--INSTRUMENTS--
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Join Me Here
Non classifié
43
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20
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17
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8
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3
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2
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1
+ 1 instrumentations
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27
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6
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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2
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2
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Harpe
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Violon
4
2 Violons (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Vous avez sélectionné:
Join Me Here
Partitions à imprimer
222 partitions trouvées
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201
Join Me Here
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Tim Russell
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Join Me Here
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Sing Alleluia! Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.977188 Composed by Tim Russell. Praise & Worship,Sacred. 2 pages. Sing Alleluia! Music #3577509. Publishe...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.977188 Composed by Tim Russell. Praise & Worship,Sacred. 2 pages. Sing Alleluia! Music #3577509. Published by Sing Alleluia! Music (A0.977188). SATB song ideal for a congregation, choir or quartet. A song about joining me at the feet of Jesus.
$2.99
Somewhere My Love (Lara's Theme)
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Piano, Voix et Guitare
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Maurice Jarre
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Somewhere My Love
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digi...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015637 Somewhere My Love - (Lara's Theme). Composed by Maurice Jarre. Standards. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015637. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015637). ISBN 9780739094860. UPC: 038081456881. Paul Francis Webster.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
Hey There
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Piano, Voix et Guitare
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Jerry Ross and Richard Adler
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Hey There
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015636 Composed by Jerry Ross and Richard Adler. Musical. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015636...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015636 Composed by Jerry Ross and Richard Adler. Musical. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015636. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015636). ISBN 9780739094860. UPC: 038081456881.This massive songbook is packed with sheet music for 75 of the most memorable standards for all occasions! Dozens of gems from the golden years of 20th Century pop and jazz are joined by traditional melodies in this collection of essential songs that belong in every musician's repertoire. Titles: Ain't Misbehavin' * All of Me * America the Beautiful * At Last * The Best Is Yet to Come * Blue Moon * Butterfly * Chattanooga Choo Choo * Dance Little Bird (a.k.a. The Chicken Dance) * Danny Boy (Londonderry Air) * Deep Purple * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree * Dream a Little Dream of Me * Elmer's Tune * Fly Me to the Moon * Havah Nagilah * Heart * Hernando's Hideaway * Hey There! * Hi-Lili, Hi-Lo * Hit the Road Jack * I Don't Know Why (I Just Do) * I Let a Song Go out of My Heart * I Put a Spell on You * I Wanna Be Loved by You * I'm a Little Mixed Up * I'm Gonna Sit Right Down and Write Myself a Letter * I'm in the Mood for Love * Laura * Leaving on a Jet Plane * The Lion Sleeps Tonight * Love Is a Many Splendored Thing * Love Story (Where Do I Begin) * Misty * Mood Indigo * Moonlight Serenade * My Man * Theme from New York, New York * On the Atchison, Topeka, and the Santa Fe * Orange Colored Sky * Over the Rainbow * The Pink Panther * Reach for Tomorrow * Rock Around the Clock * The Shadow of Your Smile * Singin' in the Rain * Smoke Rings * Somewhere My Love * Stairway to the Stars * Star Dust * Star Eyes * Stars Fell on Alabama * Straighten Up and Fly Right * Swinging on a Star * Take Five * Take the A Train * Taking a Chance on Love * That's Amore * There Will Never Be Another You * This Masquerade * Those Were the Days * Tie a Yellow Ribbon 'Round the Ole Oak Tree * The Trolley Song * The Twelfth of Never * We Just Couldn't Say Goodbye * What a Wonderful World * Whatever Lola Wants * When the Saints Go Marching In * Who's Sorry Now? * Yesterday When I Was Young * You Don't Have to Say You Love Me * You Made Me Love You * You Steppe.
$3.99
Heaven's Here to Stay (Vocal Solo/Piano, opt. Choral Unison, Opt. Violin)
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Chorale Unison
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INTERMÉDIAIRE/AVANCÉ
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Renee Allsbrook
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be still and just receive
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Heaven's Here to Stay
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Renee Allsbrook Music
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SheetMusicPlus
Choral Choir (SAB) - Level 4 - SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music ...
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Choral Choir (SAB) - Level 4 - SKU: A0.915827 Composed by Renee Allsbrook. Children,Christian,Christmas,Sacred. Octavo. 27 pages. Renee Allsbrook Music #4795863. Published by Renee Allsbrook Music (A0.915827). Looking for the perfect song for your Christmas Eve service? As music director and pianist at my church, I was too! So one year I decided to write this one. Perhaps the ideal way to present this song is with a soloist who is joined by a choir of adults (or children!) singing in unison on the second and third choruses--emulating a choir of angels. When used this way, this song provides an easy way to stretch your rehearsal time at the Christmas season, as the choir can easily participate, yet there is no learning of extra parts. Brimming with worship of the Christ Child from the very first lyric, Heaven's Here to Stay begins by quietly evoking the atmosphere of the stable. When the chorus arrives, the jubilant singing of the angels arrives as well: Glory in the highest, for the Peace of heaven comes to earth! Glory in the highest--Hope itself was born in Jesus's birth. For Death is dying, Fear is cowering, Light is chasing Night away. The burning love of heaven's here to stay. The second verse takes us from the manger scene to the hills of Judea, where we hear Jesus's words: Come, you weary ones to me, I will give you rest. Trade your tattered rags for my robes of purest white. Come, you hungry, eat, be satisfied. You're all need, but I'm all giving; be still and just receive. The PDF contains parts in this order: 1.Voice/Piano full score in C 2.Violin part in C 3.Lead Sheet in C 4.Lead Sheet in D 5.Violin part in D 6.Piano/Violin/Voice full score in C.
$4.99
Say A Prayer For Me ( BQ)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Joseph Pugh
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Say A Prayer For Me
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855196 Composed by Joseph Pugh. Christian,Jazz,Pop,Rock. Score and parts. 3 pages. Joseph ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.855196 Composed by Joseph Pugh. Christian,Jazz,Pop,Rock. Score and parts. 3 pages. Joseph Pugh #6433759. Published by Joseph Pugh (A0.855196). At the behest of sagecrest, an online friend and Brass Quintet leader here is the Jazz BQ arrangement of ,Say A Prayer For Me, by Joseph Pugh. Download it today and join in on a celebration of fine music.
$9.99
Arise! Join the Dance of Life
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Chorale SATB
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FACILE
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Connie Pwll Walck Tyler
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Arise! Join the Dance of Life
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1008093 Composed by Connie Pwll Walck Tyler. Concert,Contemporary,New Age,Sacred,World. Octavo. 19 pages. Connie...
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Choral Choir (SATB) - Level 2 - SKU: A0.1008093 Composed by Connie Pwll Walck Tyler. Concert,Contemporary,New Age,Sacred,World. Octavo. 19 pages. Connie Tyler #4884389. Published by Connie Tyler (A0.1008093). This work for SATB, Marimba, French Horn and drums can be performed substituting a piano for the Marimba, or using an electronic keyboard, if the instrumentation is hard to come by. In the attached .mp3 it is sung by Matthew Curtis to an electronic recording of the instruments. Contact connie@deephum.com to obtain an electronic recording of the instrumentals. The song is one of many found in the novel, The Earth Woman Tree Woman Quartet, also written by Connie Pwll Walck Tyler. It is a call for people to see themselves as part of the whole earth, to join the Dance of Life, the central metaphor of the novel. It opens with a haunting call by the French Horn, and then the tenors, before the drums, marimba, and the other voices join. There is a soprano descant at measure 71 that can be sung as a solo. Peace, peace, laughter and dance, joy and life for us all. Sing your tears, sing your fears.... The piece is about four minutes long. The words are:Arise! Arise!Open up your heart.Open up your heart to the Dance of Life!Arise! Arise!Open up your eyes. Open up your eyes,Arise! Arise!See the world in the Dance of Life.Beat your feet to the beat of your heart.Dance the Dance of Life.Peace, peace, laughter and dance,Joy and life for us all.Sing your fears, sing your tears,Sing oppression through the years,Peace and justice for us all.Peace, peace, laughter and dance,Joy and life for us all.Joy and life for us all.Wake up and open up your heart to life.Wake up and see the world with compassionate eyes.Sing out and open up your heart.Sing out and open up your lives! Join the Dance of Life!Dance the Dance of Life!Arise! Arise!Open up your heart to the Dance of Life!Dance the Dance of Life! See my website at www.deephum.com and my facebook pages at Connie Pwll Walck Tyler, Deep Hum Productions, and The Earth Woman Tree Woman Quartet. For more information contact me at connie@deephum.com.
$8.00
Abide With Me
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Chorale SATB
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INTERMÉDIAIRE
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Henry Francis Lyte, William He
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Guy Bunce
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Abide With Me
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Enigma Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.816697 Composed by Henry Francis Lyte, William Henry Monk. Arranged by Guy Bunce. Christian,Christmas,Contempora...
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Choral Choir (SATB) - Level 3 - SKU: A0.816697 Composed by Henry Francis Lyte, William Henry Monk. Arranged by Guy Bunce. Christian,Christmas,Contemporary,Easter,Sacred. Octavo. 9 pages. Enigma Music #4888881. Published by Enigma Music (A0.816697). This modern arrangement of 'Abide With Me' was made soon after the passing of the British choral master and arranger David Wilcock and is therefore dedicated to him. The first verse is given to a soloist (possibly offstage) before the first sopranos enter with the second verse accompanied by cloud-like harmonies provided by the second sopranos and altos. The third verse is set for the tenors with further building of sound leading to a more traditional setting for the final verses. The last verse includes a new descant for the sopranos.This arrangement is suitable for a moderate to advanced level choir, and the audience or congregation can join in with the last verse. An arrangement for choir and orchestra is also available. .
$2.99
Take Me Home
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Chorale TTBB
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FACILE
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Tom Waits
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Bob Eggers
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Take Me Home
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ROBERT J EGGERS
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1355167 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Contemporary,Film/TV....
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Choral Choir,Choral (TTBB) - Level 2 - SKU: A0.1355167 By Tom Waits. By Tom Waits. Arranged by Bob Eggers. 20th Century,A Cappella,Contemporary,Film/TV. 7 pages. ROBERT J EGGERS #939832. Published by ROBERT J EGGERS (A0.1355167). From the 1982 Francis Ford Coppola film, One From the Heart, originally performed by Crystal Gayle, Take Me home consisted of a verse and chorus. This arrangement extends the song by starting with a verse set for a male voice, followed by a verse set for a female, whereupon both join over an active background to sing a duet for the final chorus and conclusion.Orchestration for the active ensemble is TTBB. The song touches on the universal theme of disappointing one's partner and asking for forgiveness. It's low-key, mellow, bittersweet and romantic.Suitable for all audiences.Duration 2:42.
$1.99
All Of Me
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Gerald Marks and Seymour Simon
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Wendy Loder, ASCAP
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All Of Me
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LarkAngel Productions
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1273413 Composed by Gerald Marks and Seymour Simons. Arranged by Wendy Loder, ASCAP. Jazz,Pop,Standar...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1273413 Composed by Gerald Marks and Seymour Simons. Arranged by Wendy Loder, ASCAP. Jazz,Pop,Standards. 1 pages. LarkAngel Productions #865571. Published by LarkAngel Productions (A0.1273413). This upbeat Standard is arranged here for Violin & Cello Duo, with chords included for piano, guitar, or more instruments to join in. Works great as just the duo, and is lots of fun to play!
$9.99
Walk with Me
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Piano seul
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AVANCÉ
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New Age
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Ann Ruane
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Walk with Me
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Ann Ruane-Lux Eterna Healing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1308114 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897388. Published by Ann Ruane-Lux ...
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Piano Solo - Level 5 - SKU: A0.1308114 Composed by Ann Ruane. New Age. Score. 8 pages. Ann Ruane-Lux Eterna Healing #897388. Published by Ann Ruane-Lux Eterna Healing (A0.1308114). The soul connection of this piece inspired the gospel nature. There is passion, desire, openness, and support held within the lyrics. The joy is palpable.        Refrain: Walk with me, talk with me, share your dreams, share your fears. Walk with me, talk with me, let me lead you to love.        Verse 1: The journey continues; the path always shown with magic and miracles guiding the way!        Bridge: New companions now join you: your heart, your soul, your divine light.        Verse 2: The whispers persist, “Come home to your heart, your sacred, your sacred, your sacred vault of truth. Vault of truth!†(From the opening poem of “Fall in Love with the Whispers of Your Heart†Book 2.)From the collection, “Inner Mosaic,†by Ann Ruane. Perfect for meditation, healing therapies, service prelude/interlude, reflection, and more.
$3.50
Join all the glorious names. A new tune to a wonderful Isaac Watts hymn.
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Chorale Unison
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FACILE
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Harry Hicks
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Join all the glorious names. A
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994506 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357499. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994506 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357499. Published by Harry Hicks (A0.994506). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99
Come let us join a cheerful tune. A new tune to a wonderful Isaac Watts hymn.
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Chorale Unison
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FACILE
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Harry Hicks
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Come let us join a cheerful tu
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994397 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4355923. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994397 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4355923. Published by Harry Hicks (A0.994397). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99
Let us join. A new tune to wonderful Wesley hymn.
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Chorale Unison
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FACILE
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Harry Hicks
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Let us join. A new tune to won
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994514 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357525. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994514 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357525. Published by Harry Hicks (A0.994514). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99
Join all the names. A new tune to a wonderful Isaac Watts hymn.
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Chorale Unison
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FACILE
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Musique Sacrée
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Harry Hicks
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Join all the names. A new tune
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Harry Hicks
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SheetMusicPlus
Choral Choir (Unison) - Level 2 - SKU: A0.994507 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357503. Published b...
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Choral Choir (Unison) - Level 2 - SKU: A0.994507 Composed by Harry Hicks. Christian,Sacred,Spiritual. Octavo. 1 pages. Harry Hicks #4357503. Published by Harry Hicks (A0.994507). This is a new tune to an old hymn that needs to be rediscovered.It is taken from a book of mine of over 400 hymns that have been given new tunes – written by me - that reflect the sentiment of the words. The book is entitled Praise! and is available. There are also some brand new hymns that need to be more widely known. All are Biblically sound, and all are suitable for congregational singing.
$1.99
(you Drive Me) Crazy
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Chorale SATB
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FACILE
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Pop musique
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Britney Spears
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Sam Stanley
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(you Drive Me) Crazy
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Sam Stanley
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1152575 By Britney Spears. By David Kreuger, Jorgen Elofsson, Martin Sandberg, and Per Magnusson. Arranged by Sa...
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Choral Choir (SATB) - Level 2 - SKU: A0.1152575 By Britney Spears. By David Kreuger, Jorgen Elofsson, Martin Sandberg, and Per Magnusson. Arranged by Sam Stanley. Pop. Octavo. 9 pages. Sam Stanley #752802. Published by Sam Stanley (A0.1152575). This arrangement is intended to be flexible and should be adapted to fit the needs of the choir. The Lead line, notated in the top staff, is intended to be miked and amplified. This line could also be assigned to a group within the choir or split between multiple soloists. Throughout the arrangement, the choir accompanies the soloist. During the verses this accompaniment is sparse and accessible. The choruses of the song are tutti sections where the full choir and soloist join together, sometimes in harmony and sometimes in choral unison.
$2.99
I'm Gonna Live So God Can Use Me - Congregational Set (for Lead, SATB choir, Piano, and Ensemble)
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Musique Sacrée
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Soprano--C4 to A4
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I'm Gonna Live So God Can Use
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Sharon Wilson
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SheetMusicPlus
Large Ensemble B-Flat instrument,C Instrument,Cello,Choir,Clarinet,E-Flat Instrument,Flute,High Voice,Low Voice,Medium Voice,Oboe,Piano Accompaniment,Saxophone,...
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Large Ensemble B-Flat instrument,C Instrument,Cello,Choir,Clarinet,E-Flat Instrument,Flute,High Voice,Low Voice,Medium Voice,Oboe,Piano Accompaniment,Saxophone,Trombone,Trumpet,Violin - Level 3 - SKU: A0.564609 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 34 pages. Sharon Wilson #1501. Published by Sharon Wilson (A0.564609). No one need be left out in this fun, easy-to-learn arrangement which includes reproducible parts for the congregation and an eclectic ensemble of instruments (flute, oboe, violin, trumpet, clarinet, trombone, cello, saxophone, and others). The lead singer carries the melody while the SATB choir (or quartet) echoes with the harmony parts. After a verse or two, the congregation can join in using the reproducible lead sheet (or since the words are in the public domain, project them on a screen). The score includes four verses (I'm gonna live, work, pray, sing...) but the song can be made as long or short as desired by using fewer verses or repeating some or even adding more words in place of the four suggested. The Lead, SATB, and 2 additional harmony parts (a descant and bass line) are transcribed for C instruments and most parts are also transcribed for B-Flat and E-flat instruments. There is also a separate piano accompaniment score with the melody line (and guitar chords) for reference. Written in the key of F major, the vocal ranges are as follows: Lead--C4 to D5; Soprano--C4 to A4; Alto--A3 to F4; Tenor--F3 to C4; Baritone--C3 to A3. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$29.99
Domine in adjuvandum me festina, from 'Vespro della Beata Vergine'
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Orgue
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Renaissance
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Classique
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C
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Marc Goris
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Domine in adjuvandum me festin
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Brassery Publications
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SheetMusicPlus
Small Ensemble Organ - SKU: A0.999615 Composed by C. Monteverdi. Arranged by Marc Goris. Baroque,Renaissance. Score and parts. 16 pages. Brassery Public...
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Small Ensemble Organ - SKU: A0.999615 Composed by C. Monteverdi. Arranged by Marc Goris. Baroque,Renaissance. Score and parts. 16 pages. Brassery Publications #5994473. Published by Brassery Publications (A0.999615). Domine in adjuvandum me festina, for brass quintet and organ music : Claudio Monteverdi/ arr. M. Goris duration : 3 minThis arrangement is written for the second edition of 'Organ Pipes and Brassery Bells'. A project from Brassery wherein the brass quintet joins forces with an organ in the magnificant Sint- Paul's Church in Antwerp, Belgium.more info : https://brassery.be/english/production/organ-pipes-and-brassery-bells-(eng).html Included : Score/ Organ1. Piccolo tpt in A2. Piccolo tpt in AHorn in FTrombone CTuba C
$20.00
She'll Miss Me Most of All
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Piano, Voix
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Ed
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She'll Miss Me Most of All
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.23563 Composed by Ed. Nelson. Fireplaces, Mothers & children, Farewells, Courtship, Fathers & children, World War I. Lester S....
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Piano and voice - SKU: LV.23563 Composed by Ed. Nelson. Fireplaces, Mothers & children, Farewells, Courtship, Fathers & children, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23563). She'll Miss Me Most of All. [note on bottom inside margin The author of the lyrics of this song was called away for military duty ad a unable to complete second verse as he is now Somewhere In France]. Words by Will J. Hart. Music by Ed. Nelson. Published 1918 by A.J. Stasny Music Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fireplaces, Mothers & children, Farewells, Courtship, Fathers & children, World War I. First line reads Last night I joined the regulars, I'm glad I volunteered.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Walk Me Home
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Pink
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Kirstie Smith
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Walk Me Home
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Kirstie Smith
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SheetMusicPlus
Choral Choir,Choral,SAT Chorus - Level 1 - SKU: A0.1468430 By Pink. By Alecia Moore, Nate Ruess, and Scott Harris. Arranged by Kirstie Smith. 21st Centu...
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Choral Choir,Choral,SAT Chorus - Level 1 - SKU: A0.1468430 By Pink. By Alecia Moore, Nate Ruess, and Scott Harris. Arranged by Kirstie Smith. 21st Century,Contest,Country,Festival,Pop,Rock. 6 pages. Kirstie Smith #1046748. Published by Kirstie Smith (A0.1468430). An exciting and fun arrangement for SSAT or SSAA voices, perfectly crafted for mixed voice choirs and choral ensembles. Highly recommended for school, college and university choir performances. A superb addition to any concert, festival or musical production!This bespoke arrangement was commissioned for a Gothic Horror Sketch whereby Frankenstein's monster (Tenor) sang the verses, joined by the cast for harmonised choruses, however this easy to follow arrangement has been adapted so that any solo voice or group ensemble may be featured.
$3.50
That Don't Impress Me Much
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Chorale SSAA
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INTERMÉDIAIRE
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Country
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Shania Twain
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Liz Garnett
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That Don't Impress Me Much
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 ...
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Choral Choir (SSAA) - Level 3 - SKU: A0.856162 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Liz Garnett. Country. Octavo. 9 pages. Liz Garnett #3863255. Published by Liz Garnett (A0.856162). From Shania Twain's 1997 album Come on Over, this song is a reminder that such an inviting title does not mean the singer has abandoned her critical faculties. There has rarely been such a clear statement of womankind's general indifference to the things men use to jostle for status with each other.The arrangement contrasts stark sections that are mostly in two parts (occasionally blossoming out into more for effect) with sections in full four-part harmony. The splitting and joining of parts makes me think of it as more suitable for an ensemble with multiple voices per part than a quartet.The arrangement is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written).Vocal Ranges:Tenor: B flat 3 - E flat 5
$2.99
I'm Going To Live So God Can Use Me!
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Gospel Spirituel
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African American Spiritual
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Keith Loftis
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I'm Going To Live So God Can U
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Keith Loftis
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.493804 Composed by African American Spiritual. Arranged by Keith Loftis. Jazz,Sacred,Spiritual,Traditional. Score and...
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Brass Ensemble - Level 4 - SKU: A0.493804 Composed by African American Spiritual. Arranged by Keith Loftis. Jazz,Sacred,Spiritual,Traditional. Score and parts. 17 pages. Keith Loftis #108604. Published by Keith Loftis (A0.493804). This is a light-hearted arrangement that starts out with a swinging Trombone and Tuba duet. In the second and third verses, the ensemble joins in with playful interplay among the instruments. Things slow down in the fourth verse where the Horn takes us to church. For the last verse, the second Trumpet gets a little love by taking the lead to take us home. Whether used in church or programed in a community event, this arrangement is sure to get some toes tapping.
$1.99
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
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