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Vous avez sélectionné:
Kyrie Canon
Partitions à imprimer
44 partitions trouvées
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Mozart Kyrie canon a 5 - altos (or baritones) and performed by the dwsChorale (mp3)
Alto Voice,Choir - Digital Download SKU: A0.1059640 Composed by Wolfgang Amadeus Mo…
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Alto Voice,Choir - Digital Download SKU: A0.1059640 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Christian,Classical,Sacred. Full Performance. Duration 381. David Warin Solomons #3636875. Published by David Warin Solomons (A0.1059640). Originally written for 5 sopranos in canon, this has been arranged for 5 altos (or baritones).
$2.80
2.51 €
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - altos
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David Warin Solomons
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 altos (or 5 baritones)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.580236 Composed by Wolfga…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.580236 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Christian,Classical,Sacred. Octavo. 13 pages. David Warin Solomons #3636871. Published by David Warin Solomons (A0.580236). Originally written for 5 sopranos in canon, this has been arranged for a choir of 5 altos (or baritones).
$3.00
2.69 €
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Chorale SATB
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - 5 altos
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David Warin Solomons
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 tenor recorders
Flûte à bec Tenor
Recorder Solo,Tenor Recorder - Level 3 - Digital Download SKU: A0.580246 Composed b…
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Recorder Solo,Tenor Recorder - Level 3 - Digital Download SKU: A0.580246 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Classical,Contemporary,Sacred. Individual part. 20 pages. David Warin Solomons #3637753. Published by David Warin Solomons (A0.580246). Instrumental arrangement of a canon originally written for 5 sopranos.
$10.00
8.98 €
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Flûte à bec Tenor
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - 5 tenor recorders
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David Warin Solomons
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 bassoons
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.580239 Composed by Wolfgang Amade…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.580239 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Christian,Classical,Contemporary,Sacred. Individual part. 20 pages. David Warin Solomons #3637461. Published by David Warin Solomons (A0.580239). Instrumental arrangement of a canon originally written for 5 sopranos.
$10.00
8.98 €
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Basson
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - 5 bassoons
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David Warin Solomons
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 clarinets
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.580241 Composed by Wolfgang Amad…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.580241 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Christian,Classical,Contemporary,Sacred. Individual part. 20 pages. David Warin Solomons #3637471. Published by David Warin Solomons (A0.580241). Instrumental arrangement of a canon originally written for 5 sopranos.
$10.00
8.98 €
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Clarinette
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - 5 clarinets
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David Warin Solomons
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 equal saxophones
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.580242 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Christian,Classical,Contemporary,Sacred. 20 pages. David Warin Solomons #3637597. Published by David Warin Solomons (A0.580242). Instrumental arrangement of a canon originally written for 5 sopranos.
$10.00
8.98 €
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Quatuor de Saxophones: 4 saxophones
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - 5 equal saxophones
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David Warin Solomons
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 cellos
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.580240 Composed by Wolfgang Amadeus…
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Cello Solo - Level 3 - Digital Download SKU: A0.580240 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Christian,Classical,Contemporary,Sacred. Individual part. 20 pages. David Warin Solomons #3637467. Published by David Warin Solomons (A0.580240). Instrumental arrangement of a canon originally written for 5 sopranos.
$11.00
9.88 €
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Violoncelle
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - 5 cellos
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David Warin Solomons
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 violins
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.578766 Composed by Wolfgang Amadeu…
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Violin Solo - Level 3 - Digital Download SKU: A0.578766 Composed by Wolfgang Amadeus Mozart. Arranged by David Warin Solomons. Christian,Classical,Contemporary,Sacred. 20 pages. David Warin Solomons #3637157. Published by David Warin Solomons (A0.578766). Originally written for 5 sopranos in canon, this has been arranged for 5 violins.
$11.00
9.88 €
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Violon
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Wolfgang Amadeus Mozart
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David Warin Solomons
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Mozart Kyrie canon a 5 - 5 violins
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David Warin Solomons
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SheetMusicPlus
Kyrie Eleison 2016 for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.757049 Composed by Simon P…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.757049 Composed by Simon Peberdy. Children,Christian,Contemporary,Sacred,Standards. Octavo. 2 pages. Simon Peberdy #3545467. Published by Simon Peberdy (A0.757049). A very simple SATB setting of the Kyrie, a re-working of a canon for Children's choir (also available via www.simonpeberdymusic.com).Envisaged that it is sung in harmony for the first Kyrie and the Christus, then as a 3 part canon for the final Kyrie.The mp3 recording is of the Children's choir canon and only in 2 parts, but shows how simple it is.More new music available from www.simonpeberdymusic.com
$1.99
1.79 €
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Chorale SATB
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Simon Peberdy
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Kyrie Eleison 2016 for SATB choir
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Simon Peberdy
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SheetMusicPlus
Mozart Kyrie canon a 5 - 5 flutes
Ensemble de Flûtes
Flute - Intermediate - Digital Download Composed by Wolfgang Amadeus Mozart (1756-179…
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Flute - Intermediate - Digital Download Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by David Warin Solomons. Classical Period, Christian, Sacred. Score, Set of Parts. 20 pages. Published by David Warin Solomons
Originally written for 5 sopranos in canon, this has been arranged for a choir or quintet of flutes.<br> The pdf file contains score and parts.<br> The sound sample is an electronic preview<br> <br> The words of the original choral version are<br> Kyrie eleison - (Lord have mercy)<br> Christe eleison - (Christ have mercy)<br> Kyrie eleison - (Lord have mercy)
$11.00
9.88 €
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Ensemble de Flûtes
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Wolfgang Amadeus Mozart
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Mozart Kyrie canon a 5 - 5 flutes
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David Warin Solomons
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SheetMusicPlus
Kyrie, eleison
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1380343 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1380343 Composed by Joanna Mills. Arranged by Joanna Mills. A Cappella,Chamber,Lent,Religious,Sacred. 12 pages. Joanna Mills Music #965106. Published by Joanna Mills Music (A0.1380343). This a cappella SATB setting of kyrie, eleison is set in a G minor pentatonic mode, evoking the feeling of plainsong, but adding the complexity of canon, counterpoint, and complex rhythms. Approximate performance time 3.25 minutes. Range: Soprano C4 - G5, Alto G3-G4, Tenor C3-G4, Bass F2-G3.
$1.99
1.79 €
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Chorale SATB
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Joanna Mills
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Joanna Mills
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Kyrie, eleison
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Joanna Mills Music
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SheetMusicPlus
ONYENWEANYI MEE EBERE [KYRIE IN IGBO]
Chorale SATB
Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1300361 By DON MARC…
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Choral Choir,Choral (SATB) - Level 5 - Digital Download SKU: A0.1300361 By DON MARCELLINO. By MARCEL. NWOLISA. Arranged by MARCEL. NWOLISA. A Cappella,Religious,Renaissance,Sacred,Spiritual. 2 pages. DON MARCELLINO #890085. Published by DON MARCELLINO (A0.1300361). ONYENWEANYI MEE EBERE is an Igbo liturgical kyrie, that follows the musical form of canon and fugue.
$2.00
1.8 €
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Chorale SATB
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DON MARCELLINO
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MARCEL
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ONYENWEANYI MEE EBERE [KYRIE IN IGBO]
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DON MARCELLINO
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SheetMusicPlus
Kyrie
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1253774
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1253774 By Shadyside Brass. By Wolfgang Amadeus Mozart. Arranged by Justin Miller. Classical. 22 pages. Late to the Game Music #847394. Published by Late to the Game Music (A0.1253774). Mozart's other Kyrie is a unison canon for five voices. If you're willing to accept octaves, then this works absolutely perfectly for brass quintet!
$13.99
12.56 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Shadyside Brass
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Justin Miller
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Kyrie
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Late to the Game Music
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SheetMusicPlus
Kyrie Eleison - Canone For Two Voices
Chorale SATB
Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.818887 Composed by …
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Choral Choir,Choral (SATB) - Level 1 - Digital Download SKU: A0.818887 Composed by César Augusto Bortolucci. Christian,Contemporary. 3 pages. Nostalgic Scores #5330371. Published by Nostalgic Scores (A0.818887). Canone for two voices for beginner choir with piano accompaniment, to be used in the most diverse celebrations.
$2.00
1.8 €
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Chorale SATB
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César Augusto Bortolucci
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Kyrie Eleison - Canone For Two Voices
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Nostalgic Scores
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SheetMusicPlus
Kyrie Canon
Chorale
By Andy Beck. For Choral. Secular Choral. 10 pages. Published by Alfred Music - Digital Sh…
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By Andy Beck. For Choral. Secular Choral. 10 pages. Published by Alfred Music - Digital Sheet Music
$1.85
1.66 €
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Chorale
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Andy Beck
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Kyrie Canon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
KYRIE ELEISON - Tagliabue - Double Canon for Assembly (or Solo), SATB Choir and Organ
Chorale SATB
Choral Choir (Mixed) - Digital Download SKU: A0.723772 Composed by Renato Tagliabue…
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Choral Choir (Mixed) - Digital Download SKU: A0.723772 Composed by Renato Tagliabue. Christian,Sacred,Spiritual. Octavo. 3 pages. Renato Tagliabue #3023057. Published by Renato Tagliabue (A0.723772). From the Missa Gardenia--------
$2.00
1.8 €
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Chorale SATB
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Renato Tagliabue
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KYRIE ELEISON - Tagliabue - Double Canon for Assembly
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Renato Tagliabue
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SheetMusicPlus
Kyrie Eleison (2016) canon (and SATB setting)
Chorale SATB
Composed by Simon Peberdy. Contemporary, Sacred. Octavo. 3 pages. Simon Peberdy #336…
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Composed by Simon Peberdy. Contemporary, Sacred. Octavo. 3 pages. Simon Peberdy #3369923. Published by Simon Peberdy
$1.99
1.79 €
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Chorale SATB
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Simon Peberdy
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Kyrie Eleison
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Simon Peberdy
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SheetMusicPlus
Missa Canonica Kyrie
Chorale SATB
By Johann Joseph Fux (1660-1741). Edited by Chester L Alwes. For SATB choir, a cappella. E…
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By Johann Joseph Fux (1660-1741). Edited by Chester L Alwes. For SATB choir, a cappella. Educational Octavo. Prima Cantate Series. Published by Roger Dean Publishing
$2.50
2.25 €
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Chorale SATB
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Johann Joseph Fux
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Missa Canonica Kyrie
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Roger Dean Publishing
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SheetMusicPlus
Kyrie Canon - 3 Prints by Andy Beck - 2-Part Treble Choir + Piano
Chorale 2 parties
Andy Beck - Kyrie Canon Digital Sheetmusic - instantly downloadable sheet music plus an in…
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Andy Beck - Kyrie Canon Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: 2-Part Treble Choir + Piano, instruments: 2-Part Choir;Flute;Piano Accompaniment; 9 pages -- Teacher/Educator~~Educational~~Choral~~Sacred Vocal
$2.25
2.02 €
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Chorale 2 parties
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3 Prints by Andy Beck
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Musicnotes
Shadows
Chorale SATB
SATB choir, string orchestra - Intermediate SKU: LO.55-1068S A Service of Tenebr…
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SATB choir, string orchestra - Intermediate SKU: LO.55-1068S A Service of Tenebrae. Composed by Douglas E. Wagner. Choral, cantatas. Holy Week, Sacred. Choral score. Duration 20-25 minutes. Sacred Music Press #55/1068S. Published by Sacred Music Press (LO.55-1068S). UPC: 000308060669.Remembering the events of Jesus' last hours leading up to his crucifixion and death is one of the extraordinary opportunities Christians have during Holy Week. This service of worship dramatizes the events and recaptures those solemn and sacred moments. The Canonical Hours of Matins and Lauds, recited and sung on the evenings of the Wednesday, Thursday and Friday before Easter Sunday, is called the 'Tenebrae,' which means 'darkness' or 'shadows.' It is named for the practice of extinguishingall but one of the prepared candles in the worship space during the course of the service. Mr. Wagner's service of Tenebrae focuses on seven episodes in the Passion and Death of Our Lord, and his choral music, all original, is passionate, dynamic and devotional. In addition, he has arranged his choral accompaniment for either keyboard or string ensemble. Congregational responsive readings and scriptural references also become a part of this exceptional observance. Performance time: 20-25 min.
Song List: They Took My Lord Away In Darkness Do I Wander Kyrie Eleison Who Could Have Imagined But Morning Never Came Into Gods Hands Ah Holy Jesus Is It I Lord
$9.95
8.94 €
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Chorale SATB
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Douglas E
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Shadows
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Sacred Music Press
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
35.88 €
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Dame for Organ
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
44.86 €
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
44.86 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Guillaume de Machaut, 1300-1377
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Machaut: Le Messe de Nostre Dame for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95
67.31 €
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Guillaume de Machaut, 1300-1377
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James M
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2 Trombones
1
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Machaut: Le Messe de Nostre Dame for Brass Quartet
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jmsgu3
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
44.86 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
#
jmsgu3
#
SheetMusicPlus
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