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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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DEEJAY
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XYLOPHONE
LUTE Ethnic
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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--INSTRUMENTS--
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ALTO
AUTOHARPE
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Vous avez sélectionné:
LUTE Ethnic
Partitions à imprimer
52 partitions trouvées
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26
51
Sync (Flute Part Only)
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Contemporain
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips M...
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Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465400. Published by Will Phillips Music (A0.1024748). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
Sape' (Lute) and Lutong (Zither) from Sounds of Borneo for Piano
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1 Piano, 4 mains
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FACILE
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Beverly Chan
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Sape'
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Beverly Chan
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1423121 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 4 pages. Beverly ...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1423121 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 4 pages. Beverly Chan #1004453. Published by Beverly Chan (A0.1423121). Sape' (Lute) and Lutong (Zither) is part of a collection from the book Sounds of Borneo for Piano”, a captivating series of piano pieces that bring the enchanting sounds of traditional Bornean instruments to your fingertips. Along with this duet piece, you will discover a beautiful illustration of the Lutong by Sape' player and artist Alena Murang, along with a concise description of the Lutong in three languages: English, Mandarin, and Malay (Bahasa Melayu).The book also features five other beautiful solo pieces, each inspired by the distinctive sounds of traditional ethnic instruments such as the Sape’ (Lute), Selingut (Nose Flute), Jatung Utang (Wooden Xylophone), Pratuokng (Bamboo Zither), and Engkerumong (Gongs).Experience the unique blend of traditional Bornean music and piano artistry with Sounds of Borneo for Piano—a must-have addition to your music collection!Purchase the entire collection on Sheetmusicdirect.com through this link.Listen to the whole album on Spotify through this link.
$1.99
Sape' (Lute) from Sounds of Borneo for Piano
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Piano seul
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FACILE
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Beverly Chan
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Sape'
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Beverly Chan
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1422873 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004227. P...
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Piano Solo - Level 2 - SKU: A0.1422873 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004227. Published by Beverly Chan (A0.1422873). Sape' (Lute) is part of a collection from the book Sounds of Borneo for Piano”, a captivating series of piano pieces that bring the enchanting sounds of traditional Bornean instruments to your fingertips. Along with this piece, you will discover a beautiful illustration of the Sape' by Sape' player and artist Alena Murang, along with a concise description of the Sape' in three languages: English, Mandarin, and Malay (Bahasa Melayu).The book also features four other beautiful solo pieces and one duet, each inspired by the distinctive sounds of traditional ethnic instruments such as the Selingut (Nose Flute), Jatung Utang (Wooden Xylophone), Pratuokng (Bamboo Zither), Engkerumong (Gongs), and Lutong (Zither).Experience the unique blend of traditional Bornean music and piano artistry with Sounds of Borneo for Piano—a must-have addition to your music collection!Purchase the entire collection on Sheetmusicdirect.com through this link.Listen to the whole album on Spotify through this link.
$1.99
Selingut (Nose Flute) from Sounds of Borneo for Piano
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Piano seul
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FACILE
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Beverly Chan
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Selingut
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Beverly Chan
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1423052 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004406. P...
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Piano Solo - Level 2 - SKU: A0.1423052 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004406. Published by Beverly Chan (A0.1423052). Selingut (Nose Flute) is part of a collection from the book Sounds of Borneo for Piano”, a captivating series of piano pieces that bring the enchanting sounds of traditional Bornean instruments to your fingertips. Along with this piece, you will discover a beautiful illustration of the Selingut by Sape' player and artist Alena Murang, along with a concise description of the Selingut in three languages: English, Mandarin, and Malay (Bahasa Melayu).The book also features four other beautiful solo pieces and one duet, each inspired by the distinctive sounds of traditional ethnic instruments such as the Sape’ (Lute), Jatung Utang (Wooden Xylophone), Pratuokng (Bamboo Zither), Engkerumong (Gongs), and Lutong (Zither).Experience the unique blend of traditional Bornean music and piano artistry with Sounds of Borneo for Piano—a must-have addition to your music collection!Find the entire collection on Sheetmusicdirect.com through this link.Listen to the whole album on Spotify through this link.
$1.99
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹(parts)
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An-lun Huang
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Rhapsody to the Rising sun ä
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DoReMi Edition
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoRe...
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Large Ensemble - Level 5 - SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$29.99
Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ - Score Only
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An-lun Huang
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Rhapsody to the Rising sun ä
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DoReMi Edition
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReM...
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Large Ensemble - Level 5 - SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun ä¸åœ‹æš¢æƒ³æ›²ç¬¬å››è™Ÿã€Šå¸ƒè¾²ä¹‹æŒã€‹ An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun†is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin†Yangqin æšç´ - “Chinese Ducimer†Ruan ä¸é˜® - “Chinese Lute†2 Zhengs å¤ç® - “Chinese Zither†The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosaå°ç£. Ethnically speaking, they originated from the Micronesian race rather than from the “Hanâ€, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy†the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. æ¤å½•éŸ³ä¸º2000å¹´é»„å®‰ä¼¦æŒ‡æŒ¥åŠ æ‹¿å¤§å®¤å†…ä¹å›¢åœ¨å¸•é‡Œæ¡‘音ä¹èŠ‚首演的实况.é’¢ç´æ˜¯æ¬§é˜³ç‘žä¸½,æ°‘ä¹éƒ¨ä»½ç”±å¤šä¼¦å¤šçš„敦煌室ä¹å›¢æ‹…ä»».
$19.99
Katherina's Music Box
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Flûte traversière et Piano
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FACILE
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Lori Archer Sutherland
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Katherina's Music Box
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Lori Archer Sutherland
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.765003 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and part. 4 pages. Lori Archer Sutherland #4799...
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Flute,Piano - Level 2 - SKU: A0.765003 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and part. 4 pages. Lori Archer Sutherland #4799247. Published by Lori Archer Sutherland (A0.765003). Katherina Lehr (1855-1924) was my great-great-grandmother. She was a Volga German, a group of ethnic Germans who lived near the Volga River near Saratov, Russia. During the late 19th and early 20th centuries, many of these families emigrated to the United States.I don’t know if she had a music box when she was a child, but I thought this tune would be fitting for one.
$4.99
Zacatecas March (for Woodwind Quartet)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Genaro Codina
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Kenneth Abeling
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.515066 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.515066 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 14 pages. LINCOLN MUSIC PUBLICATIONS #4635437. Published by LINCOLN MUSIC PUBLICATIONS (A0.515066). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Woodwind Quartet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$12.99
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.III Molto vivace - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1139860 Composed by Antonin Dvorak. Arranged by Ray Thompson. Fo...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.1139860 Composed by Antonin Dvorak. Arranged by Ray Thompson. Folk,Romantic Period. 19 pages. RayThompsonMusic #740132. Published by RayThompsonMusic (A0.1139860). Arranged wind quintet Mvt III Molto vivace The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour.
$9.95
Zacatecas March (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Genaro Codina
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Kenneth Abeling
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Zacatecas March
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.515067 Composed by Genaro Codina. Arranged by Kenneth Abeling. M...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.515067 Composed by Genaro Codina. Arranged by Kenneth Abeling. March,Multicultural,Patriotic,World. 17 pages. LINCOLN MUSIC PUBLICATIONS #4635443. Published by LINCOLN MUSIC PUBLICATIONS (A0.515067). Zacatecas March or, La Marche De Zacatecas by Genaro Codina arranged here for Woodwind Quintet by Kenneth Abeling. Zacatecas March is a Mexican Patriotic Song, the anthem of the state of Zacatecas and considered to be the second national anthem of Mexico. This is an advanced intermediate arrangement and this delightful march and is suitable for general performance as well as Mexican ethnic and patriotic events. The Playing time can range from 1:48 to 4:30 depending on repeats, the D.C. and which of the two possible end points is chosen. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com
$13.99
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Ro...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.
$14.95
Engkerumong (Gongs) from Sounds of Borneo for Piano
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Piano seul
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FACILE
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Beverly Chan
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Engkerumong
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Beverly Chan
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1423113 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004445. P...
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Piano Solo - Level 2 - SKU: A0.1423113 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004445. Published by Beverly Chan (A0.1423113). Engkerumong (Gongs) is part of a collection from the book Sounds of Borneo for Piano”, a captivating series of piano pieces that bring the enchanting sounds of traditional Bornean instruments to your fingertips. Along with this piece, you will discover a beautiful illustration of the Engkerumong by Sape' player and artist Alena Murang, along with a concise description of the Engkerumong in three languages: English, Mandarin, and Malay (Bahasa Melayu).The book also features four other beautiful solo pieces and one duet, each inspired by the distinctive sounds of traditional ethnic instruments such as the Sape’ (Lute), Selingut (Nose Flute), Jatung Utang (Wooden Xylophone), Pratuokng (Bamboo Zither), and Lutong (Zither).Experience the unique blend of traditional Bornean music and piano artistry with Sounds of Borneo for Piano—a must-have addition to your music collection!Purchase the entire collection on Sheetmusicdirect.com through this link.Listen to the whole album on Spotify through this link.
$1.99
Jatung Utang (Wooden Xylophone) from Sounds of Borneo for Piano
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Piano seul
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FACILE
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Beverly Chan
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Jatung Utang
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Beverly Chan
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1423102 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004434. P...
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Piano Solo - Level 2 - SKU: A0.1423102 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004434. Published by Beverly Chan (A0.1423102). Jatung Utang (Wooden Xylophone) is part of a collection from the book Sounds of Borneo for Piano”, a captivating series of piano pieces that bring the enchanting sounds of traditional Bornean instruments to your fingertips. Along with this piece, you will discover a beautiful illustration of the Jatung Utang by Sape' player and artist Alena Murang, along with a concise description of the Jatung Utang in three languages: English, Mandarin, and Malay (Bahasa Melayu).The book also features four other beautiful solo pieces and one duet, each inspired by the distinctive sounds of traditional ethnic instruments such as the Sape’ (Lute), Selingut (Nose Flute), Pratuokng (Bamboo Zither), Engkerumong (Gongs), and Lutong (Zither).Experience the unique blend of traditional Bornean music and piano artistry with Sounds of Borneo for Piano—a must-have addition to your music collection!Purchase the entire collection on Sheetmusicdirect.com through this link.Listen to the whole album on Spotify through this link.
$1.99
Sounds of Borneo for Piano
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Piano seul
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FACILE
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Beverly Chan
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Sounds of Borneo for Piano
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Beverly Chan
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1422780 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 21 pages. Beverly Chan #1004133. ...
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Piano Solo - Level 2 - SKU: A0.1422780 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 21 pages. Beverly Chan #1004133. Published by Beverly Chan (A0.1422780). Explore the music of Borneo Island with 'Sounds of Borneo for Piano,' a captivating collection of piano pieces which bring the enchanting sounds of traditional Bornean instruments to your fingertips. This book features five beautiful solo pieces and one duet, each inspired by the unique sounds of traditional ethnic instruments like the Sapé (Lute), Selingut (Nose Flute), Jatung Utang (Wooden Xylophone), Pratuokng (Bamboo Zither), Engkerumong (Gongs), and Lutong (Zither).In this book, you will discover:Beautiful Artwork: Each watercolour illustration of the instruments was hand-painted by Sapé player and artist Alena Murang.Descriptions of Instruments: A concise description of each instrument in three languages—English, Mandarin, and Malay (Bahasa Melayu).Simple and Elegant Melodies: Suitable for beginner pianists ranging from Preliminary to Grade 2 level, these melodies explore the unique sounds, rhythm and tonality of 6 different Bornean instruments.Experience the unique blend of traditional Bornean music and piano artistry with Sounds of Borneo for Piano—a must-have addition to your music collection!Listen to the whole album on Spotify through this link.
$6.99
Pratuokng (Bamboo Zither) from Sounds of Borneo for Piano
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Piano Facile
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FACILE
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Beverly Chan
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Pratuokng
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Beverly Chan
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1423108 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004440. P...
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Easy Piano - Level 2 - SKU: A0.1423108 Composed by Beverly Chan. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Beverly Chan #1004440. Published by Beverly Chan (A0.1423108). Pratuokng (Bamboo Zither) is part of a collection from the book Sounds of Borneo for Piano”, a captivating series of piano pieces that bring the enchanting sounds of traditional Bornean instruments to your fingertips. Along with this piece, you will discover a beautiful illustration of the Pratuokng by Sape' player and artist Alena Murang, along with a concise description of the Pratuokng in three languages: English, Mandarin, and Malay (Bahasa Melayu).The book also features four other beautiful solo pieces and one duet, each inspired by the distinctive sounds of traditional ethnic instruments such as the Sape’ (Lute), Selingut (Nose Flute), Pratuokng (Bamboo Zither), Engkerumong (Gongs), and Lutong (Zither).Experience the unique blend of traditional Bornean music and piano artistry with Sounds of Borneo for Piano—a must-have addition to your music collection!Purchase the entire collection on Sheetmusicdirect.com through this link.Listen to the whole album on Spotify through this link.
$1.99
Souvenir de Porto Rico - Marche des Gibaros
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Louis Moureau Gottschalk
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Simeon Loring
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Souvenir de Porto Rico - March
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S. Loring
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.953679 Composed by Louis Moureau Gottschalk. Arranged by Simeon Loring. Latin,Romantic Period. 42...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.953679 Composed by Louis Moureau Gottschalk. Arranged by Simeon Loring. Latin,Romantic Period. 42 pages. S. Loring #1750195. Published by S. Loring (A0.953679). Louis Moureau Gottschalk (1829-1869) was on of the first great American virtuoso pianists. He studied and performed in Europe and settled in the Carribean. He heard the workers (Gibaros) sing this song and arranged it for solo piano. This arrangement makes much of the ethnic rhythms that Gottschalk used. Duration of work: 6'30.
$24.99
Eternal Winds
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Wil Offermans
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Eternal Winds
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
8 flutists with additional votes for flute ensembles at any size - intermediate to difficult - SKU: S9.Q47042 Composed by Wil Offermans. This edition: s...
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8 flutists with additional votes for flute ensembles at any size - intermediate to difficult - SKU: S9.Q47042 Composed by Wil Offermans. This edition: score and parts. Downloadable, score and parts. Duration 9 minutes. Musikverlag Zimmermann - Digital #Q47042. Published by Musikverlag Zimmermann - Digital (S9.Q47042). German • English.“The flute is such an exciting instrument, where a delicate sound is born by simply blowing a pipe. Our air is directly translated into audible sound. We may say that the essence of flute playing is the air, the blowing and the wind. The flute is one of the oldest musical instruments: bone flutes, stone flutes, an almost unlimited variety of ethnic flutes, baroque flutes, up to our modern flutes. Imagining this past, joining the present and with a wink into the future, Eternal Winds was born.†Wil Offermans.
$21.99
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Contemporain
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales o
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksand...
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
"Free Spirit" (2010), for solo violin
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Violon
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Ioannis Papaspyrou
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"Free Spirit"
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Ioannis Papaspyrou
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SheetMusicPlus
Violin Solo - SKU: A0.1006848 Composed by Ioannis Papaspyrou. 20th Century,Folk,World. 9 pages. Ioannis Papaspyrou #2605199. Published by Ioannis Papasp...
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Violin Solo - SKU: A0.1006848 Composed by Ioannis Papaspyrou. 20th Century,Folk,World. 9 pages. Ioannis Papaspyrou #2605199. Published by Ioannis Papaspyrou (A0.1006848). Free Spirit – Program Notes Free Spirit is one of my first compositions in which I began introducing ethnic musical material. It is based on a story I mysteriously came up with: a daughter, being a free spirit in heart, desires to fly away from her family, and this desire of hers, creates a clash between her and her parents. The characters of the three members of the family – father, mother, and daughter, alternate in the composition. While the mother appears to be more sentimental, the father expresses a strict and absolute attidute towards his daughter's decision. A decision that seems to be final since, at the end of the piece, she flies away through the fading out musical ending.
$4.99
Jambalaya (On The Bayou)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Country
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Hank Williams
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Peet du Toit
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Jambalaya
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1405315 By Hank Williams. By Hank Williams. Arranged by Peet du Toit. Country. 26 pages. Pe...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1405315 By Hank Williams. By Hank Williams. Arranged by Peet du Toit. Country. 26 pages. Peet du Toit #988363. Published by Peet du Toit (A0.1405315). Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres.Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafonte's calypsos, Paul Simon's Graceland… the list is endless). The broader audience related to 'Jambalaya' in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.The Carpenters featured the song, in an up-tempo pop version with country flourishes, on their 1973 album Now & Then. Their version was released as a single outside the United States in 1974 and sold well in the UK (peaking at number 12 in the charts) and Japan.Presented here as a brass quintet with up-tempo percussion, there is some resemblance of the Carpenters' cover, but also demands spectacular playing from all the players. Enjoy!
$22.00
Jambalaya (on The Bayou)
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Country
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Hank Williams
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Jambalaya
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Peet du Toit
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802680 By Hank Williams. By Hank Williams. Arranged by Richard Carpenter & Peet du T...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.802680 By Hank Williams. By Hank Williams. Arranged by Richard Carpenter & Peet du Toit. Country. Score and parts. 30 pages. Peet du Toit #6383245. Published by Peet du Toit (A0.802680). Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres.Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafonte's calypsos, Paul Simon's Graceland… the list is endless). The broader audience related to 'Jambalaya' in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.The Carpenters featured the song, in an up-tempo pop version with country flourishes, on their 1973 album Now & Then. Their version was released as a single outside the United States in 1974 and sold well in the UK (peaking at number 12 in the charts) and Japan.Presented here as a brass quintet with up-tempo percussion, there is some resemblance of the Carpenters' cover, but also demands spectacular playing from all the players. Enjoy!
$22.00
Sync (Cello Part Only)
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Contemporain
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips M...
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Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465402. Published by Will Phillips Music (A0.1024749). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99
Sync
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Contemporain
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - Level 5 - SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will...
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Small Ensemble Cello,Double Bass,Flute - Level 5 - SKU: A0.1024747 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Will Phillips Music #3465398. Published by Will Phillips Music (A0.1024747). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$19.99
Darkness as Light for SATB and pedal or lever harp or keyboard
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Chorale SATB
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FACILE
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Adrienne Inglis
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Darkness as Light for SATB and
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Ad...
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Choral Choir (SATB) - Level 2 - SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
For Wisdom is Better than Jewels
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Chorale SATB
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INTERMÉDIAIRE
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Connie Pwll Walck Tyler
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For Wisdom is Better than Jewe
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Connie Tyler
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Conn...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1008087 Composed by Connie Pwll Walck Tyler. Christian,Contemporary,Jewish,Sacred. Octavo. 48 pages. Connie Tyler #4765403. Published by Connie Tyler (A0.1008087). What is Wisdom?In Proverbs 8:5-11 she says,Learn prudence, acquire intelligence, …take my instruction instead of silver,and knowledge rather than choice gold,for Wisdom is better than jewels. This suite of three songs is appropriate for use in a Christian or Jewish religious service or a secular concert. It includes a short audience participation possibility at the end of the last song. All are written for flute, piano, ethnic drum, SATB plus a high soprano part that can be a soloist. The drum part is written out, but could be improvised. The first song, Hear My Call, is short (1:49) and could be used as a call to worship in a religious service. The second song, God Created Me, (4:36) is an anthem of praise using the wonderful words of the creation of Wisdom in Proverbs 8:22-36 with a descant of the creation story in the book of Ben Sira 24:3, found in the Apocrypha. The tenors and basses sing the comparison of Wisdom with the trees of Israel, also found in Ben Sira, all in praise of Wisdom. The third song, Choose Life, (1:16) includes a chant that can be sung by the congregation or audience along with the choir. This could be used as the final hymn in a religious service. All three songs can be used separately or together. At the end of the score you will find a copy of the congregational chant which can be copied and placed in an Order of Service or Program. Purchase includes the right to make eight photocopies. For additional copies please purchase another score from sheetmusicplus.com. The recording is electronically produced and therefore has choral oohs without words. All three songs are on the recording, and at the end there is a flute rendering of the chant.. This is not intended to stand alone, but to be sung, as directed, with the last part of the choir song, Choose Life.
$20.00
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