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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Vous avez sélectionné:
José Luis G
Partitions à imprimer
17 partitions trouvées
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1
La Boda De Luis Alonso (Intermedio)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1402019 By José Hernán Navar…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1402019 By José Hernán Navarro Sánchez. By G. Giménez. Arranged by José Hernán Navarro Sánchez. 20th Century,Classical,Folk,Latin,Romantic Period. Individual part. 6 pages. José Hernán Navarro Sánchez #985218. Published by José Hernán Navarro Sánchez (A0.1402019).
$3.99
3.68 €
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Guitare
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José Hernán Navarro Sánchez
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La Boda De Luis Alonso
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José Hernán Navarro Sánchez
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SheetMusicPlus
La Boda De Luis Alonso (Intermedio)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1402020 By José Hernán Navarro SÅ
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Guitar - Level 3 - Digital Download SKU: A0.1402020 By José Hernán Navarro Sánchez. By G. Giménez. Arranged by José Hernán Navarro Sánchez. 20th Century,Classical,Folk,Latin,Romantic Period. Guitar Tab. 6 pages. José Hernán Navarro Sánchez #985219. Published by José Hernán Navarro Sánchez (A0.1402020).
$3.99
3.68 €
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Guitare notes et tablatures
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José Hernán Navarro Sánchez
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La Boda De Luis Alonso
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José Hernán Navarro Sánchez
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SheetMusicPlus
Amapola ~ [Ukulele Solo] (Low-G)
Ukulele
Ukulele - Level 2 - Digital Download SKU: A0.1358483 Composed by music by Joseph La…
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Ukulele - Level 2 - Digital Download SKU: A0.1358483 Composed by music by Joseph Lacalle and words by Luis Roldán. Arranged by Winter Sparrow. Multicultural,Pop,Traditional,World. Score. 2 pages. Winter Sparrow #942941. Published by Winter Sparrow (A0.1358483). Amapola means poppy flower in Spanish. It is said to be a love song that depicts a poppy flower as a beloved person.The ukulele solo is a low-G, fingerstyle arrangement.
$1.99
1.83 €
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Ukulele
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music by Joseph Lacalle and words by Luis Roldán
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Winter Sparrow
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Amapola ~ [Ukulele Solo]
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Winter Sparrow
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SheetMusicPlus
Death Theme from the Paramount Motion Picture THE UNTOUCHABLES
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.905090 Composed by Ennio Morricone.…
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Piano Solo - Level 3 - Digital Download SKU: A0.905090 Composed by Ennio Morricone. Arranged by José Luis G. Film/TV. Score. 2 pages. José Gonzalez #3537453. Published by José Gonzalez (A0.905090). Death Theme by Ennio MorriconeHere is the piano arrangement from the 1987 movie The Untouchables. Memorable composition by this prolific italian composer The composition as well as the arrangement requiers and incites you to be calm and serene. Very useful to learn not to rush your reading and your mind and so to be on tempo.Enjoy music
$12.00
11.06 €
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Piano seul
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Ennio Morricone
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José Luis G
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Death Theme from the Paramount Motion Picture THE UNTOUCHABLES
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José Gonzalez
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SheetMusicPlus
You Know I'm No Good
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.905089 By Amy Winehouse Featuring G…
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Piano Solo - Level 3 - Digital Download SKU: A0.905089 By Amy Winehouse Featuring Ghostface Killah. By Amy Winehouse. Arranged by José Luis G. R & B,Soul. Score. 7 pages. José Gonzalez #3514307. Published by José Gonzalez (A0.905089). Intermediate - Advanced arrangement for those who want to improve their piano skills and of course love soul blues and jazz music.This arrangement has what it takes to develop your piano skills. It contains octaves, chromatic notes, harmony and triplets. Some parts of the bass and brass section (which make the song unique) are incorporated as well. Also helpful to practice your touch and piano expression.Definitely a unique and singular song to have in your repertoire. Enjoy it.
$10.00
9.21 €
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Piano seul
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Amy Winehouse Featuring Ghostface Killah
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José Luis G
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You Know I'm No Good
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José Gonzalez
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SheetMusicPlus
Harmonies - Dread, Darkness, Despair..... Light (Full Score)
Small Ensemble Bass Clarinet,Cello,Flute,Vibraphone,Viola - Level 5 - Digital Download …
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Small Ensemble Bass Clarinet,Cello,Flute,Vibraphone,Viola - Level 5 - Digital Download SKU: A0.1027463 Composed by José Luis Gómez-Aleixandre. Contemporary. Score and parts. 16 pages. JLmusicP #481173. Published by JLmusicP (A0.1027463). Piece for Flute, Bass Clarinet, Vibraphone, Viola and Violoncello awarded with the Special Prize Piero Pezzé on the 10th International Composition Contest Citàdi Udine - Live Recording from the Premiere.
$10.00
9.21 €
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José Luis Gómez-Aleixandre
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Harmonies - Dread, Darkness, Despair..... Light
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JLmusicP
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SheetMusicPlus
Sinfonietta
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1027462 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.1027462 Composed by José Luis Gómez-Aleixandre. Contemporary. 30 pages. JLmusicP #481141. Published by JLmusicP (A0.1027462). Introduction and three landscapes for wind quintet and five mechanical metronomes.
$10.00
9.21 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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José Luis Gómez-Aleixandre
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Sinfonietta
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JLmusicP
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SheetMusicPlus
OrÃgenes (piano + cello)
Violoncelle, Piano
By Fernando Manuel. By Fernando Manuel. Arranged by José Luis G.Moya. 21st Ce…
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By Fernando Manuel. By Fernando Manuel. Arranged by José Luis G.Moya. 21st Century, Classical, Contemporary, Film/TV, Latin. 9 pages. Fernando manuel #879287. Published by fernando manuel
$9.99
9.21 €
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Violoncelle, Piano
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Fernando Manuel
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José Luis G
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Luis G
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OrÃgenes
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fernando manuel
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SheetMusicPlus
Rãgã y bulerías II
2 Guitares (duo)
2 guitars - Intermediate - Digital Download SKU: ZZ.DZ-2280 Composed by Jose-Luis N…
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2 guitars - Intermediate - Digital Download SKU: ZZ.DZ-2280 Composed by Jose-Luis Narvaez. Scores (2). 24 pages. Les Productions d'OZ - Digital #DZ 2280. Published by Les Productions d'OZ - Digital (ZZ.DZ-2280). ISBN 9782897371975.
$10.95
10.09 €
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2 Guitares (duo)
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Jose-Luis Narvaez
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Rãgã y bulerías II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.6 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
I'll Be There
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1432494…
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1432494 By Martin Nievera. By Jose Luis Ocampo and Martin Nievera. Arranged by Mark Jordan Mascarenas. A Cappella,Chamber. 5 pages. M. Jordan G.Mascareñas #1012974. Published by M. Jordan G.Mascareñas (A0.1432494). An filipino love song arranged in Acapella, SATB with male solo. Feel the composers message through this song.
$30.00
27.64 €
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Chorale SATB
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Martin Nievera
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Mark Jordan Mascarenas
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I'll Be There
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M. Jordan G.Mascareñas
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SheetMusicPlus
Palmeras en la noche. Vals
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.919315 Composed by Luis Sa…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.919315 Composed by Luis Sanchez. Arranged by Ricardo José Romero Núñez. Contemporary. Octavo. 9 pages. Ricardo José Romero Núñez #3455781. Published by Ricardo José Romero Núñez (A0.919315). Palmeras en la noche es un vals , género perteneciente a la región Zuliana de de Venezuela en el occidente. Es apropiada para escuelas y estudiantes. funciona con finale 2011 o 2014.
$10.00
9.21 €
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Chorale SATB
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Luis Sanchez
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Palmeras en la noche. Vals
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Ricardo José Romero Núñez
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SheetMusicPlus
Mi lago Azul , Contradanza
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.919317 Composed by Luis Sa…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.919317 Composed by Luis Sanchez. Arranged by Ricardo José Romero Núñez. Contemporary. Octavo. 3 pages. Ricardo José Romero Núñez #3455435. Published by Ricardo José Romero Núñez (A0.919317). Mi lago Azul es una contradanzadanza , género perteneciente a la región Zuliana de de Venezuela en el occidente. Es apropiada para escuelas y estudiantes. funciona con finale 2011 o 2014 . Está arreglada para cuatro voces .
$8.00
7.37 €
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Chorale SATB
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Luis Sanchez
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Mi lago Azul , Contradanza
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Ricardo José Romero Núñez
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SheetMusicPlus
Linda Zuliana , Danza
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.919313 Composed by Luis Sa…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.919313 Composed by Luis Sanchez. Arranged by Ricardo José Romero Núñez. Contemporary. Octavo. 4 pages. Ricardo José Romero Núñez #3455431. Published by Ricardo José Romero Núñez (A0.919313). Linda Zuliana es una danza , género perteneciente a la región Zuliana de de Venezuela en el occidente. Es apropiada para escuelas y estudiantes. funciona con finale 2011 o 2014 .
$10.00
9.21 €
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Chorale SATB
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Luis Sanchez
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Linda Zuliana , Danza
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Ricardo José Romero Núñez
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
23.03 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
23.04 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Camino Verde
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.1289882 By Bostich + Fussible. By…
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C Instrument - Level 1 - Digital Download SKU: A0.1289882 By Bostich + Fussible. By Gerardo Molina, Humberto Elorza Luis Cisneros, Jorge Garcia, and Jose Trinidad Morales Gutierrez. Arranged by juan carlos esteve de la concepción. Latin. Lead Sheet / Fake Book. 2 pages. Juan Carlos Esteve #880583. Published by Juan Carlos Esteve (A0.1289882). Cifrado de acordes del tema Camino Verde.•   La  descarga contiene 1 página en formato pdf  tamaño folio A4 (21x29,7cm)-(8,27x11,69 pul)•   Tono original: G•   Número total de compases: 91•   Grado de dificultad: Muy fácil.•         Esta partitura está ajustada para tocar con grupo o banda. Clic aquàpara descargar otras partituras
$4.00
3.69 €
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Piano Facile
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Bostich + Fussible
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Camino Verde
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Juan Carlos Esteve
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SheetMusicPlus
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