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Leaving For War
SheetMusicPlus
Partitions à imprimer
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Leaving For War
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.898069 Composed by Hal Dickens and …
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Piano Solo - Level 4 - Digital Download SKU: A0.898069 Composed by Hal Dickens and Paul Cassidy. Broadway,Film/TV,Musical/Show,Video Game. Score. 2 pages. Hal Dickens #6016733. Published by Hal Dickens (A0.898069). This is the piano transcription of Paul Cassidy Orchestrations beautiful interpretation of my composition Leaving For War. Paul's amazing Youtube channel is here: https://www.youtube.com/user/paulstevencassidy.
$3.99
3.62 €
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Piano seul
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Hal Dickens and Paul Cassidy
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Leaving For War
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Hal Dickens
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SheetMusicPlus
Salut d'Amour for String Quartet - Edward Elgar arr. Cellobat
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1311975 Composed by Edward Elgar. Arranged by Sarah Cellobat Chaffee. 19th Century,Chamber,Classical,Wedding. 13 pages. Sarah Cellobat Chaffee #900869. Published by Sarah Cellobat Chaffee (A0.1311975). The story of Salut d'Amour began in the summer of 1888, when composer Edward Elgar was leaving for a holiday in the countryside with a friend. On his way out of town, Elgar received the gift of a love poem from his future wife Alice, and he reciprocated in the only way composers can: by writing her a song in return! Once he returned from his trip, he presented her with his song and also proposed to her -- how could she say no? Elgar submitted his work for publication later that year, and it has since become one of his most popular and beloved works. And now, Salut d'Amour gains new life in this Cellobat arrangement for your string quartet! Originally written for a wedding ceremony, this chart maintains the beautiful lyricism, intriguing harmonies, and lovely rhythmic flow of the original; it's sure to tug on your audience's heartstrings. Rated advanced-intermediate for a few tricky rhythms, a little chromaticism, and a few high notes in the first violin part (up to 4th position); this will be learnable for students and sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.4 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Edward Elgar
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Sarah Cellobat Chaffee
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Salut d'Amour for String Quartet - Edward Elgar arr. Cellobat
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Sarah Cellobat Chaffee
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SheetMusicPlus
A fond farewell (Leaving for America) for guitar solo
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.576085 Composed by David Warin Sol…
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Solo Guitar - Level 4 - Digital Download SKU: A0.576085 Composed by David Warin Solomons. 20th Century. Individual part. 4 pages. David Warin Solomons #2030515. Published by David Warin Solomons (A0.576085). Guitar solo written on the occasion of a friend's departure for America (the notes follow the words: He's leaving for America today...) The sound sample is a performance by Andras Csaki.
$7.00
6.35 €
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Guitare
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David Warin Solomons
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A fond farewell
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David Warin Solomons
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SheetMusicPlus
A Fond Farewell (Leaving for America) for classical guitar (mp3)
Guitare
Guitar - Digital Download SKU: A0.1060170 Composed by David Warin Solomons. 20th Ce…
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Guitar - Digital Download SKU: A0.1060170 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 281. David Warin Solomons #6794763. Published by David Warin Solomons (A0.1060170). Guitar solo written on the occasion of a friend's departure for America (the notes follow the words: He's leaving for America today...)
$4.50
4.08 €
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Guitare
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David Warin Solomons
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A Fond Farewell
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David Warin Solomons
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SheetMusicPlus
Watermelon Man for Clarinet Quintet & Opt. Drumset
Quintette de Clarinettes: 5 clarinettes
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published…
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.<br> <br> A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).<br> <br> Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.<br> <br> The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.<br> <br> Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B<br> <br> Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.<br> <br> On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.<br> <br> This version was often featured on The Weather Channel's Local on the 8s segments.<br> <br> The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.<br> <br> A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99
13.59 €
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Quintette de Clarinettes: 5 clarinettes
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Quintet & Opt. Drumset
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Music for all Occasions
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SheetMusicPlus
Dora PejaÄević: "Méditation (op. 51)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.1033846
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.1033846 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Standards. 14 pages. Edition les bons concerts #6667327. Published by Edition les bons concerts (A0.1033846). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century.The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The performers in the recording and Youtube are Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.
$10.00
9.07 €
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Quatuor de Flûtes : 4 flûtes
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: "Méditation
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Edition les bons concerts
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.15 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Dora PejaÄević "Sieben Lieder (op. 23)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 4 - Digital Download SKU: A0.1033…
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 4 - Digital Download SKU: A0.1033844 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. 20th Century,Concert,Romantic Period,Standards. 64 pages. Edition les bons concerts #6664631. Published by Edition les bons concerts (A0.1033844). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century.The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crépy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.
$28.70
26.02 €
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević "Sieben Lieder
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Edition les bons concerts
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SheetMusicPlus
Dora PejaÄević: "Papillon (op. 6)" Arrangement for 3 flutes and alto flute by Yuki Hasegawa
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1033845
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - Digital Download SKU: A0.1033845 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Instructional,Romantic Period,Standards,World. 27 pages. Edition les bons concerts #6666767. Published by Edition les bons concerts (A0.1033845). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century (This early work is still quite simple).The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)About Edition les bons concertsThe name of the publisher has been given with the wish: Use this sheet music to do good concerts!In addition to considering the page-turning position, the sheet musics are designed for ease of use in the rehearsal, such as adding the rehearsal numbers of other editions in case the accompanist's score is different from the soloist's.
$8.75
7.93 €
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Quatuor de Flûtes : 4 flûtes
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: "Papillon
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Edition les bons concerts
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SheetMusicPlus
Dora PejaÄević: "Chanson sans parole (op. 5)" Arrangement for 3 flutes and alto flute by Yuki Hase
Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 2 - Digital Download SKU: A0.1033…
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Woodwind Ensemble,Woodwind Quartet Alto Flute - Level 2 - Digital Download SKU: A0.1033843 Composed by Dora PejaÄević. Arranged by Yuki Hasegawa. Concert,Romantic Period,Standards. 13 pages. Edition les bons concerts #6663691. Published by Edition les bons concerts (A0.1033843). Dora PejaÄević, born in Budapest in 1885 and died in Munich in 1923, was a composer of the Croatian noble family.This is one of the fascinating collection of her works that allow for deep expression through the use of harmony that sometimes pushes the limits towards her later years, as is typical around the beginning of the 20th century (This early work is still quite simple).The arrangement for flute quartet was commissioned by the Japan Croatia Music Society and was completed in July 2021, and premiered in Tokyo on 6 August by the Flute Quartet Tsutsu-uraura. The recording/Youtube is by Ms. Mari Akimoto (Fl.1), Ms. Natsuki Oba (Alto Fl.), Mr. Atsushi Kawasaki (Fl. 3), Ms. Shiho Shirasaki (Fl. 2).Arranger Yuki Hasegawa, biographyArranger, pianist, conductor and producer.Shortly after enrolling in the piano department of Kunitachi College of Music, she was appointed as the official accompanist for the flute public lecture, and since then she has co-starred about 150 works in the flute repertoire. After leaving for study abroad in Paris, she often performed as the official accompanist for flute competitions and masterclasses there also, and won four first prizes in a duo with flute.She completed the departments of piano accompaniment, chamber music, écriture musicale and orchestration at the Conservatoire Supérieur de Paris-CNR and others. She also studied écriture musicale at the CNSM-Lyon. She studied under Profs. Alain Louvier, Bernard de Crepy and other representative professors in France in terms of composition and arrangement.She later completed the conducting biennio department at the Milano Civica Scuola di Musica Claudio Abbado, and in recent years has been the guest conductor at the Japan Croatia Music Society. She travels to various parts of Croatia to research music, visits music research institutes and composers, and strives for understanding. As a chamber musician, she has also worked on numerous experimental harmony works of the same era as Dora PejaÄević, and has also recorded on CD.She is a member of the Irish Music Rights Organisation and the Mechanical-Copyright Protection Society in U.K. Her works can be licensed for use by representative organisations in each country.Representative of the Edition les bons concerts and cooperating artist of the Pro Arte Musicae Co., Ltd. Japan.(As of 20, December 2021)
$8.75
7.93 €
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Dora PejaÄević
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Yuki Hasegawa
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Dora PejaÄević: "Chanson sans parole
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Edition les bons concerts
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SheetMusicPlus
Dawn in the Room for alto and guitar (words by S N Solomons) (mp3)
Alto Voice,Guitar - Digital Download SKU: A0.1059328 Composed by David Warin Solomo…
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Alto Voice,Guitar - Digital Download SKU: A0.1059328 Composed by David Warin Solomons. 20th Century. Full Performance. Duration 259. David Warin Solomons #2054329. Published by David Warin Solomons (A0.1059328). Score:https://www.sheetmusicplus.com/title/19984192?aff_id=175705Setting of the poem by S N Solomons based on Supervielle's L'Aube dans la chambre for alto and classical guitar. Performed by the composer ... The first light comes, touching the sleeping mind, stroking the head, confirming who it is. Colours prick through the window pane, with silent customary tread. Pale light from Palestine and Java leans over the bed and spreads. Grey light reluctant to leave China powders the glass deepens its image as you come close. Yellow light strokes the window pane, sombre light stains the human comedy sprawled on the bed. And then the watching soul immanent, anxious says All is still well. The substance of our days is whole. No greater pain exists than to feel pain no more, with the soul helpless before locked doors. Alas Time will arrive, and death deprive. Meanwhile take I delight flattering his form guessing his contour beneath the sheets; sensing his blood seeking complexity, feeling his hands fleeting, stirred by some dream; leaving no trace in Time or Space. Let me think no more thoughts for fear he may wake. Let me be quieter than the leaf that grows. Or the rose..
$2.00
1.81 €
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David Warin Solomons
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Dawn in the Room for alto and guitar
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David Warin Solomons
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SheetMusicPlus
War Chant
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1306601 By Flor…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1306601 By Florida State University Marching Chiefs. By Bill Brown and Jamie Christopherson. Arranged by AZSAP MUSiC. Historic. 2 pages. AZSAP MUSiC #895945. Published by AZSAP MUSiC (A0.1306601). Product Title: Florida State University War Chant - Violin and Cello Duet ArrangementProduct Description:Ignite the spirit of Florida State University with our stirring violin and cello duet arrangement of the iconic FSU War Chant. This rendition captures the fervor and energy of the original fight song, making it a perfect choice for events, gatherings, and performances that aim to celebrate the Seminoles' pride and tradition.Key Features:1. **Proud Tradition:** The FSU War Chant is a symbol of pride and tradition at Florida State University. Our violin and cello duet arrangement pays homage to the song's spirited nature, delivering a performance that is both powerful and inspiring.2. **Versatile Usage:** Whether you're planning an alumni reunion, a spirited sporting event, a campus celebration, or any gathering where Seminole pride shines, this arrangement sets the stage for an enthusiastic and unforgettable musical experience.3. **Professionally Notated:** Our sheet music is professionally notated, ensuring that both the violinist and cellist have meticulously crafted parts that harmonize seamlessly, resulting in a polished and expressive performance.4. **Room for Artistic Interpretation:** While staying true to the original's character, our arrangement allows for artistic interpretation, giving your ensemble the freedom to infuse their unique style and energy into the performance.5. **Instant Digital Download:** Skip the wait for physical sheet music. With digital access, you can instantly download the sheet music, making rehearsal and preparation convenient and efficient.Unite the Seminole community and celebrate the tradition of Florida State University with the spirited FSU War Chant performed by your violin and cello duet. This arrangement was thoughtfully designed to capture the essence of Seminole pride and tradition, offering a powerful and inspiring musical experience. Order your copy today and embark on a musical journey that ignites the spirit of FSU, leaving a lasting impression on your audience and enhancing the pride of the Seminole nation.
$4.99
4.52 €
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Violon, Violoncelle (duo)
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Florida State University Marching Chiefs
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AZSAP MUSiC
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War Chant
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AZSAP MUSiC
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SheetMusicPlus
'Changing Landscapes' suite for Eb or Bb saxophone & Piano by Emma Arandjelovi
Instrumental Solo,Piano,Saxophone - Level 4 - Digital Download SKU: A0.761542 Compo…
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Instrumental Solo,Piano,Saxophone - Level 4 - Digital Download SKU: A0.761542 Composed by Emma Arandjelović. 20th Century,Contemporary,Film/TV,Multicultural,World. Score and individual part. 39 pages. Masquerade Music #6120357. Published by Masquerade Music (A0.761542). Changing Landscapes for saxophone and piano was written by Scottish composer Emma Arandjelović and consists of three beautifully musically descriptive parts of a journey... It is aimed at saxophonists of around grade 4-6 level and is a refreshing addition to anyone's sheet music library.Two of the three pieces were recently chosen to be included on ABRSM's (The Associated Board of the Royal School of Music) Eb and Bb exam syllabus (from 2022 onwards). 'Leaving' as chosen for grade 7, and 'Changing Landscapes' for grade 6.Please view the YouTube video for the full suite. This PDF book comes with; Universal saxophone part (so playable on ANY saxophone), two piano accompaniment parts (one for Eb sax, the other for Bb sax) and full demonstration and accompaniment backing tracks (for both Eb, and Bb saxophones) which are available free of charge on request (see details on your sheet music after printing out). Leaving starts us on our travels, and you can feel the slightly optimistic viewpoint initially as the saxophone and piano playfully sing. A little later however it's as though doubts and anxieties have crept in... (included on Grade 7 ABRSM exams from 2022 onwards).Changing Landscapes (movement 2) propels us forward through twists and turns, almost as if the thoughts are in equal turmoil as the scenery that rushes by. By the end of the movement however, it's very much like these have been resolved, and a peace and newly found optimism is evident in the final movement. (included on Grade 6 ABRSM exams from 2022 onwards).Turning Point (movement 3) is both playful (with its 5/4 time signature) and full of hope as the future comes into view with fresh new beginnings.....
$12.50
11.33 €
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the end of the movement however, it's very much like these have been resolved, and a peace and newly found optimism is evident in the final movement
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Emma Arandjelović
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'Changing Landscapes' suite for Eb or Bb saxophone & Piano by Emma Arandjelovi
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Masquerade Music
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SheetMusicPlus
What Was I Made For?
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1268113 By Billie E…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1268113 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Trần. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #860672. Published by Dylan Trần (A0.1268113). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
5.44 €
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Chorale SATB
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Billie Eilish
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Dylan Trần
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
What Was I Made For?
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie E…
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Choral Choir,Choral (SSAA) - Level 2 - Digital Download SKU: A0.1280004 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Dylan Tran. A Cappella,Contemporary,Film/TV,Pop,Singer/Songwriter. 7 pages. Dylan Trần #871424. Published by Dylan Trần (A0.1280004). Accesible yet moving, this arrangement of What Was I Made For? from the blockbuster movie, Barbie, is fit for professional choir, college choir, community choir, highschool choir, a capella groups, vocal pop groups, and more. Renowned composer Dylan Trần uses idiomatic, yet evocative voicings that will immediately reward on first reading as well as in polished performance. Learn more at www.dylantranmusic.comHere's why your choir should embrace Billie Eilish's captivating music— (professional choir, large ensemble, small ensemble, community choir, college choir, highschool choir, pop a capella choir, etc.)Contemporary Relevance: Billie Eilish's music is a cultural phenomenon, deeply resonating with today's generation. By incorporating her songs into your repertoire, your choir can connect with younger audiences, enhancing its relevance and expanding its fan base.Empowering Lyrics: Billie Eilish's lyrics tackle meaningful and often profound subjects, from mental health to self-discovery and social issues. Singing her songs empowers your choir to explore important themes, fostering empathy and emotional depth in their performances.Dynamic Vocal Range: Billie Eilish's music offers a diverse range of vocal styles, from hauntingly soft whispers to powerful belting. Your choir members can showcase their versatility and vocal prowess, honing their skills and challenging their vocal boundaries.Artistic Expression: Embrace the opportunity for creative expression! Billie Eilish's music encourages innovative interpretations, allowing your choir to infuse each performance with its unique artistic flair and captivate audiences with fresh renditions.Fusion of Genres: With elements of pop, alternative, and electronic music, Billie Eilish's songs provide an exciting fusion of genres. Your choir can explore new musical horizons, enriching its repertoire and broadening its musical diversity.Emotional Resonance: Billie Eilish's music evokes a wide range of emotions, from introspection to empowerment. Singing her songs allows your choir to tap into these emotions, forging a deep connection with audiences and leaving a lasting impact.Collaborative Learning: Billie Eilish's intricate compositions present an excellent opportunity for collaborative learning within your choir. By working together to master the nuances of her music, your choir members can strengthen their bonds and elevate their collective musicality.Pushing Boundaries: Billie Eilish's music is known for its boundary-pushing and innovative soundscapes. Embracing her songs encourages your choir to explore new musical territories, pushing the boundaries of traditional choral performances.Embrace the audacious spirit of Billie Eilish's music and witness your choir's performances soar to unprecedented heights of creativity and artistry. Unleash the power of her captivating melodies and thought-provoking lyrics, leaving audiences awestruck and craving more of your choir's extraordinary renditions.
$6.00
5.44 €
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Chorale SSAA
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Billie Eilish
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Dylan Tran
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What Was I Made For?
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Dylan Trần
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SheetMusicPlus
Meditation on Ukrainian Folk Song "Cossack Is Leaving", Op. 112 (Organ Solo) by Vidas Pinkevicius
Orgue
Organ - Level 2 - Digital Download SKU: A0.1034273 Composed by Vidas Pinkevicius. C…
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Organ - Level 2 - Digital Download SKU: A0.1034273 Composed by Vidas Pinkevicius. Contemporary,Folk,Multicultural,Patriotic,World. Score. 3 pages. Vidas Pinkevicius #639616. Published by Vidas Pinkevicius (A0.1034273). This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as Козак вiд’їжджає (Kozak vidʺyizhdzhaye). This composition will work very well for meditative music during liturgy and/or concert setting.
$4.99
4.52 €
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Orgue
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Vidas Pinkevicius
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Meditation on Ukrainian Folk Song "Cossack Is Leaving", Op. 112
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Vidas Pinkevicius
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SheetMusicPlus
Farewell Celebration (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pages. Https://gildedmusicpress.com/ #758696. Published by https://gildedmusicpress.com/ (A0.1158678). The opening of this 4-minute piece is dance-like, intimating a celebratory mood up front—alone at first, but shared with the ensemble throughout the piece. After much celebration, the piece ends solemnly, as if giving each other final hugs and good-byes. Every Airman has a story to tell. “Farewell Celebration†is part of my story as an Airman musician. It is a fitting farewell to the Heartland of America Band stationed at Offutt Air Force Base in Bellevue, Nebraska, and to the entire American Midwest, as my family and I finalized our plans to uproot for an extraordinary three-year adventure in Asia. Work on this composition began toward the end of July and beginning of August 2021 as a melody with instructions to be the opening of a brass quintet piece, beginning with trumpet alone. It remained in that state until January 2022 when I entered this sketch into the computer to be worked on sporadically along with several other works in progress. When I contracted Covid-19 in July 2022, all of these works and other incipient pieces received attention, but this one more than most others. In the fall, I felt an urgency to complete it as a sentimental gesture of enthusiastic good-byes due to many life changes taking place. In particular, my fourth son, Paul, was departing for two years for Brazil. I was compelled to complete this work before he left on October 17, 2022, which I accomplished the day prior to his departure. In addition to Paul’s farewell, two co-workers with whom I had worked closely in the Air Force brass quintet called “Offutt Brass,†were also moving on with new exciting chapters in their lives. MSgt Ben Kadow, our fantastic trombonist, had received an assignment to move to Germany, leaving us on November 8. And MSgt Ryan Heseltine, our unparalleled French horn player, retired at the end of the year. On top of all that, in September I was given an assignment to move to Japan the following summer. Some farewells are more difficult to endure than others, though all seem to have varied brands of profound emotion. In contrast to saying good-bye to a loved one who passes away, all of these farewells were joyful, albeit poignant. “Farewell Celebration†is dedicated to my son Paul, to my outstanding professional colleagues, Ben Kadow and Ryan Heseltine, and to all our friends and family members who we left behind as we moved to Japan.
$24.95
22.62 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Farewell Celebration
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https://gildedmusicpress.com/
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SheetMusicPlus
Greek Wassail for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1379638 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1379638 By David Warin Solomons. By David Warin Solomons. Comedy,Contemporary. Full Performance. Duration 89. David Warin Solomons #964339. Published by David Warin Solomons (A0.1379638). Performed by the composer:A mock Greek dance (in 7/4 time) in the form of a drinking song, with a satirical message that tourism often involves drunken carousing and then requires some tidying up.Here we come a-wassailing among the olive trees. Here we come a-sailing from the fair Dodecanese. Leave your empty duty-free retsina on the shore and come with us a-wassailing, and we'll drink plenty more! Here they come a-wassailing among the olive trees. Here they come the tourists to the fair Dodecanese.Leaving empty duty-free retsina on the shore and coming here a-wassailing, and they'll drink plenty more!
$5.50
4.99 €
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David Warin Solomons
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Greek Wassail for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Wedding March, Op. 77, No. 2 (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1205322
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1205322 By Andrew Lamb. By Felix Alexandre Guilmant. Arranged by Andrew Lamb. 19th Century,Chamber,Wedding. 46 pages. Andrew Lamb #803510. Published by Andrew Lamb (A0.1205322). This arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by Alexandre Guilmant brings a touch of elegance and grandeur to any wedding ceremony. Crafted specifically for Brass Quintet, this arrangement beautifully captures the regal and celebratory spirit of the original composition.With its soaring melodies and rich harmonies, this rendition of the beloved Wedding March is perfect for accompanying the bride's entrance, recessional, or any other significant moment during the ceremony. The vibrant brass ensemble adds a resplendent quality to the performance, filling the space with a majestic sound that is sure to leave a lasting impression on both the couple and their guests.The arrangement showcases the brilliance and versatility of the brass instruments, allowing each member of the quintet to shine individually while blending harmoniously as a group. The trumpets add a brilliant fanfare-like quality, the horn provides warm and lyrical undertones, the trombone adds depth and resonance, and the tuba anchors the ensemble with its rich and sonorous bass lines.Whether performed by a professional ensemble or a talented group of amateur musicians, this arrangement of Wedding March guarantees to elevate the ambiance of any wedding ceremony. Its timeless beauty and joyful character will create a memorable and enchanting atmosphere, leaving a lasting impression on everyone present.Make your wedding day even more extraordinary with the resounding splendor of the Brass Quintet arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by Alexandre Guilmant. Celebrate this special occasion with a touch of musical brilliance that will forever be treasured.
$10.00
9.07 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Andrew Lamb
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Andrew Lamb
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Wedding March, Op. 77, No. 2
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Andrew Lamb
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SheetMusicPlus
Boy at Sea for TB and piano
Chorale 2 parties
Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1281812 Composed by Adrienne…
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Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea†time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
$1.99
1.8 €
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Chorale 2 parties
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Adrienne Inglis
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Boy at Sea for TB and piano
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Adrienne Inglis
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SheetMusicPlus
Seabiscuit's Run for solo piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.787299 Composed by Greg Bartholomew…
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Piano Solo - Level 4 - Digital Download SKU: A0.787299 Composed by Greg Bartholomew. 20th Century,Children,Concert,Contemporary. Score. 4 pages. Burke & Bagley #7785. Published by Burke & Bagley (A0.787299). Composed in 2014, SEABISCUIT'S RUN is an homage to the champion racehorse. This one-minute piece is dedicated to Mexican pianist Joel Juan Qui, who will give the premiere performance in 2015. A small horse, Seabiscuit had an inauspicious start to his racing career, but became an unlikely champion and a symbol of hope to many Americans during the Great Depression. He didn't run the leave-'em-in-the-dust races of other famous horses, but liked to intimidate and tease his opponents by looking them in the eye and then finally leaving them behind. He never quit, in spite of his small size, odd gait, and serious injury. Seabiscuit's career culminated in the 1938 Match of the Century against War Admiral at Pimlico Race Course. War Admiral was the favorite but Seabiscuit won by four lengths, and Seabiscuit was named American Horse of the Year for 1938. According to some, he got more press in 1938 than Franklin Roosevelt and Winston Churchill combined. A 2015 Piano Contest feature.
$4.49
4.07 €
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Piano seul
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Greg Bartholomew
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Seabiscuit's Run for solo piano
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Burke & Bagley
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SheetMusicPlus
She's Leaving Home
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.736300 By The Beatl…
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.736300 By The Beatles. By John Lennon and Paul McCartney. Arranged by Phyllis Avidan Louke. Pop,Rock. 23 pages. Louke Publishing #5541583. Published by Louke Publishing (A0.736300). Clarinet Choir She’s Leaving HomeProgram Notes This beautiful Lennon & McCartney song made famous by The Beatles, translates wonderfully to the scoring for Clarinet Choir or Quintet, and is faithful to the original arrangement. This arrangement can be performed with as few as 5 players or a full flute choir with multiple players on a part. It is scored for 3 Bb clarinets, Eb alto clarinet (Bb clarinet part included), and Bb bass clarinet (opt. contrabass). She’s Leaving Home was released on The Beatles’ 1967 album Sgt. Pepper's Lonely Hearts Club Band. Paul McCartney wrote and sang the verse and John Lennon wrote the chorus, which they sang together. The song’s instrumental background was performed entirely by a small string orchestra, and was one of only a few Beatles songs in which the members did not play any instruments on the recording. Pop, Rock, Beatles Phyllis Avidan Louke is an award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com
$14.50
13.15 €
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Ensemble de Clarinettes
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The Beatles
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Phyllis Avidan Louke
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She's Leaving Home
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Louke Publishing
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SheetMusicPlus
Folk Songs For Classical Guitar - Volume 20 (Songs 514-540)
Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156211 Comp…
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Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1156211 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 46 pages. Socrates Arvanitakis #756525. Published by Socrates Arvanitakis (A0.1156211). This is the twentieth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 20 (Songs 514-540)Lancashire Peace Egging Song (1)Lancashire Peace Egging Song (2)Lancashire Processional MorrisLand of the Silver BirchLark in the Morn (the)Last Valentine’s DayLavender Cries 1Lavender Cries 2Lay the bent to the bonny broomLeave her JohnnyLeaving of Liverpool (the)Leezie LindsayLemondayLeprehaun (the)Let Me in this Ae NightLi’l Liza JaneLiberty for the SailorsLilliburleroLily-white Boys (the)LimboLimejuice Ship (the)Lincolnshire PoacherLinden LeaLinstead MarketLisbon 1Lisbon 2Lisbon 3.
$25.00
22.67 €
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guitar - Volume 20
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Socrates Arvanitakis
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SheetMusicPlus
Communion (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1219630
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1219630 By Andrew Lamb. By William Faulkes (1863-1933). Arranged by Andrew Lamb. 19th Century,Chamber,Religious. 8 pages. Andrew Lamb #815994. Published by Andrew Lamb (A0.1219630). Title: CommunionComposer: William Faulkes (1863-1933)Arranger: Andrew LambDescription: This is a transcription of Andante Religioso by Henry Smith (1813-1879).William Faulkes was a renowned British composer and organist, born in 1863. He began his musical career as a choirboy at York Cathedral, where he developed his love for music. Faulkes went on to study music and became a distinguished organist, playing at prestigious cathedrals and churches throughout England. He also developed a reputation as a gifted composer, writing works for organ, choir, and orchestra. Faulkes’ music was known for its delicacy, simplicity, and expressive qualities. His work was admired by many, including the renowned composer Sir Edward Elgar. Faulkes was awarded numerous honours throughout his career, including the Order of the British Empire. He died in London in 1933, leaving behind a legacy of beautiful music that continues to inspire and delight music lovers to this day.
$6.00
5.44 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Andrew Lamb
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Andrew Lamb
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Communion
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Andrew Lamb
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SheetMusicPlus
Communion (for Wind Quintet)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1219628 By Andrew Lamb. By William Faulkes (1863-1933). Arranged by Andrew Lamb. 19th Century,Chamber,Christian,Religious. 10 pages. Andrew Lamb #815992. Published by Andrew Lamb (A0.1219628). Title: CommunionComposer: William Faulkes (1863-1933)Arranger: Andrew LambDescription: This is a transcription of Andante Religioso by Henry Smith (1813-1879).William Faulkes was a renowned British composer and organist, born in 1863. He began his musical career as a choirboy at York Cathedral, where he developed his love for music. Faulkes went on to study music and became a distinguished organist, playing at prestigious cathedrals and churches throughout England. He also developed a reputation as a gifted composer, writing works for organ, choir, and orchestra. Faulkes’ music was known for its delicacy, simplicity, and expressive qualities. His work was admired by many, including the renowned composer Sir Edward Elgar. Faulkes was awarded numerous honours throughout his career, including the Order of the British Empire. He died in London in 1933, leaving behind a legacy of beautiful music that continues to inspire and delight music lovers to this day.
$6.00
5.44 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Andrew Lamb
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Andrew Lamb
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Communion
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Andrew Lamb
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SheetMusicPlus
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