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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Just Between Us
Non classifié
16
Piano & claviers
Piano seul
9
Piano Facile
8
Piano, Voix et Guitare
2
Piano, Voix
1
Guitares
Voix
Chorale SATB
9
Chorale TTBB
3
Chorale 2 parties
2
Chorale SSATTB
1
Chorale 3 parties
1
Vents
2 Saxophones (duo)
4
Saxophone, Clarinette (duo)
3
Ensemble de Flûtes
2
Clarinette, Violon (duo)
2
2 Clarinettes (duo)
2
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière et Piano
1
Flûte, Saxophone (duo)
1
Flûte, Trompette (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette (duo)
1
Hautbois, Flûte
1
2 Flûtes traversières (duo)
1
2 Hautbois (duo)
1
+ 11 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Saxophone (duo)
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
1
2 Trompettes (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
2 Violons (duo)
2
Violoncelle, Piano
1
2 Violoncelles (duo)
1
Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Alto et Harpe
1
Violon, Violoncelle (duo)
1
Violon et Piano
1
Violon, Alto (duo)
1
Alto, Piano
1
2 Altos (duo)
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre
2
Cloches
1
Orchestre d'harmonie
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
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BATTERIE
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BUGLE
CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIELLE A RO…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Just Between Us
Partitions à imprimer
103 partitions trouvées
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101
A Time For Us (Love Theme)
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Nino Rota
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A Time For Us
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Learning the Harp
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SheetMusicPlus
Lever Harp - Level 4 - SKU: A0.1500755 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smut...
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Lever Harp - Level 4 - SKU: A0.1500755 By Nino Rota. By Eddie Snyder, Larry Kusik, and Nino Rota. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Film/TV,Romantic Period. Score. 5 pages. Learning the Harp #1076835. Published by Learning the Harp (A0.1500755). This rendition of A Time for Us is a beautiful performance piece that displays the full range of the harp! It sounds very impressive to play and creates such a hauntingly beautiful atmosphere. In this piece you’ll get practice with lots of 4-finger arpeggios between the two hands, jumping between registers, series of octaves and 10th intervals, many lever changes and some glissandos. If you learn along with the Video Course, Carrie will show you how to go beyond just playing the notes on the page by sharing tips on how to bring out the melody line so it sounds musical and doesn’t get lost among the many notes. She’ll also show you exactly how to practice those lever changes so that they feel controlled and predictable rather than rushed and frantic! This piece is challenging but so rewarding to play.Difficulty Level and Skills Required: Late-Intermediate. The right hand often plays the melody line and sometimes serves as a continuation of the left-hand accompaniment. The right hand also handles the quick placement of rolled chords under the melody and series of octaves. The left hand consists of 10th intervals, jumps between registers, and executes more challenging cross-under passages. Together, the two hands perform continuous placements, arpeggios, glissandos, and numerous lever changes.Type of Harp: For big harps, 34 strings or larger.Range: The lowest note is D almost two octaves below middle C, and the highest note is A two and a half octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). Many F lever changes throughout.
$5.99
For Unto Us A Child Is Born - Handel
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Tom Christie
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For Unto Us A Child Is Born -
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Tom Christie
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.974460 Composed by George Frideric Handel. Arranged by Tom Christie. Baroque. Score and part. 12 pages. Tom Christie #62...
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Cello,Piano - Level 4 - SKU: A0.974460 Composed by George Frideric Handel. Arranged by Tom Christie. Baroque. Score and part. 12 pages. Tom Christie #6203969. Published by Tom Christie (A0.974460). From Handel's famous Messiah, this piece 'For Unto Us A Child Is Born' is originally a choral composition, and it was tricky to arrange this piece for just one cello and a piano, but I think I have managed to form an arrangement that works well between the parts, and maintains the depth of sound that you have with four singers performing the piece, even though now it is just one cello. I have been really enjoying Handel's music recently, so here is a continuation of my Handel streak.
$8.50
Just Tonight
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jeff Scott
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Just Tonight
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Jeff Scott
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1023832 Composed by Jeff Scott. Broadway,Romantic Period. Score. 12 pages. Jeff Scott #2003197. Published by Jeff Scott (...
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Piano Solo - Level 4 - SKU: A0.1023832 Composed by Jeff Scott. Broadway,Romantic Period. Score. 12 pages. Jeff Scott #2003197. Published by Jeff Scott (A0.1023832). From the ghostly musical Til Death Do Us Start, comes this haunting love duet (between the two main characters, Chip & Madeline). This song happens just as Madeline is about to throw herself off Chip's roof (because he's engaged, and she's to be sacrificed)...it's all quite mad! As this song starts, Chip has stopped Madeline from jumping, and they sing their true feelings for each other. True love will save the day. SYNOPSIS: It is the summer of 1919 in Nantucket. At the engagement party for blue blood Chip Chatamborough and the pushy (though socially desirable) Bitsy Claypoole, Chip meets the exotic Madeline Mojeaux. It is love at first site, but Chip is to be married, and Madeline is scheduled to be sacrificed to the Ruler of the Netherworld at the next full moon. It is something of a dilemma. While the two are trying to find a solution, Madeline accidentally dances off the roof to an untimely death. With the help of Madeline's mother, the mystical Diabolique Mojeaux, Chip fakes his own death to follow Madeline beyond the grave, hoping to reclaim the one true love of his life.
$4.99
Just Give Me A Reason
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pink Featuring Nate Ruess
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Eve C
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Just Give Me A Reason
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Zene Strings
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.515923 By Pink Featuring Nate Ruess. By Alecia Moore, Jeff Bhasker, and Nate Ruess. Arranged by Eve C....
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String Quartet String Quartet - Level 3 - SKU: A0.515923 By Pink Featuring Nate Ruess. By Alecia Moore, Jeff Bhasker, and Nate Ruess. Arranged by Eve C. Mailly. Contemporary,Pop,Rock. Score and parts. 18 pages. Zene Strings #6269173. Published by Zene Strings (A0.515923). Just Give Me a Reason is an upbeat, fun-to-play song by PINK, arranged here for String Quartet. Melody is passed between the parts, making it more interesting to hear (and play). The famous Oh No sections are written as solo notes - a nice touch. From your friends at Zene Strings - enjoy!To see our other great arrangements visit: Zene Strings. Â Questions or comments? Â Email us at Music@ZeneSheetMusic.com. Â We're here to help!
$14.99
Just Between Us by Norman Brown - Easy Piano
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Piano Facile
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FACILE
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Norman Brown
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Just Between Us
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Musicnotes
Performed by: Norman Brown: Just Between Us Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chor...
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Performed by: Norman Brown: Just Between Us Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 5 pages -- Instrumental Pop~~Jazz~~Pop-Jazz~~Adult Contemporary~~Crossover Jazz~~Instrumental Jazz~~Smooth Jazz
$5.25
Respect (Build A Bridge)
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Chorale 2 parties
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FACILE
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Soul/R&B
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words and music by Glyn Lehman
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Respect
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.510163 Composed by words and music by Glyn Lehmann. Hip-Hop,Pop,R & B. Octavo. 8 pages. Glyn Lehmann #3507847. Pub...
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Choral Choir (SA) - Level 2 - SKU: A0.510163 Composed by words and music by Glyn Lehmann. Hip-Hop,Pop,R & B. Octavo. 8 pages. Glyn Lehmann #3507847. Published by Glyn Lehmann (A0.510163). It’s something we all want and something we all need - respect!Tolerance and respect for each other, and ourselves, builds a bridge between us and breaks down the barriers.For 2 parts plus a rapper.Respect (Build A Bridge)Words and music by Glyn LehmannVerseThere's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallPre-chorusIt cannot be bought, it cannot be sold But you can earn it if you take controlChorus AAnd respect each otherRespect yourselfRespect and tolerance Build a bridge - break down the fenceRespect each otherRespect yourselfRespect and toleranceChorus BBuild a bridge - break down the fence andBuild a bridge - break down the fence andBuild a bridge - break down the fence andBuild a bridge of respectBridgeOo – Oo – Oo – Oo – OoRepeat VerseRepeat Pre-chorusRepeat Chorus ARepeat Chorus BOutroRespect each otherRespect yourselfRespect and toleranceBuild a bridge - break down the fencerepeat Outro twice, then…Respect!Rap lyricsVerse, Pre-chorus, Chorus A (no lyrics)Chorus BBreak down the fence and build a bridge (6 times) then…Of respectBridgeDon’t respect the bully thoughCos we know something they don’t knowThey’re just putting up a great big fenceAround themselves it makes no senseSooner or later they’ll realizeThey can’t get out cos they’re trapped insideThe only way now for them to be freeShow respect for you and me - cosVerseThere's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallPre-chorus, Chorus A(no lyrics)Chorus BBreak down the fence and build a bridge (6 times) then…Of respectOutrofirst time no lyrics, then…There's a thing that we all need Just like water and the air we breatheIt's a bridge between us all Makes you feel you're ten feet tallRepeat Outro, then…Respect!© 2016 Glyn Lehmann. All rights reserved
$2.25
Musical Clock (for Carillon)
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Adam Lenhart
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Musical Clock
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 2 - SKU: A0.1465418 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Early Music,Festival,Instructional. Indivi...
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Carillon,Instrumental Solo - Level 2 - SKU: A0.1465418 Composed by Adam Lenhart. 21st Century,Baroque,Contest,Early Music,Festival,Instructional. Individual part. 14 pages. Adam Lenhart #1044120. Published by Adam Lenhart (A0.1465418). For centuries people have associated music with the passing of time. While most of us no longer live within earshot of bells, many will find a catchy and simple melody still wakes us up in the morning, reminds us to go to that meeting we forgot about, or even just helps us to do day-to-day tasks. As an avid alarm-user myself, I find music assisting me with punctuality just as it has for my ancestors. I wanted to create a piece commemorating this bond between music and time, inspired by both traditional carillon melodies, as well as modern day ringtones. My piece Musical Clock contains movements for both beginners and intermediate players. Each movement may be played individually, but any two or more movements should be played sequentially. ~Adam Lenhart, 2024This composition was first premiered by carillonist Adam Lenhart at the 53 bell Charles Baird Carillon in Ann Arbor, Michigan.------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Associations Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Mens Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
Seven Days Without Prayer
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David Kai
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David Kai
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Seven Days Without Prayer
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David Kai
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SheetMusicPlus
Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,C...
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Drum Set,Electric Bass Guitar,Piano Accompaniment,Synthesizer - Level 4 - SKU: A0.1105114 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Jazz,Rock. Full Performance. Duration 199. David Kai #708361. Published by David Kai (A0.1105114). The title for this song came from a plaque that I saw in a Christian book store. Jesus’ teachings about prayer from Matthew 7 or Luke 11 were also an inspiration. This song was first recorded by the Sellwoods gospel group. Seven Days Without Prayer words and music by David Kai ©1980 It’s a world where we depend on communication Through the wires and through the air information flows It’s an age where thoughts and words can cross the ocean It’s a shrinking world, but the space between us grows Though we talk to one another, there’s something missing We still need to speak from the soul, not just the mind We still need the oldest form of communication It’s available for free at any time The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak If a child should ask its father for bread and fishes Would that child receive a stone or a snake in its place? No, and if even earthly fathers will bless their children Won’t the heavenly Father bless and give you grace? So if you knock upon the door it will be opened If you speak unto the Lord you will be heard Look to Jesus, you will not be disappointed You will find he’s always faithful to his word The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak The lines are open, why not send in a call? The Lord is waiting, just to hear from you all So just take some time for praying, God would love to hear you speak You know seven days without prayer makes one weak Makes one weak.
$1.99
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
Comin' Home to Mama
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Kevin G
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Wherever you are.
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Comin' Home to Mama
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1362537 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 21st Century,Christian,Contemporary,Country,Folk. Sco...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1362537 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. 21st Century,Christian,Contemporary,Country,Folk. Score. 6 pages. Kevin G. Pace #946987. Published by Kevin G. Pace (A0.1362537). A fun, country-style song about good memories of mom and coming home again.  Music by Kevin G. Pace.  Text by Kathryn W. Hales.Text:The teacher said I had done a good job, And applied a bright shiny star, At the To the top of the grammar school paper, I cannot wait to show it to Ma.â€The coach said that old cut was nothin at all, Though it might just leave a scar. “You've just gotta be tough, he said with voice so gruff, I know Mama's kiss can heal from a far. Chorus: I'm comin' back home to you, Mama, Though my steps have taken me so far, Oh, praise for a star and a kiss for a scar, I am comin' back home to where you are. . I've grown now, moved on or so they say, Cut those old apron strings, Though your hair is as snow, your voice so low, Your face such sweet memories bring.  Across the wide world I've traveled, The miles between us are long, But through the years, the fears, and through the tears, Your smile floats to me like a song.Chorus:Ending:When life's road gets rough And the goin' gets so tough, Home will be wherever; Wherever you are.
$3.99
Lord, Heal Our Land for SATB Voices (reproducible)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Lyrics, Music Sheila Gagen, an
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Teresa OConnell (BMI)
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Lord, Heal Our Land for SATB V
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Teresa O'Connell
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1030993 Composed by Lyrics, Music Sheila Gagen, and Teresa OConnell (BMI). Arranged by Teresa OConnell (BMI). Ch...
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Choral Choir (SATB) - Level 3 - SKU: A0.1030993 Composed by Lyrics, Music Sheila Gagen, and Teresa OConnell (BMI). Arranged by Teresa OConnell (BMI). Christian,Sacred. Octavo. 16 pages. Teresa O'Connell #5774049. Published by Teresa O'Connell (A0.1030993). Lord, Heal Our Land was inspired by today's worldwide struggles and offers hope. Let today be a day of healing. when so much of it seems torn. Let nothing stand between us no matter the burdens worn. All the good we were sharing before is still where we stand. Let the Comforter come near to us and Lord, heal our land. With thoughtful lyrics by Sheila Gagen and music by Teresa O'Connell (BMI), this S(S)A arrangement will help your women's ensemble shine, while singing the lush harmonies and beautiful lyrics. Lord, Heal our Land is easy to learn and fun to sing.He has shown you, O mortal, what is good. And what does the Lord require of you? To act justly and to love mercy and to walk humbly with your God. Micah 6:8-NIVCost: $40.00 Digital Sheet Music (make as many copies as needed for your choir).Vocal Range: Soprano I-D4 to F5. Soprano II-D4 to D5. Alto-D4 to Bb4. Tenor G3-E4. Bass D3-B3
$40.00
Mozart Violin Duets
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Luis Anjos Teixeira
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Mozart Violin Duets
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Luis Anjos Teixeira
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56
Here Before the Sunrise Blue
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Chorale SATB
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Contemporain
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Robbie LaBanca
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Here Before the Sunrise Blue
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R. LaBanca
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1007504 Composed by Robbie LaBanca. Contemporary. Octavo. 6 pages. R. LaBanca #3416017. Published by R. LaBanca (A0.100750...
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Choral Choir (SATB) - SKU: A0.1007504 Composed by Robbie LaBanca. Contemporary. Octavo. 6 pages. R. LaBanca #3416017. Published by R. LaBanca (A0.1007504). Here Before the Sunrise BlueHere before the sunrise blue & in the solitude To you: come home. The moon is full over morning buildings, The shade of solitude is upon my hand:Come home. In this empty loft of high windows the shades are lifting, and people are arrived;To you: in the early silence between us that IS, folded deep into night & and the black well of SourcesIn-here is gone forth to meet in-there & we ARE bound below a sound or gesture;Beneath distance, before time, at the foot of the silent forest, meet me here, I love you.A fire is crackling, I have risen early before the dawn - love and how long I have need of you all I feel;Don’t know where you are or what’s happening, yet surely the morning stars will shed their light in desolate places, and this just from me first thing in the morning, love. Janine Pommy-Vega
$3.99
Nobody Like U
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Piano, Voix et Guitare
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FACILE
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Pop musique
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4 TOWN
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Barry McCormick
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Nobody Like U
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Film/TV,Pop. Score....
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Film/TV,Pop. Score. 9 pages. B. McCormick #645038. Published by B. McCormick (A0.1040259). About this Piano/Vocal/Guitar arrangement of “Nobody like You†Disney's smash hit animation Turning Red was a massive success early in 2022. The sound track was brought to us by none other than Finneas O'connell, Billie Eilish. This arrangement of the main song on the soundtrack, Nobody like U, is for piano, voice and guitar. The key is in Am With this arrangement you will get the piano and vocal part, 7 pages, and the voice part with chords/lyrics separately acting as a lead sheet which is useful for all types of performers who do not necessarily need the whole piano part. This keeps paper usage at minimum and means the whole song can be laid out side by side without the need for page turns. The piano arrangement is very easy, mainly a heavily repeated chordal rhythmic motif. The most difficult part is in the left hand for the change in the bass line. There is also a large section of the song that is purely percussive in the backing. In one instance this is simply marked indicating when the piano drops and the accompanist could clap/beat box in this section if desired or if playing with a drummer just let them have the spot light. The song also finishes with only percussive backing, for this final section to give an idea of this I've changed the rhythm to a simple staccato beat on 2 and 4 so that if this was performed with only a pianist and singer there was some appropriate melodic backing that seemed percussive through the use of the staccato. The vocal part is close to the audio however I have omitted most of the vocal runs that happen between sections. These can be included in the performance should the singer decide to. I have only included the opening vocal run passage. In some areas I have simplified the melody, retaining the rough melodic shape but simplifying the rhythm. These can be sung as written or adjusted to the performers taste. I hope you enjoy this arrangement of Nobody Like U for piano, vocal and guitar and I hope it serves as a versatile arrangement for many purposes. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99
Just Between Us
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Piano Facile
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FACILE
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Jazz
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Norman Brown
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Just Between Us
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Norman Brown. For easy piano. Jazz; Pop. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Norman Brown. For easy piano. Jazz; Pop. 5 pages. Published by Hal Leonard - Digital Sheet Music
$3.99
Norman Brown: Just Between Us for piano solo
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Piano seul
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FACILE
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Jazz
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Norman Brown
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Virtualsheetmusic
Instantly printable sheet music by Norman Brown for piano solo of EASY skill level. / jazz,pop,children
Instantly printable sheet music by Norman Brown for piano solo of EASY skill level. / jazz,pop,children
$5.97
5 Valentine's Hymns - Boundless Love
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Piano seul
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FACILE
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Musique Sacrée
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Adoniram J
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Amanda Tero
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5 Valentine's Hymns - Boundles
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Amanda Tero
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Ter...
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Piano Solo - Level 2 - SKU: A0.1373611 Composed by Adoniram J. Gordon, Frederick H. Lehman, Traditional, and William B. Bradbury. Arranged by Amanda Tero. Christian,Holiday,Religious,Sacred,Traditional. Score. 29 pages. Amanda Tero #957915. Published by Amanda Tero (A0.1373611). Do you need Valentine's Hymns for church services in February? These 5 hymns cover God's love to us, Jesus's love to us, and our love to Him.Written in the key of C, these 5 early intermediate piano solos have simple patterns that are easy for the intermediate pianist to sightread.These early intermediate hymn solos are equivalent to most Level 2 and 3 curricula.Ideal for church services (especially in February), Valentine’s banquets, conferences, recitals, and more!Arranged to be simple yet tasteful in style.Here is all the information you’ll need to decide if this collection of early intermediate sheet music is the level you’re looking for:·     All in the Key of C (What Wondrous Love is This? is in A Dorian—no accidentals in key signature)·     No key changes·     Basic format: intro, verse/chorus, interlude, verse/chorus, ending·     2 verses each·     Single-note melody in the right hand (brief LH melody in The Love of God)·     Mostly broken 5ths and triads in the left hand·     Repetitive patterns for easy learning·     Similar chords between verses·     Note reading up to 2 ledger lines·     Rhythm not faster than eighth notes·     Just 1 page turn each (exception: Oh, How I Love Jesus has 2) Jesus Loves Me is an old favorite, often seen as a “children’s song.†However, the words to this hymn of love are just as important for adults as for children. While a simple arrangement, this is not a childish sounding arrangement.·     Features an “echo†melody written 8va·     Left hand in treble clef for portions·     Ends with hand crossing My Jesus, I Love Thee begins unexpectedly with colorful chords that finally release tension into a calm first verse. There are slight jazz textures in this arrangement but also classical elements with scales and Alberti bass.·     Rich chord textures (just a hint of jazz/dissonance)·     Accidentals·     Right hand scales (ascending & descending) Oh, How I Love Jesus is a cheerful arrangement with just a hint of cinematic-style melodies. The chords are very similar between verse 1 and 2 in this arrangement, making it especially easy for the pianist to learn.·     6/8 meter·     Cinematic elements·     Chords repeat: open 5ths and 6ths or filled in triads/chords The Love of God starts with left hand melody, making this different from all the other arrangements. The goal is for this to be a seamless melody transition between the hands while the non-melody hand supports at a slightly lower volume.·     Left hand melody for part·     Right hand chords for part·     Left hand repeats in different octaves for broader sound What Wondrous Love is This? is a haunting conclusion to the collection. It is predominantly arranged with open 5ths in the left hand and repeating patterns in the right hand. It ends with slow, four-note chords that are very hymn-like.·     A Dorian mode·     Very easy left hand (repeating open 5ths)·     Sounds harder than it really is.
$14.99
They Who Decide Fate
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Flûte, Hautbois, Clarinette, Basson
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AVANCÉ
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Brandon Nelson
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They Who Decide Fate
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Brandon Nelson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 5 - SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Publi...
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Woodwind Ensemble,Woodwind Quartet - Level 5 - SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99
AS DANTE (TO HELL AND BACK)
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Piano seul
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Contemporain
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Monica Bergo
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your
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AS DANTE
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728).
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Piano Solo - SKU: A0.1012728 Composed by Monica Bergo. Contemporary. Score. 9 pages. Moni Bergo #5743167. Published by Moni Bergo (A0.1012728). Music and song composed by me ♫ *'¨` * • .¸¸. As Dante (To hell and back)♫ ♫ *'¨` * • .¸¸. ♫ I'd recognize anywhere and millions your eyes when will my time I certainly find it my rebellious soul that more chains will not have over the time and distances Your light will follow and how Dante I will commence from the bottom the deepest hell between the screams of the damned three groans and sins between greedy and slothful but you're not here I feel that changes and transforms the essence takes shape love transfigures removes all fear I find you I swear I'll take you with me memories, images in my mind 2 of us in the excerpt of apparent life for us that we are in hell were forged on us a tear and 100 sins I do not believe, do not watch and do not feel You that rest and peace have reached and then suddenly appears to me your face We are in hell for us is heaven ... we rush wrists tied, I do not care You squeeze to hurt me think of me stronger and shalt see my colors It was death to turn me but you can repaint me and then I'll be whatever you want as in life if you want me wind I breath and the evils I will comfort If you want me want rose scent the air and will blossom As Dante told We are Paolo and Francesca 2 doves and then just and I find the joy of living smile reborn and fight to recover what in life we we never had happiness everyone is looking for and chase and then expect strange to say but I find it here On flames on hell as Dante that one day for that dark forest left dance, dance white souls purgatory are never tired why the hell is a real torture but it is the paradise that do more scares and how Dante but without Virgilio I try by myself to my best because Charonte accept my toll conceal my love and now we are already on journey how strange my mind that does not have any rest It has no limits or boundaries and fear a little 'makes me is my curse as a mark on the skin but as said one on last Dante I go out to see the stars that day will come and then I swear I look for you and take you to a safe place Please , just remember only my face and will not be hell will be heaven ... Monica Bergo
$5.00
L'ABC de la Guitarra Vol1
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Piano Facile
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DÉBUTANT
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Professor Mussol
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José Lucas
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L'ABC de la Guitarra Vol1
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,...
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C Instrument - Level 1 - SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996686. Published by José Lucas (A0.1414957). ABC for Guitar Beginners Vol.1 (Catalan Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
El ABC de la Guitarra Vol.1
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Piano Facile
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DÉBUTANT
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Profesor BuÌho
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José Lucas
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El ABC de la Guitarra Vol.1
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1414952 By Profesor BuÌho. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional...
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C Instrument - Level 1 - SKU: A0.1414952 By Profesor BuÌho. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996681. Published by José Lucas (A0.1414952). ABC for Guitar Beginners Vol.1 (Spanish Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
ABC KezdÅ‘ Gitárosoknak Vol.1
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Piano Facile
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DÉBUTANT
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Prof
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José Lucas
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ABC KezdÅ‘ Gitárosok
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José Lucas
#
SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1415634 By Prof. Bagoly. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Trad...
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C Instrument - Level 1 - SKU: A0.1415634 By Prof. Bagoly. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #997350. Published by José Lucas (A0.1415634). ABC for Guitar Beginners Vol.1 (Hungarian Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when start using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
Twitter, for Flute Choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Greg Danner
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Twitter, for Flute Choir
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Avanti Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Ava...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.778282 Composed by Greg Danner. 20th Century,Contemporary. 80 pages. Avanti Music #2967835. Published by Avanti Music (A0.778282). Twitter, founded in March of 2006, is a social networking and micro-blogging service that allows users to post short messages of no more that 140 characters. Because it works as an application on cell phones people can share information immediately. In its short time, Twitter has become embedded in our increasingly networked society. The composition Twitter takes five famous tweets-some serious, others funny, and some historic and presents a musical interpretation. In keeping with the idea that a tweet is a short message, each movement of Twitter is approximately 140 seconds long. 1. There’s a plane in the Hudson. I’m on the ferry going to pick up the people. Crazy. Janis Krums, 12:36 p.m. Jan15, 2009Janis Krums posted this text and the first photo of US Airways flight 1549 moments after the plane made an emergency landing in the Hudson River after hitting a flock of birds. His quick action helped to notify rescue workers and the media. 2. Today I interviewed a squirrel in my backyard and then threw to commercial. Somebody help me.Conan O’Brien, 3:54 p.m. Feb. 24, 2009 Shortly after being dismissed from the Tonight Show and finding himself in-between jobs, Conan O’Brien joined Twitter. As with many celebrities, a Twitter account can allow fans to stay in touch and feel connected. What was amazing in this case was that in just two hours after this first tweet he had over 125,000 followers-the largest number ever in such a short time. His number has since grown to nearly 3 million. 3. ArrestedJames Buck, 9:30 a.m. April 10 A graduate student from the University of California-Berkeley, James Buck was covering an anti-government protest in Egypt. Buck was caught up in a demonstration, and while being taken to jail had time to post a one-word tweet-arrested. Within seconds colleagues in the United States got word of his arrest and notified the university, the US Embassy, and a number of press organizations on his behalf, leading to his freedom. 4. We just made history. All of this happened because you gave your time, talent and passion. All of this happened because of you. Thanks. Barack Obama, 11:34 a.m. Nov. 5, 2008 The Obama 2008 campaign was historic on a number of counts, and the use of technology and social media was one of them. This tweet was sent to over 2.6 million followers just after the election. 5. Are you ready to celebrate? Well, get ready: We have ICE!!!!! Yes, ICE, *WATER ICE* on Mars! w00t!!! Best day ever!! MarsPhoenix, 5:14 PM Jun 19th, 2008 NASA’s Jet Propulsion Laboratory has made an innovative use of twitter by sending messages from the Mars Phoenix lander’s point of view. The message above is undoubtedly the most exciting news ever to be tweeted on behalf of an extraterrestrial robot.
$40.00
touch me hear: a collection of conceptual compositions
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of
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Studio at the Post
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SheetMusicPlus
Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. ...
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Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...†(to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audienceâ€. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
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