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Vous avez sélectionné:
Just A Little While To Stay
Partitions à imprimer
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Just A Little While To Stay
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.981648 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.981648 Composed by E.M. Bartlett. Arranged by Jim Ivy. Contemporary,Folk,Jazz,Traditional. Score and Parts. 29 pages. Jim Ivy #5213973. Published by Jim Ivy (A0.981648). This tune will have your audience jumping pews and shouting Halleluja! An easy arrangement for traditional dixieland bands, it features a tuba solo at the beginning and end. The middle section drives through and can be repeated at will for solos. It even makes a great tune traditional jazz funerals!
$16.99
15.64 €
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Ensemble Jazz
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E
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Jim Ivy
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Just A Little While To Stay
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Jim Ivy
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SheetMusicPlus
Just a Little While to Stay Here
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.900774 Composed by Eugene Monroe Bartle…
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Guitar - Level 2 - Digital Download SKU: A0.900774 Composed by Eugene Monroe Bartlett. Arranged by Enea A. Folk,Jazz,Patriotic. Guitar Tab. 2 pages. Enea Acco #5775825. Published by Enea Acco (A0.900774). Transcribed and arranged for guitar with chords and TAB.
$2.99
2.75 €
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Guitare notes et tablatures
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Eugene Monroe Bartlett
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Enea A
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Just a Little While to Stay Here
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Enea Acco
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SheetMusicPlus
Just a Little While to Stay Here
Ligne De Mélodie, (Paroles) et Accords
Composed by E.M. Bartlett. Arranged by Mark Huxhold. Christian, Spiritual, Jazz, Dixieland…
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Composed by E.M. Bartlett. Arranged by Mark Huxhold. Christian, Spiritual, Jazz, Dixieland. Lead Sheet. 3 pages. Published by Mark Wayne Music, LLC (S0.137517). - Lead Sheet - Christian,Spiritual,Jazz,Dixieland - Mark Wayne Music, LLC
$1.99
1.83 €
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Ligne De Mélodie, (Paroles) et Accords
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E
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Mark Huxhold
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Just a Little While to Stay Here
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Mark Wayne Music, LLC
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SheetMusicPlus
Waltz for Martha for Violin (with optional Clarinet)
Violon et Piano
Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Butt…
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Piano,Violin - Level 4 - Digital Download SKU: A0.1382422 Composed by Philip R Buttall. Children,Classical,Romantic Period,Traditional. 9 pages. PRB Music #742662. Published by PRB Music (A0.1382422). After being locked down by Covid, I had almost lost the will to live, let alone go on holiday again outside the UK. Two years before I had had a lovely time in Italy, visiting Rome, Pisa, Puccini's House, Florence, Sienna, and more. Almost at the end of the trip I stayed a couple of days with my dear musical friends in Perugia, where their then 8-year-old daughter, Martha, was making great strides forward on the violin (mum is a concert pianist and teacher, similarly dad, but on the clarinet. I had booked to stay in Cesena where they had moved two, and I had a lovely time here, two, adding Bologna, Rossini's Museum, Rimini and some of the Adriatic coast to my list of places visited. They, too, had had lockdowns, and cancellations, but quite by chance, the weekend I had planned to be in Cesena, was the rearranged date of a special outside concert in the imposing surroundings of Rocca Malatestiana, a medieval fortress than dominates the town. Martha was going to be performing a violin concerto by Rode, and her dad had adapted the orchestral accompaniment, so that the large clarinet ensemble could take its place on the night. It was a wonderful, moving evening, and Martha played so well. I don't think there was a dry eye in the house! When I knew I was visiting them this year, I wrote Martha a little fun piece, with piano accompaniment, that she might have been able to play while I was there. But because of the rescheduled concerto performance, there just wasn't enough time for her to learn and practise the piece with her violin teacher in Bologna. I even added an optional part for clarinet, so dad would not feel left out. Hopefully, one day, I might still hear Waltz for Martha played by its dedicatees! It's a kind of schmalzy Viennese Waltz, in the style of Kreisler and others! You can purchase the piano score and violin part here. The optional clarinet part is available FREE OF CHARGE - by emailing info@philiprbuttall.co.uk.
$10.95
10.08 €
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Violon et Piano
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Philip R Buttall
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Waltz for Martha for Violin
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PRB Music
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.59 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Fragile
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1398916 By Sting. By …
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1398916 By Sting. By Sting. Arranged by Teresa Young. Instructional,Jazz,Pop,Singer/Songwriter. Score. 6 pages. Teresa Young #982191. Published by Teresa Young (A0.1398916). Teresa Young's piano-vocal arrangement of Sting's exquisite ballad Fragile came about as most of hers do, because a talented student wanted to sing and play it. Accordingly, it stays very true to Sting's arrangement while providing a little additional vocal support without doubling the vocal melody. This version is in Sting's key of E minor. You can find a version here in D minor too, a slightly more user-friendly key for female vocalists. Just search Fragile Teresa Young. And enjoy interpreting your version of this incredible song.
$4.99
4.59 €
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Piano, Voix et Guitare
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Sting
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Teresa Young
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Fragile
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Teresa Young
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SheetMusicPlus
Fragile
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1398917 By Sting. By …
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1398917 By Sting. By Sting. Arranged by Teresa Young. Instructional,Pop,Rock,Singer/Songwriter. Score. 6 pages. Teresa Young #982192. Published by Teresa Young (A0.1398917). Teresa Young's piano-vocal arrangement of Sting's exquisite ballad Fragile came about as most of hers do, because a talented student wanted to sing and play it. Accordingly, it stays very true to Sting's arrangement while providing a little additional vocal support without doubling the vocal melody. This version is in D minor, a slightly more user-friendly key for female vocalists than Sting's key of E minor. But you can find Sting's key here too. Just search Fragile Teresa Young. And enjoy interpreting your version of this incredible song.
$4.99
4.59 €
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Piano, Voix et Guitare
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Sting
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Teresa Young
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Fragile
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Teresa Young
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SheetMusicPlus
Old French Song
Harpe
Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Perio…
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Composed by Pyotr Ilich Tchaikovsky. Arranged by Luis Anjos Teixeira. Romantic Period, Repertoire, Recital. Individual Part, Solo Part. 6 pages. Published by Luis Anjos Teixeira
The Children's Album is dedicated to Tchaikovsky's favorite nephew, Vladimir Davydov. On 12/24 December 1878, Tchaikovsky wrote to Lev Davydov: "Tell Bobik that the music has been printed with pictures, that the music was composed by Uncle Petya, and that on it is written Dedicated to Volodya Davydov. The silly little fellow will not understand what dedicated means... Even so, Bobik is an inimitably delightful figure when he's playing, and he might look at the notes, and think that a whole symphony is dedicated to him“.<br> <br> In a letter of 30 April/12 May 1878 to Nadezhda von Meck, the composer wrote: "A while ago I thought that it would not be a bad idea to make a small contribution to the stock of children's musical literature, which is very modest. I want to create a series of little individual pieces just for children, and with an attractive title, like Schumann`s.<br> <br> Some months before this letter was written, while staying in Florence on 14/26 February, Tchaikovsky told Pyotr Jurgenson that he wanted "to write a number of easy pieces, like Kinderstück“. Evidently, the idea of creating a collection of pieces for young people had not been abandoned by the composer, and after his return to Kamenka in April he decided to begin composition. In the aforementioned letter to Nadezhda von Meck, he informed her: "Tomorrow I shall start working on my collection of miniatures for children".<br> <br> On 1/13 May the composer wrote to Anatoly Tchaikovsky: "I'm working well and have done rather a lot". On 4/16 May the sketches for all 24 pieces were ready. Shortly afterwards, Tchaikovsky accepted an invitation from Nadezhda von Meck to stay at her Brailov estate until the end of May/beginning of June, before spending a few days in Moscow; from there he went to spend five days with his friend Nikolay Kondratyev at Nizy, and in mid/late June he called at Kiev, before returning to Verbovka. In the days following his arrival, he began to put the finishing touches to all the pieces written in April and May. The fair copy of the Children's Album was begun, it seems, on 13/25 July.<br> <br> By 20 July/1 August the copying out was completed, and on 21 July/2 August the composer told Nadezhda von Meck that he was working on the Liturgy of Saint John Chrysostom.<br> <br> On 29 July/10 August the manuscript of the Children's Album, along with a number of other compositions, was sent to Pyotr Jurgenson in Moscow. In October, after the proofs had been corrected, the album was published.<br> <br> <br> <br> P.S.- Other than a modest suggestion for an interpretation, this arrangements remain absolute faithful to the original composition. <br> <br> The first version is in the original key of g minor, the second is transposed to „a minor“, the third one is intended for a little lap harp and transposed to d minor. It sounds better in the original key of g minor. I used a lot the d minor version and performed it with my little harp very often, always experiencing a very deep musical feedback.<br> <br> A little nuance was added to the arrangements, thus obliged by its minimal use on the original manuscripts. <br> <br> I included the original long and expressive leggato bows and left out the staccatos for the left hand between the bars 17 and 20. I felt somehow awkward when applying this technic on the harp myself. <br> <br> May be the staccatos suites you best, and you should try it.<br> <br> The score was written on Finale.<br> <br> The sound file was produced with samplers from Garritan, <br> <br> intended as an audio support for the presentation of the score.<br> <br> A reproduction of Tchaikovsky`s original manuscript is added to the file as a reference to the original sources of this composition, it is an extra bonus intentionally didactic and obviously not included in the price of the arrangement itself.<br> <br> Thank you very much for taking your time to read this text and to listen to the file.<br> <br> I hope you enjoy the music.<br> <br>
$4.99
4.59 €
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Harpe
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Pyotr Ilich Tchaikovsky
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Luis Anjos Teixeira
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Old French Song
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Luis Anjos Teixeira
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SheetMusicPlus
Giddy Up!
Guitare notes et tablatures
Guitar,Voice - Level 2 - Digital Download SKU: A0.1200101 By Shania Twain. By David…
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Guitar,Voice - Level 2 - Digital Download SKU: A0.1200101 By Shania Twain. By David Stewart, David Stuart, Jessica Agombar, Sam Romans, Samuel Elliot Roman, and Shania Twain. Arranged by Alpin Smart (Transcription for Voice and Guitar)[TAB]. Country,Pop,Rock. Guitar Tab with Voice. 10 pages. SmartWorks Publications #798905. Published by SmartWorks Publications (A0.1200101). This upbeat little country pop rocker from the Queen of Country Pop-Rock is just 'what the doctor ordered' - a 'pick-me-up' and a 'tonic', this fast-paced track - the opener - from Ms Twain's latest album - the first for five years! - is sure to put a smile on your face, set your feet tapping, and - if you're driving* - undeniably one of the best songs for the road for many a year! 2:45 minutes of rock'n'roll feelgood fun, it's the best album opener I've stomped my feet to for a long, long while. Guaranteed to 'get your motor running', your heart racing and the blood pumping! *(But, watch your speed on the freeway!!). There's an awful lot packed into under three minutes: a driving guitar riff you can 'funk up like Diddley'; great vocals, catchy hooks, stop-start rhythms, heart-stopping dynamics - a gem of a pop-rock bopper, and a great piece of collaborative, virtuosic song-writing that will stay with you without ever becoming an 'ear-worm'!
$4.99
4.59 €
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Guitare notes et tablatures
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Shania Twain
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Giddy Up!
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SmartWorks Publications
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SheetMusicPlus
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