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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
LARGO FROM
Sheetmusicplus
Non classifié
265
Piano & claviers
Piano seul
111
Piano Facile
57
Piano, Voix
40
Orgue
36
Piano Trio: piano, violon, violoncelle
12
Piano Quatuor: piano, violon, alto, violoncelle
5
1 Piano, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Instruments en Do
2
Orgue, Trompette (duo)
2
Accompagnement Piano
1
1 Piano, 6 mains
1
Clavecin
1
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
2 Guitares (duo)
9
Guitare notes et tablatures
8
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
3
Ensemble de guitares
1
Orchestre à Plectres
1
3 Guitares (trio)
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
18
Chorale 3 parties
12
Chorale 2 parties
5
Voix Soprano, Piano
4
Chorale TTBB
4
Chorale SSAA
4
Voix duo, Piano
3
Voix moyenne, Piano
2
Chorale Unison
2
Voix Baryton, Piano
2
Voix haute, Piano
2
Voix Alto, Piano
1
Voix duo
1
+ 8 instrumentations
Retracter
Vents
Flûte traversière et Piano
63
Clarinette et Piano
43
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
33
Saxophone Alto et Piano
28
Quatuor de Saxophones: 4 saxophones
26
Hautbois, Piano (duo)
25
Flûte, Hautbois, Clarinette, Basson
23
Quintette de Saxophone: 5 saxophones
19
Saxophone Tenor et Piano
17
Saxophone Soprano et Piano
16
Saxophone (partie séparée)
16
Clarinette (partie séparée)
15
Quatuor de Clarinettes: 4 clarinettes
13
Quatuor de Flûtes : 4 flûtes
12
2 Saxophones (duo)
12
Clarinette
11
Saxophone Baryton, Piano
11
Flûte et Guitare
10
2 Flûtes traversières (duo)
10
Quatuor de Flûtes à bec
8
Hautbois (partie séparée)
8
Flûte traversière
8
Clarinette Basse, Piano
8
Quintette de Clarinettes: 5 clarinettes
7
Cor anglais, Piano
7
Flûte, Clarinette (duo)
6
Flute (partie séparée)
5
Ensemble de Flûtes
5
2 Clarinettes (duo)
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Guitare (duo)
4
5 Flûtes à bec
4
Ensemble de Clarinettes
4
Saxophone Alto
4
Saxophone Tenor
4
Flûte, Violoncelle, Piano (trio)
3
2 Hautbois (duo)
3
Flûte à bec, Guitare (duo)
2
Flûte, Violon, Piano
2
2 Flûte à bec (duo)
2
Flûte à bec Tenor
2
Flûte à bec Alto, Piano
1
2 Flûtes traversières, Piano
1
Flûte à Bec, Piano
1
3 Saxophones (trio)
1
Flûte et Trio à cordes
1
Hautbois, Harpe
1
Flûte, Violoncelle
1
Flûte à Bec
1
Flûte à bec Soprano, Piano
1
Flûte à bec Soprano
1
Flûte, Violon
1
Ensemble de Hautbois
1
Saxophone et Harpe
1
Flûte, Violoncelle, Guitare
1
Flûte, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette (duo)
1
Piccolo, Piano
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Ensemble de saxophones
1
Clarinette, Violon (duo)
1
Clarinette, Basson (duo)
1
+ 59 instrumentations
Retracter
Cuivres
Trompette, Piano
33
Cor et Piano
26
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trombone et Piano
21
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette
10
Trombone (partie séparée)
10
Tuba et Piano
9
Euphonium, Piano (duo)
9
Tuba (partie séparée)
7
Cor anglais, Piano
7
Trompette (partie séparée)
7
Quatuor de Cuivres
6
Trompette, Trombone (duo)
6
Trombone
6
Cor (partie séparée)
5
2 Trompettes (duo)
5
2 Cors (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Cor
4
2 Trombones (duo)
4
Ensemble de Trombones
4
Trompette, Cor (duo)
3
Ensemble de Trompettes
3
Quatuor de cuivres: 4 cors
3
Tuba et Orgue
2
2 Euphoniums (duo)
2
Euphonium, Tuba (duo)
2
Tuba
2
3 Trompettes (trio)
2
2 Euphoniums et 2 Tubas
2
Quatuor de cuivres: 4 trombones
2
Trompette, Euphonium (duo)
1
Trombone basse et Piano
1
Trompette, Harpe
1
Cor et Harpe
1
Trombone, Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Tuba (duo)
1
Euphonium Ou Saxhorn Et Piano
1
+ 35 instrumentations
Retracter
Cordes
Violon et Piano
65
Quatuor à cordes: 2 violons, alto, violoncelle
63
Violoncelle, Piano
44
Alto, Piano
36
Violon
24
Trio à Cordes: violon, alto, violoncelle
12
Violon, Violoncelle (duo)
12
Violoncelle
12
Alto seul
11
4 Violoncelles
9
Harpe
8
Contrebasse, Piano (duo)
8
2 Violoncelles (duo)
7
Violon (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violon, Alto (duo)
5
Violoncelle , Guitare (duo)
4
2 Violons (duo)
4
Trio à Cordes: 2 violons, violoncelle
4
Piano Trio: Violon, Alto, Piano
4
Contre Basse
3
Violon, Guitare (duo)
3
Alto, Guitare (duo)
3
Contrebasse (partie séparée)
3
Trio à cordes: 3 violins
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Violon, Violoncelle
2
Trio à cordes
2
Harpe, Violon (duo)
2
Ensemble de Violons
2
Violoncelle (partie séparée)
2
Quatuor à cordes: 4 violons
1
Harpe, Violoncelle (duo)
1
Alto (partie séparée)
1
2 Contrebasses (duo)
1
Harpe, Trombone (duo)
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre de chambre
31
Orchestre d'harmonie
30
Orchestre à Cordes
24
Ensemble de cuivres
15
Orchestre
13
Cloches
9
Timbales (partie séparée)
4
Percussion (partie séparée)
3
Fanfare
2
Percussion
2
Ensemble Jazz
1
Ensemble de Percussions
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
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Partitions à imprimer
1 977 partitions trouvées
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51
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1976
Largo (DvoÅ™ák - New World Symphony)
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.743702 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Standards,Weddi...
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Horn,Instrumental Solo,Piano - Level 3 - SKU: A0.743702 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Standards,Wedding. Score and individual part. 3 pages. Josef STASTNY #5223943. Published by Josef STASTNY (A0.743702). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Substitute part: Eb
$4.99
Largo (DvoÅ™ák - New World Symphony)
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
INTERMÉDIAIRE
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.743335 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Per...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - SKU: A0.743335 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Period,Standards,World. Score and parts. 8 pages. Josef STASTNY #3258137. Published by Josef STASTNY (A0.743335). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.See also other BRASS arrangements (trios and quartets)http://www.sheetmusicplus.com/search?Ntt=JOSEF+STASTNY+BRASS
$9.99
Largo (DvoÅ™ák - New World Symphony)
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.743387 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Classical,Contemporary,Wed...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.743387 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Classical,Contemporary,Wedding. 6 pages. Josef STASTNY #3486349. Published by Josef STASTNY (A0.743387). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Some other arrangements for quartets and trios:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1www.stastnyjosef.czSubstitute part: 1 Bb
$8.99
Largo (DvoÅ™ák - New World Symphony)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743337 Composed by Antonin Dv...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.743337 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Standards. 6 pages. Josef STASTNY #3258249. Published by Josef STASTNY (A0.743337). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.STASTNYJOSEF.cz
$8.88
Largo (DvoÅ™ák - New World Symphony)
#
Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Classique
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.743388 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Ce...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.743388 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Romantic Period,Wedding. 8 pages. Josef STASTNY #3486359. Published by Josef STASTNY (A0.743388). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll „Z nového svÄ›ta), popularly known as the New World Symphony, was composed by AntonÃn Dvořák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Substitute parts: 1Bb, 2 Bb and 4 Bb.Some other trios and quartets arrangements:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1Personal webside:www.stastnyjosef.cz
$9.99
Largo from Xerxes (Ombra mai fu) (EASY PIANO) Opera Serse (HWV 40) [George Frideric Handel]
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Piano Facile
#
FACILE
#
George Frideric Handel
#
Darek
#
Largo from Xerxes
#
Darek
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1271956 By George Frideric Handel. By George Frideric Handel. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 ...
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Easy Piano - Level 2 - SKU: A0.1271956 By George Frideric Handel. By George Frideric Handel. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #864308. Published by Darek (A0.1271956). Largo from Xerxes (Ombra mai fu) (EASY PIANO) Opera Serse (HWV 40) [George Frideric Handel]Simplified arrangement for pianists of Largo from Xerxes (Ombra mai fu) Opera Serse (HWV 40) by George Frideric Handel. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Sheet Music for Novice Players. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Discover the sublime beauty of George Frideric Handel's Largo from Xerxes (Ombra mai fu) from the Opera Serse (HWV 40) with my Easy Piano Sheet Music collection. Tailored for beginner pianists, this exquisite Easy Level arrangement allows you to immerse yourself in the enchanting melodies of Handel's timeless opera from the Baroque era. Step into the captivating world of classical music as you explore the emotive power of this aria. With meticulously notated Fingering, Articulation, and Dynamics, you can effortlessly express the piece's emotional depth and artistic brilliance. Accelerate your learning journey with the included Youtube video tutorial, thoughtfully designed to guide you in mastering the piece and refining your performance. Enhance your musical experience and uncover the nuances that make this Largo a cherished gem. As one of the Best Handel Pieces for beginner pianists, this sheet music offers a gratifying and rewarding musical adventure. Embrace the beauty of piano music and let the harmonious notes transport you to a world of elegance and artistic expression. Keywords: Sheet Music, Piano, Pianists, George Frideric Handel, Largo from Xerxes, Ombra mai fu, Opera Serse, HWV 40, Easy Level, Beginner Version, Baroque Era, Fingering, Articulation, Dynamics, Youtube tutorial, Music, Notes, Melodies, Classical Music, Captivating Aria, Timeless Opera, Cherished Gem, Emotional Depth.
$3.00
Largo from "The Four Seasons: Winter" RV 297 / Antonio Vivaldi
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2 Flûtes traversières (duo)
#
INTERMÉDIAIRE
#
Antonio Vivaldi
#
Kan Saito / Japan Duo Notes
#
Largo from "The Four Seas
#
Japan Duo Notes
#
SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1491797 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV...
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Flute Duet Flute - Level 3 - SKU: A0.1491797 Composed by Antonio Vivaldi. Arranged by Kan Saito / Japan Duo Notes. Baroque,Classical,Early Music,Film/TV,Wedding. Score. 1 pages. Japan Duo Notes #1068477. Published by Japan Duo Notes (A0.1491797). Title: Largo from The Four Seasons: Winter RV 297 by Antonio Vivaldi – Flute Duet ArrangementDescription:Experience the serene beauty of Antonio Vivaldi’s Largo from The Four Seasons: Winter with this captivating flute duet arrangement. Known for its peaceful and reflective mood, this movement contrasts the icy chill of winter with a warm, flowing melody that evokes images of stillness and calm. Perfectly adapted for two flutes, this arrangement allows both players to enjoy the expressive elegance of one of Vivaldi’s most beloved compositions.Key Features:Composer: Antonio VivaldiArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 1 pagesThis flute duet arrangement of Vivaldi’s Largo maintains the delicate beauty of the original violin solo while blending the flutes’ voices to create a rich, harmonious sound. It’s ideal for concerts, recitals, weddings, or any performance that requires a piece with emotional depth and grace.Why Choose This Arrangement?Iconic Baroque Masterpiece: Enjoy Vivaldi’s timeless melody from The Four Seasons, now arranged for two flutes.Perfect for Special Occasions: Suitable for weddings, formal ceremonies, or peaceful concert settings where elegance is key.Engaging for Intermediate Flutists: Provides an opportunity for flutists to explore Vivaldi’s nuanced phrasing and expressive dynamics.Bring the beauty of Baroque music to your next performance with this exquisite flute duet arrangement of Vivaldi’s Largo from Winter. The flowing lines and gentle rhythms create an unforgettable musical experience for both performers and audiences.Keywords: Antonio Vivaldi, Largo, Winter, The Four Seasons, flute duet, classical music, Baroque music, Vivaldi arrangements, flute sheet music, intermediate flute music, wedding music, recital music.
$4.99
Chopin: Largo from Op. 65 for Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
James M
#
Cello, Op
#
Chopin: Largo from Op. 65 for
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Sc...
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Alto Saxophone,Piano - Level 3 - SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 page...
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Woodwind Ensemble Clarinet - SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
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Ensemble de Bassons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble Bassoon - Level 3 - SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
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Quintette de Flûte : 5 flûtes
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. ...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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String Ensemble,String Quintet Viola - Level 3 - SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Ensemble de Violons
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Peri...
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String Ensemble,String Quintet Violin - Level 3 - SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards...
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Woodwind Ensemble - Level 3 - SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romant...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
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