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--INSTRUMENTS--
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ALTO
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Killer Technique: Classical Guitar
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Killer Technique: Classical Guitar
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Killer Technique: Classical Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Methodes
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Gohar Vardanyan
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Killer Technique: Classical Gu
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Gohar Vardanyan. For Guitar (Classical). Technique. Killer Technique. Intermediate-Advanced. Book. 20 pages. Published by Mel Bay Publications - Dig...
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Composed by Gohar Vardanyan. For Guitar (Classical). Technique. Killer Technique. Intermediate-Advanced. Book. 20 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619114708. All the exercises in "Killer Technique: Classical Guitar" are either based on or inspired by challenging passages and patterns that appear in compositions. Technical elements and passages have been stripped down and transformed into exercises to help the reader concentrate on specific targets through repetition. The exercises cover various techniques, such as finger independence in both hands, different types of shifts, in-context slurs, in-context arpeggios, scales, tremolo and switches between different technical elements. The exercises are presented in standard notation and tablature. Explanations and instructions are also provided. By using standard notation, the exercises include detailed information regarding fingerings and strings. Tablature versions of the exercises are also included, however, the rhythm and finger information is written in standard notation.The exercises are divided into two main sections: right-hand and left-hand. Each section consists of different categories specific to that hand. The exercises are not written in any particular order within each category - by practicing these exercises, the reader will master difficult technical transitions when they are encountered in compositional contexts.
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