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--INSTRUMENTS--
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Just Thinking Of You
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--INSTRUMENTS--
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Crtitères actifs :
Just Thinking Of You
Partitions à imprimer
95 partitions trouvées
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Just Thinking Of You
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Fishel Pustilnik
#
Fishel Pustilnik
#
Pop Piano Paradise
#
Just Thinking Of You
#
F & N Enterprise
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.632320 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score. 3 pages. F & N Enterprise #28...
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Piano Solo - Level 4 - SKU: A0.632320 Composed by Fishel Pustilnik. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop. Score. 3 pages. F & N Enterprise #2838083. Published by F & N Enterprise (A0.632320). Piano piece from the future Volume 6 of Jazz & Pop Piano Paradise. The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$1.99
The Way You Look Tonight
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Jerome Kern
#
Bobby Hesch
#
The Way You Look Tonight
#
Bobby Hesch
#
SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.839250 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5372127....
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Trombone Solo - Level 4 - SKU: A0.839250 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5372127. Published by Bobby Hesch (A0.839250). *** THE WAY YOU LOOK TONIGHT***!!! I WILL FEEL A GLOW JUST THINKING OF YOU!!! LET'S PLAY SOME JAZZ!!!WRITTEN IN 1961 PERFORMED BY FRANK SINATRA!!! THINK STYLE!!! FEATHER LIGHT TONGUE THROUGHOUT!!!ROMANTIC!! SENSITIVE!! IF YOU'VE NEVER LISTENED TO FRANK SINATRA, YOU SHOULD!!! LEGENDARY SINGING STYLE!!! KEY OF Eb/Cb!!! LOTS OF COURTESY ACCIDENTALS!!! LOW Bb-HIGH Bb!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Way You Look Tonight
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
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Jerome Kern
#
Bobby Hesch
#
The Way You Look Tonight
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Bobby Hesch
#
SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.839251 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5371269. Pu...
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Flute Solo - Level 4 - SKU: A0.839251 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5371269. Published by Bobby Hesch (A0.839251). ***THE WAY YOU LOOK TONIGHT***!!! I WILL FEEL A GLOW JUST THINKING OF YOU!!! LET'S PLAY SOME JAZZ!!WRITTEN IN 1961 PERFORMED BY FRANK SINATRA!!! THINK STYLE!!! FEATHER LIGHT TONGUE THROUGHOUT!!!ROMANTIC!!! SENSITIVE!!! IF YOU'VE NEVER LISTENED TO FRANK SINATRA YOU SHOULD!!! LEGENDARY SINGING STYLE!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! KEY Eb/Cb!!! LOTS OF COURTESY ACCIDENTALS!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Way You Look Tonight
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Trompette
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INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
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Jerome Kern
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Bobby Hesch
#
The Way You Look Tonight
#
Bobby Hesch
#
SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.839252 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5372139. ...
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Trumpet Solo - Level 4 - SKU: A0.839252 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5372139. Published by Bobby Hesch (A0.839252). *** THE WAY YOU LOOK TONIGHT***!!! I WILL FEEL A GLOW JUST THINKING OF YOU!!! LET'S PLAY SOME JAZZ!!!WRITTEN IN 1936!!!RECORDED BY FRANK SINATRA!!! THINK STYLE!!! FEATHER LIGHT TONGUE THROUGHOUT!!! ROMANTIC!! SENSITIVE!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! KEY OF F/Dd!!!LOW C - HIGH Db!!! IF YOU'VE NEVER LISTENED TO FRANK SINATRA, YOU SHOULD!! LEGENDARY SINGING STYLE!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Way You Look Tonight
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
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Jerome Kern
#
Bobby Hesch
#
The Way You Look Tonight
#
Bobby Hesch
#
SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.839249 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5371115....
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Clarinet Solo - Level 4 - SKU: A0.839249 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5371115. Published by Bobby Hesch (A0.839249). ***THE WAY YOU LOOK TONIGHT!!! I WILL FEEL A GLOW JUST THINKING OF YOU!!!LET'S PLAY SOME JAZZ!!!WRITTEN IN 1961 PERFORMED BY FRANK SINATRA!!! THINK STYLE!! FEATHER LIGHT TONGUE THROUGHOUT!!!ROMANTIC !! SENSITIVE!!! IF YOU'VE NEVER LISTENED TO FRANK SINATRA, YOU SHOULD!!! LEGENDARY SINGING STYLE !!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! KEY OF F/Db!!! LOW E-HIGH Eb!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
The Way You Look Tonight
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Saxophone Tenor
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INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
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Jerome Kern
#
Bobby Hesch
#
The Way You Look Tonight
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Bobby Hesch
#
SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.839248 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5...
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Tenor Saxophone Solo - Level 4 - SKU: A0.839248 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5371105. Published by Bobby Hesch (A0.839248). ***THE WAY YOU LOOK TONIGHT***!!! I WILL FEEL A GLOW JUST THINKING OF YOU!!! LET'S PLAY SOME JAZZ!!!WRITTEN IN 1961 RECORDED BY FRANK SINATRA!!! THINK STYLE!!! FEATHER LIGHT TONGUE THROUGHOUT!!!ROMANTIC SENSITIVE!!! IF YOU'VE NEVER LISTENED TO FRANK SINATRA, YOU SHOULD!!! LEGENDARY SINGING STYLE!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! KEY OF F / Db!!! LOW E-HIGH Eb!!! CONTACT INFORMATION: bobbyhesch@yahoo.com
$4.99
The Way You Look Tonight
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
Jerome Kern
#
Bobby Hesch
#
The Way You Look Tonight
#
Bobby Hesch
#
SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839247 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #53...
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Alto Saxophone Solo - Level 4 - SKU: A0.839247 Composed by Jerome Kern. Arranged by Bobby Hesch. Musical/Show. Individual part. 3 pages. Bobby Hesch #5371093. Published by Bobby Hesch (A0.839247). ***THE WAY YOU LOOK TONIGHT***!!! I WILL FEEL A GLOW JUST THINKING OF YOU!!! LET'S PLAY SOME JAZZ!!!WRITTEN IN 1961 RECORDED BY FRANK SINATRA!!! THINK STYLE!!! FEATHER LIGHT TONGUE THROUGHOUT!!!ROMANTIC SENSITIVE!!! IF YOU'VE NEVER LISTENED TO FRANK SINATRA, YOU SHOULD!!! LEGENDARY SINGING STYLE!!! KEY C/Db FINISH!!! LOW B HIGH Bb!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
Thinking of you
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Piano seul
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INTERMÉDIAIRE
#
Classique
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Jose Valladares
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Jose Valladares
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Thinking of you
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Circlesquare Music
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368438 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 4 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368438 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 4 pages. Circlesquare Music #952784. Published by Circlesquare Music (A0.1368438). Introducing Thinking of You, a tender and introspective piano composition that gently echoes the contemplative moments of reflection and longing. This poignant piece, from the deeply emotive album A Celebration of Love, and Life by the esteemed artist and composer Jose Valladares, is a musical embodiment of the thoughts and feelings that arise when someone special lingers in your mind and heart.With a thoughtful tempo of 75, Thinking of You delicately weaves through the complexities of human emotion, capturing the subtle nuances of fondness, yearning, and the warmth of cherished memories. The composition is a delicate tapestry of sound, each note a gentle caress, and each chord a tender embrace, evoking the serene beauty and quiet intensity of heartfelt remembrance.Thinking of You is more than just a piece of music; it's a window into the soul, a reflection of the deep and personal connection that endures even in absence. It invites listeners to embark on a journey within, to revisit the sacred spaces where memories reside and emotions flow freely. This composition is perfect for those who seek to express the depth of their affection through the gentle touch of piano keys, for pianists who wish to convey the profound narrative of remembrance, and for anyone who finds solace and beauty in the act of thinking about a loved one.Let Thinking of You envelop you in its tender melody, creating a tranquil space where thoughts and emotions intertwine in a harmonious dance. Allow this piece to be your companion in moments of solitude, a soothing reminder of the enduring presence of those we hold dear in our thoughts and hearts. This composition is a celebration of remembrance, a serene ode to the ones we think of fondly, and a testament to the lasting impressions that love and affection can leave on our lives.
$8.99
Thinking Of You, Solo Harp
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Harpe
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New Age
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Contemporain
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Cindy Blevins
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Thinking Of You, Solo Harp
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Cindy Blevins
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SheetMusicPlus
Harp - SKU: A0.1058662 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 154. Cindy Blevins #3112981. Published by Cindy Blevi...
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Harp - SKU: A0.1058662 Composed by Cindy Blevins. Contemporary,New Age. Full Performance. Duration 154. Cindy Blevins #3112981. Published by Cindy Blevins (A0.1058662). This mp3 was recorded playing my Blevins harp. The sheet music for this original harp piece is available here on Sheet Music Plus. It is Item # S0.240747. It is a solo for lever or pedal harp. You can just enjoy listening, or if you are a harpist and have the sheet music, you can hear how the arrangement sounds and play along.
$1.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lady Antebellum
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Con...
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String Quartet String Quartet - Level 4 - SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00
Six Thinking Hats [3 celli]
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Six Thinking Hats [3 celli]
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Juan Maria Solare
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score ...
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String Ensemble,String Trio Cello - Level 3 - SKU: A0.596493 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493). Six Thinking Hats for 3 violoncelli (in the first position) The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way. Six distinct states are identified and assigned a hat color: * Information (white hat): considering exclusively what information is available, what the facts are. * Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification) * Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue). * Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros). * Creativity (green hat): statements of provocation and investigation, seeing where a thought goes. * Thinking (blue hat) - thinking about thinking, a control instance. In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon. Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners. The total duration of the work is about 12 minutes. The durations of the single pieces are: I = Enfática insistencia (white hat) [1'00] II = Milonga serena (yellow hat) [1'45] III = Estado de alerta (green hat) [1'45] IV = Canon arcaizante (blue hat) [4'00] V = Coral en quintas (black hat) [1'00] VI = Finale arrabbiato (red hat) [2'30] All these pieces can be performed individually. These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3 Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz: https://www.youtube.com/watch?v=1DluACws6DE More information: http://www.juanmariasolare.com/six_thinking_hats.html
$11.00
Every Breath You Take
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Guitare
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FACILE
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Rock
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The Police
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Pablo Alcázar
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every move you make
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Every Breath You Take
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pab...
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Solo Guitar - Level 2 - SKU: A0.1264075 By The Police. By Sting. Arranged by Pablo Alcázar. Pop,Rock,Singer/Songwriter. Individual part. 3 pages. Pablo Alcázar #856983. Published by Pablo Alcázar (A0.1264075). This arrangement of Every Breath you Take (for solo guitar) fits perfectly for Classical (spanish) and acoustic guitars because every chord sounds fully along with the melody and the bass gives a unique feeling of the rhythm. It's made for solo guitar and it's appropiate for begginers that look for a challenge or intermediate guitarist that want something fresh and new to play. Also is a very good arrangement for professional players that need repertoire for wedding events.Every Breath You Take is a song by the English rock band the Police from their album Synchronicity (1983). Written by Sting, the single was the biggest US and Canadian hit of 1983, topping the Billboard Hot 100 singles chart for eight weeks (the band's only No. 1 hit on that chart), and the Canadian RPM Chart for four weeks. Their fifth UK No. 1, it topped the UK Singles Chart for four weeks. The song also reached the Top 10 in numerous other countries.Sting wrote the song in 1982 in the aftermath of his separation from Frances Tomelty and the beginning of his relationship with Trudie Styler. Their split was controversial. As The Independent reported in 2006, The problem was, he was already married – to actress Frances Tomelty, who just happened to be Trudie's best friend. Sting and Frances lived next door to Trudie in Bayswater, West London, for several years before the two of them became lovers. The affair was widely condemned.To escape the public eye, Sting retreated to the Caribbean. He started writing the song at Ian Fleming's writing desk on the Goldeneye estate in Oracabessa, Jamaica. The lyrics are the words of a possessive lover who is watching every breath you take; every move you make. Sting recalled:I woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour. The tune itself is generic, an aggregate of hundreds of others, but the words are interesting. It sounds like a comforting love song. I didn't realise at the time how sinister it is. I think I was thinking of Big Brother, surveillance and control..
$4.99
In This Land of Plenty
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Chorale 3 parties
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Christian contemporain
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Musique Sacrée
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Hugh Goodridge
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In This Land of Plenty
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Goodridge & Huvon Music Publishing
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SheetMusicPlus
Choral Choir (SAT) - SKU: A0.889106 Composed by Hugh Goodridge. Contemporary,Sacred. Octavo. 2 pages. Goodridge & Huvon Music Publishing #2034921. Publi...
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Choral Choir (SAT) - SKU: A0.889106 Composed by Hugh Goodridge. Contemporary,Sacred. Octavo. 2 pages. Goodridge & Huvon Music Publishing #2034921. Published by Goodridge & Huvon Music Publishing (A0.889106). This is a solo piece that can be sung in unison. The refrain seems to call for a chorus where the bass can do justice to that continuing line. I'm thinking of arranging this selection in a choral form. Yet as a solo piece, nothing seems to be lacking. It is very expressive as the song progresses. I hope you musicians or vocalists can add this to your repertoire.
$4.00
Dreaming Of You
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Chorale SATB
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INTERMÉDIAIRE
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Selena
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Krisa Refita
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Dreaming Of You
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krisareff
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.1029080 By Selena. By Franne Golde and Tom Snow. Arranged by Krisa Refita. Latin,Pop. Octavo. 10 pages. Krisare...
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Choral Choir (Mixed) - Level 3 - SKU: A0.1029080 By Selena. By Franne Golde and Tom Snow. Arranged by Krisa Refita. Latin,Pop. Octavo. 10 pages. Krisareff #4623361. Published by krisareff (A0.1029080). Choir, SSAATTBB, Piano Accompaniment - Intermediate Music and Words by Franne Golde, Tom Snow. Originally performed by Selena. Arranged by Krisa Refita. Pop Ballad. Love Song. Duration 3:15. Published by Krisa Refita. About The Song ‘Dreaming of You’ is a pop ballad song recorded by American Tejano singer Selena for her fifth and final studio album of the same name. It was posthumously released as the lead single on 1995. The lyrics explore feelings of longing and hope that the singer’s love interest is thinking about her while she is dreaming of him at night (Wikipedia). About The Choral Work The choral work of this song is suggested to be performed for a concert, prom, or love-theme event. As though piano solo as intro opened up the dream, Sopranos take the lead in almost part, followed by Tenors and Altos in fewer parts. Bass part is more than just a prop of chord because some melodious parts are put to support the strength of this song and complete the beauty as well. Divided to eight voices makes the song compact and majestic.
$2.45
Do You Hear How Many You Are?
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindri...
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Choral Choir (SATB) - Level 4 - SKU: A0.1027467 Composed by Keane Southard. Contemporary. Octavo. 8 pages. Spindrift Pages #546435. Published by Spindrift Pages (A0.1027467). Do You Hear How Many You Are? for SATB choir was written in April and May of 2010. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes -Winner, 2010 Ars Nova Singers Colorado Composers Competition (Professional Division) -1st Prize, Warren County Summer Music School's Promising Young Composers Competition, 2014 Premiered June 3, 2011 in Boulder, CO by the Ars Nova Singers, Thomas Morgan-conductor PROJECT : ENCOREâ„¢ has found this work to be of exceptional merit. Its panel of internationally known conductors has selected this work for inclusion in its catalog of recommended choral music. Website: keanesouthard.instantencore.com.
$2.25
Wishful Thinking, Solo Lap Harp (from 50 Progressive Short Solos)
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Harpe
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Cindy Blevins
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Wishful Thinking, Solo Lap Har
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Cindy Blevins
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SheetMusicPlus
Harp - SKU: A0.1058939 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 83. Cindy Blevins #3124985. Published b...
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Harp - SKU: A0.1058939 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 83. Cindy Blevins #3124985. Published by Cindy Blevins (A0.1058939). This mp3 was recorded playing my Blevins harp. This song is from my book 50 Progressive Short Solos (for lap harp). You can purchase the eBook here on Sheet Music Plus, Item # S0.246593. If you have a larger harp, the version of the book for larger harp is S0.246505. The 50 songs are not available separately as sheet music, just as recordings.My website: https://www.blevinsmusic.comMy YouTube Channel: https://www.youtube.com/channel/UCuTv5LTRQW-uI_pIxg94IkQ?
$1.99
Do You Hear How Many You Are?
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Orchestre d'harmonie
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FACILE
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Contemporain
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spin...
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Concert Band - Level 2 - SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
Thinking about...Chopin
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James McDonald
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Thinking about...Chopin
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James McDonald
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885720 Composed by James McDonald. Instructional,Romantic Period,Standards. Score. 4 pages. James McDonald #37955. Publis...
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Piano Solo - Level 4 - SKU: A0.885720 Composed by James McDonald. Instructional,Romantic Period,Standards. Score. 4 pages. James McDonald #37955. Published by James McDonald (A0.885720). This « Think about…great composers » series has no pretensions whatsoever regarding their value. It is just showing my great love and admiration for the creations of great classical music composers. I have been inspired by some of their various styles of composing without litterally copying it. In other words it has my personal touch, my personal colour or at least my own invented melodies. I had a lot of pleasure writing them and now I just hope you have fun playing them… and if so my goal is reached… Thanks.
$1.99
Thinking about...Haendel
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Piano seul
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INTERMÉDIAIRE
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James McDonald
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Thinking about...Haendel
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James McDonald
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.885723 Composed by James McDonald. 20th Century,Baroque,Instructional,Standards. Score. 3 pages. James McDonald #37959. P...
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Piano Solo - Level 3 - SKU: A0.885723 Composed by James McDonald. 20th Century,Baroque,Instructional,Standards. Score. 3 pages. James McDonald #37959. Published by James McDonald (A0.885723). This « Think about…great composers » series has no pretensions whatsoever regarding their value. It is just showing my great love and admiration for the creations of great classical music composers. I have been inspired by some of their various styles of composing without litterally copying it. In other words it has my personal touch, my personal colour or at least my own invented melodies. I had a lot of pleasure writing them and now I just hope you have fun playing them… and if so my goal is reached… Thanks.
$1.99
Thinking about...Beethoven
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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James McDonald
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Thinking about...Beethoven
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James McDonald
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885718 Composed by James McDonald. Classical. Score. 7 pages. James McDonald #37951. Published by James McDonald (A0.8857...
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Piano Solo - Level 4 - SKU: A0.885718 Composed by James McDonald. Classical. Score. 7 pages. James McDonald #37951. Published by James McDonald (A0.885718). This « Think about…great composers » series has no pretensions whatsoever regarding their value. It is just showing my great love and admiration for the creations of great classical music composers. I have been inspired by some of their various styles of composing without litterally copying it. In other words it has my personal touch, my personal colour or at least my own invented melodies. I had a lot of pleasure writing them and now I just hope you have fun playing them… and if so my goal is reached… Thanks.
$1.99
Thinking about...Bach
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
James McDonald
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Thinking about...Bach
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James McDonald
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885717 Composed by James McDonald. Baroque,Instructional,Standards. Score. 5 pages. James McDonald #37949. Published by J...
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Piano Solo - Level 4 - SKU: A0.885717 Composed by James McDonald. Baroque,Instructional,Standards. Score. 5 pages. James McDonald #37949. Published by James McDonald (A0.885717). This « Think about…great composers » series has no pretensions whatsoever regarding their value. It is just showing my great love and admiration for the creations of great classical music composers. I have been inspired by some of their various styles of composing without litterally copying it. In other words it has my personal touch, my personal colour or at least my own invented melodies. I had a lot of pleasure writing them and now I just hope you have fun playing them… and if so my goal is reached… Thanks.
$1.99
Thinking about...Schubert
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James McDonald
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Thinking about...Schubert
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James McDonald
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885725 Composed by James McDonald. Classical,Instructional,Standards. Score. 4 pages. James McDonald #37965. Published by...
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Piano Solo - Level 4 - SKU: A0.885725 Composed by James McDonald. Classical,Instructional,Standards. Score. 4 pages. James McDonald #37965. Published by James McDonald (A0.885725). This « Think about…great composers » series has no pretensions whatsoever regarding their value. It is just showing my great love and admiration for the creations of great classical music composers. I have been inspired by some of their various styles of composing without litterally copying it. In other words it has my personal touch, my personal colour or at least my own invented melodies. I had a lot of pleasure writing them and now I just hope you have fun playing them… and if so my goal is reached… Thanks.
$1.99
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