English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1 993
Partitions
Numériques
3 121
Librairie
Musicale
0
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
435
PIANO & CLAVIERS
Piano seul
201
Piano Facile
75
Orgue
46
Piano, Voix
23
Piano Trio: piano, violon, violoncelle
15
Piano Quintette: piano, 2 violons, alto, violoncelle
8
1 Piano, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Piano, Voix et Guitare
3
Instruments en Do
3
Orgue, Trompette (duo)
2
2 Pianos, 4 mains
2
Accompagnement Piano
2
1 Piano, 6 mains
1
Piano grosses notes
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
30
Guitare notes et tablatures
17
2 Guitares (duo)
12
Ligne De Mélodie, (Paroles) et Accords
4
Basse electrique
2
3 Guitares (trio)
2
Ensemble de guitares
1
4 Guitares (Quatuor)
1
2 Ukuleles
1
Ukulele
1
Orchestre à Plectres
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
21
Chorale 3 parties
13
Chorale 2 parties
6
Chorale SSAA
4
Voix duo, Piano
4
Chorale TTBB
4
Voix moyenne, Piano
2
Voix haute, Piano
2
Chorale Unison
2
Voix Baryton, Piano
1
Voix Alto, Piano
1
Voix duo
1
Voix Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
75
2 Saxophones (duo)
59
2 Flûtes traversières (duo)
53
Clarinette et Piano
45
2 Clarinettes (duo)
43
Saxophone Alto et Piano
40
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Hautbois, Piano (duo)
38
Quatuor de Saxophones: 4 saxophones
35
Flûte, Hautbois, Clarinette, Basson
32
Clarinette
26
Saxophone Tenor et Piano
26
Saxophone Soprano et Piano
24
Saxophone (partie séparée)
23
2 Hautbois (duo)
23
Quatuor de Clarinettes: 4 clarinettes
21
Quintette de Saxophone: 5 saxophones
20
Flûte traversière
18
Saxophone Baryton, Piano
16
Clarinette (partie séparée)
15
Flûte et Guitare
12
Clarinette Basse, Piano
11
Flûte, Clarinette (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Cor anglais, Piano
10
Hautbois (partie séparée)
10
Saxophone Alto
8
Quatuor de Flûtes à bec
8
Quintette de Clarinettes: 5 clarinettes
7
2 Flûte à bec (duo)
7
2 Cors Anglais Et Pianoforte
7
Ensemble de Flûtes
6
Clarinette, Guitare (duo)
6
Ensemble de Clarinettes
5
Flûte à bec Alto, Basse continue
5
Flute (partie séparée)
5
Quintette de Flûte : 5 flûtes
4
5 Flûtes à bec
4
3 Clarinettes (trio)
4
Flûte à bec, Guitare (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Flûte, Violoncelle, Piano (trio)
3
Ensemble de saxophones
3
Clarinette, Violon (duo)
2
Flûte, Clarinette et Basson
2
Flûte à bec Tenor
2
Flûte, Violoncelle
2
Flûte à bec Soprano, Piano
2
2 Saxophones, Piano
2
Flûte, Violon, Piano
2
Hautbois, Basson (duo)
2
Flûte à bec Alto, Piano
2
Flûte à bec Soprano
2
Clarinette, Basson (duo)
2
Saxophone et Guitare
2
Ensemble De Flûte à bec
2
2 Flûtes traversières, Piano
1
Ensemble de Hautbois
1
3 Saxophones (trio)
1
Flûte, Trombone (duo)
1
Flûte, Violon
1
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Basson
1
Saxophone Tenor
1
Flûte et Trio à cordes
1
Clarinette et Alto
1
Clarinette, Violoncelle (duo)
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte à Bec, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
37
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
30
Cor et Piano
28
Trombone et Piano
27
Euphonium, Piano (duo)
20
Trompette
18
2 Cors (duo)
18
Trombone
18
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
2 Trompettes (duo)
16
2 Trombones (duo)
15
Trompette (partie séparée)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
2 Euphoniums (duo)
11
Cor anglais, Piano
10
Trombone (partie séparée)
10
Tuba et Piano
8
Cor
7
2 Cors Anglais Et Pianoforte
7
Trompette, Trombone (duo)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
2 Tubas (duo)
5
Cor (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Quatuor de Cuivres
4
Ensemble de Trombones
4
Ensemble de Trompettes
3
Tuba
3
Trompette, Cor (duo)
3
Trio de Cuivres
2
Tuba et Orgue
2
3 Trompettes (trio)
2
2 Euphoniums et 2 Tubas
2
Euphonium, Tuba (duo)
2
Euphonium Ou Saxhorn Et Piano
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
Cor, Tuba (duo)
1
Trompette et Guitare
1
Trombone, Orgue
1
Trombone basse et Piano
1
Trompette, Trombone, Piano
1
Trompette, Euphonium (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
130
Violon et Piano
94
Violoncelle, Piano
65
Alto, Piano
49
Violon
30
2 Violoncelles (duo)
26
2 Violons (duo)
24
Violon, Violoncelle (duo)
18
2 Altos (duo)
18
Trio à Cordes: violon, alto, violoncelle
16
Alto seul
14
Violon, Guitare (duo)
13
Violoncelle (partie séparée)
13
Violoncelle , Guitare (duo)
13
Harpe
12
4 Violoncelles
11
Violon (partie séparée)
11
Violon, Alto (duo)
11
Contrebasse, Piano (duo)
8
2 Contrebasses (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Violoncelle
7
Trio à Cordes: 2 violons, violoncelle
6
Alto, Guitare (duo)
5
Violon, Basse continue
4
Contrebasse (partie séparée)
4
Alto (partie séparée)
4
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
3
Trio à cordes
3
Contre Basse
3
Ensemble de Violons
2
2 Violoncelles, Piano
2
Harpe, Violon, Violoncelle
2
Trio à Cordes: 3 violoncelles
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 violins
2
Alto, Violoncelle (duo)
1
2 Violons, Piano
1
Violoncelle, Orchestre
1
Quatuor à cordes : 4 altos
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
44
Orchestre de chambre
40
Orchestre d'harmonie
37
Orchestre
26
Ensemble de cuivres
18
Cloches
13
Timbales (partie séparée)
4
Percussion (partie séparée)
3
Fanfare
2
Percussion
2
Ensemble Jazz
1
Ensemble de Percussions
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Largo
SheetMusicPlus
Partitions à imprimer
3 121 partitions trouvées
<
1
26
51
....
3101
Largo (DvoÅák - New World Symphony)
Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.743702 Composed b…
(+)
Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.743702 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Standards,Wedding. Score and individual part. 3 pages. Josef STASTNY #5223943. Published by Josef STASTNY (A0.743702). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll âZ nového svÄta), popularly known as the New World Symphony, was composed by AntonÃn DvoÅák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Substitute part: Eb
$4.99
4.65 €
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Largo (DvoÅák - New World Symphony)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743335 Co…
(+)
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743335 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Concert,Contemporary,Romantic Period,Standards,World. Score and parts. 8 pages. Josef STASTNY #3258137. Published by Josef STASTNY (A0.743335). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll âZ nového svÄta), popularly known as the New World Symphony, was composed by AntonÃn DvoÅák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.See also other BRASS arrangements (trios and quartets)http://www.sheetmusicplus.com/search?Ntt=JOSEF+STASTNY+BRASS
$9.99
9.32 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Largo (DvoÅák - New World Symphony)
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.743387…
(+)
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.743387 Composed by Antonin Dvorak. Arranged by Josef STASTNY. Classical,Contemporary,Wedding. 6 pages. Josef STASTNY #3486349. Published by Josef STASTNY (A0.743387). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll âZ nového svÄta), popularly known as the New World Symphony, was composed by AntonÃn DvoÅák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Some other arrangements for quartets and trios:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1www.stastnyjosef.czSubstitute part: 1 Bb
$8.99
8.39 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Largo (DvoÅák - New World Symphony)
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.743337 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Standards. 6 pages. Josef STASTNY #3258249. Published by Josef STASTNY (A0.743337). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll âZ nového svÄta), popularly known as the New World Symphony, was composed by AntonÃn DvoÅák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Some other SAX quartets arrangements:http://www.sheetmusicplus.com/search?Ntt=josef+stastny+saxwww.STASTNYJOSEF.cz
$8.88
8.28 €
#
Quatuor de Saxophones: 4 saxophones
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Largo (DvoÅák - New World Symphony)
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.743388 Composed by Antonin Dvorak. Arranged by Josef STASTNY. 20th Century,Contemporary,Romantic Period,Wedding. 8 pages. Josef STASTNY #3486359. Published by Josef STASTNY (A0.743388). The Symphony No. 9 in E minor, From the New World, Op. 95, B. 178 (Czech: Symfonie Ä. 9 e moll âZ nového svÄta), popularly known as the New World Symphony, was composed by AntonÃn DvoÅák in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. Largo from the 2nd mov. is one of the most impressive largos ever written.Substitute parts: 1Bb, 2 Bb and 4 Bb.Some other trios and quartets arrangements:https://www.sheetmusicplus.com/publishers/josef-stastny-sheet-music/3006800?ac=1Personal webside:www.stastnyjosef.cz
$9.99
9.32 €
#
Flûte, Hautbois, Clarinette, Basson
#
Antonin Dvorak
#
Josef STASTNY
#
Largo
#
Josef STASTNY
#
SheetMusicPlus
Chopin: Largo from Op. 65 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Freder…
(+)
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551997 Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997). Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.Chopin performed this Sonata on his final recital in 1848.The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.
$32.95
30.74 €
#
Saxophone Alto et Piano
#
Frederic Chopin
#
James M
#
Cello, Op
#
Chopin: Largo from Op. 65 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Largo from Xerxes (Ombra mai fu) (EASY PIANO) Opera Serse (HWV 40) [George Frideric Handel]
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1271956 By George Frideric Handel. …
(+)
Easy Piano - Level 2 - Digital Download SKU: A0.1271956 By George Frideric Handel. By George Frideric Handel. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #864308. Published by Darek (A0.1271956). Largo from Xerxes (Ombra mai fu) (EASY PIANO) Opera Serse (HWV 40) [George Frideric Handel]Simplified arrangement for pianists of Largo from Xerxes (Ombra mai fu) Opera Serse (HWV 40) by George Frideric Handel. Easy version for pianists | Easy piano arrangement | Beginner Version | Easy Piano Sheet Music For Beginners | Sheet Music for Novice Players. Included: Fingering, Dynamics, Articulations and video YouTube tutorial.  Discover the sublime beauty of George Frideric Handel's Largo from Xerxes (Ombra mai fu) from the Opera Serse (HWV 40) with my Easy Piano Sheet Music collection. Tailored for beginner pianists, this exquisite Easy Level arrangement allows you to immerse yourself in the enchanting melodies of Handel's timeless opera from the Baroque era. Step into the captivating world of classical music as you explore the emotive power of this aria. With meticulously notated Fingering, Articulation, and Dynamics, you can effortlessly express the piece's emotional depth and artistic brilliance. Accelerate your learning journey with the included Youtube video tutorial, thoughtfully designed to guide you in mastering the piece and refining your performance. Enhance your musical experience and uncover the nuances that make this Largo a cherished gem. As one of the Best Handel Pieces for beginner pianists, this sheet music offers a gratifying and rewarding musical adventure. Embrace the beauty of piano music and let the harmonious notes transport you to a world of elegance and artistic expression. Keywords: Sheet Music, Piano, Pianists, George Frideric Handel, Largo from Xerxes, Ombra mai fu, Opera Serse, HWV 40, Easy Level, Beginner Version, Baroque Era, Fingering, Articulation, Dynamics, Youtube tutorial, Music, Notes, Melodies, Classical Music, Captivating Aria, Timeless Opera, Cherished Gem, Emotional Depth.
$3.00
2.8 €
#
Piano Facile
#
George Frideric Handel
#
Darek
#
Largo from Xerxes
#
Darek
#
SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
37.3 €
#
Orchestre de chambre
#
Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Flavio Regis Cunha
#
SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro (Trumpet and Continuo reduction)
Trompette, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.1288949 By Georg Friedrich Händ…
(+)
Piano,Trumpet - Level 4 - Digital Download SKU: A0.1288949 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and part. 6 pages. Flavio Regis Cunha #879791. Published by Flavio Regis Cunha (A0.1288949). DescriptionDo you want to bring Georg Friedrich Handel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras,'Händel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Handel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.ARRANGEMENT DETAILS Arrangement Format Chamber OrchestraDifficulty Advanced IntermediateGENRE DETAILSGenres Baroque, Classical, Contest / Festival, Instructional, WeddingFULL SCORE AND ORCHESTRAL PARTS AVALIABLE FOR PURCHASE AT:https://www.sheetmusicplus.com/title/handel-atalanta-hwv-35-ouverture-largo-allegro-as-played-by-alisson-balson-and-trevor-pinnock-digital-sheet-music/22581106?aff_id=728965
$5.99
5.59 €
#
Trompette, Piano
#
Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro
#
Flavio Regis Cunha
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
(+)
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.99 €
#
Ensemble de Clarinettes
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Ensemble de Bassons
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by A…
(+)
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.99 €
#
Ensemble de Bassons
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Quintette de Flûte : 5 flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
(+)
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.99 €
#
Quintette de Flûte : 5 flûtes
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
(+)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.99 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
Ensemble de Violons
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 C…
(+)
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
13.99 €
#
Ensemble de Violons
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
(+)
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.99 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
16.79 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin D…
(+)
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:ââââI am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:ââI have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
16.79 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
<
1
26
51
....
3101
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
