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Jump - Quad Toms
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
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CORNET
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Vous avez sélectionné:
Jump - Quad Toms
SheetMusicPlus
Partitions à imprimer
5 partitions trouvées
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1
Voodoo
Percussion Quartet Marimba,Tom Tom,Vibraphone,Xylophone - Level 4 - Digital Download SK…
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Percussion Quartet Marimba,Tom Tom,Vibraphone,Xylophone - Level 4 - Digital Download SKU: A0.1319607 Composed by Lisa Jump. 21st Century,Contemporary,Halloween. 11 pages. Lisa Jump #908165. Published by Lisa Jump (A0.1319607). This percusion ensemble is designed to create tension and leave no relief. It is a 4 player piece consisting of Xylophone, Vibraphone, Marimba, & Toms. It is fast and exciting!
$19.99
18.4 €
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Lisa Jump
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Toms
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Voodoo
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Lisa Jump
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SheetMusicPlus
Not So Quiet Please
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.791978 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.791978 Composed by Sy Oliver. Arranged by Oliver/La Barbera. Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show,Standards. Score and parts. 26 pages. Deaver Enterprises ASCAP #399191. Published by Deaver Enterprises ASCAP (A0.791978). Not So Quiet Please is one of five transcription/Arrangements (Carioca, Hawaiian War Chant, Well Git IT, Oop Bop Sh' Bam) I did for the Buddy Rich Retrospective at the Kool Jazz festival in 1982. After transcribing the originals I updated & re-arranged them to Buddy's liking without obscuring the intent of the originals. This arrangement is a composite of two recordings Buddy did of Quiet with Tommy Dorsey. The solo trumpet (first time at M. 9) can be played with all four trumpets both times if you choose and certain sections can be altered to suit your performance. We agreed on adding the eight bar shout after the drum solo to make the ending a little less anticlimactic. If you prefer, you can jump to M. 85 after the drum solo like the original. The drummer can stay on the toms and bass drum for the entire piece or alternate with a regular ride/hi hat swing pattern.
$85.00
78.23 €
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Ensemble Jazz
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Sy Oliver
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Oliver/La Barbera
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Not So Quiet Please
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Deaver Enterprises ASCAP
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SheetMusicPlus
Quasi-tonal Fanfare for Brass and Percussion
Brass Band Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - Digital Download
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Brass Band Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1272834 Composed by Drew Morris. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. Score and Parts. 45 pages. Yellow Envelope Publications #865032. Published by Yellow Envelope Publications (A0.1272834). Quasi-tonal Fanfare for Brass and Percussion starts with a flurry of double tonguing in the trumpets, then rips into a whole series of sections that jump around tonality at random, sometimes following harmonic structures, sometimes not.The percussion is used not simply as support for the brass, but as an equally important voice, weaving in and out of the texture, supplying important direction and momentum to the piece.Instrumentation4 Trumpet, 4 Horn, 3 Trombone, Euphonium, Tuba6 Percussionists - Timpani, Snare Drum, Bass Drum, Concert Toms (4), Temple Blocks, Whip/Slapstick
$45.00
41.41 €
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Drew Morris
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Quasi-tonal Fanfare for Brass and Percussion
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Yellow Envelope Publications
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.19 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Short Suite for solo oboe
Hautbois (partie séparée)
Oboe Solo - Level 5 - Digital Download SKU: A0.914138 Composed by Tom Swafford. 20t…
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Oboe Solo - Level 5 - Digital Download SKU: A0.914138 Composed by Tom Swafford. 20th Century,Contemporary. Individual part. 8 pages. Tom Swafford #3575043. Published by Tom Swafford (A0.914138). Piece in five movements: Lonesome, Hornpipe, Jumping (audio example), Ode, Whirling; in a variety of moods and tempi that highlight many of the oboe's unique possibilities. The last movement is particularly challenging.  At its premiere, oboist Irami Osei-Frimpong had the idea of performing the first movement from off stage. This was quite effective. Duration: ca 8 minutes. www.tomswafford.com ASCAP.
$4.00
3.68 €
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Hautbois (partie séparée)
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Tom Swafford
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Short Suite for solo oboe
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Tom Swafford
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SheetMusicPlus
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