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Claude Francois: Le mal aimé
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Claude Francois
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Le mal aimé
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Claude Francois: Le mal aimé
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Piano, Voix et Guitare
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Chanson Française
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Claude Francois
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Le mal aimé
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Quickpartitions
4.99€
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Transfigured Life - Still Life
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Violon et Piano
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AVANCÉ
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Publish...
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Violin and piano - Advanced - SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
STEP by STEP Book for Horns Level 1
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Alessandro Macrì
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Alessandro Macrì
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STEP by STEP Book for Horns Le
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 1 - SKU: A0.931230 Composed by Alessandro Macrì. Arranged by Alessandro Macrì. Baroque,Children,Christmas,Classical,In...
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Brass Ensemble Horn - Level 1 - SKU: A0.931230 Composed by Alessandro Macrì. Arranged by Alessandro Macrì. Baroque,Children,Christmas,Classical,Instructional. Score and parts. 90 pages. Music Macri Editions #5374285. Published by Music Macri Editions (A0.931230). Il Libro STEP by STEP Book for Horns - Level 1 , di Alessandro Macrì, segue un percorso basato sul concetto di fare musica d’insieme, cioè divertirsi a suonare con gli altri ed arricchirsi a vicenda, imparando a conoscere il proprio strumento e cominciando a relazionarsi ed “aver rispetto†di chi suona al proprio fianco. Il tutto al fine di impostare una mentalità di musicista, immergendo i ragazzi in una nuova esperienza, ovvero quella di far parte di un piccolo ensemble. Questo libro presenta una selezione di melodie didattiche, di tradizionali e di brani classici dei compositori più famosi del mondo: Händel, Mozart, Beethoven, Haydn, Brahms, Wagner, Weber, Tchaikovsky e Dvorak. The Book for Horns STEP by STEP - Level 1, written by Alessandro Macrì, is based on some of the principles that identify a musical ensemble: enjoying playing with other people, learning from them, becoming familiar with your instrument and having respect for those who play beside you. The ultimate aim is to cultivate the attitude of a musician by offering young people a new experience, that is to say being part of a small ensemble. This book presents a selection of didactic melodies, traditional and classical pieces by the most famous composers in the world: Händel, Mozart, Beethoven, Haydn, Brahms, Wagner, Weber, Tchaikovsky and Dvorak. Includes: - Le prime tre note della scala The first three notes of the scale - Le nuove note New notes - Alla fine della scala To the end of the scale - Un Due Tre One Two Three - Leghiamo le note The Slur - Le note puntate The dotted notes - Easy Christmas Songs Collection Level 1.
$10.00
Ta Maman for alto, cello and guitar
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Contemporain
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. Dav...
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Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
Ange Flégier: Apaisement for medium voice and piano
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Ange Flégier
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Ange Flégier: Apaisemen
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble High Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.533404 Composed by Ange Flégier. Concert,Holiday,Love,Romantic Period,...
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Small Ensemble High Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.533404 Composed by Ange Flégier. Concert,Holiday,Love,Romantic Period,Standards. Score and parts. 6 pages. Musik Fabrik Music Publishing #2913033. Published by Musik Fabrik Music Publishing (A0.533404). A setting of the poem by Paul Verlaine. Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.La lune blancheLuit dans les bois ;De chaque branchePart une voixSous la ramée ...Ô bien-aimée.L'étang reflète,Profond miroir,La silhouetteDu saule noirOù le vent pleure ...Rêvons, c'est l'heure.Un vaste et tendreApaisementSemble descendreDu firmamentQue l'astre irise ...C'est l'heure exquise.
$9.10
Ange Flégier: Apaisement for low voice, viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Ange Flégier: Apaisemen
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Low Voice,Piano Accompaniment,Viola - Level 3 - SKU: A0.533407 Composed by Ange Flégier. Concert,Holiday,Love,Romantic Period,Standard...
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Small Ensemble Low Voice,Piano Accompaniment,Viola - Level 3 - SKU: A0.533407 Composed by Ange Flégier. Concert,Holiday,Love,Romantic Period,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #2913039. Published by Musik Fabrik Music Publishing (A0.533407). A setting of the poem by Paul Verlaine.Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.La lune blancheLuit dans les bois ;De chaque branchePart une voixSous la ramée ...Ô bien-aimée.L'étang reflète,Profond miroir,La silhouetteDu saule noirOù le vent pleure ...Rêvons, c'est l'heure.Un vaste et tendreApaisementSemble descendreDu firmamentQue l'astre irise ...C'est l'heure exquise.
$12.95
Ange Flégier: Apaisement for medium voice, violin and piano
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Ange Flégier
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Ange Flégier: Apaisemen
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Low Voice,Medium Voice,Piano Accompaniment,Violin - Level 3 - SKU: A0.533406 Composed by Ange Flégier. Concert,Holiday,Love,Romantic P...
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Small Ensemble Low Voice,Medium Voice,Piano Accompaniment,Violin - Level 3 - SKU: A0.533406 Composed by Ange Flégier. Concert,Holiday,Love,Romantic Period,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #2913037. Published by Musik Fabrik Music Publishing (A0.533406). A setting of the poem by Paul Verlaine.Ange Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.La lune blancheLuit dans les bois ;De chaque branchePart une voixSous la ramée ...Ô bien-aimée.L'étang reflète,Profond miroir,La silhouetteDu saule noirOù le vent pleure ...Rêvons, c'est l'heure.Un vaste et tendreApaisementSemble descendreDu firmamentQue l'astre irise ...C'est l'heure exquise.
$12.95
STEP by STEP Book for Horns Level 2
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Alessandro Macrì
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Alessandro Macrì
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STEP by STEP Book for Horns Le
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 2 - SKU: A0.1045347 Composed by Alessandro Macrì. Arranged by Alessandro Macrì. Baroque,Christmas,Classical,Renaissanc...
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Brass Ensemble Horn - Level 2 - SKU: A0.1045347 Composed by Alessandro Macrì. Arranged by Alessandro Macrì. Baroque,Christmas,Classical,Renaissance,Traditional. Score and parts. 144 pages. Music Macri Editions #649924. Published by Music Macri Editions (A0.1045347). Il Libro STEP by STEP Book for Horns - Level 2, di Alessandro Macrì, segue un percorso basato sul concetto di fare musica d’insieme, cioè divertirsi a suonare con gli altri ed arricchirsi a vicenda, imparando a conoscere il proprio strumento e cominciando a relazionarsi ed “aver rispetto†di chi suona al proprio fianco. Il tutto al fine di impostare una mentalità di musicista, immergendo i ragazzi in una nuova esperienza, ovvero quella di far parte di un piccolo ensemble. Questo libro presenta una selezione di melodie didattiche, di tradizionali e di brani classici dei compositori più famosi del mondo: Händel, Mozart, Beethoven, Haydn, Brahms, Tchaikovsky, Vivaldi, Telemann, Purcell, Schubert, Praetorius, Offenbach, Corrette, Mouret, Grieg, Arban, Schumann e Rimskij-Korsakov. The Book for Horns STEP by STEP - Level 2, written by Alessandro Macrì, is based on some of the principles that identify a musical ensemble: enjoying playing with other people, learning from them, becoming familiar with your instrument and having respect for those who play beside you. The ultimate aim is to cultivate the attitude of a musician by offering young people a new experience, that is to say being part of a small ensemble. This book presents a selection of didactic melodies, traditional and classical pieces by the most famous composers in the world: Händel, Mozart, Beethoven, Haydn, Brahms, Tchaikovsky, Vivaldi, Telemann, Purcell, Schubert, Praetorius, Offenbach, Corrette, Mouret, Grieg, Arban, Schumann and Rimskij-Korsakov. Includes: - Le crome The eights notes - I sedicesimi The sixteenth notes - Il ritmo di caccia The rhythm of hunting - Easy Christmas Songs Collection Level 2.
$10.00
Preludio e Fantasia in LA [Italian]
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Guido Umberto Sacco
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Guido Umberto Sacco
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Preludio e Fantasia in LA [Ita
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Stefano Barzan
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1512571 By Guido Umberto Sacco. By William Byrd. Arranged by Guido Umberto Sacco. Renaissance. Score. 35 pages. Stefano B...
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Piano Solo - Level 4 - SKU: A0.1512571 By Guido Umberto Sacco. By William Byrd. Arranged by Guido Umberto Sacco. Renaissance. Score. 35 pages. Stefano Barzan #1065113. Published by Stefano Barzan (A0.1512571). L'edizione critica del Preludio e Fantasia di William Byrd, curata da Guido Umberto Sacco, si propone di rendere accessibile la musica del compositore inglese nel contesto del pianoforte moderno, adattandola dagli antichi strumenti a tastiera al pianoforte. Rivolta agli studenti di scuole di musica e conservatori, quest'opera si basa su uno studio approfondito delle fonti storiche e musicali per offrire soluzioni interpretative autentiche.Non è necessario conoscere le informazioni riguardanti la genesi delle opere di Byrd per poterne godere, né tantomeno appartenere alla Chiesa Cattolica o essere cristiani o, più in generale, credenti.Qualcosa di universale emerge da questa vicenda particolare, così come da altre analoghe: la forza espressiva del canto dei deboli e degli oppressi.Questa edizione cerca di celebrare la profondità emotiva e la complessità formale della musica di Byrd, rendendola accessibile e significativa per un pubblico più ampio.The critical edition of William Byrd's Prelude and Fantasia, edited by Guido Umberto Sacco, aims to make the English composer's music accessible in the modern piano context, transforming it from ancient keyboards to the piano. Targeted at students of music schools and conservatories, this work is based on an in-depth study of historical and musical sources to offer authentic interpretative solutions.One does not need to know any background information regarding the genesis of Byrd’s works to enjoy them, nor is it necessary to belong to the Catholic Church, to be Christian, or, more generally, to be a believer. Something universal emerges from this particular story, as from others like it: the expressive power of the song of the weak and the oppressed.This edition seeks to celebrate the emotional depth and formal complexity of Byrd's music, making it accessible and meaningful to a broader audience.English Editon available on Sheet Music Plus and Sheet Music Direct
$19.99
Cradle Song
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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happy, silent, moony beams! Sw
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Philip Le Bas
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Cradle Song
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Philip Le Bas
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1126313 Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip L...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1126313 Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip Le Bas #727017. Published by Philip Le Bas (A0.1126313). A new Christmas carol by Philip Le Bas for unison voices (with occasional divisi) and piano, setting the words of William Blake's poem A Cradle Song from his collection entitled Songs of Innocence. The very title of Blake's poem calls out for it to be set to music. Indeed the poem is a straightforward lullaby for the first few stanzas, sung softly by a mother over her sleeping baby, as she marvels at the wonder of this beautiful infant and expresses her love for the child. Her own anxieties and weeping for the child remind her of the Christ-child who also wept as a vulnerable baby. But as God incarnate he wept for me, for thee, for all, and brought peace to heaven and earth. (Blake uses the word beguile perhaps to indicate the paradoxical nature of a weeping God bringing redemption to a suffering world by becoming a vulnerable human baby himself.) The composition aims to avoid unnecessary complexity in the vocal parts, so that it can be sung easily particularly by a parish choir. However, it also attempts to capture some of the beauty, drama and mystery of the scene expressed by Blake. The piece begins and ends in stillness, and there are gentle climaxes here and there, reflecting some of the rise and fall of the poem's lyrics. It could be sung by a mixed or single-voice choir, but note should always be taken of the predominantly quiet dynamics of the piece, especially in the first half. https://www.sheetmusicdirect.com/en-US/se/ID_No/1216185/Product.aspx https://plbmusic.blogspot.com A Cradle Song from Songs of Innocence by William Blake (1757-1827) Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles. Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee thy mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are His own smiles; Heaven and earth to peace beguiles.
$1.99
Toccata et fugue en ré mineur (BWV 565)
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Classique
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Johann Sebastian Bach
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Sam Bateman
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Toccata et fugue en ré
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Sam Bateman
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts....
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.948105 Composed by Johann Sebastian Bach. Arranged by Sam Bateman. Baroque,World. Score and parts. 33 pages. Sam Bateman #3075312. Published by Sam Bateman (A0.948105). Sam Bateman a fait cet arrangement en 2012, quand il était toujours à l'école secondaire. (La terminale, pour être plus précis.) C'est un arrangement de l'un des œuvres les plus fameuses de Bach, pour un ensemble qui se compose d'un violon, une guitare et une guitare basse avec 5 cordes. (Si vous possédez pourtant la basse la plus commune avec 4 cordes, vous pouvez jouer quelconques notes qui sont écrites sous la corde mi, une octave plus hautes.)C'est en fait une actualisation - l'arrangement original ne contient pas nuances, puisque Sam voulait rester fidèle à l'œuvre originale pour orgue. L'idée était pour que les musiciens eux-mêmes pourraient décider à quel fortement qu'ils joueraient. Il y n'avait pas legato dans l'arrangement original non plus, puisque, tandis que Sam savait por quoi legato est (pour couler les notes), il les savait surtout du piano - et parce que le piano est un instrument de clavier (et il manque une roue de tangage, contrairement au synthétiseur), un legato vrai est impossible, et c'est simplement émulé en jouant d'un tenuto sur plusieurs notes, alors Sam présumait à tort que le legato ne sois si important. Bien que Sam jouait le violon quand il était un enfant, il ne se souvient pas d'apprendre legato, et c'est seulement quand il a commencé à prendre des leçons de saxophone qu'il comprenait ce que legato signifie vraiment. En plus, le premier arrangement avait trop contre-mélodies dans les parties de la guitare et le violon, qui, dans cette version, sont soit enlevées, soit transférées à la partie de la basse, pour jouer plus facilement.En tout cas, quand Sam a téléversé l'arrangement à YouTube, il a reçu beaucoup critique - et il a reçu conseil de plus de sa professeure d'arrangement - ainsi, il a pris les critiques et amélioré l'arrangement comme requis. Ainsi, voici la version nouvelle et améliorée de 2017. Profitez-en!Aussi, je voudrais pointer que beaucoup des nuances pour cet arrangement sont directement prises de l'arrangement pour orchestre à cordes par Jakub Kowalewski, que vous pouvez trouver à la Librairie Musicale Petrucci, à cette adresse web: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_(Bach,_Johann_Sebastian)Notez s'il vous plaît que le français n'est pas ma première langue, ainsi, si vous remarquez erreurs grammaticales, faites le moi savoir s'il vous plaît, et je les corrigerai dès que possible.Click here for the English version: http://www.sheetmusicplus.com/title/toccata-and-fugue-in-d-minor-bwv-565-digital-sheet-music/2041036
$7.99
Polish Christmas Carols Collection - 28 Songs [MEDIUM]
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Piano seul
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INTERMÉDIAIRE
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Noël
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Polish Christmas Carol and Pol
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Darek
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Polish Christmas Carols Collec
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Darek
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1360589 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christmas Songs. Arran...
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Piano Solo - Level 3 - SKU: A0.1360589 By Polish Christmas Carol and Polish Christmas Songs. By Polish Christmas Carol and Polish Christmas Songs. Arranged by Darek. Christian,Christmas,Multicultural,Religious,Traditional,World. Score. 51 pages. Darek #945093. Published by Darek (A0.1360589). Polish Christmas Carols Sheet Music Collection - 28 Songs [MEDIUM]A Collection of 28 Sheet Music for Polish Christmas Carols for Piano and Keyboard in Medium Arrangement for Intermediate Pianists. Each note has its own video tutorial on the Music Lessons by Darek YouTube channel (Click to open the YouTube channel). This Collection of Sheet Music is Intermediate Arrangements for instruments such as piano, grand piano, keyboard or even accordion or bells! Medium Sheet Polish Christmas Carols and Christmas Songs Music Songs are aimed at those who can already play at a basic level.A Collection of 28 Polish Christmas Carols Sheet Music contains the most important and most popular Polish Carols and Polish Christmas Songs. Do you want to better feel the atmosphere of the upcoming holidays? Nothing is better for this than singing Christmas carols together at the piano. Enchant your family and friends by accompanying them in singing the most popular Christmas carols and songs. The songs in the collection have been collected in such a way as to collect in one product the melodies closest to your hearts.Each piece has fingering, i.e. information written next to the notes on which fingers to play given sounds. The songs have signed lyrics under the notes, making it easier to accompany them on the piano while singing.This Collection of Sheet Music also includes some tips on, among others: rhythmic values and rests, rules for numbering fingers for playing, divisions of rhythmic values, names of sounds on the piano/keyboard, ways to remember the names of sounds, and types of chords that will make it easier for beginners to learn how to play the piano and keyboard.Included: Lyrics, Fingering and simple YouTube video tutorial (Click to open the Playlist).Song list:1.    Ach, ubogi w żłobie2.    Anioł Pasterzom mówił3.    Bóg się rodzi (eng. The God is Born)4.    Bracia, patrzcie jeno5.    Cicha noc (eng. Silent Night)6.    Do szopy hej pasterze7.    Dzisiaj w Betlejem8.    Gdy się Chrystus rodzi9.    Gdy śliczna Panna10.  Gore gwiazda Jezusowi11.  Hej, w dzień narodzenia12.  Jam jest dudka13.  Jezus malusieńki14.  Jingle bells15.  Lulajże Jezuniu16.  Mędrcy świata17.  Mizerna Cicha18.  Oj Maluśki, Maluśki19.  Pójdźmy wszyscy do stajenki20.  Przybieżeli do Betlejem21.  Skrzypi wóz22.  Triumfy Króla Niebieskiego23.  W dzień Bożego Narodzenia24.  W żłobie leży (eng. Infant holy, Infant lowly)25.  We wish you a merry Christmas26.  Wesołą nowinę27.  Wśród nocnej ciszy28.  Z narodzenia PanaPiano | Keyboard | Polish Christmas Song | Polish Carols | Religious Songs | Polish Church Music | Polish Pastorals Songs | Digital Sheet Music | Medium Arrangement | Intermediate Arrangement | Medium Version for Pianists | Intermediate Version | Medium Piano Sheet Music | Arrangement for Intermediates | Grand Piano | Medium Piano Arrangement | Medium Arrangement For Intermediates | Sheet Music Christmas Collection | Sheet Music Carols Collection | Various Church Polish Songs| Various Christmas Polish Songs | Medium Sheet Music Collection | Polskie Piosenki Świąteczne | Polskie Kolędy | Polskie pastorałki | Zbiór Nut Kolędy.
$10.00
AMITIE
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Chorale SSAA
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Contemporain
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Olivier Costa
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AMITIE
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OLIVIER COSTA
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SheetMusicPlus
Choral Choir (SSAA) - SKU: A0.993444 Composed by Olivier Costa. Contemporary. Octavo. 18 pages. OLIVIER COSTA #6671651. Published by OLIVIER COSTA (A0.9...
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Choral Choir (SSAA) - SKU: A0.993444 Composed by Olivier Costa. Contemporary. Octavo. 18 pages. OLIVIER COSTA #6671651. Published by OLIVIER COSTA (A0.993444). « AMITIÉ » is a composition of about six minutes long for a women's choir (SSAA). It can also be performed by a male choir (TTBB), in this case the singers must read in octabassa treble clef. This piece sets to music a selection of poems based on friendship, taken from the collection Le Bestiaire ou Cortège d´Orphée by Guillaume Apollinaire. We will hear The cat, The peacock, The owl and The ox. The bond of friendship is symbolized here by an element of percussion: the friction of a metal chain, played by the members of the choir from the beginning to the end of the piece. This implies that the choir must use a stand or sing in pairs, one holding the sheet music and the other playing the string. This work explores different vocal techniques: singing, sliding, timbre play, murmuring, rhythmic speaking, declaiming and shouting. These different modes of vocal play are combined with different compositional techniques such as polyrhythm, homorhythmia, rhythmic irregularity, counterpoint, opposition and layering of sound planes. FRIENDSHIP is the second part of a cycle devoted to the work of Apollinaire.
$5.00
Beethoven, Ludwig Van : Sonate n°20 Opus 49 n°2 (Collection Anacrouse)
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Piano seul
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Chanson Française
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Beethoven, Ludwig Van
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Sonate n°20 Opus 49 n°2
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Note4Piano
La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<...
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La collection ANACROUSE offre aux pianistes novices et confirmes un large choix d’œuvres classiques, allant de la Renaissance à l’epoque moderne.<br><br>Proposer tout à la fois des « incontournables » du repertoire classique et des pièces de compositeurs parfois oublies, toutes d’une valeur pedagogique indeniable, tels sont les objectifs que nous nous sommes fixes. Chaque pièce, vendue à l’unite, a fait l’objet d’un travail editorial attentif, tant sur le plan de l’etablissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tires du commerce frequent de ces œuvres.<br><br>Les partitions sont proposees sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles egalement par telechargement.<br><br><br><br>Composee en 1796, cette sonate n°20 est dite egalement sonate facile comme la sonate n°19 en sol mineur opus 49 n°1.<br>Son ecriture precède la première sonate de cet opus 49. Malgre la difficulte d'editer sa partition chez des editeurs allemand, la sonate n°20 parut finalement à Vienne en 1805 au Bureau de l'art et de l'industrie.<br> Cette sonate se caracterise par une grande simplicite dans l'ecriture, mais montre plus d'originalite dans le traitement compositionnel que la première sonate de l'opus 49. Luminosite, profonde grâce et richesse dans le developpement du thème sont representes dans cette deuxième sonate. Elle se compose de deux mouvements comme dans la première : un Allegro ma non troppo et un Tempo di Menuetto.<br> Le deuxième mouvement est un menuet d'une grande originalite. Il utilise un thème d'une chanson populaire des pays rhenans sur un ton accueillant d'une grande gaiete. Il faut noter que Beethoven aime particulièrement ce thème car il l'a employe dans d'autres oeuvres comme dans son septuor opus 20 et l'Adagio de son Trio opus 11.<br> Dans la sonate n°20 figurent les premices des grandes difficultes des 32 sonates que propose Beethoven. Facile et interessante au niveau de l'ecriture, cette pièce amènera le pianiste à entrer dans les meandres profonds de l'esprit du compositeur. Partition + Biographie + Notes sur l'oeuvre
3.30€
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