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Just in Time: 3rd B-flat Trumpet
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Crtitères actifs :
Just in Time: 3rd B-flat Trumpet
Partitions à imprimer
8 partitions trouvées
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Just in Time: 3rd B-flat Trumpet
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Trompette (partie séparée)
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INTERMÉDIAIRE
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Jazz
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Jule Styne
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Dave Wolpe
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Just in Time: 3rd B-flat Trump
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017181_T3 3rd B-flat Trumpet. Composed by Jule Styne. Arranged by Dave Wolpe. Jazz. Part. 4 pages. Alfred Music - ...
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Jazz Ensemble - SKU: AX.00-PC-0017181_T3 3rd B-flat Trumpet. Composed by Jule Styne. Arranged by Dave Wolpe. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017181_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017181_T3). UPC: 038081361451.Just in Time is a level 3 Jazz Vocal Series piece designed for high school and college band that features vocal solos with some arrangements for SATB. Full instrumentation includes 5 saxophones, 8 brass, 4 rhythms parts, vocal solo part and an optional B-flat tenor sax as a substitute for the vocal solo. Guitar chord frames are provided and the rhythm section parts suggest chord voicings and rhythms.
$3.00
Just Friends: 3rd B-flat Trumpet
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Trompette (partie séparée)
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John Klenner
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Dave Wolpe
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Standard
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Just Friends: 3rd B-flat Trump
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017127_T3 3rd B-flat Trumpet. Composed by John Klenner. Arranged by Dave Wolpe. Jazz; Standard. Part. 4 pages. Alf...
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Jazz Ensemble - SKU: AX.00-PC-0017127_T3 3rd B-flat Trumpet. Composed by John Klenner. Arranged by Dave Wolpe. Jazz; Standard. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017127_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017127_T3). UPC: 038081299150.Dave Wolpe's superb chart for vocalist and jazz ensemble is arranged in two keys for flexibility: low key of C and high key is F---just flip the page for the preferred key! In addition, an optional part is provided for tenor sax as an alternative to the vocal. A terrific stop-time sax soli and a jazz solo for trumpet 2 are highlights of this swinger. Low key vocal range is G-flat below middle C to second space A. High key range is B below middle to fourth line D treble clef. Another outstanding Wolpe chart! This title is available in SmartMusic.
$3.00
Trofeo de Bolos: 3rd B-flat Trumpet
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Trompette (partie séparée)
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Methodes
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Craig Skeffington
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Trofeo de Bolos: 3rd B-flat Tr
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016176_T3 3rd B-flat Trumpet. Composed by Craig Skeffington. Instructional. Part. 2 pages. Alfred Music - Digital ...
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Jazz Ensemble - SKU: AX.00-PC-0016176_T3 3rd B-flat Trumpet. Composed by Craig Skeffington. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016176_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016176_T3). UPC: 038081303826.A clever and interesting Latin chart with a mesmerizing melody, composer/arranger Craig Skeffington captures it all in Trofeo de Bolos. Features include: a written solo for 1st alto, lead trumpet to written A above the staff, a nice stop-time ensemble section and an open drum/percussion solo. An effective chart that is easy to rehearse---just what you need! This title is available in SmartMusic.
$3.00
The Red Covered Bridge: 3rd B-flat Trumpet
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Orchestre d'harmonie
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Methodes
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Robert Sheldon
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Festival.
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The Red Covered Bridge: 3rd B-
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016436_T3 3rd B-flat Trumpet. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Shee...
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Concert Band - SKU: AX.00-PC-0016436_T3 3rd B-flat Trumpet. Composed by Robert Sheldon. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016436_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016436_T3). UPC: 038081465890.A red covered bridge spans the Big Bureau Creek just north of Princeton, Illinois. This local attraction has served as the inspiration for this lyrical composition. The serene setting brings to mind the many people who have crossed that bridge in simpler times, and the stories of their lives. This piece hopes to capture those moments of reflection, joy, children playing, and powerful moments of resolve. (5:00) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00
Just Friends: 3rd Trombone
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Trombone (partie séparée)
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Jazz
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John Klenner
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Dave Wolpe
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Just Friends: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017127_TN3 3rd Trombone. Composed by John Klenner. Arranged by Dave Wolpe. Jazz; Standard. Part. 4 pages. Alfred M...
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Jazz Ensemble - SKU: AX.00-PC-0017127_TN3 3rd Trombone. Composed by John Klenner. Arranged by Dave Wolpe. Jazz; Standard. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017127_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017127_TN3). UPC: 038081299150.Dave Wolpe's superb chart for vocalist and jazz ensemble is arranged in two keys for flexibility: low key of C and high key is F---just flip the page for the preferred key! In addition, an optional part is provided for tenor sax as an alternative to the vocal. A terrific stop-time sax soli and a jazz solo for trumpet 2 are highlights of this swinger. Low key vocal range is G-flat below middle C to second space A. High key range is B below middle to fourth line D treble clef. Another outstanding Wolpe chart! This title is available in SmartMusic.
$3.00
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Brian Harris
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Clarinets remain below break
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JOURNEY OF THE MAGI
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages...
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Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages. HMS Music #1012229. Published by HMS Music (A0.1431754). _______________________JOURNEY OF THE MAGI is a tasteful, restrained, and plaintive arrangement of We Three Kings in A-A-B form. Simple harmonization, limited ranges, and basic rhythms ensure success and enjoyment for both the musicians and the audience.The work creates a musical picture of a slow-moving camel caravan crossing a desert. This is a work you will continue to use for years to come. And with the license to copy all the parts you ever need, you can let the students keep their parts as souvenirs and just print new ones the next time!LEVEL: Appropriate for 2nd-/3rd-year players or advanced beginners. (BcP-YB) PROGRAMMING:Winter/Christmas concertModerately slow tempo provides nice contrast with faster works. FEATURES:Melody distributed through all wind parts.Simple but effective percussion parts.Programmatic nature of the work allows students to begin learning expressiveness. CHALLENGES:Dynamics (long crescendo and decrescendo challenges young players to support the tone and intonation)Legato playingBalanceSolos (Two solos, each consisting of 2 quarter-notes, are optionally doubled with other instruments)Multi-percussion playing KEY and RANGES: C minor and E-flat majorStandard 1st-year ranges: Flute to B-flat above staff; Clarinets remain below break; Trumpet to third-space C; Horn from 2nd-line G to low G; Trombone to B-flat on top of staff; Tuba to C below staff. Clarinet is divided into separate 1st and 2nd parts; all others (except percussion) are undivided. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, Bass Line*, and 3 Percussion (easy rhythms) *At least one of the following: Bassoon, Bass Clarinet, Horn, Trombone, Baritone, or Tuba PERCUSSION: Utilizes three separate multi-percussion set-ups:Percussion 1 = Bells, Finger Cymbals, Tom-tomPercussion 2 = Tambourine, Suspended Cymbal 1, Bass DrumPercussion 3 = Triangle, Suspended Cymbal 2, Bass Drum (can share same bass drum with Perc. 2). These percussion parts are simple, using only quarter-, half-, and dotted-half notes (slow eighth-notes in the Tambourine), and provide the rhythmic ostinato upon which the work progresses. The parts can easily be divided to provide playing opportunities for up to 8 percussionists. Or use three sets of finger cymbals (sounds even better) and accommodate up to 10 players!- - - - - - - - - - - - - - - -COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a public school and college band director for over 30 years. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________
$31.99
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
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Just in Time: 3rd B-flat Trumpet