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Vous avez sélectionné:
Jolly Old Roger
Partitions à imprimer
6 partitions trouvées
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Jolly Old Roger
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1239443 Composed by…
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1239443 Composed by Folk song from old New England. Arranged by Richard Giszczak. Folk. Individual part. 3 pages. Singing Winds Music Company #834828. Published by Singing Winds Music Company (A0.1239443). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, and 2 variations.The first verse reads: 'Twas jolly old Roger, the tin-maker man, Who lived in a garret of New Amsterdam, And showered down blessings like rain in the spring, Ah! maidens and matrons, of him I would sing. The words of the chorus are: There never was yet a boy or a man, who better could mend tin kettle or pan or bucket or skimmer or dipper or can, Than jolly old Roger, the tin-maker man. Chee-whang! Chee-whang! Chee-whang! Chee-whang! Terattle, terattle, terattle, teBANG!.
$2.00
1.86 €
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Folk song from old New England
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Richard Giszczak
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Jolly Old Roger
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Singing Winds Music Company
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SheetMusicPlus
Old Jolly Roger (For Young Band - Score and the parts)
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.872382 Composed by Ilari Hylkil. …
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Concert Band - Level 1 - Digital Download SKU: A0.872382 Composed by Ilari Hylkil. Children,Film/TV,Instructional. Score and parts. 38 pages. Ilari Hylkila #16743. Published by Ilari Hylkila (A0.872382). Old Jolly Roger is a story about Captain Hook´s legendary ship. Old Jolly Roger goes for a trip one more time. The composition is made for young band, those who have played 1 year or more. There are also additional parts for beginners. Those parts are named as extra.
$45.00
41.94 €
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Orchestre d'harmonie
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Ilari Hylkil
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Old Jolly Roger
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Ilari Hylkila
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SheetMusicPlus
My Jolly Sailor Bold
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.828794 Composed by Traditional. Arranged by…
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Concert Band - Digital Download SKU: A0.828794 Composed by Traditional. Arranged by Roger Müller. Contemporary. Score and parts. 31 pages. Althorn-music #3390411. Published by althorn-music (A0.828794). Mermaid Song.
$30.00
27.96 €
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Orchestre d'harmonie
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Traditional
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Roger Müller
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My Jolly Sailor Bold
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althorn-music
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SheetMusicPlus
The Ballad of John Silver
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1208057 Composed by L. E. …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1208057 Composed by L. E. Bolden. 20th Century,Folk,Historic. Octavo. 12 pages. Lyndsay Bolden #806184. Published by Lyndsay Bolden (A0.1208057). This lilting choral piece tells the story of Long John Silver and his pirate crew, sailing the seven seas aboard the Jolly Roger. It is written for four parts with piano and fiddle accompaniment.
$4.99
4.65 €
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Chorale SATB
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L
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The Ballad of John Silver
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Lyndsay Bolden
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SheetMusicPlus
Lily The Pink
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1131196 By The Scaffold. By…
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1131196 By The Scaffold. By John Gorman, Mike McGear, and Roger McGough. Arranged by Karen Ivana. 20th Century,Comedy,Folk,Pop. Octavo. 11 pages. Karen Ivana #731449. Published by Karen Ivana (A0.1131196). Daft and jolly song celebrating the work of Lydia Pinkham, who invented a herbal tonic medicine in 19th century USA, made famous by The Scaffold in the 60s. Arranged for SSA choir and piano.
$2.99
2.79 €
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Chorale 3 parties
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The Scaffold
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Karen Ivana
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Lily The Pink
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Karen Ivana
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.31 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
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