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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Kind of True
Non classifié
43
Piano & claviers
Piano seul
16
Piano, Voix
6
Piano, Voix et Guitare
5
Piano Facile
3
Orgue
2
1 Piano, 4 mains
1
2 Pianos, 4 mains
1
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Guitare notes et tablatures
3
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2
Voix
Chorale SATB
29
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3
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2
Chorale TTBB
2
Chorale Unison
2
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2
Voix duo
1
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Retracter
Vents
2 Flûtes traversières (duo)
13
Clarinette
10
Hautbois (partie séparée)
10
Quatuor de Saxophones: 4 saxophones
9
Saxophone Alto
2
Saxophone (partie séparée)
2
Flûte traversière
2
Saxophone Tenor
2
Hautbois, Violoncelle
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
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Cuivres
Trompette
4
Trombone
2
Cordes
Violon, Violoncelle (duo)
4
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto, Piano
2
Alto et Harpe
1
Harpe
1
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1
Violoncelle, Piano
1
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Orchestre & Percussions
Orchestre à Cordes
9
Jazz combo
3
Batterie
2
Orchestre d'harmonie
2
Ensemble Jazz
1
Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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LUTH
MANDOLINE
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SAXOPHONE
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Vous avez sélectionné:
Kind of True
Partitions à imprimer
227 partitions trouvées
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Kind of True
Jazz Band - Grade 4 - Digital Download SKU: LX.60-1050H Composed by Mike Titlebaum.…
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Jazz Band - Grade 4 - Digital Download SKU: LX.60-1050H Composed by Mike Titlebaum. Jazz Band. 42 pages. Heritage Music Press #e60/1050H. Published by Heritage Music Press (LX.60-1050H). UPC: 000308054989.This is an intense, emotional composition for mature bands. From the first note of the pensive, reflective saxophone quintet opening to the soaring ensemble conclusion, you know that Kind Of True is special. If you are looking for a work that has challenges for every member of your band and is guaranteed to raise some goose bumps, this chart is worthy of your attention.
$50.00
46.1 €
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Mike Titlebaum
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Kind of True
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Heritage Music Press
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SheetMusicPlus
Make Your Own Kind Of Music
Chorale SSAA
Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma …
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Choir, SSAA (TLbB) - Early Intermediate - Digital Download By Mama Cass Elliot / Paloma Faith. Arranged by LABBS Music Category. Sheet Music Single. 6 pages. Published by LABBS - Ladies Association of British Barbershop Singers (
An uplifting song arranged by members of the LABBS Music Judging Category in 4 part close harmony for women's voicings, in the barbershop style (internal melody). Sticking fairly close to the original, the arrangement features solos of each voicepart on the melody, and rousing homophonic choruses. The standard tag builds to a satisfying climax, with an optional extended tag that sends it through the roof! The arrangement is suitable for most female barbershop choruses and quartets as a fun, fairly quick learn for performance repertoire. Each voicepart is well within the standard barbershop ranges of most arrangements (Basses: low E, one low D has an alternate note offered). Note: if you are unfamiliar with the scoring of female barbershop music, be aware the bass clef should be sung an octave higher than written, as designated by the 8 above the clef. This arrangement is not suitable for use in barbershop contests. This song and arrangement would also be a great choice for other genres of female choirs and a cappella quartets or ensembles, including high school / college / secondary school choirs wanting to try the barbershop style. It is a fun and modern song containing a strong and poignant message about not bending to peer pressure and being your own person and remaining true to yourself. Learning tracks available separately from www.hbteachtracks.co.uk www.labbs.org.uk https://www.facebook.com/SingLABBS/An uplifting song arranged by members of the LABBS Music Judging Category in 4 part close harmony for women's voicings, in the barbershop style (internal melody). Sticking fairly close to the original, the arrangement features solos of each voicepart on the melody, and rousing homophonic choruses. The standard tag builds to a satisfying climax, with an optional extended tag that sends it through the roof!
The arrangement is suitable for most female barbershop choruses and quartets as a fun, fairly quick learn for performance repertoire. Each voicepart is well within the standard barbershop ranges of most arrangements (Basses: low E, one low D has an alternate note offered). Note: if you are unfamiliar with the scoring of female barbershop music, be aware the bass clef should be sung an octave higher than written, as designated by the 8 above the clef.
This arrangement is not suitable for use in barbershop contests.
This song and arrangement would also be a great choice for other genres of female choirs and a cappella quartets or ensembles, including high school / college / secondary school choirs wanting to try the barbershop style. It is a fun and modern song containing a strong and poignant message about not bending to peer pressure and being your own person and remaining true to yourself.
Learning tracks available separately from www.hbteachtracks.co.uk
www.labbs.org.uk
https://www.facebook.com/SingLABBS/
$2.49
2.3 €
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Chorale SSAA
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Mama Cass Elliot / Paloma Faith
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LABBS Music Category
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Make Your Own Kind Of Music
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LABBS - Ladies Association of British Barbershop Singers
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SheetMusicPlus
Every Kind Of Way
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1306575 By H.E.R…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1306575 By H.E.R. By Darhyl Jr Camper, Gabriella Wilson, and Hue Wayne Strother. Arranged by AZSAP MUSiC. R & B,Soul. 4 pages. AZSAP MUSiC #895928. Published by AZSAP MUSiC (A0.1306575). Product Title: Every Kind of Way by H.E.R. - String Quartet ArrangementProduct Description:Delve into the soulful sounds of Every Kind of Way by H.E.R. with our enchanting string quartet arrangement. This rendition captures the emotional depth and contemporary elegance of the original song, making it a perfect choice for weddings, special events, and performances that seek to convey love and passion through music.Key Features:1. **Soulful Elegance:** Every Kind of Way by H.E.R. is celebrated for its heartfelt lyrics and emotive melody. Our string quartet arrangement pays homage to the song's emotional depth while adding a touch of classical refinement, resulting in a captivating and emotionally charged performance.2. **Versatile Usage:** This arrangement is ideal for various settings, from wedding ceremonies and romantic events to concerts and intimate gatherings, creating an atmosphere of love and passion through the musical performance.3. **Professionally Notated:** Our sheet music is professionally notated, ensuring that each member of your quartet has meticulously crafted parts that harmonize seamlessly, delivering a polished and expressive performance.4. **Room for Artistic Interpretation:** While staying true to the original, our arrangement allows for artistic interpretation, granting your ensemble the freedom to infuse their unique style and emotions into the performance.5. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation convenient and efficient.Express the depth of love and passion through Every Kind of Way with your string quartet. This arrangement was thoughtfully designed to bridge the gap between contemporary sentiment and classical sophistication, offering an emotional and elegant musical experience. Order your copy today and embark on a musical journey that resonates with love and passion, leaving a lasting impression on your audience and enhancing the ambiance of your special events.
$12.99
11.98 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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H
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AZSAP MUSiC
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Every Kind Of Way
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AZSAP MUSiC
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SheetMusicPlus
Gentle Shepherd, Kind and True
Chorale Unison
Unison/Two-part chorus - Digital Download SKU: C7.CGA687 Composed by Hal H Hopson. …
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Unison/Two-part chorus - Digital Download SKU: C7.CGA687 Composed by Hal H Hopson. General. With Two octaves handbells. Sacred Anthem. Octavo. 4 pages. Chorister's Guild - Digital #CGA687. Published by Chorister's Guild - Digital (C7.CGA687). UPC: 749193002926.Various Season. A collection of seven songs written with the primary age choir in mind. The attractive music and texts will be accessible for young singers. The added use of a few handbells (2 octave range) will add interest to the pieces.
$1.85
1.71 €
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Chorale Unison
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Hal H Hopson
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Gentle Shepherd, Kind and True
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Chorister's Guild - Digital
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SheetMusicPlus
Make Your Own Kind Of Music
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.892463 By Mama Cass Elliot…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.892463 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by LABBS Music Category. A Cappella. Octavo. 6 pages. LABBS - Ladies Association of British Barbershop Singers #4580047. Published by LABBS - Ladies Association of British Barbershop Singers (A0.892463). An uplifting song arranged by members of the LABBS Music Judging Category in 4 part close harmony transposed for men's voicings, in the barbershop style (internal melody). Sticking fairly close to the original, the arrangement features solos of each voicepart on the melody, and rousing homophonic choruses. The standard tag builds to a satisfying climax, with an optional extended tag that sends it through the roof! The arrangement is suitable for most male barbershop choruses and quartets as a fun, fairly quick learn for performance repertoire. Each voicepart is well within the standard barbershop ranges of most arrangements. Note: if you are unfamiliar with the scoring of male barbershop music, be aware the treble clef should be sung an octave lower than written, as designated by the 8 below the clef.This arrangement is not suitable for use in barbershop contests.This song and arrangement would also be a great choice for other genres of male choirs and a cappella quartets or ensembles, including high school / college / secondary school choirs wanting to try the barbershop style. It is a fun and modern song containing a strong and poignant message about not bending to peer pressure and being your own person and remaining true to yourself.
$2.49
2.3 €
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Chorale TTBB
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Mama Cass Elliot
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LABBS Music Category
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Make Your Own Kind Of Music
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LABBS - Ladies Association of British Barbershop Singers
#
SheetMusicPlus
What Kind Of Man Would I Be?
Small Ensemble - Level 5 - Digital Download SKU: A0.748027 By Chicago. By Chas Sand…
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Small Ensemble - Level 5 - Digital Download SKU: A0.748027 By Chicago. By Chas Sandford, Jason Scheff, and Robert Caldwell. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 61 pages. Patrick Sheehan #5196111. Published by Patrick Sheehan (A0.748027). *This title is priced at $50 because of its overall popularity, and because it had charted as #5 in November of 1989. Keep in mind that *all* parts (vocals, horns, rhythm parts) are included in this transcription, and you cannot find it published in full score format anywhere else in the world.*INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Electric Guitar I, Electric Guitar II, Bass, Drumset. All parts transcribed by ear from the original recording from CHICAGO 19, released in 1988. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.1 €
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Chicago
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Patrick Sheehan
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What Kind Of Man Would I Be?
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Patrick Sheehan
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SheetMusicPlus
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.87 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
RITUALISE, Between the Octaves - A Piano Duo Suite (Movement 6 of 7)
2 Pianos, 4 mains
Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by…
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Instrumental Duet,Keyboard - Level 4 - Digital Download SKU: A0.1497861 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 26 pages. Jenni Roditi #1074273. Published by Jenni Roditi (A0.1497861). Piano Duo 2 pianos/4 hands. Ritualise, Between the Octaves finally found its identity with the word ritualise. It began as announce, became pronounce, then declare and went as far a pontificate for a title. At that point I realised I was mocking my own music and needed to take it more seriously. Ritualise brought out a meaning to the music that I hadn’t wanted to admit to. It is quite folk-like, in a primal and entrancing kind of way. I can imagine a communal dance for some ceremonial purpose in this music with both public and private elements.Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00
18.44 €
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2 Pianos, 4 mains
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dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians
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Jenni Roditi
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RITUALISE, Between the Octaves - A Piano Duo Suite
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Jenni Roditi
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SheetMusicPlus
The Kisses of Love - Duet with Piano
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.997113 Composed b…
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Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.997113 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Holiday,Love,Pop,Wedding. 16 pages. Bill Fortenberry #6208195. Published by Bill Fortenberry (A0.997113). If the opening scene of Disney's Up! were a musical, this is the song that they would sing. Fortenberry and Grigg have crafted an endearing portrayal of true love - the kind of love that lasts a lifetime and never fades.
$4.99
4.6 €
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Voix duo, Piano
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Bill Fortenberry, Jordan Grigg
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The Kisses of Love - Duet with Piano
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Bill Fortenberry
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SheetMusicPlus
The Kisses of Love - Orchestration
Digital Download SKU: A0.1072006 Composed by Bill Fortenberry, Jordan Grigg. Christ…
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Digital Download SKU: A0.1072006 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Holiday,Love,Pop,Wedding. Accompaniment. Duration 379. Bill Fortenberry #6208219. Published by Bill Fortenberry (A0.1072006). If the opening scene of Disney's Up! were a musical, this is the song that they would sing. Fortenberry and Grigg have crafted an endearing portrayal of true love - the kind of love that lasts a lifetime and never fades.
$4.99
4.6 €
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Bill Fortenberry, Jordan Grigg
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The Kisses of Love - Orchestration
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Bill Fortenberry
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SheetMusicPlus
The Kisses of Love - Orchestral Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.997114 Composed by Bill Fortenb…
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Full Orchestra - Level 4 - Digital Download SKU: A0.997114 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Holiday,Love,Pop,Wedding. Score and parts. 71 pages. Bill Fortenberry #6208211. Published by Bill Fortenberry (A0.997114). If the opening scene of Disney's Up! were a musical, this is the song that they would sing. Fortenberry and Grigg have crafted an endearing portrayal of true love - the kind of love that lasts a lifetime and never fades.
$9.99
9.21 €
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Orchestre
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Bill Fortenberry, Jordan Grigg
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The Kisses of Love - Orchestral Score
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Bill Fortenberry
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SheetMusicPlus
True Blue
Choral Choir,Choral,SAA Chorus - Level 3 - Digital Download SKU: A0.1511620 By Boyg…
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Choral Choir,Choral,SAA Chorus - Level 3 - Digital Download SKU: A0.1511620 By Boygenius. By Julien Baker, Lucy Dacus, and Phoebe Bridgers. Arranged by Claire Coleman. Pop,Rock. 11 pages. Claire Coleman #1086774. Published by Claire Coleman (A0.1511620). Boygenius fantastic tribute to all kinds of love is wrought faithfully in this arrangement for upper voices. True Blue is arranged here in three parts (SAA) with divisi throughout, so expect lots of tight harmonies. Chords are provided for improvised accompaniment on guitar or piano.
$2.99
2.76 €
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Boygenius
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Claire Coleman
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True Blue
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Claire Coleman
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SheetMusicPlus
A Treasury of Hymn Settings, Volume 2
Orgue
Organ: 3-staff - Intermediate SKU: LO.70-1489S Composed by Gilbert M. Martin. Sacre…
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Organ: 3-staff - Intermediate SKU: LO.70-1489S Composed by Gilbert M. Martin. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1489S. Published by Sacred Music Press (LO.70-1489S). UPC: 000308099553.A second exciting organ volume of some of Christendom's most famous hymn tunes, all handsomely arranged by some of America's finest composers. This rich and glorious collection of preludes, offertories and postludes, varying in styles and levels of difficulty, will be a welcome addition to any organist's library for the enhancement of the worship service. A true treasury..
Song List: Thee We Adore Praise to the Lord the Almighty In Christ There Is No East Or West O Thou In Whose Presence Once More My Soul Lead Kindly Light Toccata on Ein Feste Burg Toccata on Boylston Take My Life and Let It Be Consecrated
Song List
: Thee We Adore Praise to the Lord the Almighty In Christ There Is No East Or West O Thou In Whose Presence Once More My Soul Lead Kindly Light Toccata on Ein Feste Burg Toccata on Boylston Take My Life and Let It Be Consecrated
$25.00
23.05 €
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Orgue
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Gilbert M
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A Treasury of Hymn Settings, Volume 2
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Sacred Music Press
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SheetMusicPlus
Praise to the Lord of Light, a sacred hymn
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1370772 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1370772 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #955111. Published by Kevin G. Pace (A0.1370772). A joyful, beautiful hymn of praise with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:Praise to the Lord of light. Praise for all I see,For the beauty of the world, for it's majesty.In Thy grand universe, small I may be.Yet Thy hand created all, ev'rything for me.And yet, Thy hand created all, ev'rything for me.Praise to the Lord of truth. Praise for all I know,For the Word within my heart, godly ways to show.Patiently teaching me, thy Spirit calls.Line upon each line I learn in Thy sacred halls.As line upon each line I learn in Thy sacred halls.Praise to the Lord of life. Praise for all His pow'r,Raising all from death's embrace, as a seed in flow'r.Through His redeeming grace, I feel no fear.Even in the darkest night, He is ever near.Yes, even in the darkest night, He is ever near.Praise to the Lord of love. Praise for love and grace.His atoning sacrifice, leads me to his face.Constant He is and kind, all men to bless.Cleanse me as I change my heart, ev'ry sin confess.Oh, cleanse me as I change my heart, ev'ry sin confess.Praise to the Lord of all light, truth, life, and love.Surely He was sent from God, sent from up above.He shall my Shepherd be, leading me on,On to joy and happiness, life's true denouement. (Denouement meaning: The final result of a series of events, effort or struggle.)Lead on to joy and happiness, life's true denouement.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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Praise to the Lord of Light, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
True Kinda Love
2 Guitares (duo)
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.788412 By Steven Univer…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.788412 By Steven Universe. By Aivi Tran, Chancelor Bennett, Estelle, Estelle Swaray, James Edward Fauntleroy Ii, Julian Sanchez, Macie Steward, Rebecca Rea Sugar, and Steven Velema. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Score and parts. 4 pages. Antonius Agung Setiawan #5854197. Published by Antonius Agung Setiawan (A0.788412). True Kinda Love by Zach Callison, Estelle Duet guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play to see more of my work please visit https://linktr.ee/pakagung.
$5.50
5.07 €
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2 Guitares (duo)
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Steven Universe
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Antonius Agung Setiawan
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True Kinda Love
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Antonius Agung Setiawan
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SheetMusicPlus
True Kinda Love
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.788411 By Steven Universe. By Aivi Tran…
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Guitar - Level 3 - Digital Download SKU: A0.788411 By Steven Universe. By Aivi Tran, Chancelor Bennett, Estelle, Estelle Swaray, James Edward Fauntleroy Ii, Julian Sanchez, Macie Steward, Rebecca Rea Sugar, and Steven Velema. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Guitar Tab. 7 pages. Antonius Agung Setiawan #5854193. Published by Antonius Agung Setiawan (A0.788411). True Kinda Love by Zach Callison, Estelle Duet guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play, Tablature included to see more of my work please visit https://linktr.ee/pakagung.
$5.50
5.07 €
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Guitare notes et tablatures
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Steven Universe
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Antonius Agung Setiawan
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True Kinda Love
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Antonius Agung Setiawan
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SheetMusicPlus
True Kinda Love
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.788409 By Steven Universe. By Aivi Tran…
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Guitar - Level 3 - Digital Download SKU: A0.788409 By Steven Universe. By Aivi Tran, Chancelor Bennett, Estelle, Estelle Swaray, James Edward Fauntleroy Ii, Julian Sanchez, Macie Steward, Rebecca Rea Sugar, and Steven Velema. Arranged by Antonius Agung Setiawan. Contemporary,Pop. Guitar Tab. 5 pages. Antonius Agung Setiawan #5854187. Published by Antonius Agung Setiawan (A0.788409). True Kinda Love by Zach Callison, Estelle Solo guitar arrangement by Antonius Agung Setiawan Fingerstyle guitar arrangement, Easy to play, Tablature included to see more of my work please visit https://linktr.ee/pakagung.
$5.50
5.07 €
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Guitare notes et tablatures
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Steven Universe
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Antonius Agung Setiawan
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True Kinda Love
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Antonius Agung Setiawan
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): attrib. J Haydn & L Mozart) - wind quintet and percussion
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.553894 Composed by Joseph Haydn/Leopold Mozart. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. 35 pages. RayThompsonMusic #6050327. Published by RayThompsonMusic (A0.553894). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.It is in 3 mvts and is arranged for wind quintet, and toy percussion.It can be peformed as a stand alone  wind quintet without percussion as all of the important cues (the trumpet and cuckoo) are written in to the instrumnt parts.i have distributed the original strings around the woodwind, and composed an original classical horn part.Sometimes known as The Children’s SymphonyAlso available as a wind dectet/bass arrangement.
$14.95
13.78 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Joseph Haydn/Leopold Mozart
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Kinder- Symphonie (Toy Symphony): Composer: Unknown - symphonic wind/percussion
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital…
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.i have distributed the original strings around the woodwind, and composed original classical horn parts.Sometimes known as Children’s Symphony.
$19.95
18.39 €
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Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
One of the Ninety and Nine - an original hymn for SATB voices
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701509 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701509 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3142493. Published by Kevin G. Pace (A0.701509). An original hymn with text by Kathryn Hales below.YouTube video: https://youtu.be/mhGcdfOKW0s I am one of the ninety and nine; I did not go to the desert to pine; I followed the Master, and stayed in the pasture, When He went out the lost sheep to find. The Good Shepherd gently calls my name, Though I’m not one of wealth or fame, Just common stock, just one of the flock, One of the faithful who steadfast remained. There’s no celebration for me coming ‘round, Like the black sheep who with diligence was found; I’ve been loyal and true, valiantly obedient to My Master’s teachings profound. Still the Shepherd says You are mine, In a voice so gentle and kind, So loyal I’ll be for all eternity, One of the faithful nine and nine.
$1.99
1.83 €
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Kevin G
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One of the Ninety and Nine - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
How Beautiful (Is the Love Between the Two of Us) - Alto duet and piano
Voix duo, Piano
Piano,Voice Duet Alto Voice,Piano - Level 2 - Digital Download SKU: A0.1074308 Comp…
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Piano,Voice Duet Alto Voice,Piano - Level 2 - Digital Download SKU: A0.1074308 Composed by Connie Boss. Wedding. 5 pages. Connie Boss #678591. Published by Connie Boss (A0.1074308). This is a new original piece that is ideal for weddings, engagements and anniversaries. This is in an alto vocal duet with piano. Lots of moving parts and harmonies. You can have a one of a kind song for your wedding. email me at cdboss@cvalley.net for questions or requests. Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful – How beautiful is your love for me How beautiful – How beautiful is my love for you How beautiful – How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
5.52 €
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Voix duo, Piano
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
How Beautiful (Is the Love Between the Two of Us) - Alto solo and piano
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1074310 Composed by Conn…
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Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310). Here is the perfect song for an alto soloist for a wedding/ engagement or anniversary. It is an original composition, so it's one of a kind. There are other arrangements as well for sale if you want more voices. For questions or requests, email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful is your love for me How beautiful is my love for you How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
5.52 €
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Voix Alto, Piano
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
The True Colors of Weedle • Vocal Selections
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by M…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 87 pages. Shining Sharon Music #744248. Published by Shining Sharon Music (A0.1143939). 11 songs, by June Rachelson-Ospa and Allison Brewster Franzetti, from this very funny and sometimes sobering musical for Young People in Piano-Vocal settings help to tell the story of a boy, born colorless. As such, he has been bullied, because everyone else around him has lots of colors. Ostracized, Weedle sets out to find a companion/soul-mate, Marvello Maxumo Marmaduke (who ends up having three heads) after he receives a sympathetic letter from him. Like Weedle, Marmaduke has been forced into seclusion by the Falafarinians of Falifarinum, so together they hatch a plan for revenge on those who hurt have them. Weedle then must decide if he will take revenge on those who have wronged him, or if he will live his life in peace. After choosing to take revenge, Weedle feels so bad that he cries. Then, to everyone's amazement, his tears are full of vibrant colors, proving that he had it within himself all the time... Bullying has become an epidemic, causing many children pain. Our story confronts this issue in a fun-filled way, without shying away from the issue at hand. Perhaps, this show is needed now more than ever! It is the hope of the authors that the producers will utilize actors of all genders, abilities/disabilities, and special needs, aiming to entertain and teach an important life lesson to kids: that anything is possible with the right outlook. Teaching children and families to accept people for who they are, no matter what they look like… is vital, especially when the outcome includes forgiveness. From Leicester Bay Theatricals. The most moving theatrical experience... -- Peter Filichia, Broadway Radio The True Colors of Weedle is also available as an illustrated storybook for children in Kindle and Paperback editions. Look for it.
$19.95
18.39 €
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Piano, Voix et Guitare
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Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa
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Allison Brewster Franzetti
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The True Colors of Weedle • Vocal Selections
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Shining Sharon Music
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SheetMusicPlus
Flight of the Peri
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.941692 Composed by Piano Prodigies.…
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Piano Solo - Level 3 - Digital Download SKU: A0.941692 Composed by Piano Prodigies. Contemporary. Score. 6 pages. Piano Prodigies #6490609. Published by Piano Prodigies (A0.941692). Flight of the Peri tells the story of a mythological Persian superhuman creature, trying to gain the trust of humans living in a small village. The humans have long perceived the Peri as being evil, but when it saves the village from attack, they finally come to see it as a good and kind creature. Exploring virtuosity and dynamic drama through a majestic opening, fast and furious middle section (in 3+3+2), and fiery closing, this work is a true showstopper!
$7.00
6.45 €
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Piano seul
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Piano Prodigies
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Flight of the Peri
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Piano Prodigies
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SheetMusicPlus
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