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Leçon XIV.
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Leçon XIV.
Partitions à imprimer
5 partitions trouvées
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Nicola Vaccai : Leçon XIV. (Recitativo)
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Voix seule
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FACILE
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Classique
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Nicola Vaccai
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Leçon XIV.
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Tomplay
Telechargez la partition Chant Leçon XIV. (Recitativo) de Vaccai. Partition pour Avec piano d'accompagnement -- Classique...
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Telechargez la partition Chant Leçon XIV. (Recitativo) de Vaccai. Partition pour Avec piano d'accompagnement -- Classique
4.99€
Chaconne (chaconne de scaramouche) Le Bourgeois Gentilhomme
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Jean-Baptiste Lully
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Noah Bromberg
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Chaconne
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Noah Bromberg
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SheetMusicPlus
Brass Quintet Bass Trombone,Horn,Trumpet - Level 3 - SKU: A0.1292501 Composed by Jean-Baptiste Lully. Arranged by Noah Bromberg. Baroque,Chamber,Classic...
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Brass Quintet Bass Trombone,Horn,Trumpet - Level 3 - SKU: A0.1292501 Composed by Jean-Baptiste Lully. Arranged by Noah Bromberg. Baroque,Chamber,Classical,Early Music,Medieval. 9 pages. Noah Bromberg #883053. Published by Noah Bromberg (A0.1292501). Le Bourgeois gentilhomme (French pronunciation: ​[lÉ™ buÊÊ’wa ʒɑ̃tijÉ”m], translated as The Bourgeois Gentleman, The Middle-Class Aristocrat, or The Would-Be Noble) is a five-act comédie-ballet – a play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. Subsequent public performances were given at the theatre of the Palais-Royal beginning on 23 November 1670.[1] The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani and the costumes were done by the chevalier d’Arvieux.Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a gentleman was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.This orchestration for brass quintet has been adapted to accomodate modern instrumentation, while preserving the original intent of the composer. the piece has been transposed down a whole step from the original key, and slight modifications to the individual parts have been adjusted. No modifications to the voicings have been made to preserve the composers intent.
$20.00
Frixia ("Camiña Don Sancho")
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional Melody
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César del Caño
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English) and other details
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Frixia
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Cesar del Cano
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1030299 Composed by Traditional Melody. Arranged by César del Caño. 20th Century,A Cappella,Classical. Octa...
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Choral Choir (SAB) - Level 3 - SKU: A0.1030299 Composed by Traditional Melody. Arranged by César del Caño. 20th Century,A Cappella,Classical. Octavo. 5 pages. Cesar del Cano #6358089. Published by Cesar del Cano (A0.1030299). ·· Polyphonic a cappella work for three mixed voices (S, A, T/B) with divisi.· Approximate duration: 2:30· Pages (5): Cover (1), Score (2, 3, 4), Lyrics (5). Original lyrics (in Galician Languaje), translation (Spanish & English) and other details. This last page also contains various links which can be accessed from the pdf edition.· A video-score from YouTube is attached.·[ENG]Camiña Don Sancho is a so-called border romancillo, from Galicia (Spain), popularized in the 14th century through minstrels, and which constitute poetic documents of the history and intrahistory of two opposing communities (Christian and Muslim). It talks about more or less true facts and famous historical figures belonging to the common history of León and Galicia (former independent kingdoms, currently Spanish autonomous communities).In it, once again, the figure of King Don Sancho appears linked to the myth of the young captive in the Iberian peninsular Muslim territory, and whom he is preparing to liberate. The original melody is built in the Phrygian mode, one of the medieval musical modes, on which this polyphonic version is also made, finally taking it to the point of the so-called gypsy and Arabic scales; hence its title: Frixia (in Galician languaje)[ESP]Camiña Don Sancho es un romancillo de los llamados fronterizos, popularizados en el S. XIV a través de los juglares, y que constituyen documentos poéticos de la historia e intrahistoria de dos comunidades enfrentadas (la cristiana y la musulmana). Habla de hechos más o menos verÃdicos y de personajes pertenecientes a la historia común de León y Galicia.En él, una vez más, aparece la figura del Rey Don Sancho ligada al mito de la joven cautiva en el territorio musulmán peninsular, y a quien él se dispone a liberar.La melodÃa original está construida en modo frigio, uno de los modos musicales medievales, sobre el que está realizada también esta versión polifónica, llevándola finalmente al punto de las llamadas escalas gitana y arábiga; de ahà su tÃtulo.·Composer data:Website: https://www.cesardelcano.comFacebook: https://www.facebook.com/cesardelcano.espYouTube: https://www.youtube.com/playlist?list=PLr9iLxVNyr-9eBzCd-zlZE_Iyxavn_WhT·
$2.22
3 pièces de Guillaume de Machaut
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Guillaume de Machaut
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Dusan Bogdanovic
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3 pièces de Guillaume d
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Les Editions Doberman-Yppan
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SheetMusicPlus
Voice and guitar - Advanced - SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Ypp...
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Voice and guitar - Advanced - SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 1537. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1537). Regarded as the most significant French composer and poet of the 14th century, Guillaume de Machaut was the central figure of the ars nova style in late medieval music. The three vocal pieces included in this collection are two rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure along with the motet Je suis aussi com cils qui est ravis. An additional curiosity, the iconic rondeau Ma fin est mon commencement (My end is my beginning) has a very intricate form built on palindromic form; while one voice reads the line from left to right, the other uses the same line in the opposite direction. Both voices meet in the middle of the piece, thus creating a mirror-symmetric form. While maintaining the principal upper part vocal, my arrangement relegates the two additional voices to the guitar.Considéré comme le compositeur et poète français le plus important du XIVe siècle, Guillaume de Machaut était la figure centrale du style ars nova dans la musique de la fin du Moyen Âge. Les trois pièces vocales incluses dans ce recueil sont deux rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure ainsi que le motet Je suis aussi com cils qui est ravis. Autre curiosité, l'emblématique rondeau Ma fin est mon commencement a une forme très complexe construite sur une forme palindromique ; tandis qu'une voix lit la ligne de gauche à droite, l'autre utilise la même ligne dans la direction opposée. Les deux voix se rencontrent au milieu de la pièce, créant ainsi une forme symétrique en miroir. Tout en conservant la partie supérieure vocale principale, mon arrangement relègue les deux voix supplémentaires à la guitare.
$7.95
La Buena de María
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Piano, Voix
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FACILE
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Nemei
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La Buena de María
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Nemei
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1245356 By Nemei. By Nemei. Classical,Contemporary,Historic,Instructional,Singer/Songwriter. Score. 3 pages. Nemei...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1245356 By Nemei. By Nemei. Classical,Contemporary,Historic,Instructional,Singer/Songwriter. Score. 3 pages. Nemei #840231. Published by Nemei (A0.1245356). MarÃa siente que ha malgastado su vida mientras ve como le quedan menos dÃas por vivir. Canción reflexiva sobre la soledad escrita en castellano; tono menor para una melodÃa expresiva.Demo en Youtube.MarÃa feels that she has wasted her life as she sees how she has fewer days to live. Reflective song about loneliness written in Spanish; minor key for an expressive melody.Demo on Youtube.
$8.00
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Leçon XIV. 
