Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
L'enfant de la mer
Sheetmusicplus
Non classifié
2
Piano & claviers
Piano seul
2
Piano Facile
1
Guitares
Guitare
1
Voix
Chorale 3 parties
1
Vents
Saxophone Alto et Piano
1
Hautbois, Piano (duo)
1
Clarinette et Piano
1
Cuivres
Cordes
Violon et Piano
1
Violoncelle, Piano
1
Alto, Piano
1
Orchestre & Percussions
Orchestre
3
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
219
Partitions Numériques
16
Librairie Musicale
0
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
L'enfant de la mer
SheetMusicPlus
Partitions à imprimer
16 partitions trouvées
<
1
L'enfant Et La Mer
#
Clarinette et Piano
#
FACILE
#
Clayderman Richard
#
Kaiserin Rebecca
#
L'enfant Et La Mer
#
Kaiserin Rebecca
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1256173 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin R...
(+)
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1256173 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. Contemporary,Instructional,New Age,Pop. Score and part. 2 pages. Kaiserin Rebecca #849641. Published by Kaiserin Rebecca (A0.1256173). For B-flat clarinet solo and piano accompaniment with chords.Key: C minor. Duration: 1'42.
$8.99
L'enfant Et La Mer
#
Piano seul
#
FACILE
#
Clayderman Richard
#
Kaiserin Rebecca
#
L'enfant Et La Mer
#
Kaiserin Rebecca
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1191669 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. Con...
(+)
Piano Solo - Level 2 - SKU: A0.1191669 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. Contemporary,Instructional,Pop. Score. 2 pages. Kaiserin Rebecca #791168. Published by Kaiserin Rebecca (A0.1191669). For piano solo with chords.Key: E minor. Duration: 1'42.
$8.99
L'enfant Et La Mer
#
Saxophone Alto et Piano
#
FACILE
#
Clayderman Richard
#
Kaiserin Rebecca
#
L'enfant Et La Mer
#
Kaiserin Rebecca
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.1249822 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Re...
(+)
Alto Saxophone,Piano - Level 2 - SKU: A0.1249822 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. Contemporary,Instructional,New Age,Pop. Score and part. 2 pages. Kaiserin Rebecca #844221. Published by Kaiserin Rebecca (A0.1249822). For alto saxophone solo and piano accompaniment with chords.Key: G minor. Duration: 1'42.
$8.99
L'enfant Et La Mer
#
Violoncelle, Piano
#
FACILE
#
Clayderman Richard
#
Kaiserin Rebecca
#
L'enfant Et La Mer
#
Kaiserin Rebecca
#
SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1238645 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. 21...
(+)
Cello,Piano - Level 2 - SKU: A0.1238645 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. 21st Century,Contemporary,Instructional,New Age,Pop. Score and part. 2 pages. Kaiserin Rebecca #834081. Published by Kaiserin Rebecca (A0.1238645). For cello solo and piano accompaniment with chords.Key: E minor. Duration: 1'42.
$8.99
L'enfant Et La Mer
#
Hautbois, Piano (duo)
#
INTERMÉDIAIRE
#
Clayderman Richard
#
Kaiserin Rebecca
#
L'enfant Et La Mer
#
Kaiserin Rebecca
#
SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1249204 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. Con...
(+)
Oboe,Piano - Level 3 - SKU: A0.1249204 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. Contemporary,Instructional,New Age,Pop. Score and part. 2 pages. Kaiserin Rebecca #843669. Published by Kaiserin Rebecca (A0.1249204). For oboe solo and piano accompaniment with chords.Key: G minor. Duration: 1'42.
$7.99
L'enfant Et La Mer
#
Alto, Piano
#
FACILE
#
Clayderman Richard
#
Kaiserin Rebecca
#
L'enfant Et La Mer
#
Kaiserin Rebecca
#
SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1236894 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. 21...
(+)
Piano,Viola - Level 2 - SKU: A0.1236894 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. 21st Century,Contemporary,Instructional,New Age,Pop. Score and part. 2 pages. Kaiserin Rebecca #832424. Published by Kaiserin Rebecca (A0.1236894). For viola solo and piano accompaniment with chords.Key: E minor. Duration: 1'42.
$8.99
L'enfant Et La Mer
#
Violon et Piano
#
FACILE
#
Clayderman Richard
#
Kaiserin Rebecca
#
L'enfant Et La Mer
#
Kaiserin Rebecca
#
SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1236407 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. 2...
(+)
Piano,Violin - Level 2 - SKU: A0.1236407 By Clayderman Richard. By Olivier Toussaint and Paul Marie Andre De Senneville. Arranged by Kaiserin Rebecca. 21st Century,Contemporary,Instructional,New Age,Pop. 2 pages. Kaiserin Rebecca #831922. Published by Kaiserin Rebecca (A0.1236407). For violin solo and piano accompaniment with chords.Key: E minor. Duration: 1'42.
$8.99
La Strasbourgeoise
#
Piano seul
#
FACILE
#
Marie-Ève Mainguy
#
Marie-Ève Mainguy
#
La Strasbourgeoise
#
Marie-Eve Mainguy
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1102380 By Marie-Ève Mainguy. By Henri Natif. Arranged by Marie-Ève Mainguy. 19th Century,Folk,Historic,Traditional...
(+)
Piano Solo - Level 2 - SKU: A0.1102380 By Marie-Ève Mainguy. By Henri Natif. Arranged by Marie-Ève Mainguy. 19th Century,Folk,Historic,Traditional. Score. 2 pages. Marie-Eve Mainguy #705787. Published by Marie-Eve Mainguy (A0.1102380). La Strasbourgeoise (L'Enfant de Strasbourg) is a military song composed in 1870. Music by Henri Natif , lyrics by Gaston Villemer & Lucien Delormel Here is an arrangement for piano including chords created in 2022 by Marie-Ève Mainguy. Contact info : marieeve.mainguy@gmail.com.
$1.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
(+)
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
(+)
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Élégie
#
Guitare
#
INTERMÉDIAIRE
#
Contemporain
#
Francis Bebey
#
Ingrid Riollot
#
Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
(+)
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Le Torreadore. Romance
#
Comte Ab
#
Le Torreadore. Romance
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice, guitar - SKU: LV.2644 Composed by Comte Ab. D'Adhemar. Portraits, Bullfighters, Stadiums. Lester S. Levy Collection. 3 pages. Published...
(+)
Piano and voice, guitar - SKU: LV.2644 Composed by Comte Ab. D'Adhemar. Portraits, Bullfighters, Stadiums. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.2644). No. 487. Choix d'Airs et de Romances avec acc. de piano ou de Guitar. Le Torreadore. Romance. [French and German]. Paroles de Mr. E. de Lonlay. Musique du Cte. Ab. D'Adhemar. Deutsch von Carl Gollmick. Published [n.d.] by B. Schott in Mayence. Composition of strophic with piano and voice, guitar instrumentation. Subject headings for this piece include Portraits, Bullfighters, Stadiums. First line reads Enfant de la montagne, ah! que j'aime l'Espagne.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
(+)
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Un, Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella)
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Traditional
#
Michelle Willis
#
Un, Flambeau, Jeanette Isabell
#
Teton Music
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4...
(+)
Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4 pages. Teton Music #3138323. Published by Teton Music (A0.887268). Lucious harmonies make this familiar, 15th century Christmas carol fresh again. The piece begins with percussive 'dings' and 'dongs' as they mimic the ringing of church bells. The remainder of the piece splits into four part women's harmony with flowing, moving lines in each vocal part. Excellent selection for church, school or professional ensembles. May be sung in English or French.Duration: 2 minutes, 45 secondsEnglish LyricsBring a torch, Jeanette, Isabella!Bring a torch, to Bethlehem come!Christ is born. Tell the folk of the villageMary has laid him in a manger.Ah! Ah! beautiful is the Mother!Ah! Ah! beautiful is her child!Who is that, knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Knock! Open the door for us!Knock! Knock! Knock! Let's celebrate!It is wrong when the Baby is sleeping,It is wrong to speak so loud.Silence, now as you gather around,Lest your noise should waken Jesus.Hush! Hush! see how the Baby slumbers;Hush! Hush! see how the Baby sleeps!Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at him there, His cheeks are rosy!Hush! Hush! see how the Child is sleeping;Hush! Hush! see how he smiles in dreams!French LyricsUn flambeau, Jeannette, IsabelleUn flambeau, courons au berceau.C’est Jésus, bonnes gens du hameau,Le Christ est né, Marie appelleAh! Ah! Que la mère est belleAh! Ah! Que l’Enfant est beau.Qui vient làfrappant de la sorteQui vient làfrappant comme ça.Ouvrez donc j’ai posé sur un platDe bons gâteaux qu’ici j’apporte.Toc! Toc! Ouvrez-nous la porteToc! Toc! Faisons grand gala.C’est un tort quand l’Enfant sommeilleC’est un tort de crier si fort.Taisez-vous l’un et l’autre d’abord,Au moindre bruit Jésus s’éveilleChut! Chut! Il dort àmerveilleChut! Chut! Voyez comme Il dort.Doucement dans l’étable closeDoucement venez un momentApprochez! Que Jésus est charmant,Comme Il est blanc, comme Il est roseDo! Do! Que l’Enfant reposeDo! Do! Qu’Il rie en dormant.
$2.49
French Christmas Carol Medley for String Trio - Noëls Français en Pot Pourri pour Trio à Cordes
#
Noël
#
Various, Traditional
#
#
French Christmas Carol Medley
#
Samantha Bramley
#
SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. C...
(+)
String Ensemble,String Trio - Level 3 - SKU: A0.800202 Composed by Various, Traditional. Arranged by Samantha J Bramley - stringspirational@gmail.com. Children,Christmas. Score and parts. 25 pages. Samantha Bramley #3877327. Published by Samantha Bramley (A0.800202). The Holiday Season can be really painful for lower string players in any ensemble. Playing ‘cello in a Carol concert makes me want to cry. That is why I have created arrangements of classic Christmas Carols and Songs guaranteed not to bore the pants off your violist or ‘cellist. No more bashing out bass notes for the ‘cello, and no more chugging away on the off-beat for viola while the fiddles get soaring melody after soaring counter-melody. We deserve more than this, right guys? You got it! Noël Re-Nouvellé Pot pourri des chants de Noëls Français les plus populaires pour trio àcordes. Durée de six minutes àla vitesse proposée. A jolly romp through some of the most popular French language carols, Noël Re-Nouvellé is a medley for string trio lasting 6 minutes at given tempo. With optional 2nd violin for viola part. Written with interest in all three parts, and taking turns with melody and accompaniment, this is a very enjoyable arrangement for ensembles of intermediate ability. If you have a great viola player or bored ‘cellist s/he will love this! Contains some double stopping of open and stopped strings. 1. Joie dans le monde - Joy to the World 2. Quittez, Pasteurs - Shepherds, Leave your Flocks 3. Entre le bœuf et l'âne gris - The Ox and the Grey Donkey 4. La Marche des Rois Mages - March of the Magi Kings 5. Il est né, le Divin Enfant - He is Born, the Divine Christ Child 6. Noël Nouvelet - Traditional French Folk Carol 7. Les Anges dans nos campagnes - Angels from the Realms of Glory 8. Vive le vent d’hiver - Jingle Bells 9. C’est Noël - Deck the Halls 10. O Venez, les Fideles - O Come All Ye Faithful 11. On se dit Joyeux Noël - We Wish You a Merry Christmas Note from the arranger: All my arrangements for strings are conceived specifically with the aim of writing interesting parts for all players. Most parts do not go beyond 4th position (with the exception of a few harmonics in the lower string parts), making them suitable for student and mixed ability groups. A complete score and set of individual parts (violin, violin 2, viola, ‘cello) is included. Enjoy and feel free to email comments or requests for other works to stringspirational@gmail.com Keep Calm & Play Strings!
$22.99
84 Nursery Rhymes from Around the World (Easy Piano Solo)
#
Piano Facile
#
DÉBUTANT
#
Enfant
#
Bobby Cyr - Piano Notion
#
84 Nursery Rhymes from Around
#
Piano Notion
#
SheetMusicPlus
Piano Solo, Easy Piano - Easy/Beginner - Digital Download Arranged by Bobby Cyr - Piano Notion. Children's Music, Children's Musicals, Fairy ...
(+)
Piano Solo, Easy Piano - Easy/Beginner - Digital Download Arranged by Bobby Cyr - Piano Notion. Children's Music, Children's Musicals, Fairy Tales, Anniversary, Birthday. Individual Part, Piano Reduction. 95 pages. Published by Piano Notion
Simplified Nursery Rhymes for piano solo that your kid can play.
The best way to learn how to read music.
Arranged by Bobby Cyr - Piano Notion
84 Nursery Rhymes from Around the World
À la claire fontaine
À la volette
A Tisket A Tasket
Ah ! Mon beau château
Aiken Drum
Alouette
Arroz con leche
Au clair de la lune
BINGO
Bye, Baby Bunting
C?est la mère Michel
Cadet Rousselle
Cerné oci jdete spat
Cinco pollitos
Dans la forêt lointaine
Dansons la capucine
Debajo de un botón
Dodo l'enfant do
Dodo ti pitit manman
Donkey, I Beg You
El elefante trompita
Fais dodo
Frère Jacques
Good King Wenceslas
Hänschen klein
Happy Birthday
Hickory Dickory Dock
Hot Cross Buns
Hush Little Baby
Il pleut, il pleut bergère
I'm a Little Teapot
Itsy Bitsy Spider
J'ai du bon tabac
Jimmy Crack Corn
Kuckuck
Lavender?s Blue Dilly Dilly
Le bon roi Dagobert
Little Robin Redbreast
London Bridge
Los pollitos dicen pío pío
Lundi matin
Mariposita
Mary Had A Little Lamb
Meunier tu dors
Mi barba tiene tres pelos
Michael Finnegan
Michael Row the Boat Ashore
Miss Polly Had A Dolly
Oats Peas Beans and...
Oh du lieber Augustin
Old MacDonald
Open Shut
Oranges and Lemons
Osito de peluche
Pat-a-Cake
Patico patico color de café
Pirouette cacahuète
Pop Goes The Weasel
Pretty Little Dutch Girl
Rain Rain Go Away
Rock-a-Bye Baby
Row, Row, Row Your Boat
Saco una manito
Sakura Sakura
Savez-vous planter les choux ?
Shortnin? Bread
Skip to My Lou
Sur le pont d'Avignon
Tengo una muñeca vestida de azul
The Farmer in the Dell
The Muffin Man
The Noble Duke of York
This Old Man
Three Blind Mice
Tommy Thumb's Song
Tres gatitos
Twinkle Twinkle Little Star
Un, deux, trois nous irons au bois
Un elefante se balanceaba
Un éléphant ça trompe
Una vez pesqué un pececito
V?là l'bon vent
Wheels On The Bus
Yankee Doodle
$19.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
L'enfant de la mer 
