ISBN 9781619115262.

Welcome to the School of the Blues Lesson Series! This book and recording were created to help give you context to all the music you worked so hard to learn. The recorded Play-Along Trax have no bass. This gives you the opportunity to work on your blues bass patterns. I have used several different keys and tempos throughout these Play-Along Trax. These Play-Along Trax give you a very realistic example of how you would play live with a band.Music examples are kept fairly simple to make sure this book is accessible to bass players just above the beginning level. For best understanding of these techniques refer to Mel Bay's Blues Bass, Level 1 (MB21063BCD).Lastly, all the references in this book are written for a right-handed four string electric bass. If you play a 5 string bass you just need to extend the examples to include your B string. If you play left-handed then you need to reverse any references to the left and right hands. We will use standard music notation along with bass tablature (TAB) for this book. Includes access to online audio.

Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.

The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).

Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.

Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.

The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.

This pack includes WHAT A LOVELY STROLL (a ternary piece) and I GOT THE BLUES which has scope for improvisation.

Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.

Score and all parts are included here - it is the complete package with over 50 pages, and represents a huge saving on individual purchase prices.

Printing and Copying

The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.

** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **

Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):
www.ralphsonstrings.com

This combined version of the of the PianoAccompaniment and Cello Online String Sampler Cello Sheet Music is a fun and easy way to activelylearn, study and play beautiful cello music from a wide variety of styles anderas. 54 pieces are featured, representing music history periods, cultures andstyles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20thCentury, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi,Ragtime and Blues. These arrangements have been simplified for advancedbeginners to intermediate players, and include a representative sampling ofmost major forms of string music such as concertos, symphonies, sonatas,quartets and trios. As an added bonus, sound files of each piece and a studyguide are currently available on the website CelloOnline.com* as a self-guidedclass specifically designed to accompany this music: https://www.celloonline.com/stringclass.html The studyguide explains the history and musical form of the selected pieces, andincludes cello technique tips for each piece of music. Let the music begin!

*No guarantees are made that these sound files and websitewill be available indefinitely.

Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp?s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model?d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Faur�; Meditation from Tha�s by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil?s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.

ISBN 9781609743819. Learn bass fingerboard secrets with this quick and useful guide through the fundamental triad and seventh chord arpeggios. Learn to recognize these essential items and to easily find them over the whole neck.Each chord in Encyclopedia of Bass Arpeggios is provided with a brief introductory chart analyzing the arpeggios rising from chords and relevant inversions. The development in one and two octaves follows, considering the different positions and fingerings starting from the 3rd, the 4th, and the 5th strings. All arpeggios are presented in standard notation and tablature. Finally, a table summarizes the scales to be used with each type of chord.As well as a valuable reference for all bass players, this book gives students a fresh and comprehensive tool to practice arpeggios in a very simple and constructive way. An excellent opportunity to gain a fluent understanding of the fretboard and to hone playing skills in terms of dexterity and accuracy. For 4-string and 5-string bass.

ISBN 9781619115163. 5.5 x 8 inches. This Qwikguide shows bassists how to play along with popular jazz chord progressions. The examples demonstrate how to use triads, arpeggios, scales, and passing tones in swing, be-bop, bossa nova, and ballad styles. The sample bass lines are all written in tablature for the 4-string bass, making it easy to learn fingerings and positions. Comes with access to online audio that presents each example twice, once as bass solo with accompaniment (piano and drums) and then as accompaniment only.