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Le refrain
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TRI ET FILTRES
TRI ET FILTRES
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Vous avez sélectionné:
Le refrain
Partitions à imprimer
28 partitions trouvées
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Burgmuller : 18 Études, Opus 109 - N° 14 Le refrain du gondolier
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Burgmuller
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18 Études, Opus 109
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Tomplay
Telechargez la partition Piano 18 Études, Opus 109 - N° 14 Le refrain du gondolier de Burgmüller. Partition pour Piano seul -- Exercices (amelio...
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Telechargez la partition Piano 18 Études, Opus 109 - N° 14 Le refrain du gondolier de Burgmüller. Partition pour Piano seul -- Exercices (ameliorez votre techniqu
3.99€
Ange Flégier: Le Manoir for baritone voice and piano
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Ange Flégier: Le Manoir
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.533424 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik F...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.533424 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913661. Published by Musik Fabrik Music Publishing (A0.533424). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In d minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!
$11.95
Ange Flégier: Le Manoir for bass voice and piano
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Voix basse, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Ange Flégier: Le Manoir
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bass Voice,Vocal Solo - Level 3 - SKU: A0.533425 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music ...
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Bass Voice,Vocal Solo - Level 3 - SKU: A0.533425 Composed by Ange Flégier. Concert,Halloween,Romantic Period,Standards. 15 pages. Musik Fabrik Music Publishing #2913665. Published by Musik Fabrik Music Publishing (A0.533425). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In b minor Duration: aprox. 5 minutes 00 secondsIl est un vieux manoir à la muraille altière,Là règne un grand seigneur à l’âme impie et fière,Que l’on redoute aux environs,Le plus cruel des hauts barons!Lorsque tombe la nuit, il quitte la tourelleEn s’écriant: amis, courons!Puis l’arme au poing, le coeur gonflé de rage,Ils s’en vont répandant l’effroi sur leur passage!Refrain:Et Satan, l’oeil en feu, palpitant de bonheur,Enfin sûr de sa proie est près du vieux seigneur!Un soir qu’il chevauchait dans la forêt prochaine,Le diable, le suivant, l’entraîna dans la plaine,Et s’élança sur lui soudainEn blasphémant saisit sa mainEt demi-mort d’effroi, tout pâle et sans défense,Le renversa sur le chemin;Puis l’entrainant, malgré sa résistance,L’emporta d’un seul bond, dans sa fournaise immense!On dit que tous les soirs, près de la tour tremblante,On entend retentir une voix languissante,Qui remplit l’air de cris affreux;Puis on croit voir briller des feux.C’est l’âme du baron qu’avec lui, sur la terre,La nuit, Satan traîne en tous lieux;Et du château les noirs oiseaux de proie,Seuls seigneurs désormais, poussent des cris de joie!
$11.95
Il Est Né, Le Divin Enfant
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Chorale SATB
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FACILE
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French carol
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Mark James Meier (ASCAP)
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Il Est Né, Le Divin Enf
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Mark James Meier
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.981155 Composed by French carol. Arranged by Mark James Meier (ASCAP). A Cappella,Christmas,Sacred. Octavo. 3 pa...
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Choral Choir (SATB) - Level 2 - SKU: A0.981155 Composed by French carol. Arranged by Mark James Meier (ASCAP). A Cappella,Christmas,Sacred. Octavo. 3 pages. Mark James Meier #4883381. Published by Mark James Meier (A0.981155). This classic French Carol is given a straightforward arrangement perfect for your acapella groups. The refrain has the french text while the verse are sung in English. Sure to be enjoyed during the Holiday Season! .
$1.99
Il est né le divin enfant
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Chorale SATB
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Traditional French
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Ben Parry
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Il est né le divin enfa
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193569881 Composed by Traditional French. Arranged by Ben Parry. Score. 6 pages. Oxford University Press Digital #9780193569881. Published b...
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SKU: OX.9780193569881 Composed by Traditional French. Arranged by Ben Parry. Score. 6 pages. Oxford University Press Digital #9780193569881. Published by Oxford University Press Digital (OX.9780193569881). ISBN 9780193569881.For SATB (with divisions) unaccompanied. Parry brings a fresh take to the traditional French carol in an upbeat arrangement that has a memorable refrain and driving rhythms, balanced with polyphonic, graceful verses. Offprinted from from Carols for Choirs 6.
$3.25
Entre le Boeuf et l'Ane Gris
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Chorale 3 parties
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FACILE
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Sylvia Miles
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Sylvia Miles
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it has been dated to the C13
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Entre le Boeuf et l'Ane Gris
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Sylvia Miles
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1295545 By Sylvia Miles. By Sylvia Miles. Arranged by Sylvia Miles. Christmas,Medieval,Multicultural,World...
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Choral Choir,Choral (SSA) - Level 2 - SKU: A0.1295545 By Sylvia Miles. By Sylvia Miles. Arranged by Sylvia Miles. Christmas,Medieval,Multicultural,World. 8 pages. Sylvia Miles #885841. Published by Sylvia Miles (A0.1295545). This is one of the oldest extant carols; it has been dated to the C13. There's nothing ancient about its style though, it's full of life, and positively skips along.It may have its origins in the book of Isaiah ch 1 v 3: the ox knoweth his owner, and the ass his master's crib.This arrangement is for SSA choir with piano accompaniment and optional violin. If you have a friendly violinist, the violin line adds a real sparkle!People who aren't used to singing in French won't find it too taxing (I hope!) as there's lots of repetition in the verses, and the refrain stays the same.Translation: v1.Between the ox and the grey donkey the little boy sleeps. Ref: A thousand heavenly angels, a thousand seraphim, fly around this great God of love.v2: In Mary's arms sleeps the fruit of life.v3: Between roses and lilies sleeps the divine child.v4: Surrounded by the cheerful shepherds the little boy sleeps.
$1.99
Francis Lemarque: Le refrain
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Piano, Voix et Guitare
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Chanson Française
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Francis Lemarque
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Le refrain
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Quickpartitions
4.99€
Le refrain des poilus - Piano & Voix - BILLAUT L.
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Piano, Voix
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Chanson Française
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Profs-edition
4.99€
A Coronation Psalm
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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A Coronation Psalm
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1203480 By Philip Le Bas. By Philip Le Bas. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Philip Le Bas #80...
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Choral Choir (SAB) - Level 3 - SKU: A0.1203480 By Philip Le Bas. By Philip Le Bas. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Philip Le Bas #802114. Published by Philip Le Bas (A0.1203480). A joyful, upbeat setting of Psalm 148 for 3-part choir (SAB) by Philip Le Bas to celebrate the coronation of King Charles III, 6th May 2023. Although the time signatures may at first seem daunting, this is very simple to perform and the piano part is deliberately supportive. The composer hopes singers will find it fun to sing, and perhaps a church congregation might be encouraged to join in with the refrains. Words: (Refrain:) Praise the Lord from the heavens; Praise the Lord from the heights! Praise him all his angels; Praise him all his host! (Verses:) Praise him, praise him, sun and moon, praise him all you shining stars, praise him highest heavens, praise the name of the Lord. Great sea monsters, ocean deeps, fire and hail at his command, snow and frost and stormy wind, praise the name of the Lord. Praise him, hills and mountains, cattle and wild animals, creeping things and flying birds, praise the name of the Lord. He commanded, they were made, fixed their bounds as he decreed, founded them for ever. Praise the name of the Lord. Kings of the earth and princes, rulers of every nation, women and men together praise the name of the Lord.
$1.99
Limes (CM 2017) Parte terza: il sogno come evasione dalla precarietà della vita
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Carmelo Mantione
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Limes
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Carmelo Mantione
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SheetMusicPlus
Bass Clarinet,Cello,Guitar,Oboe,Percussion,Piano,Violin - SKU: A0.1070871 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards. Full Perfor...
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Bass Clarinet,Cello,Guitar,Oboe,Percussion,Piano,Violin - SKU: A0.1070871 Composed by Carmelo Mantione. 20th Century,Contemporary,Standards. Full Performance. Duration 619. Carmelo Mantione #5889423. Published by Carmelo Mantione (A0.1070871). Live recording: Daniela Carlino -Syrah ensemble, Palermo 2017Parte Terza: il sogno come evasione dalla precarietà della vita L'ultima parte è la più complessa della composizione ed è basata su un testo di Guido Gozzano: La via del rifugio . Si tratta di una poesia molto articolata che offre parecchi spunti quasi teatrali: il poeta si trova disteso a terra, nella campagna piemontese, mentre due bambine, nipoti, figlie della sorella, giocano cantando un'antica filastrocca. Il poeta alterna le sue riflessioni sulla vita e sulle grandi domande dell'esistenza ai versi di questa filastrocca e alla descrizione dei giochi delle bambine, i girotondi e la cattura di una farfalla, che tanto coinvolge le piccole. Al fine di rendere meglio la teatralità del brano l'autore ha affidato il testo della filastrocca a due voci infantili e le riflessioni del poeta alla voce di soprano (con l'eccezione di qualche frammento di quest'ultimo tipo recitato dalle bambine stesse). La struttura del testo, con ritorni frequenti di alcune brevi strofe, ha suggerito una forma musicale che si avvicina al tradizionale rondò, in cui in particolare un refrain ritorna in maniera sempre nuova alternandosi a vari episodi. La melodia della filastrocca, elaborazione di una tipica melodia tradizionale è il refrain principale e viene sempre variato nella combinazione delle due voci e degli strumenti, e nell'armonizzazione. Un altro episodio frequente, anch'esso rivisitato nei vari ritorni, è quello del primo intervento dell'autore: socchiusi gli occhi sto seduto sul trifoglio, e vedo un quatrifoglio che non raccoglierò, nelle sue varianti testuali. Il brano vuole anche essere anche una sintesi dei precedenti (Parte Prima e Seconda), riproponendo riferimenti importanti ai temi principali uditi, ma anche a frammenti secondari, che compaiono all'interno del tessuto musicale per suggerire stati d'animo o immagini simili a quelle originarie del brano da cui sono state estrapolate o comunque servono a mettere i brani a confronto e creare delle correlazioni musicali e concettuali.
$1.99
Rorate Coeli
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional plainchant
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Philip Le Bas
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Rorate Coeli
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.818159 Composed by Traditional plainchant. Arranged by Philip Le Bas. Christian,Sacred. Octavo. 3 pages. Philip ...
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Choral Choir (SATB) - Level 3 - SKU: A0.818159 Composed by Traditional plainchant. Arranged by Philip Le Bas. Christian,Sacred. Octavo. 3 pages. Philip Le Bas #3491311. Published by Philip Le Bas (A0.818159). This setting of the traditional Advent plainchant is based around a harmonized refrain using the original Latin words: Rorate coeli de super et nubes pluant justum (Drop down, O heavens, from above and let the skies pour down *justice.) The music and the words express the Advent theme of a cry for justice and salvation in the midst of despair. The traditional verses making up the Advent Prose, based on various parts of scripture, are sung in English unison plainchant, and they express the feelings of one living through a disaster (specifically the fall of Jerusalem in the sixth century BC.) The third and fourth stanzas become more hopeful in their words, especially the famous words (from Isaiah 40) Comfort, O comfort my people, Here the setting introduces some gentle harmonization, leading to a final return of the Rorate chorus in unison and a harmonized hope-filled coda.
$1.99
Inno di Garibaldi
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Orchestre d'harmonie
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FACILE
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Classique
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Alessio Olivieri, Luigi Mercan
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Lorenzo Bocci
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Inno di Garibaldi
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1396310 Composed by Alessio Olivieri, Luigi Mercantini. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 37 page...
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Concert Band - Level 2 - SKU: A0.1396310 Composed by Alessio Olivieri, Luigi Mercantini. Arranged by Lorenzo Bocci. March,Patriotic,Traditional. 37 pages. Lorenzo Bocci #979683. Published by Lorenzo Bocci (A0.1396310). INNO DI GARIBALDI (1858) (Versione Integrale)for Concert Band and Choir - Grade 2,5 -  Composed by Alessio Olivieri, Luigi Mercantini. Arranged by Lorenzo Bocci. March/Patriotic/Traditional/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 3'50''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute (Piccolo), Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The Garibaldi Hymn is a famous patriotic anthem of the Italian Risorgimento. The author of the text was, at the request of the hero of the two worlds himself, the poet Luigi Mercantini (1821-72), also known for The Gleaner of Sapri, a poignant romantic re-enactment of Carlo Pisacane's Republican and Mazzinian expedition; particularly known - and quoted - is the refrain « Eran trecento, eran giovani e forti, e sono morti. »Garibaldi's Hymn was set to music by Alessio Olivieri and was performed for the first time on 31 December 1858, and therefore dates back to the decisive years of the process that led to the unification of Italy, in the presence of Garibaldi and Nino Bixio.Especially known, and still quoted, are the opening lines:« Si scopron le tombe, si levano i morti,I martiri nostri son tutti risorti »and the refrain:« Va' fuori d'Italia! va' fuori ch'è l'ora!Va' fuori d'Italia! va' fuori, stranier! »Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
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Chorale SATB
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FACILE
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Giorgia Todrani, Maurizio Fabr
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Marco Borsoi
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studio 95/96)
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Strano il mio Destino for SATB
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 page...
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Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.
$9.99
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. R...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95
Piano Trio in E flat major, Op. 2
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Classique
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Ferdinand Ries
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Dianne James
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Piano Trio in E flat major, Op
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Artaria Editions
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1...
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Piano Trio Cello,Piano,Violin - Level 3 - SKU: A0.1488222 Composed by Ferdinand Ries. Arranged by Dianne James. Classical. 77 pages. Artaria Editions #1065108. Published by Artaria Editions (A0.1488222). The Piano Trio in E flat, Op.2 was published by Simrock in 1807 with a dedication to Monsieur le Comte de Browne, Brigadeur au Service de S.M.J. de toutes les Russies. It is a generously proportioned work in the usual three movements. The lengthy sonata-from first movement is prefaced by a slow introduction which begins on dominant seventh harmony (a nod perhaps to Beethoven's first symphony), slowly finding its way to the tonic by the start of the Allegro section. The brief development section modulates widely, including references to keys as distant as E minor and C major, while the substantially rewritten and varied recapitulation touches on both B and G majors. The slow movement, Andante un poco Allegretto , is cast in the key of C minor and features many solos and duets for the string instruments as well as further harmonic interest, especially in the central modulating episode from bar 46. The finale is a sonata-rondo design complete with all the usual tricks, including even a remote transposition of the refrain late in the movement to B major, a technique surely learned from Beethoven. The present edition reproduces as faithfully as possible the text of the trio as transmitted in Simrock's edition of the work, a copy of which is preserved in the Staatsbibliothek in Berlin. The piano part is most successfully realised on an instrument extending as far as c4, although since such instruments were by no means standard in the first decade of the 19th century, Ries has notated the part carefully to cater for instruments without an extended treble compass. Any alternative readings have been incorporated into the current edition exactly as they appear in the Simrock print. In an instance such as bars 298-309 of the finale for example, instruments with the extended compass should follow the small print in bars 298 and 309, and in between read the notes an octave higher according to the composer's 8ve marking. Instruments with a limited compass should play the notes as written, without the octave transposition of bars 299-309. The cello part contains several passages written in the treble clef. Evidence that these should sound an octave lower than written is provided by bars 74-80 of the first movement and 85-89 of the finale. In the first instance, awkward octave displacements would result if this passage were played literally; in the second instance, some unacceptable part crossing between violin and cello would result from a literal rendition of these two bars. Accordingly then, all passages written in the treble clef should be transposed down an octave. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the print, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Obvious wrong notes have been corrected without comment, and editorial emendations with no authority from the print are placed within brackets. Dianne James.
$37.00
O' sole mio
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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music: Eduardo di Capua, lyric
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Bacco Baccanels
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O' sole mio
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Bacc...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1410812 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Classical,Opera,Traditional. 9 pages. Bacco Baccanels #993210. Published by Bacco Baccanels (A0.1410812). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
O' sole mio
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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music: Eduardo di Capua, lyric
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Bacco Baccanels
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O' sole mio
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Bacco Baccanels
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. ...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1410810 Composed by music: Eduardo di Capua, lyrics: Giovanni Capurro. Arranged by Bacco Baccanels. 19th Century,A Cappella,Opera,Traditional. 9 pages. Bacco Baccanels #993208. Published by Bacco Baccanels (A0.1410810). English (for Italian see below)--------This vocal arrangement is quite similar to the original song, rather than a choral arrangement you'll find a rhythmic approach.I only used two phrases of the original three ones, with the beautiful refrain with an harmonic movement at bars 38 and 39.In the ending I took some liberties, there isn't the powerful à la Caruso ending. Instead, after the closing there is a little more complex and dramatic harmonic part.Your attention please: I wrote two arrangements: a richer SATTBB and a simpler SATB; soprano and contralto between the two are different, it is not enough to remove the second tenor and the baritone from SATTBB to obtain SATB.Italiano--------L'arrangiamento vocale è abbastanza simile all'originale per cui piuttosto che un arrangiamento corale ho preferito un approccio ritmico.Ho usato solo due frasi delle tre originali con il bellissimo ritornello che si movimenta armonicamente alle battute 38 e 39.Nel finale mi son lasciato andare, non c'è il finale potente alla Caruso ma dopo la chiusura c'è una parte armonica un po' più complessa e drammatica ma che termina in modo scherzoso.Attenzione: ho scritto due arrangiamenti: SATTBB più ricco e SATB più semplice; le parti di soprano e contralto tra i due sono diverse, non basta levare il secondo tenore e il baritono da SATTBB per ottenere SATB se no non suona bene.
$1.99
Les Aeronautes, Barcarolle aerinne. Les Pecheurs des Lagunes, Barcarolle
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Piano, Voix
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Theodore Labarre
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Paroles de Mr
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Les Aeronautes, Barcarolle aer
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Voice and piano - SKU: LV.18623 Composed by Theodore Labarre. Balloons (Airships). Lester S. Levy Collection. 5 pages. Published by Johns Hopkins Univer...
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Voice and piano - SKU: LV.18623 Composed by Theodore Labarre. Balloons (Airships). Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18623). Les Aeronautes, Barcarolle aerinne. Les Pecheurs des Lagunes, Barcarolle. Musique de Theodore Labarre; Paroles de Mr. Crevel de Charlemagne. Published [n.d.] by A Offenbach s/m, chez Jean Andre in n.p. Composition of (Les aeronautes) strophic; (Les pecheurs des lagunes) strophic with refrain with voice and piano instrumentation. Subject headings for this piece include Balloons (Airships). First line reads (Les Aeronautes) Partons amis le Dieu du jour s'avance; (Les Pecheurs) Enfans que Saint Marc nous envoie la douce paix et la sante c'est assex.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Ange Flégier: Ma coupe for baritone voice and piano
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Ange Flégier: Ma coupe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.533421 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Musi...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - SKU: A0.533421 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913647. Published by Musik Fabrik Music Publishing (A0.533421). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Eb major Duration: aprox. 3 minutes 30 secondsHolà ! qu’on m’apporte ma coupe,Et qu’on appelle mes amis!Si vous m’en croyez, de tous nos soucisNous allons chasser la hideuse troupe!Il faut nous égayer morbleu!Que dites-vous du vin d’Espagne?Réchauffons vite à son doux feuNos coeurs que le froid gagne!Refrain:À moi, ma coupe, à moi, chère maîtresse!Au nectar qui jaillit de ton sein généreuxLaisse-moi noyer la tristesse,Ah! donne-moi l’ivresseQui rend heureux!Jadis, oui, j'ai fait la folieDe croire à de tendres serments!Quels rêves deçus! quels affreux tourments!Par bonheur, un jour, tout cela s’oublie.Hein? qui donc parle ici d’amour?Au diable! la trompeuse flamme!Ma coupe m’aime, et sans détourC’est une rude femme!
$10.35
Ange Flégier: Ma coupe for bass voice and piano
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Voix basse, Piano
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INTERMÉDIAIRE
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Ange Flégier
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Ange Flégier: Ma coupe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bass Voice,Vocal Solo - Level 3 - SKU: A0.533422 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing...
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Bass Voice,Vocal Solo - Level 3 - SKU: A0.533422 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913649. Published by Musik Fabrik Music Publishing (A0.533422). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Db major Duration: aprox. 3 minutes 30 secondsHolà ! qu’on m’apporte ma coupe,Et qu’on appelle mes amis!Si vous m’en croyez, de tous nos soucisNous allons chasser la hideuse troupe!Il faut nous égayer morbleu!Que dites-vous du vin d’Espagne?Réchauffons vite à son doux feuNos coeurs que le froid gagne!Refrain:À moi, ma coupe, à moi, chère maîtresse!Au nectar qui jaillit de ton sein généreuxLaisse-moi noyer la tristesse,Ah! donne-moi l’ivresseQui rend heureux!Jadis, oui, j'ai fait la folieDe croire à de tendres serments!Quels rêves deçus! quels affreux tourments!Par bonheur, un jour, tout cela s’oublie.Hein? qui donc parle ici d’amour?Au diable! la trompeuse flamme!Ma coupe m’aime, et sans détourC’est une rude femme!
$10.35
Eli, Eli, shelo yigamer leolam (Cello & Piano)
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Lyrics: Hannah Szenes, Music:
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Eli, Eli, shelo yigamer leolam
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BowString Music
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SheetMusicPlus
Cello,Instrumental Duet - Level 4 - SKU: A0.986766 Composed by Lyrics: Hannah Szenes, Music: David Zehavi. Arranged by Johannes Bowman (BowString Music)...
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Cello,Instrumental Duet - Level 4 - SKU: A0.986766 Composed by Lyrics: Hannah Szenes, Music: David Zehavi. Arranged by Johannes Bowman (BowString Music). Jewish. 3 pages. BowString Music #6401689. Published by BowString Music (A0.986766). Eli, Eli, (shelo yigamer leolam) (also known as HALICHAH LEKESARIYAH or WALK TO CAESAREA)Written by Hannah Szenes (lyrics) and David Zehavi (music). Arranged for cello and piano by Johannes Bowman (BowString Music).The improvisatory notes in the 2nd refrain are optional. The original Hebrew lyrics as well as information about the song can be found at this link: http://www.hebrewsongs.com/?song=elieliLyrics: (Hebrew and English)Eli, EliShelo yigamer le'olam:Hachol vehayamRishrush shel hamayimBerak hashamayimTefilat ha'adam.My God, My GodMay these things never end:The sand and the seaThe rustle of the waterThe lightning in the skyThe prayer of Man.
$14.99
The Lord at first did Adam make (for SABar choir and organ)
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Philip Le Bas
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The Lord at first did Adam mak
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.818192 Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Sacred. Octavo. 8 pages. Philip Le...
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Choral Choir (SAB) - Level 3 - SKU: A0.818192 Composed by Traditional. Arranged by Philip Le Bas. Christian,Christmas,Sacred. Octavo. 8 pages. Philip Le Bas #6629877. Published by Philip Le Bas (A0.818192). An arrangement of the traditional Christmas Carol The Lord at first did Adam make for three-part (SABar) choir and organ by Philip Le Bas. This ancient carol tells the story of the fall of Adam, causing humanity to be wrapt in sin. Yet out of God's goodness we are redeemed by the birth of Christ. The listeners are exhorted to begin an holy life to live, and to rejoice and merry be, for this is Christmas Eve. The version presented here is intended for parish choirs lacking in tenor and bass singers, but with a good organ! It starts in a slightly dark, primeval way with open fifths in the organ part, developing into a minor key throughout the verses, but with a decidedly more positive feel in G major in each of the refrains. The accompaniment expresses the drama expressed in the lyrics without the choral parts becoming too involved, and the whole piece (4 1/2 minutes) ends on a celebratory Tierce de Picardy: for this is Christmas Eve!.
$1.99
Ensembles For Strings - String Bass
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - String
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473500 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473500). UPC: 073999735000. 9.0x12.0x0.06 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99
Ensembles For Strings - Third Violin
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Quatuor à cordes: 2 violons, alto, violoncelle
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Third
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arrang...
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String Duet; String Ensemble; String Quartet; String Trio SKU: HL.4473460 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 16 pages. Published by Rubank Publications (HL.4473460). UPC: 073999440409. 9.0x12.0x0.067 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$6.99
Ensembles For Strings - Full Score
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Various
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Harvey S
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String Ensemble
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Ensembles For Strings - Full S
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Rubank Publications
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SheetMusicPlus
String Duet; String Ensemble; String Orchestra; String Quartet; String Trio SKU: HL.4473520 For Duet, Trio, Quartet or String Orchestra. Composed ...
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String Duet; String Ensemble; String Orchestra; String Quartet; String Trio SKU: HL.4473520 For Duet, Trio, Quartet or String Orchestra. Composed by Various. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Classical. 48 pages. Published by Rubank Publications (HL.4473520). UPC: 073999375589. 9.0x12.0x0.112 inches.String teachers have long turned to Ensembles for Strings to fulfill the need for easy to intermediate ensemble pieces for student string players. Familiar classical melodies are arranged here for 2, 3, 4 or more players - even string orchestra. Each piece is scored to be playable in first position, and in such a manner that maximum results will be achieved regardless of the instrumentation employed. All of the material has been carefully edited and bowed, and was performance tested by the string faculty at San José State University.
Song List
: Theme From Swan Lake Viennese Refrain Andantino (Lemare) Aria Nobile (Classic Symphony) Haydn Deep River Young Prince (Rimsky-Korskov) Young Princess (Rimsky-Korsakov) Le Tambourin (Rameau J.) Waltz, Op. 39 No. 15 Menuetto (Mozart) Danse Macabre Nobody Knows The Trouble I've Seen The Happy Farmer Returning From Work, Op. 68, No. 10 Andante Cantabile On Wings Of Song (Auf Flugeln Des Gesanges) Scarf Dance, Op. 37, No. 3 Rondo, Op. 51, No. 1 Waltz, Op. 39, No. 15
$8.99
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Le refrain
