English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1 265
Partitions
Numériques
398
Librairie
Musicale
6 612
Matériel
de Musique
931
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
32
PIANO & CLAVIERS
Piano, Voix et Guitare
164
Piano seul
33
Piano, Voix
19
Piano Facile
6
Accordéon - Piano, Voix, Guitare
2
Orgue
2
Accordéon
1
Piano Trio: piano, violon, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
7
Ukulele
3
Guitare notes et tablatures
1
VOIX
Chorale SATB
10
Voix seule
7
Chorale 3 parties
4
Voix basse, Piano
3
Voix Mezzo-Soprano, Piano
2
Voix Soprano, Piano
2
Voix Tenor, Piano
2
Voix moyenne, Piano
1
Chorale SSAA
1
Chorale Unison
1
Instrumentations suivantes
Retracter
VENTS
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
5
2 Saxophones (duo)
4
Saxophone Soprano et Piano
4
Clarinette et Piano
3
Flûte traversière et Piano
3
Quatuor de Saxophones: 4 saxophones
2
Cor anglais, Piano
2
2 Flûte à bec (duo)
2
Clarinette
2
Ensemble de Clarinettes
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette (duo)
1
Saxophone Tenor et Piano
1
Flûte traversière
1
2 Flûtes traversières (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone
1
2 Saxophones, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Trompette, Trombone (duo)
3
Cor anglais, Piano
2
Trompette, Cor (duo)
2
Cor et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Euphonium (duo)
1
Euphonium, Piano (duo)
1
Ensemble de Cors
1
Trompette, Piano
1
2 Cors (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
4
Violoncelle, Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
4 Violoncelles
1
Violon, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violon, Basse continue
1
Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 2 violons, violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
6
Orchestre d'harmonie
5
Orchestre de chambre
3
Ensemble Jazz
2
AUTRES
Vous avez sélectionné:
Le France
Partitions à imprimer
398 partitions trouvées
<
1
26
51
....
376
Comme une danse d'indien et sur le bord du yang Tsé Kiang 2 pièces pour guitare
Guitare
Composed by Frédéric Gasse. Arranged by MCM Editions Musicales. Contempo…
(+)
Composed by Frédéric Gasse. Arranged by MCM Editions Musicales. Contemporary, Standards, World. Individual part. 6 pages. MCM Editions Musicales France #5759629. Published by MCM Editions Musicales France
Comme une danse d'indien et sur le bord du yang Tsé Kiang 2 pièces pour guitare<br> niveau 2ème -3ème année de guitare partitions manuscrites de 2 pages
$6.00
5.55 €
#
Guitare
#
Frédéric Gasse
#
MCM Editions Musicales
#
Comme une danse d'indien et sur le bord du yang Tsé Kiang 2 pièces pour guitare
#
MCM Editions Musicales France
#
SheetMusicPlus
AMADEUS suite - 5. Ecco la marcia from Act 3 of LE NOZZE DI FIGARO
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931212
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.931212 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical. Score and parts. 13 pages. Music Macri Editions #3687655. Published by Music Macri Editions (A0.931212). Le nozze di Figaro, ovvero la folle giornata (K 492) è un'opera lirica di Wolfgang Amadeus Mozart. È la prima delle tre opere italiane scritte dal compositore salisburghese su libretto di Lorenzo Da Ponte.Musicato da Mozart all'età di ventinove anni, il testo dapontiano fu tratto dalla commedia Le nozze di Figaro di Beaumarchais (autore della trilogia di Figaro : Il barbiere di Siviglia , Il matrimonio di Figaro e La madre colpevole ).Dal Terzo Atto - Finale Ecco la marcia, andiamo (Susanna, La Contessa, Il Conte, Figaro; Coro).Le Nozze di Figaro è una delle più famose opere di Mozart e dell'intero teatro musicale, ed è la prima di una serie di felici collaborazioni tra Mozart e Da Ponte, che ha portato anche alla creazione del Don Giovanni e di Così fan tutte .Fu Mozart stesso a portare una copia della commedia di Beaumarchais a Da Ponte, che la tradusse in lingua italiana (tuttora la lingua ufficiale dell'opera lirica) e che (d'accordo con Mozart) rimosse tutti gli elementi di satira politica dalla storia. L'opera fu scritta da Mozart in gran segreto (la commedia era stata vietata dall'imperatore Giuseppe II, poiché attica l'odio tra le varie classi sociali). Questo è un periodo in cui è stato scritto. Eppure è solo dopo aver convinto l'imperatore della rottura delle scene politicamente più discusse che hanno visto il permesso di rappresentare l'opera.Inoltre, la scena finale del terzo atto, che comprendeva un balletto e una pantomima, si dovette scontrare con un divieto imperiale di rappresentare balli in scena. Racconta Da Ponte, nelle sue memorie , che lui e Mozart, non intendono rinunciare al finale come l'avevo concepito, invitarono l'imperatore ad assistere a una prova, dove si sono giocati quel pezzo muto. L'imperatore subito ordinò che la musica fosse reinserita.Così Le Nozze di Figaro , finita di comporre il 29 aprile, fu messa in scena al Burgtheater di Vienna, il 1º maggio 1786 con Nancy Storace (Susanna), Francesco Benucci (Figaro) e Michael Kelly (tenore) (Basilio e Don Curzio) , diretta dal compositore nelle prime due rappresentazioni e da Joseph Weigl nelle repliche. Ottenne un successo strepitoso, al punto che l'Imperatore, dopo la terza recita, dovette emanare un decreto per limitare le richieste di bis, in modo che le repliche non durassero troppo. Ancor più grande fu il successo al Teatro Nazionale di Praga (dal 17 gennaio 1787), colomba (una detta di Mozart): «Qui non sta che che del Figaro, non si suona, non si strombetta, non si canta, non si fischia che il Figaro, non si va a sentire altra opera che il Figaro. Eternamente Figaro! ».L'opera è in quattro atti e ruota attorno alle trame del Conte d'Almaviva, invaghito della cameriera della Contessa, Susanna, alla quale cerca di imporre lo ius primae noctis. La vicenda si svolge in un intreccio serrato e folle, in cui donne e uomini si contrappongono nel corso di una giornata di passione travolgente, piena sia di eventi drammatici che comici, e nella quale alla fine i servi si dimostrano più signori e intelligenti dei loro padroni. L'opera è per Mozart (e prima di lui per Beaumarchais) un pretesto per prendersi gioco delle classi sociali dell'epoca che da lì a poco saranno travolte dai fatti con la Rivoluzione francese. L'intera vicenda può anche essere letta come una metafora delle diverse fasi dell'amore: Cherubino e Barbarina rappresentano l'amore acerbo, Susanna e Figaro l'amore che sboccia, il Conte e la Contessa l'amore logorato e senza più alcuna passione, Marcellina e don Bartolo l'amore maturo.
$6.00
5.55 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Wolfgang Amadeus Mozart
#
Alessandro Macrì
#
Coro)
#
AMADEUS suite - 5. Ecco la marcia from Act 3 of LE NOZZE DI FIGARO
#
Music Macri Editions
#
SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Be…
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
18.44 €
#
Saxophone Alto et Piano
#
Ali Ben Sou Alle
#
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Vive Le Roi, Vive La France
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1025631 Composed by Luis de Persu…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1025631 Composed by Luis de Persuis. Arranged by Arranged for band by Vincenzo Gambaro and Modern edition by Craig Dabelstein. Romantic Period. Score and parts. 28 pages. Maxime's Music #4896461. Published by Maxime's Music (A0.1025631). Vive Le Roi, Vive La FranceMarche des Gardes du Corpsà Monseigneur le Duc de GrammontLouis-Luc Loiseau de Persuis (1769–1819)Arranged for band by Vincenzo Gambaro (1746?–1824?)Modern edition by Craig Dabelstein (1973–)Date: unknownInstrumentation: Concert BandDuration: 2:25Level: 3
$70.00
64.71 €
#
Orchestre d'harmonie
#
Luis de Persuis
#
Vive Le Roi, Vive La France
#
Maxime's Music
#
SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Be…
(+)
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
18.44 €
#
Saxophone Alto et Piano
#
Ali Ben Sou Alle, Gioachino Rossini
#
Paul Wehage
#
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Une Chorale Deddie A Besancon, France (A Chorale Dedicated to Besancon, France)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1162062 By Wesley Besancon. By We…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1162062 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultural,World. Score and parts. 49 pages. Wesley Besancon #762435. Published by Wesley Besancon (A0.1162062). In France, there is a place called Besancon. That just so happens to be my last name! So what I have done is create a chorale that is dedicated to their wind orchestra. The chorale is a slow chorale, but has multiple genres, including: Lyrical, Marchlike, and Timeless. I hope you enjoy A Chorale Dedicated to Besancon, France(En France, il y a un endroit qui s'appelle Besançon. Il se trouve que c'est mon nom de famille ! Donc, ce que j'ai fait, c'est créer un choral dédié à leur orchestre à vent. Le choral est un choral lent, mais a plusieurs genres, y compris : Lyrical, Marchlike et Timeless. J'espère que vous apprécierez Une chorale dédiée à Besançon, France).
$42.99
39.74 €
#
Orchestre d'harmonie
#
Wesley Besancon
#
Wesley Besancon
#
Une Chorale Deddie A Besancon, France
#
Wesley Besancon
#
SheetMusicPlus
J'aiper du le do
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1179483 By France Folk Song. By Fra…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1179483 By France Folk Song. By France Folk Song. Arranged by pfkaori. Folk,Traditional. Score. 2 pages. Pfkaorimusic #779461. Published by pfkaorimusic (A0.1179483). Song: J'aiper du le do Arrangement: piano solo Level: Beginner to intermediate Key: Fdur.
$4.50
4.16 €
#
Piano seul
#
France Folk Song
#
pfkaori
#
J'aiper du le do
#
pfkaorimusic
#
SheetMusicPlus
Le Carillon de Dunkerque for String Trio (2 violins & cello)
Trio à Cordes: 2 violons, violoncelle
String Ensemble,String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.836076
(+)
String Ensemble,String Trio Cello,Violin - Level 1 - Digital Download SKU: A0.836076 Composed by Traditional. Arranged by Joshua S. Kim. Children,Holiday,Wedding. Score and parts. 7 pages. Joshua S. Kim #3688509. Published by Joshua S. Kim (A0.836076). Le Carillon de Dunkerque (The Chimes of Dunkirk) is a dance of the olden times in France and Flanders. It is considered one of the oldest and merriest of all the country dances. The first Carillon de Dunkerque was built in 1437. (Dunkirk is a town in northern France, and carillon means chimes in French.)
$8.00
7.4 €
#
Trio à Cordes: 2 violons, violoncelle
#
Traditional
#
Joshua S
#
Le Carillon de Dunkerque for String Trio
#
Joshua S. Kim
#
SheetMusicPlus
Le Carillon de Dunkerque for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.836034 Composed by…
(+)
String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.836034 Composed by Traditional. Arranged by Joshua Jun S. Kim. Children,Holiday,Wedding,World. Score and parts. 6 pages. Joshua S. Kim #3244107. Published by Joshua S. Kim (A0.836034). Le Carillon de Dunkerque (The Chimes of Dunkirk) is a dance of the olden times in France and Flanders. It is considered to be one of the oldest and merriest of all the country dances. The first Carillon de Dunkerque was built in 1437. (Dunkirk is a town in northern France, and carillon means chimes in French.)
$7.50
6.93 €
#
Trio à Cordes: violon, alto, violoncelle
#
Traditional
#
Joshua Jun S
#
Le Carillon de Dunkerque for String Trio
#
Joshua S. Kim
#
SheetMusicPlus
Le Moulin
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.732806 Composed by Yann Tiersen. Ar…
(+)
Easy Piano - Level 2 - Digital Download SKU: A0.732806 Composed by Yann Tiersen. Arranged by Ygor Nunes. Film/TV,Instructional,Multicultural,World. Score. 6 pages. Ygor Nunes #341073. Published by Ygor Nunes (A0.732806). Le moulin, Le moulinpiano, Le moulin easy, Le moulin easy piano, Le moulin simple version, Le moulin simplified, Le moulin beginner, Le moulin yann, Le moulin tiersen, Le moulin yann tiersen, yann tiersen, amelie poulain, amelie poulain song, amelie poulain movie, amelie poulain vals, amelie poulain ost, amelie poulain le moulin, amelie poulain movie song, amelie poulain piano, amelie poulain easy, amelie poulain easy piano, france, french song, french movie, french piano.
$5.99
5.54 €
#
Piano Facile
#
Yann Tiersen
#
Ygor Nunes
#
Le Moulin
#
Ygor Nunes
#
SheetMusicPlus
Michel Sardou: Le France
Piano, Voix et Guitare
4.99 €
#
Piano, Voix et Guitare
#
Michel Sardou: Le France
#
Le France
#
Quickpartitions
des études dans le vin (unaccompanied solo flute)
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1201703 Composed by Brandon Nelson.…
(+)
Flute Solo - Level 5 - Digital Download SKU: A0.1201703 Composed by Brandon Nelson. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Individual part. 6 pages. Brandon Nelson #800318. Published by Brandon Nelson (A0.1201703). [originally commissioned for contralto flute, this can be performed on any member of the flute family]In celebration of what are perhaps among the greatest gifts to the human palate, I composed this set of characteristic etudes based on several distinguished wines of France. Wine is beyond simply a beverage—it is a form of art in itself, elevated by centuries of refinement, and those of France in particular have been recognized by many as some of the finest specimens crafted.“Set One†is devoted to red wines. Merlot, with scents of black cherry and plum, is a soft, well-rounded wine that makes an excellent introduction for those new to red wines (and an old favorite for the initiated).The essence of Pinot Noir is delicate and fresh. These grapes are difficult to grow, rarely blended, yet yield no roughness.The grande dame of French reds, Cabernet Sauvignon is full-bodied, firm, and gripping.The second set illustrates white wines.One of the most popular wines in the word, Chardonnay is velvety and voluptuous, with bold citrus notes.Sauvignon Blanc reveals a wide palate of subtle flavors, granting the sensitive imbiber delicate hints of bell pepper, sour green fruits, apples, pears, and even tropical fruits. We finish with Semillon. Noted for its great strength of berry flavoring, it is often blended to delimit its strong character.
$9.99
9.24 €
#
Flûte traversière
#
Brandon Nelson
#
des études dans le vin
#
Brandon Nelson
#
SheetMusicPlus
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-36E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 3: Chanson, voici le jour from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 47, No. 6: Le doux Sommeil from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-39E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-39E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-39E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 47, No. 6: Le doux Sommeil from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 48, No. 9: Le Ruisseau from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-49E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-49E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-49E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 48, No. 9: Le Ruisseau from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 37, No. 6: Fais rafraîchir le vin from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-06E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-06E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 37, No. 6: Fais rafraîchir le vin from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 42, No. 4: Le Bouquet from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-19E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 42, No. 4: Le Bouquet from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 42, No. 2: Le Rossignol from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-17E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 8 pages. E. C. Schirmer Music Company - Digital #8491-17E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-17E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 42, No. 2: Le Rossignol from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 41, No. 4: Voici le bois from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-10E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 4: Voici le bois from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 44, No. 8: Le poète à son livre from Songs of Gouvy, V1 (Downloadable)
Piano, Voix
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 3 pages. E. C. Schirmer Music Company - Digital #8491-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-33E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 44, No. 8: Le poète à son livre from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Le petit cheval suite 5 pièces pour guitare
Guitare
Composed by Frédéric Gasse. Arranged by MCM Editions Musicales. Children…
(+)
Composed by Frédéric Gasse. Arranged by MCM Editions Musicales. Children, Contemporary, Standards, World. Individual part. 7 pages. MCM Editions Musicales France #5758735. Published by MCM Editions Musicales France
$9.00
8.32 €
#
Guitare
#
Frédéric Gasse
#
MCM Editions Musicales
#
Le petit cheval suite 5 pièces pour guitare
#
MCM Editions Musicales France
#
SheetMusicPlus
Jean-Grégoire Pénavaire: Dans le Vallon, Villanelle - Bb clarinet and piano
Clarinette
Clarinet,Piano - Level 3 - Digital Download SKU: A0.534441 Composed by Jean-Grég…
(+)
Clarinet,Piano - Level 3 - Digital Download SKU: A0.534441 Composed by Jean-Grégoire Pénavaire. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3493597. Published by Musik Fabrik Music Publishing (A0.534441). Jean-Grégoire Pénavaire (1840-1906) was born on September 15, 1840 in Lesparre, France and died in September of 1906. After studies with Sivori, Morel, Elwart, and Fetis, he was the conductor of the Théâtre Graslin de Nantes for most of his career. He wrote several operas including Chanson de mai and Ninette et Ninon (both Paris, 1873), Le Contrast (ib., 1889), and Monseigneur Scapin [Le Progrhs artistique] (Nantes, 1891) as well as the ballet La Folie espagnole (1874). He wrote several symphonic works, including the Overtures Torquato Tasso and Miguel Cervantes, a symphonic poem with chorus La Vision des croisies, works for chamber ensemble and for the piano.
$11.95
11.05 €
#
Clarinette
#
Jean-Grégoire Pénavaire
#
Paul Wehage
#
Jean-Grégoire Pénavaire: Dans le Vallon, Villanelle - Bb clarinet and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Viens par le pré
SATTBB chorus unaccompanied - Digital Download SKU: OX.9780193541733 Arranged by Bo…
(+)
SATTBB chorus unaccompanied - Digital Download SKU: OX.9780193541733 Arranged by Bob Chilcott. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193541733. Published by Oxford University Press Digital (OX.9780193541733). ISBN 9780193541733.For SATTBB unaccompanied. Chilcott's arrangement of 'Viens par le pré', a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love, is tender and expressive, with rich, warm harmonies. 'Viens par le pré' is featured on the Tenebrae CD Sun, Moon, Sea, and Stars (Signum, SIGCD903).
$3.25
3 €
#
Bob Chilcott
#
Viens par le pré
#
Oxford University Press Digital
#
SheetMusicPlus
Jean-Grégoire Pénavaire: Dans le Vallon, Villanelle - Bb soprano saxohone and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.534442 Composed by Jea…
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.534442 Composed by Jean-Grégoire Pénavaire. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3493605. Published by Musik Fabrik Music Publishing (A0.534442). Jean-Grégoire Pénavaire (1840-1906) was born on September 15, 1840 in Lesparre, France and died in September of 1906. After studies with Sivori, Morel, Elwart, and Fetis, he was the conductor of the Théâtre Graslin de Nantes for most of his career. He wrote several operas including Chanson de mai and Ninette et Ninon (both Paris, 1873), Le Contrast (ib., 1889), and Monseigneur Scapin [Le Progrhs artistique] (Nantes, 1891) as well as the ballet La Folie espagnole (1874). He wrote several symphonic works, including the Overtures Torquato Tasso and Miguel Cervantes, a symphonic poem with chorus La Vision des croisies, works for chamber ensemble and for the piano.
$11.95
11.05 €
#
Saxophone Soprano et Piano
#
Jean-Grégoire Pénavaire
#
Paul Wehage
#
Jean-Grégoire Pénavaire: Dans le Vallon, Villanelle - Bb soprano saxohone and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chaconne (chaconne de scaramouche) Le Bourgeois Gentilhomme
Brass Quintet Bass Trombone,Horn,Trumpet - Level 3 - Digital Download SKU: A0.1292501
(+)
Brass Quintet Bass Trombone,Horn,Trumpet - Level 3 - Digital Download SKU: A0.1292501 Composed by Jean-Baptiste Lully. Arranged by Noah Bromberg. Baroque,Chamber,Classical,Early Music,Medieval. 9 pages. Noah Bromberg #883053. Published by Noah Bromberg (A0.1292501). Le Bourgeois gentilhomme (French pronunciation: ​[lÉ™ buÊÊ’wa ʒɑ̃tijÉ”m], translated as The Bourgeois Gentleman, The Middle-Class Aristocrat, or The Would-Be Noble) is a five-act comédie-ballet – a play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. Subsequent public performances were given at the theatre of the Palais-Royal beginning on 23 November 1670.[1] The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani and the costumes were done by the chevalier d’Arvieux.Le Bourgeois gentilhomme satirizes attempts at social climbing and the bourgeois personality, poking fun both at the vulgar, pretentious middle-class and the vain, snobbish aristocracy. The title is meant as an oxymoron: in Molière's France, a gentleman was by definition nobly born, and thus there could be no such thing as a bourgeois gentleman.This orchestration for brass quintet has been adapted to accomodate modern instrumentation, while preserving the original intent of the composer. the piece has been transposed down a whole step from the original key, and slight modifications to the individual parts have been adjusted. No modifications to the voicings have been made to preserve the composers intent.
$20.00
18.49 €
#
Jean-Baptiste Lully
#
Noah Bromberg
#
Chaconne
#
Noah Bromberg
#
SheetMusicPlus
<
1
26
51
....
376
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
