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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSE
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FORMATION MUSI…
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HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
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XYLOPHONE
Leçon I.
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7
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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Etude in C, Le Couppey-Nolte
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.68 €
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Piano seul
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Eric Paul Nolte and Felix Le Couppey
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Illumine le tenebre
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sa…
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Choral Choir,Choral (SATB divisi) - Level 5 - Digital Download SKU: A0.900166 By Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy. By Mary Ellen Haupert. Easter,Sacred,Spiritual. 5 pages. Mary Ellen Haupert #3031789. Published by Mary Ellen Haupert (A0.900166). ILLUMINE LE TENEBRE (SSAATTBB) For Jean Saladino and the Viterbo University Concert Choir TRANSLATION of TEXT: Most High, glorious God, enlighten the darkness of my heart and give me true faith, certain hope and perfect charity, sense and knowledge, Lord, that I may carry out your holy and true command. Amen. - St. Francis of Assisi's Prayer before the Crucifix NOTES from the composer: One year ago, I had the privilege of participating in the Leadership Pilgrimage to Assisi and Rome (2011) sponsored by the Franciscan Sisters of Perpetual Adoration, Franciscan Healthcare, and Viterbo University. I carried with me, not only the responsibility of bringing back a hint of Francis’ lived experience to my students, but the desire to compose something wholly Franciscan. The San Damiano Cross is one of the most distinctive Franciscan images we have on campus. The gentle Jesus that hangs on this 12th-century icon will forever be linked to Francis’ dramatic step from citizen to sainthood-welcoming his earnest prayer to enlighten the darkness of his heart. The Basilica of Santa Chiara in Assisi holds both the San Damiano Cross and the remains of his confidante, St. Clare. It seemed a good place to start getting serious. Copying the prayer in at least six different languages, I tucked it away in my travel books, not digging it out again until the following summer (2012). The opening phrases in the piece came easily enough (Altissimo, glorioso Dio), but I stumbled through a handful of ideas before coming up with the mantra (illumine le tenebre…). It made sense that Francis would joyfully address God singing forte (Altissimo and Signore), while quietly chanting his humble prayers for faith, hope, charity, and knowledge. The friendship between Francis and Clare can’t be missed, not only in the intermingling of SATB voices, but in the setting of che faccia lo tuo santo e verace comadamento (that I may carry out your holy and true command). The phrase is sung only once by the women before the final return of the illumine chant (which is repeated throughout by the men). Maybe I chanced on weaving some of Clare’s courage with Francis’ persistence into Illumina le tenebre, all while trying to compose something wholly Franciscan?  ---Mary Ellen Haupert, October 2012. Â
$3.99
3.68 €
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Chorale SATB
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Sarah Labrie, Conductor - Chamber Choral Conducting Workshop, Sarteano, Italy
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Illumine le tenebre
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Mary Ellen Haupert
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SheetMusicPlus
Le chemin de croix / Labyrinthe
Guitare
Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 …
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Guitar - Digital Download SKU: ZZ.DZ-4280 Composed by Francis Kleynjans. Score. 12 pages. Les Productions d'OZ - Digital #DZ 4280. Published by Les Productions d'OZ - Digital (ZZ.DZ-4280). C’est un beau voyage aux travers des tonalités que je vous propose avec ces deux pièces.La première Le chemin de croix expriment les 14 tableaux de la Passion du Christ par l’intermédiaire d’un simple arpège et de 14 tonalités différentes. Les 12 tonalités mineures qui débutent l’œuvre de façon parfaitement naturelle (ré, la, mi, si, fa#, do#, sol#, ré#, sib, fa, do, sol) sont suivi par deux tonalités majeures (ré et la) qui viennent conclurent l’œuvre comme une triomphante délivrance.La deuxième pièce Labyrinthe reprend le même principe, mais de façon différente. Avec un autre arpège et des tonalités majeures et mineures qui s’enchainent en s’alternant d’une façon naturelle par le biais d’une légère mutation, nous égarant dans les méandres des tonalités, pour enfin nous retrouver dans le ton original, nous délivrant ainsi de ce grand labyrinthe (do, lam, ré, sim, mi, do#m, fa#, ré#m, lab, fam et do).J’espère que les découvreurs de ces pièces auront le même plaisir que j’ai eu à les composer pour eux.Francis KleynjansIt’s a beautiful journey through the tones that I offer you with these two pieces.The first The Stations of the Cross express the 14 scenes of the Passion of Christ through a simple arpeggio and 14 different tones. The 12 minor keys which begin the work in a perfectly natural way (D, A, E, B, F#, C#, G#, D#, Bb, F, C, G) are followed by two major keys (D and the) who come conclude the work as a triumphant deliverance.The second piece Labyrinthe uses the same principle, but in a different way. With another arpeggio and major and minor tones which follow one another alternating in a natural way through a slight mutation, leading us astray in the meanders of the tones, to finally find ourselves in the original tone, we thus delivering from this great labyrinth (do, lam, re, sim, mi, do#m, fa#, re#m, ab, fam and do).I hope that the discoverers of these pieces will have the same pleasure that I had in composing them for them.Francis Kleynjans.
$7.95
7.33 €
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Guitare
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Francis Kleynjans
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Le chemin de croix / Labyrinthe
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Les Productions d'OZ - Digital
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SheetMusicPlus
Le Taulier
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigi…
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Lever Harp - Level 2 - Digital Download SKU: A0.1455787 By Brigitte Bonin. By Brigitte Bonin. Folk,Singer/Songwriter. Score. 3 pages. Brigitte Bonin #1034885. Published by Brigitte Bonin (A0.1455787). Here are the score of Le Taulier It's a late beginner piece with the left hand playing always in the same order the bass part and the right hand having a little more fun. I play this piece on a 38 strings harp tuned in Eb, the lowest note is B0 and the highest is D6. But music is not rigid, you can adapt it to your harp (and send me a video I want to see !!) Advices :- for the A and C : as you repeat the measure, to avoid buzzing, place fingers 432 and then 1, not the 4 fingers at once.- don't worry about the original tempo, if you play it without singing it, you can accelerate, but if you also learn the singing part, 132 is optimum.Note : it's a love song, you will know that you're playing it well when you'll feel love playing it ;) Lyrics (french)Il m’a dit au revoir Ce vieux briscard Il a dit au revoirRaconte pas d’histoiresOn a vécu tous les joursSur le fil de l’amourOn a vécu tous ces joursOn s’aimera toujoursT’as régies ma vieMon cœur est mes enviesTu m’as apprisL’alchimie Le Taulier Loge et nourritContre un peu d’or
$4.99
4.6 €
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Harpe
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Brigitte Bonin
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Le Taulier
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Brigitte Bonin
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SheetMusicPlus
Variations on hélas madame for flute quartet (mp3)
Quatuor de Flûtes : 4 flûtes
Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII …
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Level 4 - Digital Download SKU: A0.1136040 By Budapest Scoring. By King Henry VIII (attrib.). Arranged by David Warin Solomons. Classical,Contemporary. Full Performance. Duration 144. David Warin Solomons #736065. Published by David Warin Solomons (A0.1136040). Hélas madame is attributed to King Henry VIII. It is part of a secular collection, found on a manuscript that was used in Henry's court. The originality of the song has been questioned, with various parts of the song allegedly taken from similar pieces in Europe. The song itself is a courtship conversation in Middle French between a man and woman. Hélas madame, celle que j’ayme tant: Souffrez que soye vostre humble servant; Vostre humble servant je serays a toujours Et tant que je viv’ray aultr’ n’aymeray que vous. Hélas, beau sire, vous estez bel et bon, Sage et courtoys et de noble maison, Et aussi bon que l’on scairoit finer, Mais cil que j’ayme, ne scairoye oublier. Hellas, ma dame, pences en vostre cas: Entre nous deulx ne fault point d’avocatz. Certes non pas, et vous le scavez bien. Allez vous en, car vous ne faictez rien. Mon cueur souspire et se plaint tendrement, Quant il ne peult trouver allegement. Ne scay comment on me veult dechasser; S’il est ainsi, j’ayray ailleurs chasser. Hellas, ma dame, et n’en seray-je point? Certes beau sire, je ne le vous dis point. Servez a point: il vous sera mery. Hellas, ma dame, de bon cueur vous mercy. Alas my lady, whom I do so love: Suffer me to be your humble servant; Your humble servant I shall always be. And while I live, I'll love none else but you. Alas, fair sir, you are good and kind, Wise and courteous and from a noble house, And as good as one could find, But I can't forget the one I love. Alas my lady, think upon your case: Between us two, no need for advocate. Certainly not, and you know it well. Be gone, for you are doing nothing. My heart sighs and tenderly complains, When it cannot find relief. I know not how it wants me to woo; If it is so, I'll go wooing elsewhere. Alas my lady, and shall I not? Certainly, fair sir, I have not said so. Behave rightly and you will be rewarded. Alas my lady, from my whole heart, thank you. Performed by Anita Szabó Ildikó Szabady Iza Nagy Boglárka Dávid.
$4.50
4.15 €
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Quatuor de Flûtes : 4 flûtes
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Budapest Scoring
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David Warin Solomons
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Variations on hélas madame for flute quartet
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David Warin Solomons
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SheetMusicPlus
Le jardin englouti (The Sunken Garden/Minuet) - Intermediate Impressionist Piano Piece for Ravel Pre
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiP…
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Piano Solo - Level 4 - Digital Download SKU: A0.799621 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791453. Published by Nicole Elyse DiPaolo (A0.799621). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in his minuets (like the middle movement of the Sonatine and the minuet from Le tombeau de Couperin). It means The Sunken Garden, and I'll explain why below.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), large rolled chords, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was inspired by the Sunken Garden, a former landmark on the Indiana University campus that sat across the street from the practice building in which I taught dozens of piano students, coached numerous singers, and learned piles of repertoire before moving away last year. The Jordan Hall greenhouse now sits on the former Sunken Garden site.Because the Wells Quad dorms are right next door, I hear this piece as a recollection of a social dance night that the dorms probably held frequently back when the Sunken Garden existed. Wells Quad served as a classroom/academic office complex for years after Jordan Hall was built in the 50s, but they are now back-converting the buildings into dorms again. (As of this writing, two of the buildings now serve as dorms, while the other two are still academic buildings. While I was pursuing my doctoral minor in composition, the composition professors' studios were almost all in Wells Quad's Sycamore Hall. They upgraded to the East Studio Building as soon as they could, though!).
$2.49
2.3 €
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Piano seul
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Nicole Elyse DiPaolo
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Le jardin englouti
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Nicole Elyse DiPaolo
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SheetMusicPlus
E lucevan le stelle from "Tosca" (Puccini) - Cornet/Euphonium Duet and Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1510871 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Brass Band. 54 pages. Rob Bushnell #1086082. Published by Rob Bushnell (A0.1510871). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHY.Other searchable terms: Luciano Pavarotti.
$44.99
41.48 €
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Giacomo Puccini
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Rob Bushnell
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E lucevan le stelle from "Tosca"
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Rob Bushnell
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SheetMusicPlus
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
Trombone et Piano
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor …
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B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
$19.99
18.43 €
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Trombone et Piano
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Giacomo Puccini
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Rob Bushnell
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E lucevan le stelle from "Tosca"
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Rob Bushnell
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SheetMusicPlus
Le Sommeil de L'Enfant Jesus, Harp I
Folk Harp,Instrumental Duet,Pedal Harp - Level 2 - Digital Download SKU: A0.1362349…
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Folk Harp,Instrumental Duet,Pedal Harp - Level 2 - Digital Download SKU: A0.1362349 Composed by Traditional French Carol. Arranged by Serena O'Meara. Christian,Christmas,Folk,Medieval,Sacred. 6 pages. O'Meara Music #946806. Published by O'Meara Music (A0.1362349). This easy intermediate piece is good practice for placing cleanly, making an even tone on each string whether you are playing lower on the strings or in the middle, sliding thumbs on 5 note patterns and controlling the tempo. The arrangement begins in the lower range of the harp to establish the ambiance of what the stable might have sounded like. The melody is shared equally between both parts. Each verse is separated by an interlude. On the last verse, the piece ends with a Picardy Third in First Harp.This Medieval French melody has two well-known carol names: Le Sommeil de L’Enfant Jesus (The Sleep of the Child Jesus) and Entre Le Boeuf Et lL'ane Gris (Oxen and Sheep).
$7.00
6.45 €
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Traditional French Carol
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Serena O'Meara
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Le Sommeil de L'Enfant Jesus, Harp I
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O'Meara Music
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SheetMusicPlus
VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.934267 Composed by Nicola Vaccaj. Arranged by Antonio Cericola. Instructional,Opera,Standards. Octavo. 200 pages. Antonio Cericola #6328707. Published by Antonio Cericola (A0.934267). La nuovissima edizione di questo metodo storico include i componimenti scritti per tutte le estensioni vocali in tre tonalità diverse. Questa comodità sarà senz’altro utile non solo ai pianisti accompagnatori (che avranno a portata di mano la stessa aria già trasposta), ma anche agli insegnanti. Gli allievi, inoltre, potrebbero esercitare la stessa lezione in tonalità diverse per fini didattici e musicali. Ogni arietta è corredata da note storiche, da consigli interpretativi e da note autografe (ove presenti indicate in corsivo) del Vaccaj stesso. Al fine di suggerire ai cantori la giusta dizione italiana, tutti versi del Metastasio sono stati riscritti con gli accenti ortoepici correttamente segnati su tutte le parole di dubbia pronuncia italiana. Sono altresì indicati i raddoppiamenti fonosintattici. Una legenda ortoepica precede il metodo. Nell’appendice sono incluse sia le note storiche dettagliate di ciascuna opera da cui sono tratti i versi, sia la serie degli intervalli da cantare che il Vaccaj scrisse per le storiche edizioni. Di questi solfeggi cantati è stato realizzato anche il basso continuo per agevolarne l’esecuzione ai giovani pianisti. Questa nuova edizione completa dell’opera, curata nella veste grafica ed impaginata ex novo per una lettura più agevole e chiara, è arricchita ulteriormente dalla preziosa presentazione del M°Antonio Juvarra.This new edition of this historical method includes compositions written for all vocal extensions in three different keys.This convenience will certainly be useful not only to accompanying pianists, but also to teachers. Pupils also could practice the same lesson in different keys for educational and musical purposes. Each arietta is accompanied by historical notes, interpretative advice and handwritten notes (where present indicate in italics) by Vaccaj himself. All the verses of Metastasio have been rewritten with the orthoepic accents correctly marked on all words of dubious Italian pronunciation. The phonosyntactic doublings are also indicated. An orthoepic legend precedes the method. The appendix includes both the detailed historical notes of each work from which the verses are taken, and the series of intervals to be sung that Vaccaj wrote for the historical editions. The basso continuo has also been made of these sung solfeggios to facilitate their performance by young pianists. This new complete edition of the work, edited in the graphics and paginated from scratch for easier and clearer reading, is further enriched by the precious presentation of Maestro Antonio Juvarra.
$14.99
13.82 €
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Chorale SATB
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Nicola Vaccaj
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Antonio Cericola
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VACCAJ - Metodo pratico di canto: Edizione completa di tutte le estensioni vocali con note storiche
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Antonio Cericola
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SheetMusicPlus
Piano Trio No. 4 ... Le Gondole Lugubri (2022) for violin, cello and piano
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1033…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1033515 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 48 pages. Thomas Oboe Lee #638822. Published by Thomas Oboe Lee (A0.1033515). Full score. Program note: I am a huge fan of Veronique Gens. On her album Nuits there is a cello and piano duo called La Lugubre Gondola. It is a beautiful work that Franz Liszt wrote on the occasion of Wagner's death in 1833 in Venice. The original version was for piano solo. Liszt subsequently made versions for the cello and the violin. I am a frequent visitor to the city of Venice, especially in the summer during the Biennale. I thought the Franz Liszt work would be a fertile seed for a trio of violin, cello and piano. I will make each movement a musical portrait of an expatriate who had an indelible connection to the city of Venice. Piano Trio No. 4 … Le Gondole Lugubri (2022) 1. Richard Wagner, d. 1883 2. Franz Liszt, d. 1886 3. Henry James, d. 1916 4. Serge Diaghilev, d. 1929 5. Thomas Mann, d. 1955 6. Igor Stravinsky, d. 1971 7. Ezra Pound, d. 1972 8. Peggy Guggenheim, d. 1979.
$9.99
9.21 €
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Piano Trio: piano, violon, violoncelle
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Thomas Oboe Lee
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Piano Trio No. 4 ... Le Gondole Lugubri
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Thomas Oboe Lee
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SheetMusicPlus
Variations on tant que vivray for clarinet and guitar - live performance (mp3)
Clarinette, Guitare (duo)
Clarinet,Guiro - Level 4 - Digital Download SKU: A0.1265870 By Balázs Rumy clari…
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Clarinet,Guiro - Level 4 - Digital Download SKU: A0.1265870 By Balázs Rumy clarinet and András Csáki guitar. By Claudin de Sermisy. Arranged by David Warin Solomons. 20th Century,21st Century,Contemporary. Full Performance. Duration 178. David Warin Solomons #858634. Published by David Warin Solomons (A0.1265870). Original song by Clément Marot (words) and Claudin de Sermisy (music)with Variations by David Warin Solomons(Note: the guitar plays with capo on fret 3)The original words of this song (with my translations) :Tant que vivray en aage florissantAs long as I am in the prime of lifeJe serviray d'amour le dieu puissant,I shall serve the powerful god of loveEn faictz, en ditz, en chansons et accordz;In all I do and say and in my songs and harmonyPar plusieurs jours m'a tenu languissant,For many days he made me languishEt puis apres ma fait resjoyssant,But afterwards he made me rejoice,Car j'ay l'amour de la belle au gent corps;Because I have the love of the fair ladySon alliance, c'est ma fiance,Her betrothal is pledged to meSon coeur est mien, le mien est sien,Her heart is mine, my heart is hersFy de tristesse, vive liesse,Away with sadness, welcome gladnessPuisqu'en amours j'ay tant de biens.Because I have such riches in loveIt is performed here byBalázs Rumy clarinet and András Csáki guitar.
$4.50
4.15 €
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Clarinette, Guitare (duo)
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Balázs Rumy clarinet and András Csáki guitar
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David Warin Solomons
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Variations on tant que vivray for clarinet and guitar - live performance
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David Warin Solomons
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SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba) (Trombone le
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813732
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813732 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6474755. Published by Regis Bookshar (A0.813732). O God, Beyond All Praising (Thaxted) (Bb) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone (which has the lead) and 1 Tuba, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso section from Jupiter, the B.
$10.00
9.22 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Gustav Holst
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Regis Bookshar
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari) (Baritone le
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813744 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. 9 pages. Regis Bookshar #6475091. Published by Regis Bookshar (A0.813744). O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of O God, Beyond All Praising, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O God, Beyond All Praising based on the Andante Maestoso sectio.
$10.00
9.22 €
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Quintette de Saxophone: 5 saxophones
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Gustav Holst
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Regis Bookshar
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O God, Beyond All Praising
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Regis Bookshar
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SheetMusicPlus
BERCEUSE SUR LE NOM D'I.R.I.S. , OP. 48
Hautbois, Piano (duo)
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.892101
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.892101 Composed by Serge OLLIVE. 20th Century,Concert. Score and parts. 15 pages. Serge Ollive #3488517. Published by Serge Ollive (A0.892101). Serge Ollive : Berceuse sur le nom d'I.R.I.S. (Lullaby on the name of I.R.I.S.) Op.48, for flute, oboe, clarinet, piano & string quartet.- Composed in 2018- Duration : 3 minutes 30- Performing Rights Organization : Sacem (France)
$6.99
6.44 €
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Hautbois, Piano (duo)
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Serge OLLIVE
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string quartet
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BERCEUSE SUR LE NOM D'I.R.I.S. , OP. 48
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Serge Ollive
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SheetMusicPlus
Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiP…
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Piano Solo - Level 3 - Digital Download SKU: A0.799620 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary,Standards. Score. 2 pages. Nicole Elyse DiPaolo #5791445. Published by Nicole Elyse DiPaolo (A0.799620). From my in-progress collection of intermediate and late-intermediate piano compositions in Impressionist styles, this is an homage to Maurice Ravel's piano writing as shown in pieces including the Sonatine, Le tombeau de Couperin, and others.It introduces techniques that Ravel frequently uses but that less-than-advanced students rarely encounter in repertoire at their level: sometimes-awkward hand and arm crossings, extended tertian chords (9th/11th/13th voicings), whole tone sonorities, and some modal writing, to name a few, while still maintaining a clarity of voicing that students will find in Ravel's own music. All of these can be disorienting to students encountering Ravel's music for the first time, so students will benefit from Ravel-preparatory repertoire, like this piece, that introduces these techniques.Since most currently published collections of Impressionist-style pedagogical repertoire focus on Claude Debussy's language, this piece is a welcome addition to the student piano literature and will help bridge the gaps between standard teaching repertoire and pieces like Ravel's Sonatine, while also exposing students to a new, rich, and inviting tonal language that will inspire them to seek out more of Ravel's compositions.On a more personal level, this piece was also inspired by my main non-music hobby: raising and releasing butterflies. An upcoming relocation will allow me to build my own butterfly garden in my new home, and I can't wait to create my own butterfly-friendly outdoor paradise filled with native plants and wildflowers. I hope my garden will have as many butterflies flitting through it as are depicted in the 32nd-note passages in this piece!
$2.49
2.3 €
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Piano seul
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Nicole Elyse DiPaolo
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Le jardin des papillons - Intermediate Impressionist Piano Piece for Ravel Preparation
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Nicole Elyse DiPaolo
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SheetMusicPlus
Marais: Cinq Danses Français Anciennes (Five Old French Dances) V. Le Basque - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1200738 Composed by Marin Marais. Arranged by Ray Thompson. Baroque. 9 pages. RayThompsonMusic #799431. Published by RayThompsonMusic (A0.1200738). Cinq Danses Français Anciennes (Five Old French Dances)V. Le BasqueArranged standard wind quintetThis dance features the horn.Marin Marais (1656 – 1728) was a French composer and viol player at the royal court of Versailles. His most famous works are his five books of Pièces de Viole, from which these pieces are taken.The Five Old French Dances were first presented as a single edition in the early twentieth century, arranged for viola and piano by Maud E Aldis and Louis T Rowe.The pieces in the set are as follows and my arrangement of each piece features a different member of the quintet:L'Agréable - oboeLa Provençale - flute La Musette - bassoonLa Matelotte - clarinetLe Basque - hornThey are all available on this site.I have also arranged this piece for horn quartet and for horn and piano..This is a shorter version of the original, and this vesrion was played many times as an encore piece by the late great hornist Dennis Brain who called it “a little French dance, which also happens to be the shortest piece I know.â€.
$4.99
4.6 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Marin Marais
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Ray Thompson
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Marais: Cinq Danses Français Anciennes
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RayThompsonMusic
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SheetMusicPlus
2. Sur le chemin (On the road)
B-Flat Clarinet,Bass Drum,Bassoon,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Tambourine,Vi…
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B-Flat Clarinet,Bass Drum,Bassoon,Cello,Double Bass,Drum Set,Flute,Horn,Oboe,Tambourine,Viola,Violin - Level 3 - Digital Download SKU: A0.1169128 Composed by Ralph Coleman. Broadway,Christian,Classical,Musical/Show,Religious. 34 pages. Ralph Coleman #769478. Published by Ralph Coleman (A0.1169128). This musical Ruth tells the story according to the Jewish tradition. This story is also one of the books in the Bible, in the Old Testament. While artistic and historical licence has been taken, I believe that this musical is true to the essence, values and integrity of a story that is part of the religious tradition of millions of people worldwide.The musical has been written for a small orchestra with a difficulty grade of 3, making it perfectly accessible to collegiate symphonic ensembles. Lyrics in English and French are available.The second piece (out of a total of 16) named Sur le chemin (On the road) has a duration of 02:50. The scene is when Naomi, Orpa and Ruth are walking on the road to Bethlehem, and Orpa decides to go back to her father's home.
$50.00
46.1 €
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Ralph Coleman
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2. Sur le chemin
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Ralph Coleman
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SheetMusicPlus
Monteverdi - The Seventh Book of Madrigals (1619) - 11. Non vedrò mai le stelle a6
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767316 Composed by Claudio Monteverdi. Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 33 pages. Lyons Music Services #3460731. Published by Lyons Music Services (A0.767316). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Non vedrò mai le stelle is a duet for two tenors, The title translates as Never will I see the stars the poet is berating his lover for spurning himI decided to use two euphoniums/baritones for the soloists, with the accompaniment managed by 2 cornets/trumpets, a horn and a tuba.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$5.99
5.52 €
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Flûte, Hautbois, Clarinette, Basson
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Claudio Monteverdi
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Lyons Music Services
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Monteverdi - The Seventh Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Ravel: Le Tombeau de Couperin I Prelude - Symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.69717…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.697174 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 23 pages. RayThompsonMusic #305768. Published by RayThompsonMusic (A0.697174). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Flute 2 has some piccoloOboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A
$14.95
13.78 €
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin I Prelude - Symphonic wind
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RayThompsonMusic
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SheetMusicPlus
HO CAVALCATO LE ALI DELL'AURORA - For SATB Choir and Organ
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.724429 Composed by Renato Tagliabue.…
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Choral Choir (SATB) - Digital Download SKU: A0.724429 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Octavo. 6 pages. Renato Tagliabue #3883343. Published by Renato Tagliabue (A0.724429). I HAVE RIDDEN THE WINGS OF THE DAWNI have ridden the wings of the dawn looking for a place to lie my heart to rest, flying over seas and hills I found your splendid home. How could I explain what I felt when I saw your light, when I heard you calling my poor self. I feel your spirit looking after my lonely soul, I know your head is placed on my troubled head; I hear your voice: it's as sweet as a dream. Please don't let me lose my way hold me within your light. How could I close my heart to your blessed charity? Stars and skies tell me of your loving harmony. I see your love in the brightness of the moon; darkness will fade away the sun will shine over me.
$6.50
5.99 €
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Chorale SATB
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Renato Tagliabue
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HO CAVALCATO LE ALI DELL'AURORA - For SATB Choir and Organ
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Renato Tagliabue
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SheetMusicPlus
Tra le procelle assorto
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1456319 Composed by Carl Hei…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1456319 Composed by Carl Heinrich Graun (1704-1759). Arranged by A# Digital Music. Baroque,Classical,Opera. Score. 11 pages. A# Digital Music #1035398. Published by A# Digital Music (A0.1456319). Cleoapatra's aria Tra le procelle assorto from Cleopatra e Cesare WV B:I:7 (Act 1)Vocal ScoreTransposition available on demandParts and Full Score available on demandasharp.digimus@gmail.com.
$1.99
1.83 €
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Piano, Voix
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Carl Heinrich Graun
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A# Digital Music
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Tra le procelle assorto
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A# Digital Music
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SheetMusicPlus
Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra ((pic222clbs2cbn/4331/4perc/tmp/hp/str
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.532888 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.532888 Composed by Therese Brenet. Contemporary,Spiritual. Score and parts. 47 pages. Musik Fabrik Music Publishing #119693. Published by Musik Fabrik Music Publishing (A0.532888). For this work, the composer has chosen to write three movements of an equal strength and an equal dramatic force. She leaves aside the idea of a calm slow movement which one usually finds at the center of a long work. With these three outbursts, she understands that she hasn't chosen the easiest route and that she is transgressing the traditional rules of classical form. She knows that she is risking that her work will bore or tire her listeners. Motivated by her inspiration, she has decided to break with the usual equilibrium, which she knows is a challenge and which she holds herself responsible, reminded of the phrase by Jean Cocteau : “It is clear that certain works haunt you, troubling your moral comfort and teach you that the best method is that of men who work outside of learned rules.†The title is inspired by the writing of Hildegarde van Bingen, who was one of the most extraordinary figures of the 12th century. A mystic who was also a doctor, a poet, a linguist and astronomer, her influence spread over all Europe. This is the full score. The parts are on rental from the publisher. Duration 11' I LLe cantique de l'Univers 4' 10 II Vents solaires 3' 20 III Expansion 3' 30 Recorded on Thérèse Brenet : Le Livre de L'Harmonie du Monde http://www.jtbprod.com/llhm.htm The third movement Expansion may be heard here : https://www.youtube.com/watch?v=5fUX_0HC0-o.
$29.95
27.61 €
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Orchestre
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Therese Brenet
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Thérèse Brenet: Le Livre de L'Harmonie du Monde for orchestra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Duet on Two French Carols
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.9…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.942683 Composed by Sarah Bauerle. 20th Century,Christmas,Contemporary,World. Score and parts. 10 pages. Sarah Bauerle #3006835. Published by Sarah Bauerle (A0.942683). Duet on Two French Carols is a short piece inspired by the main theme of my orchestra piece, Joan. This theme is a melding of two traditional French carols - Il est ne, le divin Enfant (He is Born, the Holy Child) and Un flambeau, Jeannette, Isabelle (Bring a Torch, Jeanette, Isabella). This piece is suitable for intermediate level players and beyond, and includes unique percussive elements and a general upbeat, festive air.Title: Duet on Two French CarolsComposer: Sarah BauerleInstrumentation: Violin/Cello duetLength: app. 3 minutesSuitable for: Christmas, Advent, worship services, general performanceYear Composed: 2014Copyright: © Copyright 2014 by Sarah Bauerle. All rights reserved.Composer info: Hello! My name is Sarah Bauerle, and I am a Michigan-based composer. I write in a variety of styles and for many different ensembles and instruments. I have a Master's degree in Music Composition from Eastern Michigan University, and my orchestra piece Joan was premiered by the Livingston Symphony Orchestra in May 2016. For recordings of some of my pieces, please visit my YouTube channel: https://www.youtube.com/channel/UCkbZrAd0EK_OxX9OBewxddg I also welcome any feedback or questions you may have, and would love to hear of any performances of my pieces. I can be reached at sarahbauerlemusic(at)gmail(dot)com.
$10.00
9.22 €
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Violon, Violoncelle (duo)
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Sarah Bauerle
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Duet on Two French Carols
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Sarah Bauerle
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SheetMusicPlus
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