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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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16
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8
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33
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5
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2
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1
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176
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1
Soli, choeur mixte et accompagnement
1
Chorale SATBB
1
Voix Tenor, Piano
1
Voix haute
1
Voix basse, Piano
1
Voix duo
1
Voix, Guitare
1
Chorale SSAATTBB
1
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VENTS
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45
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38
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Quatuor de Saxophones: 4 saxophones
18
Hautbois, Piano (duo)
16
Saxophone Alto et Piano
15
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Flûte, Hautbois, Clarinette, Basson
13
Clarinette
10
Saxophone (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Cor anglais, Piano
8
Saxophone Tenor et Piano
8
Saxophone Baryton, Piano
8
2 Clarinettes (duo)
6
Ensemble de Flûtes
5
Ensemble de Clarinettes
4
Clarinette, Guitare (duo)
4
Quatuor de Flûtes : 4 flûtes
4
Trio de Flûtes: 3 flûtes
4
2 Flûtes traversières (duo)
4
Quintette de Clarinettes: 5 clarinettes
3
Ensemble de saxophones
2
Hautbois (partie séparée)
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Flûte traversière
2
Quintette de Saxophone: 5 saxophones
2
3 Saxophones (trio)
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Flûte, Violon, Piano
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2
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2
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2
Hautbois, Clarinette (duo)
1
Flûte à bec Alto, Piano
1
Saxophone Alto
1
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1
Hautbois, Flûte
1
Flûte, Violon
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
2 Hautbois (duo)
1
Clarinette (partie séparée)
1
2 Saxophones (duo)
1
Flûte à bec Tenor
1
2 Flûtes, 2 Clarinettes (Quatuor)
1
Flûte, Clarinette, Piano (trio)
1
Flûte traversière, Orgue (duo)
1
Clarinette, trompette et piano
1
Clarinette Basse, Piano
1
Flûte et Guitare
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Trombone (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trombone et Piano
14
Cor et Piano
11
Trompette
9
Cor anglais, Piano
8
Trompette, Piano
8
Tuba
5
Quatuor de Cuivres
4
Tuba et Piano
4
Quatuor de cuivres: 4 trombones
4
Trombone
4
Ensemble de Cors
2
Trompette (partie séparée)
2
Euphonium, Piano (duo)
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Euphonium (duo)
1
3 Trombones (trio)
1
Cor
1
Quatuor de cuivres: 4 cors
1
Tuba et Orgue
1
Ensemble de Trompettes
1
Ensemble de Trombones
1
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CORDES
Violon et Piano
53
Quatuor à cordes: 2 violons, alto, violoncelle
37
Alto, Piano
32
Violoncelle, Piano
28
2 Violons (duo)
22
Violon
15
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
12
Violon, Guitare (duo)
10
Violoncelle (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
Contrebasse, Piano (duo)
4
Alto, Guitare (duo)
3
2 Harpes (duo)
3
Violon, Alto (duo)
3
Violon (partie séparée)
3
Harpe, Violon (duo)
2
Alto, Violoncelle (duo)
2
Contre Basse
2
Harpe et Piano
1
Alto (partie séparée)
1
Harpe, Quatuor à cordes
1
Violoncelle , Guitare (duo)
1
Alto seul
1
Harpe
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Contrebasse (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
171
Ensemble de cuivres
38
Orchestre à Cordes
27
Orchestre
26
Cloches
18
Orchestre de chambre
14
Ensemble Jazz
11
Jazz combo
6
Fanfare
1
Marimba
1
Xylophone, Piano
1
Piano et Orchestre
1
Ensemble d'École
1
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AUTRES
Théorie de la musique
1
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Toccata on In Dulci Jubilo (Downloadable)
Toccata on In Dulci Jubilo is designed as a short Organ Postlude performed during the Adve…
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Toccata on In Dulci Jubilo is designed as a short Organ Postlude performed during the Advent/Christmas Season. The work opens with a medley of Carols including Joy To The World, Angels We Have Heard On High, and Silent Night, before leading to the exuberant In Dulci Jubilo (Good Christian Men Rejoice)! White's arrangement of In Dulci Jubilo, a 1328 German Chorale theme is combined with the magnificent accompaniment of Charles-Marie Widor's famous Toccata from Symphony No. 5 (1879). It appears in 6/8 meter as opposed to the original 4/2 meter. Tritonic interludes intercept the flow of the German Carol alternately, propelling the music to its rousing end
Song List: Antioch Gloria (Iris) In dulci jubilo Stille Nacht
$6.00
5.51 €
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Toccata on In Dulci Jubilo
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SheetMusicPlus
The Organist in Season: Autumn
Orgue
Organ: 3-staff - Intermediate SKU: LO.70-1491S Composed by Gilbert M. Martin. Sacre…
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Organ: 3-staff - Intermediate SKU: LO.70-1491S Composed by Gilbert M. Martin. Sacred, All Saints' Day, Evangelism, General, Holy Communion, Missions, Reformation, Thanksgiving. Sacred Music Press #70/1491S. Published by Sacred Music Press (LO.70-1491S). UPC: 000308102154.A part of a multi-volume series dedicated to providing music for those festivals and holy days not generally represented in other compilations, this Autumn edition offers glorious music leading up to the beginning of Advent: the celebrations of All Saints' Day, Reformation Sunday, Worldwide Communion, Sundays involving Missions or Evangelism, and of course, Thanksgiving. For assistance in planning, timings are provided along with indices organized alphabetically, by page number, and by the church year. We are confident that you will applaud the labor and love incorporated in this series, and so will your congregations!
Song List: Thee We Adore For All The Saints Let All Things Now Living Deck Yourself My Soul With Gladness Built on a Rock In Christ There Is No East Or West I Come with Joy Prelude on ST DUNSTAN'S We Praise You O God A Mighty Fortress Is Our God Psalm 149 Now Thank We All Our God
$33.00
30.3 €
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Orgue
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Gilbert M
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The Organist in Season: Autumn
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Sacred Music Press
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SheetMusicPlus
I've Never Been In Love Before
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.831030 By Billy Eckstine. …
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.831030 By Billy Eckstine. By Frank Loesser. Arranged by John Maclane Schirard. Contemporary. Octavo. 5 pages. John Maclane Schirard #6318477. Published by John Maclane Schirard (A0.831030). A fresh new arrangement of the lovely Frank Loesser song for barbershop quartet.Clear voice leading in the parts allows a stunning range of advanced harmony.A perfect closer for any set!
$4.99
4.58 €
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Chorale TTBB
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Billy Eckstine
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John Maclane Schirard
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I've Never Been In Love Before
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John Maclane Schirard
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SheetMusicPlus
See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074256 Composed by Josh…
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1074256 Composed by Joshua Leavitt. Arranged by Daniel Carter. Classical,Praise & Worship,Sacred,Traditional. 7 pages. Daniel Carter #678546. Published by Daniel Carter (A0.1074256). John Leland’s descriptive and powerful text captivated Joshua Leavitt who composed a plaintive melody about the Savior’s pleading in our behalf on Judgement Day. This Appalachian folk hymn tune titled PLEADING SAVIOR was first published in “Christians Lyre†in 1830 in the Sacred Harp tradition. Arranged with a descriptive, emotive piano accompaniment that underscores the elegance and depth of the lamenting singer, the words conclude with a peaceful return to the Savior’s loving arms. Arranged for medium-range solo voice, high-range solo voice, and SSAA women’s chorus and piano available at danielcartermusic.com.
$4.99
4.58 €
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Joshua Leavitt
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Daniel Carter
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See How the Savior Stands a Pleading—High-Range Vocal Solo and Piano
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Daniel Carter
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SheetMusicPlus
All bells in paradise
Chorale SATB
All bells in paradise SATB choir & organ or orchestra - Digital Download Composed …
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All bells in paradise SATB choir & organ or orchestra - Digital Download Composed by John Rutter (1945-). Sheet music. Octavo. 12 pages. Duration 5'. Oxford University Press Digital #9780193525023. Published by Oxford University Press Digital
ISBN 9780193525023.<br> <br> For SATB and organ or orchestra. This gentle yet uplifting carol was first performed during the 2012 King's College, Cambridge Festival of Nine Lessons and Carols. Rutter's gift for melody is in evidence throughout the work, with a sense of hushed awe leading to moments of glorious optimism.
$3.65
3.35 €
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Chorale SATB
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John Rutter (1945-)
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All bells in paradise
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Oxford University Press Digital
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SheetMusicPlus
I Shall Not Live In Vain - Anthem for SAB
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.888284 Composed by Edward D…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.888284 Composed by Edward David Zeliff, text by Emily Dickinson. Christian,Contemporary,Sacred. Octavo. 9 pages. Edward David Zeliff #4846937. Published by Edward David Zeliff (A0.888284). This setting of famous poetry by Emily Dickinson is another in a series of Easier Anthems for Smaller Choirs and makes use of well designed voice leadings in a rich harmonic progression that is repeated with a gentle and affirming conclusion. The middle section is more active with unison/octave doublings for strength and contrast, and the opening section repeats with a peaceful ending. This piece gives smaller ensembles the opportunity to sing richly progressive harmonies and melodic lines that are nonetheless easy to learn and execute.
$2.00
1.84 €
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Chorale 3 parties
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Edward David Zeliff, text by Emily Dickinson
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I Shall Not Live In Vain - Anthem for SAB
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Edward David Zeliff
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SheetMusicPlus
Sonata in a Simple Scale for Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Matter…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
7.35 €
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Alto, Piano
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Daniell Mattern
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Sonata in a Simple Scale for Viola and Piano
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Daniell Mattern
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SheetMusicPlus
Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
Harpe et Piano
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1027281 Composed by Australian neo-classical composer, Mr. Phillip Anthony Russo, and born 19/03/1965. Classical,Contemporary,Instructional,Standards,World. Score and parts. 56 pages. Mr. Phillip Anthony Russo #2029033. Published by Mr. Phillip Anthony Russo (A0.1027281). Divertimento in F major for Piano and Harp, Opus 1. Copyright, 2005, 2010, 2014, by Phillip Russo, born 19/03/1965. All Rights Reserved. This beautiful, melodious and fun piece, which plays for 12 minutes and 17 seconds on the CD, is scored in a bright F major key, has two sections in C major, and employs 43 orchestral instruments, played by 40 musicians. Two percussionists play five instruments. The pianist directs and conducts the work from the piano, or a conductor may be employed instead. I chose a concert grand piano, or a baby grand piano, and a concert harp as the two leading, but not solo, orchestral instruments which are used to showcase the piece. I have included a .mp3 audio clip of this piece to illustrate the neo-classical melodies in it. Divertimenti, were first written by Franz Joseph Haydn, Michael Haydn and Wolfgang Amadeus Mozart during the Classical period, between 1750 and 1809. A divertimento is a short, entertaining, chamber ensemble or orchestral work, usually in the form of an orchestral suite, written in several sections and/or movements. It can have as few as three, or many more instruments! A divertimento does not have a strict format, but a liberal one, within acceptable limits or conventions, and only small chamber ensembles were employed to perform divertimenti in Haydn's and Mozart's day in the eighteenth century. Both a divertimento and a cassation may contain a leading or obbligato instrument(s), or can even be integrated with vocal or choral music. However, divertimenti and cassations never have solo instruments, as in a concerto. An Opus number 1, means that this is the first written work of a composer; opus 2 means the second work, and so forth. 'Opus' means a work, or composition. I sub-titled the piece: Luna Park rides, Milson's Point, N.S.W., 2061, Australia, and circus sideshows. I chose this sub-title because the work reminds me of my childhood days, of the rides at Luna Park, Sydney, such as the Merry-go-Round, the Ferris Wheel, the Cha-Cha, the Dodgem cars, the Rotor, the Mirror Maze, the slippery dips in Coney Island, the River Caves, the Ghost Train - burnt down presumably due to an electrical fault, in December, 1974, killing 7 people, the Giant Pendulum ride, the Giant Spider ride, the Big Dipper, later renamed the Wild Cat and later the Wild Mouse, which is actually a Roller-coaster ride. Some of the Harp part sounds like the movement of the Roller-coaster! Also, the work reminisces on my experience of the Sole Brothers' Circus sideshows, in 1977, such as the targeting games and prizes, and clowns sideshows, which my dad took me to see when I was about 12 years old.
$40.00
36.73 €
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Harpe et Piano
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Australian neo-classical composer, Mr
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Divertimento in F major for Piano and Harp, Opus 1: "Luna Park rides, Milson's Point, N.S.W., 2061,
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Mr. Phillip Anthony Russo
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SheetMusicPlus
J A de Logy-Partita in A minor for Classical Guitar
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177767 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177767 Composed by Jan Antonin (comte de) Logy. Arranged by Socrates Arvanitakis. Baroque. Individual part. 11 pages. Socrates Arvanitakis #777729. Published by Socrates Arvanitakis (A0.1177767). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official ofthe Austrian empire. As a musician he was a lute player of professional level and seems to havebeen a refined and prolific composer of single pieces and suites in the French style for hisinstrument. His compositions are becoming known to us today through important academicresearch but a lot more work has to be made in this field. The present partita, (transcribed in A minor for guitar), was discovered early in this research and it is well known and loved amongstguitarist and lute players of today because of its ease in performance, but at the same timemaintaining a high compositional standard in terms of well-constructed movements incontrapuntal two-part writing.In these editions I prefer not to add any fingerings because I consider that they obscure the opticalresult rather than clarifying any particular way of playing the music. Instrumentalists have tomake their own fingering and choice of position decisions and in most cases they prefer it. My general suggestion for this partita is that open strings should be preferred whenever it is possible, as for example in the second half of the last movement where notes B and E are always sustainedas open strings in the upper part (indicated by the ties) and the required technique and sound result is that of an arpeggio rather than a scalic passage.Although here we have only a five movement partita and it is very easy to navigate from page to page, my usual procedure, followed for larger collections, is to give a thematic index in the beginning of the volume, with the first few bars of every piece given as photographs. If an electronic pad rather than printed music is used to play the music from these PDF archives, these photographs are clickable active links leading strait to the piece concerned, and the header of the page of any piece is another active link leading back to the index. External links to internet sources for further information on the pieces, live performances, etc may be added if considered of particular interest.
$6.00
5.51 €
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Jan Antonin
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Socrates Arvanitakis
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J A de Logy-Partita in A minor for Classical Guitar
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Socrates Arvanitakis
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SheetMusicPlus
We Three Kings (Horn in F Trio)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.523782 Composed by John He…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.523782 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #3895657. Published by John A. Dempsey (A0.523782). In this festive French horn trio, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  15 pages of music (that includes separate two-page parts for horn 1, horn 2 and horn 3).  Concert Key: G minor.  Horn Key: D minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$9.99
9.17 €
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings (Brass Trio): Trumpet, Horn in F and Trombone
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524092 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524092 Composed by John Henry Hopkins, Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 18 pages. John A. Dempsey #4755307. Published by John A. Dempsey (A0.524092). In this festive brass trio for Bb trumpet, French horn and trombone, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs as well as holiday recitals and Christmas concerts.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  14 pages of music (that includes the score and separate two-page parts for each instrument).  Concert Key: F major.  Trumpet Key: G major.  Horn Key: C major.  Trombone Key: F major      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$9.99
9.17 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
Sweet Nellie Bawn. The Leading Waltz Song of America
Piano, Voix
Piano and voice - Digital Download SKU: LV.5777 Composed by W. R. Williams. Portrai…
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Piano and voice - Digital Download SKU: LV.5777 Composed by W. R. Williams. Portraits, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5777). Sweet Nellie Bawn. The Leading Waltz Song of America. Words and Music by W.R. Williams. Published 1894 by Will Rossiter, The Popular Song Publisher, 79-81 5th Avenue in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love. First line reads Stroll through the meadows cross o'er a stream, you'll see my darling.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano, Voix
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W
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Sweet Nellie Bawn. The Leading Waltz Song of America
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
He's leading me on
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1243880 By Steven S…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1243880 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Christian,Contemporary,Country. 1 pages. Semii Music #838852. Published by Semii Music (A0.1243880). Title: He's leading me onThis song is about Jesus as our loving shepherd who leads His sheep with His loving arms. We are just like a sheep who need his care in this wild world. Christ is our shepherd and we are his sheep. He laid down his life for us on the cross.
$6.99
6.42 €
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Chorale SATB
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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He's leading me on
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Semii Music
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SheetMusicPlus
We Three Kings (Horn in F and Piano)
Cor et Piano
French Horn,Piano - Level 3 - Digital Download SKU: A0.523145 Composed by Enrique G…
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French Horn,Piano - Level 3 - Digital Download SKU: A0.523145 Composed by Enrique Granados, John Henry Hopkins, Jr. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 15 pages. John A. Dempsey #3226595. Published by John A. Dempsey (A0.523145). Arranged as a festive duet for French horn and piano, the well-known, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas concerts and holiday recitals as well as traditional Christmas church services and other seasonal worship events, including Christmas plays, pageants and programs.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  11 pages of music (that includes a separate two-page French horn part).  Concert Key (Piano): G minor.  Horn Key: D minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$6.99
6.42 €
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Cor et Piano
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Enrique Granados, John Henry Hopkins, Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings (Horn in F Quartet)
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.524636 Composed by John He…
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.524636 Composed by John Henry Hopkins Jr., Enrique Granados. Arranged by John A. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #6096347. Published by John A. Dempsey (A0.524636). Arranged as a festive French horn quartet, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  17 pages of music (that includes the score and separate two-page parts for each horn).  Concert Key: Eb major.  Horn Key: Bb major      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$11.99
11.01 €
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John Henry Hopkins Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
We Three Kings (Brass Quartet): Two Trumpets, Horn in F and Trombone
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524652 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524652 Composed by John Henry Hopkins Jr., Enrique Granados. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 21 pages. John A. Dempsey #6133881. Published by John A. Dempsey (A0.524652). Arranged as a festive brass quartet for two Bb trumpets, French horn and trombone, the warm, evocative Christmas carol We Three Kings of Orient Are follows a musical path that merges with the wintry road leading to Enrique Granados' delicately beautiful piece Oriental.  A bit of holiday serendipity!  Recommended for Christmas plays, pageants and programs as well as holiday recitals, Christmas concerts, traditional Christmas church services and other seasonal worship events.  Suggested worship uses: a prelude, postlude, an offertory, interlude, Christmas play overture, special music and silent prayer accompaniment.  17 pages of music (that includes the score and separate two-page parts for each brass instrument).  Concert Key: G minor.  Trumpet Key: A minor.  Horn Key: D minor.  Trombone Key: G minor      We three kings of Orient are: bearing gifts we traverse afar   Field and fountain, moor and mountain - following yonder star.   O star of wonder, star of night; star with royal beauty bright,   Westward leading, still proceeding, guide us to Thy perfect light.
$12.99
11.93 €
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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John Henry Hopkins Jr
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John A
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We Three Kings
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John A. Dempsey
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SheetMusicPlus
The Lord's My Shepherd, Leading Me (Handbells - 2 octaves)
Cloches
Handbell - Level 3 - Digital Download SKU: A0.923147 Composed by James L. Macbeth B…
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Handbell - Level 3 - Digital Download SKU: A0.923147 Composed by James L. Macbeth Bain. Arranged by Diana Meux. Easter,Sacred. Score. 2 pages. Download Church Music #529012. Published by Download Church Music (A0.923147). Arrangement for small ensemble of handbells or handchimes / tone chimes; 2 octaves, 10 bells used. 2 pages. Starts with simple arrangement of hymn, then becomes more embellished. Tune: BROTHER JAMES' AIR by James L. Macbeth Bain. D5 is provided in both staves for flexibility in bell assignment. Uses: Good Shepherd Sunday, Easter season.
$1.99
1.83 €
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Cloches
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James L
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Diana Meux
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2 octaves, 10 bells used
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The Lord's My Shepherd, Leading Me
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Download Church Music
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SheetMusicPlus
Away in a Manger and the Carols of Christmas for Beginner Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1323092 Composed by Traditional Chr…
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Easy Piano - Level 1 - Digital Download SKU: A0.1323092 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 54 pages. SilverTonalities #911366. Published by SilverTonalities (A0.1323092). Away in a Manger and the Carols of Christmas for Beginner PianoTraditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.- ANGEL GABRIEL, is a traditional Basque Carol, also known as “Gabrielle’s Messageâ€, pages 1-2AS LATELY WE WATCHED, is a traditional Nativity Carol, originating from Austria, pages 3-4AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels, pages 5-7BELLS ARE RINGING GLAD AND SWEET, is an American Carol composed by Henry S. Perkins, with lyrics by Eben E. Rexford, pages 8-10CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 11-13COVENTRY CAROL, is an English Carol that dates back to the 16th Century, and is based on Chapter 2 of the Gospel of Matthew, pages 14-15FRIENDLY BEASTS, also known as the “Carol of the Animals†is a traditional Nativity Carol, possilby dating back to as early as the 12th Century, pages 16-17GENTLY FALLS THE WINTER SNOW, is an English Carol written by Herbert Stephan Irons, with lyrics by the Rev. Edward Caswall, pages 18-20GOOD CHRISTIAN MEN REJOICE, is an Old English Carol, translated from Latin to English, dating back to the 14th Century, pages 21-23HARK THE HERALD ANGELS SING, is an English Carol published in 1739 and based on Luke 2:14, with the Music adapted from the German Composer Felix Mendelssohn, pages 24-26IN A LITTLE STABLE, is a 17th Century German Carol written by Corona Elisabeth Wilhelmina Schroeter, pages 27-28JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 29-31JOY TO THE WORLD, is an English Carol, written by the Minister and Hymnwriter Isaac Watts in 1719, pages 32-33MASTERS IN THIS HALL, is an English Carol dated approximately in 1860, and is also known as “Nowell Sing We Clearâ€, pages 34-36O LITTLE TOWN OF BETHLEHEM, the most common version of this Carol written in 1868, is known as the “St. Louis†version, pages 37-38ONCE IN ROYAL DAVID’S CITY, is an English Anglican Carol, representing that Christ has ascended once again to glory, pages 39-40SEE THE MORNING STAR IS DWELLING, is a Sunday School hymn, written in 1867 by W. Wood, pages 41-43SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 44-45STAR OF THE EAST, composed by Amanda Kennedy in 1890, was Ispired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 46-48THERE CAME THREE KINGS, is a Carol of Epiphany written by E. Poppen, also known as “There Came Three Kings Ere Break of Day, pages 49-51WINTER’S SNOW, first published in approximately 1857, is also known as “See Amid the Winter’s Snowâ€, pages 50-52-53.
$9.99
9.17 €
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Piano Facile
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Traditional Christmas Carols
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SilverTonalities
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Away in a Manger and the Carols of Christmas for Beginner Piano
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SilverTonalities
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SheetMusicPlus
Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.  As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$17.99
16.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Robert Nathaniel Dett
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Richard Decker
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Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
Passacaglia in C (piano duet)
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99
9.17 €
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1 Piano, 4 mains
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Passacaglia in C (Organ)
Orgue
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,C…
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99
7.34 €
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Orgue
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Toccata In B Flat Minor For Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl…
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Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916053. Published by Thomas R. Schadl (A0.912497). Toccata In B Flat Minor, by Thomas R. Schadl, explores rhythmic energy and lyricism. The exposition (bars 1-18) consists of the static rhythm, where the the first beat is accented. The melodic part of the exposition is lyrical and has syncopation that provide contrast to the driving rhythm. The transition exists from bar 19 to 56, but unlike the traditional sonata form where the transition moves on to the second theme in the exposition, the main theme re-appears briefly from bar 57 to 64 and then it moves on to the second theme (bars 65-100). Sonata form includes the development section that involves the working of a theme or themes that were stated in the exposition, but this work does not have a development part; so in its place is the transition that spans from bar 101 to 114, leading to the recapitulation (restatement of the first theme in the exposition). Following the restatement, the second theme comes in at bars 133 to 140 and is restated at bars 157 to 176; transition is inserted at bars 141 to 156. As the piece progresses toward the end, the fragmented portion of the second theme repeats with diminishing sound intensity, followed by a brief transition stated in the first few bars after measure 19. The piece ends with a loud B Flat, after a one bar rest. Anyone planning to analyse this composition will come to realize that since the development section does not exist, one may conclude that the work is composed in a modified sonata form. Toccata In B Flat Minor requires steady rhythmic sense, quick left-hand jump between bass notes to eighth-note passages in the second theme, and a good sense of rhythm when executing four eighth notes against triplets. Slow practice speed is advised in order to master the technical challenges. The piece is suitable for education and concert purposes, and may be performed in silent movies or stage shows.
$9.99
9.17 €
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Piano seul
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Thomas R
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Toccata In B Flat Minor For Piano
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Thomas R. Schadl
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SheetMusicPlus
Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Down…
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Small Ensemble Bass Voice,Cello,Clarinet,Flute,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1009217 Composed by An-lun Huang. 20th Century,Classical,Folk. Score and parts. 85 pages. DoReMi Edition #614863. Published by DoReMi Edition (A0.1009217). SEVEN CANADIAN FOLK SONGS IN CHINESE STYLE Septet for Flute, Clarinet, Violin, Viola, Cello, Bass and Piano An-lun Huang, op.36 (1986) James Campbell, the famous Canadian clarinets, commissioned a septet from Huang for the China tour of the Canadian Chamber Group in 1984. Campbell suggested that An-lun combine the folk music of Canada and China in this new work. The result was the septet,†Seven Canadian Folk Songs in Chinese style, became the most exciting hit piece of the tour. The world premiere was taken place at the Festival of the Sound at Parry Sound, Ontario, before the China tour. It was performed by seven leading Canadian musicians, Moshe Hammer(violin), Steven Dann(viola), Sophie Rolland(cello), Joel Quarrington(bass), Anton Kuerti(piano), Robert Aitken(flute) and James Campbell(clarinet). The piece was so warmly received both in Canada and China that a record has been released. It was also the most successful piece for the Canada-Hong Kong Festival, Hong Kong, 91. In addition, in 2002, successfully, the Canadian Symphoniatta performed its orchestral version, conducted by Tak-ng Lai, in Paris, France. However, Huang found the musical similarity of the two nations--the pentatonic mode. Written in Chinese idea, the septet gives the opportunity both to the Chinese and Canadian audiences to find themselves in each other through the Seven Canadian folk songs. The septet is divided into seven attacca parts. No.1 begins the music into a very quiet British Columbia Indian folk tune, performed by flute and clarinet, and occasionally, the piano gives few chords to support them. No.2 comes a Alberta Indian lyric song with all instruments. The folk songs of No.3 and 4 are Ontario Forest man’s old tunes which bring the music to the exciting part. The No.5 is a Saskatchewan Indian traditional tune, the war song. Its heavy dynamic shows the typical native Canadian rhythmic patterns. Wooden spoon is a Canadian folk instrument. The clarinet player plays it in No.6 of a vivacious Quebec folk dance. And in a Newfoundland lyric song, No.7, the septet goes to its brilliant ending. The attached mp3 was recorded a Russian master and Fei-ping Hsu, one of the greatest Chinese pianist. Duration: 18 min.
$39.99
36.72 €
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An-lun Huang
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Seven Canadian Folk Songs in Chinese Style - Septet for Fl., Cl., Vi., Va, Cello, Bass and Piano
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DoReMi Edition
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SheetMusicPlus
In dir ist freude (Classical Music for Tablet Series)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.818307 By Stephen R Dalrymple. By J…
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Piano Solo - Level 4 - Digital Download SKU: A0.818307 By Stephen R Dalrymple. By Johann Sebastian Bach (Busoni transcription). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score. 15 pages. Stephen R Dalrymple #5322405. Published by Stephen R Dalrymple (A0.818307). In dir ist Freude (In You is Joy) choral prelude for pipe organ by Johann Sebastian Bach (from Das Orgelbuchlein 1713-17) from Ten Chorale-Preludes “Transcribed for the piano in chamber style†by Ferruccio Busoni (between 1907-1909) ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
3.66 €
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Piano seul
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Stephen R Dalrymple
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In dir ist freude
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Stephen R Dalrymple
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SheetMusicPlus
Rondo in C
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1264703 Composed by Ric Price. 20th…
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Piano Solo - Level 2 - Digital Download SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published by Richard J Price (A0.1264703). Music NotesThis is a piece I wrote to shape some concepts for my first/second year pianostudent daughter. I had the idea while listening to her practice by brute force –meaning the keys are repeated hit continuously at same tempo, same strength – almost as a pounding exercise. I thought nuance was not getting into her playing yet (as with most beginning students).  I wanted her to be aware of the musicality innate in a piece of music.Therefore, I loaded this piece up with all kinds of tempo changes, dynamics, etc. A little overkill, but printed music does suggest these things although it might not be written in.Concepts I was going for: Form: In this case a Rondo. Using classic ABACA. Key Relationships: C Major / A Minor. Sections B and C are in A minor, although written in key of C with the addition of sharps (leading tone G ♯). Hand Independence: Scales in one hand punctuated in the other. Scales: Scales found in both hands and the value of scales fingering in a real piece. Phrasing: How different notes are placed together to make a complete thought. Dynamics: Lots of changes written in there and how it relates to phrasing helping make the ‘complete thought.’ Articulation: Staccato vs Legato, voices opposing each other; again helping with the ‘complete thought.’ Tempo: That such a thing as flexible tempo helps with phrasing and completing that ‘complete thought’ we talked about. Pounding beat vs a larger beat: as interpretation such as dance (emphasizing the first beat instead of pounding by each beat. Notice by the tempo markings that a larger beat is called for by the markings (one beat per measure embracing the dance aspect.) Her former teacher is very talented, holds his Doctor's degree in Piano Performance and was absolutely terrific with her. That being said, Kara soon found out there were boys, and from that moment on the instructor never had a chance. She’s 38 now, loves to play this piece and still -- pounds it out. ☺.
$9.00
8.26 €
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Piano seul
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Ric Price
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Rondo in C
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Richard J Price
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SheetMusicPlus
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