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--INSTRUMENTS--
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Last Time Around
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Last Time Around
CONTEMPORAIN - 20-21EME SIECLE
Partitions à imprimer
56 partitions trouvées
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The Second Time Around from HIGH TIME
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Instruments en Do
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Contemporain
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James Van Heusen and Sammy Cah
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Mark W
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The Second Time Around from HI
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. M...
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C Instrument - SKU: A0.808218 Composed by James Van Heusen and Sammy Cahn. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3523855. Published by Mark Wayne Music, LLC (A0.808218). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com
$4.99
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
The Last Supper
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Orchestre
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AVANCÉ
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Contemporain
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Kevin Longley
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The Last Supper
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Kevin Longley
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kev...
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Full Orchestra - Level 5 - SKU: A0.1019350 Composed by Kevin Longley. Contemporary. Score and parts. 105 pages. Kevin Longley #3248395. Published by Kevin Longley (A0.1019350). The Last Supper, scored for Symphony Orchestra was conceived in 1984, completed in 1986 and later revised in 2017. The work is built around the idea of a visitor who is transported back in time to the events of the Last Supper. This visitor is only an observer to the event; having no effect upon what he sees. The piece opens with a dark theme, signifying the visitor walking through the shadowy streets of Jerusalem. As the theme comes to an end an oboe, high above, signals the visitors first view of the Last Supper. The music takes the listener from the Passover Meal to the Mount of Olives and finally to the Betrayal of Lord Jesus. Throughout the score are written biblical passages, meant to inspire the performer and give context to the music. They may optionally be spoken as part of the performance. Orchestra (1 piccolo, 2 flutes, 2 oboes, 1 english horn, 2 clarinets, 1 bass clarinet, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, bass drum, suspended cymbal, tam-tam, snare drum, triangle, harp, strings) Composed by Kevin Longley (1958-). Full score. 55 pages. Duration 15 minutes.
$15.50
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone et Orgue
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AVANCÉ
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Contemporain
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
Growing Into Me
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Chorale 2 parties
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FACILE
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Contemporain
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Sally Whitwell
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Growing Into Me
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whi...
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Choral Choir (SA) - Level 2 - SKU: A0.873030 Composed by Sally Whitwell. Contemporary. Octavo. 12 pages. Sally Whitwell #3869009. Published by Sally Whitwell (A0.873030). Composer’s Note - Growing into meOn a particularly blustery Winter's day, I went to the National Arboretum in my home town of Canberra, Australia, with a bunch of very lovely kids from the Woden Valley Youth Choir (WVYC). Their director Alpha Gregory had asked me to come and do a composition workshop with the kids, to which I had replied with an enthusiastic YES!.I'd done this kind of thing with WVYC before, but this time around I wanted to take it somehow to the next level, to give the piece a real sense of place, a specific and experiential connection to the local community or landscape, and the Arboretum seemed a natural choice for me for an inspirational excursion. I had a family connection to it myself at the time, my cousin Emma worked there and was very passionate about it. Also, it is an outdoorsy kind of place and I have such fond memories of outdoorsy exploratory kinds of activities filling my entire childhood, a very typically Canberran thing. I'm sure the WVYC kids have a similar experience and I hope they know how lucky they are!So we put on our winter coats and scarves and hiked up the mountain, being sure to not only look at what was there, but also to listen, to touch, to smell. It was truly a multi sensory experience. Then we all went down to a local church hall and talked about what we saw and heard and smelt and the kids were just bursting with wonderful ideas for our new song. I've incorporated as many of their ideas as possible into the completed product, as well as my own over-arching theme; the oldest of the trees at the National Arboretum are only a couple of years older than some of the children in the group, so it seemed a nice parallel to make, their growing up alongside each other. It is my hope that the writing of this piece bonds these children to this important and magical place, so ripe with possibility, and that the connection is a lasting and meaningful one for them. It certainly will be for me.-- Sally Whitwell
$1.99
October Dawn - Choral Song (SSAATB)
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Chris Gordon
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October Dawn - Choral Song
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Cool Wind Music Digital
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Publis...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.841250 Composed by Chris Gordon. Contemporary. Octavo. 18 pages. Cool Wind Music Digital #3029087. Published by Cool Wind Music Digital (A0.841250). A setting of a very powerful poem by English poet, Ted Hughes, about the onset of autumn in an English (Yorkshire) garden and the surrounding countryside. It is full of pathos and passion, harmony and dissonance, chaos and peace - just like English weather!This is a very individual and innovative choral setting of Hughes' poem which is, itself, rich in 'meaty' metaphor and colour - and the composer is a vegetarian! It evokes a savage Nature within a savage landscape where humans and animals compete for space and for food. It is October, the fields and woods and gardens of rural Yorkshire are readying themselves for the cold and desolation (and despair) of winter which isn't far away in time. 'A glass, half-filled with wine, left out(side) To the dark heaven all night, by dawn Has dreamed a premonition of ice across its eye as if the ice-age had begun its heave.' That is only two and a half stanzas but you see from these lines that there are veiled threats of (Nature's) violence in the heavy tread of the poet's slowly-building angst over what is happening in the surrounding countryside - and his fear grows, and his awe grows, with every line. There is even fear underlining the very last line: 'And now it is about to start.' Winter is creeping closer and closer towards the house and it will not be pleasant to experience!I have tried to instil a little of this in the music which keeps skidding from consonance to dissonance and back to consonance. Sometimes the dissonance piles up, like snow driven by the wind piles up into deep banks; sometimes the music relaxes into stillness and calm (painted in tonal music) like a crisp, mild late autumn or early winter's day when the sun warms the landscape and life appears bearable, tolerable. I hope this adds to the song's 'charm'. It wasn't easy to write: sometimes the right music was elusive. The music ends with the word 'October' repeated three times, with voices overlapping in a little canon. This conjures up the wistful feelings of the poet as he looks out onto a peaceful scene, soon to be filled with all manner of 'natural violence', while his inner peace will soon be shattered by the mayhem about to be unleashed around him.Setting Ted Hughes is no easy task. It is for choirs and choirmasters to judge if I have succeeded in conveying the 'sense and sensibility' of a classic 20th century English poem.The price is for one copy: please purchase a sufficient number of scores if you intend to perform this work. SMP Press offers discounts for multiple-copy purchases.
$3.00
Trapped
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Publ...
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Concert Band - Level 4 - SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Sloss
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Contemporain
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Matthew Scott Phillips
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Sloss
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Matthew Scott Phillips
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.1004164 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 39 pages. Mat...
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String Ensemble,String Quintet - Level 4 - SKU: A0.1004164 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 39 pages. Matthew Scott Phillips #6302437. Published by Matthew Scott Phillips (A0.1004164). Sloss Furnaces, in Birmingham Alabama is the oldest preserved iron-producing blast furnace in America. It operated from 1882-1971, at which time it was closed and made into a museum and national park. Walking through the gigantic structure of the industrial park, which is generally considered to be haunted, brings one into to contact with the memory of the many people who labored, and sometimes died there. It is not only a monument to the industrial past, but a sacred space, removed from the city around it, and prescient with an other-worldly quality.
$4.99
Sloss
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Matthew Scott Phillips
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Sloss
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Matthew Scott Phillips
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SheetMusicPlus
String Quartet Double Bass,String Quartet - Level 5 - SKU: A0.1004158 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 39...
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String Quartet Double Bass,String Quartet - Level 5 - SKU: A0.1004158 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 39 pages. Matthew Scott Phillips #6213081. Published by Matthew Scott Phillips (A0.1004158). Sloss Furnaces, in Birmingham Alabama is the oldest preserved iron-producing blast furnace in America. It operated from 1882-1971, at which time it was closed and made into a museum and national park. Walking through the gigantic structure of the industrial park, which is generally considered to be haunted, brings one into to contact with the memory of the many people who labored, and sometimes died there. It is not only a monument to the industrial past, but a sacred space, removed from the city around it, and prescient with an other-worldly quality.www.matthewscottphillips.comhttps://www.youtube.com/channel/UCkFS1PbS7oXOdM22kwII36A
$4.99
Extinction Events for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Contemporain
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John Gibson
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Extinction Events for Clarinet
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.581932 Composed by John Gibson. Contemporary. 71 pages. JB Linear #3452175. Published by JB Linear (...
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Woodwind Ensemble Bass Clarinet - Level 5 - SKU: A0.581932 Composed by John Gibson. Contemporary. 71 pages. JB Linear #3452175. Published by JB Linear (A0.581932). Extinction Events by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work lasting about 11 minutes and is for very advanced players. The movements are: Buzzy Delights (Honey Bees), It Isn't Easy Being a Cuckoo, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar).Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.Each movement will also be made available separately as time goes by....just waiting for special days like World Wildlife Day!
$17.50
String Quartet No 4 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 4
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938385 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 33 pages. Colin Bayliss #6135. Published by Colin Bayliss (A0.938385). This work was written between January and March 1997. It has thirteen short continuous movements, one for each note of the tone row and a resolution of the row into an adagio movement in C major. The movements are written in a time signature beginning with one beat to a bar and ending in 13 beats to a bar until the final section of the last movement. The number of bars for each movement is in multiples of 13, then 14 and onwards to 25. The harmonic language is dictated by the combinations of notes in the original row combining with a row with its inversions and retrogrades begun from the first note of each new section. The sections may be briefly summarised as follows:- 1. Adagio A basic statement of the row with its inversion and retrograde 2. Con brio A rhythmic miniature scherzo and trio 3. Allegretto Dynamic contrasts using pizzicato and glissando 4. Andante piacevole e mesto Aduet between the violins with accompaniment from the viola and 'cello 5. Agitato An atmospheric spiccato section interrupted by foot-stamping 6. Andante languido A barcarolle-like section with passages of col legno 7. Allegro A rhythmic section contrasted by passages in harmonics 8. Tempo di tango presto The tango is apt to slip into many of the composer's pieces, even where nominally 12-tone, and is never remotely serious! 9. Andante pastorale Another atmospheric section but more relaxed 10. Allegro molto A scherzando section using rhythmic retrogrades 11. Allegretto The music begins to pull into feeling of tonality around C 12. Allegro moderato This process continues with tremolandi and glissandi searching for the way to a diatonic C major 13. Molto adagio - adagietto The last traces of atonality are wiped away and the work ends in an unashamed sense of quiet triumph The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ For this 4th quartet see: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id585288847.
$8.00
Attack of The Toy Planes
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Daniel Dade
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Attack of The Toy Planes
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Daniel Dade
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.883410 Composed by Daniel Dade. 20th Century,Contemporary. Score and parts. 75 pages. Daniel Dade #3545561. Published b...
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Concert Band - Level 3 - SKU: A0.883410 Composed by Daniel Dade. 20th Century,Contemporary. Score and parts. 75 pages. Daniel Dade #3545561. Published by Daniel Dade (A0.883410). Your Mission: Win the battle. ATTACK OF THE TOY PLANES brings you back to a simple time, a time when all that was on your mind was playing with your toys. ATTACK tells the story of two children playing with their toy airplanes in an intense mock-battle. ATTACK sets up a constantly driving groove with persistent eighth notes and changing time signatures. The battle starts off in a lighthearted way, but as the music unfolds, it delves deeper into the children’s imaginations, creating lifelike scenes of the air battle swirling around them – the planes flying above and the soldiers battling on the ground. Amidst the turmoil of the ending, all the brass falls out except the french horns, as they let out one last battle cry before they are ultimately silenced.
$70.00
La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Contemporain
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Thomas Graf
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La Paloma - Spanish Habanera -
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568938 Arranged by Thomas Gra...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed La Paloma around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become. La Paloma belongs to a genre of songs called Habaneras, a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all Habaneras, its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with Yesterday by the Beatles, is one of the most recorded songs in the history of music. Instrumentation: Soprano (Alto), Alto, Tenor, Baritone  Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/qR5PI78fGqM .
$10.49
Dance Sequences for Double Bass Quartet
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4 Contrebasses
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Graham Boag
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Dance Sequences for Double Bas
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 4 - SKU: A0.780067 Composed by Graham Boag. Contemporary. Individual part. 64 pages. Graham Boag #6211521. Publishe...
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Double Bass,String Bass Solo - Level 4 - SKU: A0.780067 Composed by Graham Boag. Contemporary. Individual part. 64 pages. Graham Boag #6211521. Published by Graham Boag (A0.780067). Dance Sequences was composed during the first lockdown of last year. It is in four movements each with its own character.Prelude - ‘Pagan Dance’ is highly rhythmic with angular melodic lines throughout with some release in the middle of all the raw emotion. As a result of this there is no clear tonal center in this movement. Perhaps a reflection on what was going on in the World at that point.Lament – ‘Slow Dance’ is more reflective almost Hymn like in its approach and has a clear tonal center around C minor with lyrical lines being passed from Bass 1 to Bass 2.The Wonky Waltz is more lighthearted in style as the title suggests it doesn’t quite know what to be with changing time signatures, perhaps a hint of the Tango thrown in before we finally feel a ‘Waltz’ pulse in the final few bars.Final Dance is another energetic movement that combines simple and compound time signatures to give a feeling of constant change and rhythmic contrast. The rhythmic pulse is highlighted with the use of Col Legno in two sections giving a more of a percussive effect. As the movement builds to the final Bartok pizz snap by all four players the ensemble are in homophonic harmony.I hope you enjoy listening to ‘Dance Sequences’.This audio was produced using NotePerformer 3 in Sibelius Ultimate, just follow this YouTube link:https://youtube.com/playlist?list=PLUIBlHeZRjGSMoBRLoqwwGVGzdsBNeWOaI am delighted to finally be able to announce that the sheet music is now available for purchase and I would love to hear from any ensembles that perform this.Many thanks.
$34.99
Six Little Pieces, Op. 19 for Horn and Piano
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Cor et Piano
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AVANCÉ
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Contemporain
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Arnold Schoenberg
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Ralph Sauer
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Six Little Pieces, Op. 19 for
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Gordon Cherry
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1504081 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century. Score and part. 8 pages. Gordon Cher...
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French Horn,Piano - Level 5 - SKU: A0.1504081 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century. Score and part. 8 pages. Gordon Cherry #1079538. Published by Gordon Cherry (A0.1504081). Arnold Schoenberg's Six Little Pieces, Opus 19, originally for Piano, were published in 1913 at a time when the composer was reacting to his feelings of the excesses of the Romantic Period. They were composed concurrently with his gigantic work Gurre-Lieder. The first five pieces were written in one day and the last one shortly after the death of Gustav Mahler as a rumored tombeau or memorial.Mr. Sauer has deftly arranged these six short pieces of around five minutes in length for advanced performers.
$25.00
"December" for solo classical fingerstyle guitar
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Keith Gehle
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"December" for solo classical
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1412489 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 2 pages. Keith Gehle #994584. Published b...
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Solo Guitar - Level 3 - SKU: A0.1412489 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 2 pages. Keith Gehle #994584. Published by Keith Gehle (A0.1412489). â??Decemberâ? was recorded as part of Keithâ??s album of 20 original guitar solos entitled Wintersong released in 2002. Inspired by George Winstonâ??s 1982 album of the same name, â??Decemberâ? is actually the very first piece Keith wrote for the guitar. Around the same time he wrote â??Peaceâ? and sections two and three of his composition entitled â??Montanaâ? both of which are part of the Wintersong album. The PDF includes standard notation with detailed fingerings. Thereâ??s also a version available with TAB on this site.Hereâ??s what one listener wrote of the Wintersong recording:I have purchased almost 200 Cd's from CD Baby over the last few years, most recently were acoustic guitar. This is certainly in the top three, if not the best, of ALL the CD's I've boughtâ?¦ very pure acoustic sound. .. beautiful, flowing sound from the heart. I could listen to it over and over every day. I can't wait to hear more from this splendid artist.- Bob S.
$1.99
Calico Skies
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Paul McCartney
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Paul Kirk
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.945715 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. Score. 7 pages. Paul Stephen Kirk #6306...
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Piano Solo - Level 3 - SKU: A0.945715 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. Score. 7 pages. Paul Stephen Kirk #6306725. Published by Paul Stephen Kirk (A0.945715). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie. Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.Â
$8.99
Six Little Pieces, op. 19 for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Arnold Schoenberg
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Ralph Sauer
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Six Little Pieces, op. 19 for
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Gordon Cherry
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.792480 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Contemporary. Score and parts. 8 pages. G...
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Small Ensemble - Level 5 - SKU: A0.792480 Composed by Arnold Schoenberg. Arranged by Ralph Sauer. 20th Century,Contemporary. Score and parts. 8 pages. Gordon Cherry #4988245. Published by Gordon Cherry (A0.792480). Arnold Schoenberg's Six Little Pieces, Opus 19, originally for Piano, were published in 1913 at a time when the composer was reacting to his feelings of the excesses of the Romantic Period. They were composed concurrently with his gigantic work Gurre-Lieder. The first five pieces were written in one day and the last one shortly after the death of Gustav Mahler as a rumored tombeau or memorial. Mr. Sauer has deftly arranged these six short pieces of around 5 minutes in length for advanced performers.
$20.00
Calico Skies
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Contemporain
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Paul McCartney
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Paul Kirk
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.945717 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. 22 pages. Pau...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.945717 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. 22 pages. Paul Stephen Kirk #6306687. Published by Paul Stephen Kirk (A0.945717). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie.Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.
$14.99
Growl
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Dennis Tobenski
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Growl
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Dennis Tobenski
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1003290 Composed by Dennis Tobenski. 20th Century,Contemporary. Score. 12 pages. Dennis Tobenski #455753. Published by De...
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Piano Solo - Level 4 - SKU: A0.1003290 Composed by Dennis Tobenski. 20th Century,Contemporary. Score. 12 pages. Dennis Tobenski #455753. Published by Dennis Tobenski (A0.1003290). Growl is a short, fast-paced piece for solo piano. The piece is cast in a roughly ABA/fast-slow-fast form, and centers around two musical ideas: a driving left-hand ostinato and a 16-bar melodic line. As the piece opens, the ostinato immediately establishes itself, low and menacing, punctuated by snaps and snarls as it races forward. When we first hear the melodic line, it is soft and distant – almost creepy – and it immediately repeats itself, much louder and more violently. After a brief return to the opening of the piece, we have a moment of respite as the ostinato abruptly drops away, and time stands still for a moment before giving way to a peaceful, ethereal version of the melody. But peace doesn’t last long as the melody becomes increasingly dissonant and violent, culminating in a brutal, crashing cacophony that surges into a triumphal climax. As the grand chords ebb away, the ostinato begins to quietly re-insinuate itself back into the fabric of the piece, building slowly to a return to the opening material and a screaming version of the melodic line. Suddenly, the triumphal chords come thundering back, warring with the ostinato – each interrupting the other, clashing to a frenzied, crashing end. Duration: ca. 5 min. Composed: 2011 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Growl can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski
$4.99
Calico Skies
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Paul McCartney
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Paul Kirk
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Calico Skies
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Paul Stephen Kirk
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.945716 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Con...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.945716 By Paul McCartney. By Paul McCartney. Arranged by Paul Kirk. Contemporary. 14 pages. Paul Stephen Kirk #6306685. Published by Paul Stephen Kirk (A0.945716). Calico Skies is the sixth song on Paul McCartney's 1997 album, Flaming Pie. McCartney had been staying on Long Island when the category-three storm Hurricane Bob that made landfall had hit in August 1991. This made McCartney sit with an acoustic guitar and write what he describes as a gentle love song that becomes a 1960s protest song. The song was co-produced by George Martin and McCartney, being started, finished, and mixed within a single session on 3 September 1992 in Sussex, England. It is the earliest recording on Flaming Pie.Around the time of the release of the album, McCartney's Wife of nearly 30 years, Linda, was suffering from breast cancer and sadly passed away 7 months later. The music video also portrays this with shots of the two of them together in her last days. Put simply, the song, lyrics, melody are for her and trying to tell the story of how the two of them were destined to love each other forever.
$14.99
Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band Version Score and Parts PD
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Brendan Elliget MAGA 537
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Shades of Eltham
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by...
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Concert Band - Level 3 - SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by BJE Music (A0.750863). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about the two thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way.I hope you enjoy my musical tribute to the Shades. The MP3 was recorded with NotePerformer.Now available as an orchestral arrangement as well. See Related Scores.
$30.00
Shades of Eltham - Orchestra
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Orchestre
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Contemporain
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Brendan Elliget
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Shades of Eltham - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.75...
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Full Orchestra - SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.750708). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about two-thirds of the way into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the Shades.The MP3 has been recorded with Note Performer.Grade = 4 Duration = 7:20 Mins
$30.00
Ascending Everest
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Sir Lunch
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Ascending Everest
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Sir Lunch
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1024251 Composed by Sir Lunch. Contemporary. Score and parts. 68 pages. Sir Lunch #2917683. Published by Sir Lunch (A0....
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Concert Band - Level 3 - SKU: A0.1024251 Composed by Sir Lunch. Contemporary. Score and parts. 68 pages. Sir Lunch #2917683. Published by Sir Lunch (A0.1024251). Ascending Everest is an exciting new work for Concert Band that endeavors to create the varying moods that I imagine would accompany such an incredible undertaking as scaling the world's tallest mountain.The piece opens with a dramatic minor chord as the behemoth is viewed in person for the first time. It then quickly delves into the business at hand with a mixture of excitement and forboding. The middle section represents the first night's base camp, as weariness and doubt cause the climber great trepidation over what is yet to come. What if I can't do it? What if I fail? The tone begins a subtle change as renewed determination sets in, and the climax rings of victory!This work is for Concert Band, however the standard instrumentation is not strictly adhered to. In my experience, most high school or community bands don't have anyone to play bassoon and so I elected not create such a part. Also, you will note that there is no Percussion 2. It was merged with Percussion 1. Please feel free to contact me with feedback at sirlunch@gmail.com One last note. The mp3 is a computer generated file and begins at around the 30 sec mark.
$65.00
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