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Vous avez sélectionné:
Kyrie Chant
Partitions à imprimer
68 partitions trouvées
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51
Kyrie Chant
Chorale SATB
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.1019219 Composed by Corri…
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.1019219 Composed by Corrina Dolso. Christian,Praise & Worship,Sacred,Spiritual. Octavo. 1 pages. Corrina Dolso #5048125. Published by Corrina Dolso (A0.1019219). A Kyrie chant for use in services, singing meditation groups or choral warm-ups.
$1.99
1.79 €
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Chorale SATB
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Corrina Dolso
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Kyrie Chant
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Corrina Dolso
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SheetMusicPlus
David's Kyrie
Chorale SATB
Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976728 Composed by …
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Choral Choir (SATB divisi) - Level 5 - Digital Download SKU: A0.976728 Composed by Robert Myers. A Cappella,Christian,Classical,Contemporary,Sacred. Octavo. 20 pages. WheatMyer Music #5299889. Published by WheatMyer Music (A0.976728). David's Kyrie is a setting of selected verses from Psalm 51. It is a challenging piece suited for advanced choirs in an academic or concert setting or for adventurous ensembles in sacred services. It mixes ancient and modern forms and sonorities to depict the contrition, repentance, absolution, and salvation portrayed in the psalm, juxtaposing medieval chant with Whitacre-esque clusters and dissonances. In structure, David's Kyrie roughly follows the Kyrie of the Christian mass and even borrows a melodic line from a medieval Kyrie. The heading for Psalm 51 states that it is For the director of music underscoring the fact that all 150 psalms in the Bible were meant to be sung, as they have been for most of the last 3,000 years. It is my hope that David's Kyrie will be an encouragement to continue that great heritage.
$2.95
2.66 €
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Chorale SATB
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Robert Myers
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David's Kyrie
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WheatMyer Music
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SheetMusicPlus
Kyrie Orbis Factor, Op. 58 (2018) for solo organ
Orgue
Organ - Level 3 - Digital Download SKU: A0.909305 Composed by Vidas Pinkevicius. Co…
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Organ - Level 3 - Digital Download SKU: A0.909305 Composed by Vidas Pinkevicius. Contemporary. Score. 2 pages. Vidas Pinkevicius #3557503. Published by Vidas Pinkevicius (A0.909305). I don't know why, I don't know how but the only melody that I heard in my head last night was Kyrie eleyson from Orbis Factor Gregorian chant mass.So I literally didn't have a choice when I wanted to dedicate a piece to my friend Swedish organist and organ expert Göran Grahn on the occasion of him visiting Vilnius.It's a free paraphrase of the chant. It will sound nice with the dialogue between the Cornet and the pedal stops on your organ.PDF score. 2 pages. Duration - 2 minutes. Intermediate level.When you create, miracles happen!
$4.99
4.5 €
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Orgue
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Vidas Pinkevicius
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Kyrie Orbis Factor, Op. 58
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Vidas Pinkevicius
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SheetMusicPlus
Kyrie Eleison
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.966753 Composed by Traditi…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.966753 Composed by Traditional. Arranged by Dillon Ekle. 20th Century,A Cappella,Christian,Classical,Easter,Sacred. Octavo. 10 pages. Dillon Ekle #6110767. Published by Dillon Ekle (A0.966753). This arrangement for SATB choir a cappella takes the traditional plainchant setting of Kyrie Eleison from Mass XI Orbis Factor (Creator of the World) and brings it a fresh harmonization. Intended to be sung freely, reminiscent of the original chant, Kyrie Eleison builds in complexity until the final section, which begins with the altos and adds the other voices to create a swirl of sound until landing again for the final statement and amen.Singers will need to be able to perform tight harmonies (including many sevenths and seconds) as well as sing quarter note triplets.The file also includes a piano reduction for use in rehearsals. Save a tree and only print the piano reduction for your accompanist, not for every singer! Because the reduction is included with the file, you do not need to purchase an additional copy for your accompanist.
$3.99
3.6 €
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Chorale SATB
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Traditional
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Dillon Ekle
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Kyrie Eleison
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Dillon Ekle
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SheetMusicPlus
Kyrie Nicholas de Burgundy
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.771853 Composed by Nicholas de Burgu…
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Choral Choir (SATB) - Digital Download SKU: A0.771853 Composed by Nicholas de Burgundy. Arranged by Gregory Hamilton. Classical. Octavo. 3 pages. Dr. Gregory Hamilton #3245769. Published by Dr. Gregory Hamilton (A0.771853). Kyrie Nicholas de BurgundyNicholes de BurgundyIn the baptismal records of the Cathredale St. Lazare, Autin (Burgundy) there is mention of a Nicholes de Burgundy born probably early April 1571.Little is know of his early life, or where he received his training. He possibly received his musical tutoring from a former master of the choristersat St. Lazare, as by the evidence of his few surviving works, he was trainedin the Palestrina school. His slim ouvre survives in but one manuscript, theMss.Autin.Res. 127.a, presently in the Bibliteque Nationale. There are two surviving masses (untitled) and six motets, one incomplete.This Kyrie is taken from the second of the mass settings, and employs as cantus firmus the chant later to be know as the Missa da Angelus (a nineteenth century moniker). This arrangement approximates theperformance style of Alternatim, used in a number of different waysthroughout Europe at the time. It provides today, an ideal way of forming afruitful liturgical dialogue between the Congregation, Choir and Cantor.Ed. note; some of the texural underlay is conjectural and unclear in the mss.
$2.00
1.8 €
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Chorale SATB
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Nicholas de Burgundy
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Gregory Hamilton
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Kyrie Nicholas de Burgundy
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Dr. Gregory Hamilton
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SheetMusicPlus
Kyrie Orbis Factor
Piano seul
Piano - Level 3 - Digital Download SKU: A0.1382727 By Gregorian Chant. By Gregorian…
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Piano - Level 3 - Digital Download SKU: A0.1382727 By Gregorian Chant. By Gregorian Chant. Arranged by Carlos Vidal. Christian,Latin,Medieval,Sacred,Traditional. Score (Chords/Lyrics). 2 pages. Carlos Vidal #967157. Published by Carlos Vidal (A0.1382727).
$2.50
2.25 €
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Piano seul
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Gregorian Chant
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Carlos Vidal
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Kyrie Orbis Factor
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Carlos Vidal
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SheetMusicPlus
Meditation on Kyrie Lux et Origo, Op. 259 (Organ Solo) by Vidas Pinkevicius
Orgue
Organ - Level 2 - Digital Download SKU: A0.1415947 Composed by Vidas Pinkevicius. C…
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Organ - Level 2 - Digital Download SKU: A0.1415947 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Easter,Sacred. Score. 3 pages. Secrets of Organ Playing #997642. Published by Secrets of Organ Playing (A0.1415947). This meditation is based on the Gregorian chant Kyrie Lux et Origo for Easter time. The tune is heard in the right hand part on the solo registration while the left hand and pedals play colourful ostinato patterns around it. This composition will be very effective in liturgical organ playing and concert programs whenever gentle and calm music is appropriate. Dedicated to Alejandro D. Consolacion II.
$4.99
4.5 €
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Orgue
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Vidas Pinkevicius
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Meditation on Kyrie Lux et Origo, Op. 259
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Secrets of Organ Playing
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SheetMusicPlus
Flourish and Chant
Orgue
Organ - Digital Download SKU: A0.926487 Composed by Robert G. Farrell. Contemporary…
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Organ - Digital Download SKU: A0.926487 Composed by Robert G. Farrell. Contemporary. Score. 7 pages. Robert G Farrell #3465710. Published by Robert G Farrell (A0.926487). Great piece for organ and alto sax. Chant based on the Kyrie from Cum Jubilo mass.
$5.00
4.51 €
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Orgue
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Robert G
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Flourish and Chant
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Robert G Farrell
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SheetMusicPlus
Kyrie Eleison (2019)
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.867984 Composed by Ric Flaud…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.867984 Composed by Ric Flauding. Christian,Classical,Easter,Praise & Worship,Sacred. Score. 2 pages. Denise Lea Flauding #4347681. Published by Denise Lea Flauding (A0.867984). Reverent. In Gregorian Chant style. Includes chord symbols and Capo chords. Great for the Lenten Season.flaudingmusic.com
$3.00
2.71 €
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Piano, Voix
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Ric Flauding
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Kyrie Eleison
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Denise Lea Flauding
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SheetMusicPlus
Kyrie 2
Choral Choir - Level 4 - Digital Download SKU: A0.1086185 Composed by Yoshihisa Hir…
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Choral Choir - Level 4 - Digital Download SKU: A0.1086185 Composed by Yoshihisa Hirano. Arranged by Gabriele Delfino. A Cappella,Classical,Film/TV,Sacred. Octavo. 4 pages. Gabriele Delfino #690373. Published by Gabriele Delfino (A0.1086185). My own arrangement of the beautiful OST Kirye 2 for choir. I used the Gregorian chant style to write the score since the whole song was sang in this style. I write the score in Db but the pitch isn't correct because the entire Soundtrack is sang using the old tuning.
$2.00
1.8 €
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Yoshihisa Hirano
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Gabriele Delfino
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Kyrie 2
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Gabriele Delfino
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SheetMusicPlus
Mass of Saints Peter and Paul: Lord, Have Mercy/Kyrie, eleison (Downloadable)
Chorale SATB
SATB choir and/or cantor, congregation, organ, with optional brass quartet, timpani - Digi…
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SATB choir and/or cantor, congregation, organ, with optional brass quartet, timpani - Digital Download SKU: MQ.80-680-1E Composed by Normand Gouin. Instrument parts. 3 pages. MorningStar Music Publishers - Digital Sheet Music #80-680-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-680-1E). This Mass setting includes newly composed music, plus new harmonizations of four of the ICEL chants. The Mass was commissioned by the Archdiocese of Philadelphia and includes optional parts for choir, brass and timpani. This mass is a unique blending of ancient traditions as well as incorporating fresh, new musical settings.
$1.00
0.9 €
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Chorale SATB
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Normand Gouin
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Mass of Saints Peter and Paul: Lord, Have Mercy/Kyrie, eleison
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Kyrie
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1327761 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Sean Sullivan. Classical,Religious,Sacred. 15 pages. Sean Sullivan #915798. Published by Sean Sullivan (A0.1327761). This remarkable interpretation of Mozart's Kyrie brings together the beloved work of one of history's greatest composers with the vibrant and versatile sound of saxophones, resulting in an exceptional listening experience that is both authentic and exhilarating. Â Immerse your audience in a new realm of musical expression with this unique arrangement that showcases the saxophone in all its glory. Â The rich, warm tones of the tenor saxophone intertwine seamlessly with the smooth sounds of the alto, soprano, and baritone saxophones, creating a tapestry of melodies that will captivate and enchant them. Â Kyrie from Mozart's Requiem is perfect for concerts, recitals or simply to enhance your ensemble's music collection. Â Unleash the power of the saxophone and elevate your musical experience to new heights! Order your copy today and let the music speak for itself.
$14.99
13.52 €
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Quintette de Saxophone: 5 saxophones
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Wolfgang Amadeus Mozart
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Sean Sullivan
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Kyrie
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Sean Sullivan
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SheetMusicPlus
Chant and Counterpoint I - Kyrie
String Ensemble - Level 3 - Digital Download SKU: A0.1281880 Composed by George A. …
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String Ensemble - Level 3 - Digital Download SKU: A0.1281880 Composed by George A. Speckert. 21st Century,Chamber,Contemporary,Praise & Worship. 31 pages. George A. Speckert #873231. Published by George A. Speckert (A0.1281880).
$9.99
9.01 €
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George A
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Chant and Counterpoint I - Kyrie
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George A. Speckert
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SheetMusicPlus
Three Gregorian Chants and a Fugue - 3.Kyrie Eleison
Small Ensemble - Digital Download SKU: A0.1012444 Composed by Mikael Maliks. Contem…
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Small Ensemble - Digital Download SKU: A0.1012444 Composed by Mikael Maliks. Contemporary. Score and parts. 2 pages. Mikael Maliks #6346717. Published by Mikael Maliks (A0.1012444).
$4.00
3.61 €
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Mikael Maliks
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Three Gregorian Chants and a Fugue - 3.Kyrie Eleison
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Mikael Maliks
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SheetMusicPlus
Three Gregorian Chants and a Fugue - 4. Fugue on Kyrie Eleison
Small Ensemble - Digital Download SKU: A0.1012443 Composed by Mikael Maliks. Contem…
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Small Ensemble - Digital Download SKU: A0.1012443 Composed by Mikael Maliks. Contemporary. Score and parts. 4 pages. Mikael Maliks #6346719. Published by Mikael Maliks (A0.1012443).
$4.00
3.61 €
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Mikael Maliks
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Three Gregorian Chants and a Fugue - 4. Fugue on Kyrie Eleison
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Mikael Maliks
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
36.03 €
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Dame for Organ
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
Orgue
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
45.05 €
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Orgue
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
45.05 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Guillaume de Machaut, 1300-1377
#
James M
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2 Trombones 1
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Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1257210 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 83 pages. Jmsgu3 #850538. Published by jmsgu3 (A0.1257210). INSTRUMENTATION: Cornet, French Horn & 2 Trombones1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$74.95
67.6 €
#
Guillaume de Machaut, 1300-1377
#
James M
#
2 Trombones
1
#
Machaut: Le Messe de Nostre Dame for Brass Quartet
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jmsgu3
#
SheetMusicPlus
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de…
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.05 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.05 €
#
Flûte, Hautbois, Clarinette, Basson
#
Guillaume de Machaut, 1300-1377
#
James M
#
Bassoon Duo
#
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Double Reed Quartet
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SK…
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - Digital Download SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
67.6 €
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Double Reed Quartet
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed b…
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Brass Quartet Horn,Trombone - Level 2 - Digital Download SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
67.6 €
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.05 €
#
Quatuor de Flûtes : 4 flûtes
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
(+)
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
45.05 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Guillaume de Machaut, 1300-1377
#
James M
#
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
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