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Left Of Center

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65 partitions trouvées

Delusion of the Fury #having specially designed inst #Harry Partch #Delusion of the Fury #Schott Music - Digital #SheetMusicPlus

SKU: S9.Q21969 A Ritual of Dream and Delusion. Composed by Harry Partch. This edition: study score. Downloadable, Study score. Duration 75' 0. Sc...(+)

$55.99

King Of The Fairies - intermediate & 34 String Harp | McTelenn Harp Center #Harpe #FACILE #Celtique/Irlandais #Anon #Eve McTelenn #King Of The Fairies - intermed #Eve Rodolfi-McTelenn #SheetMusicPlus

Harp - Level 2 - SKU: A0.779307 Composed by Anon. Arranged by Eve McTelenn. Celtic. Score. 11 pages. Eve Rodolfi-McTelenn #6478809. Published by Eve Rod...(+)

$5.99

Gnossienne n°1 - Erik Satie - intermediate & 34 String Harp | McTelenn Harp Center #Harpe #FACILE #Classique #Contemporain #Erik Satie #Eve McTelenn #Gnossienne n°1 - Erik Sati #Eve Rodolfi-McTelenn #SheetMusicPlus

Harp - Level 2 - SKU: A0.779335 Composed by Erik Satie. Arranged by Eve McTelenn. Multicultural,Romantic Period,World. Score. 15 pages. Eve Rodolfi-McTe...(+)

$6.90

Isabeau s'y promène - intermediate & 34 String Harp | McTelenn Harp Center #Harpe #FACILE #Celtique/Irlandais #Folklorique/Traditionel #Eve McTelenn

#Anon #Eve McTelenn #Isabeau s'y promène - i #Eve Rodolfi-McTelenn #SheetMusicPlus

Harp - Level 2 - SKU: A0.779312 Composed by Anon. Arranged by Eve McTelenn. Celtic,Folk. Score. 11 pages. Eve Rodolfi-McTelenn #6487173. Published by Ev...(+)

Harp - Level 2 - SKU: A0.779312 Composed by Anon. Arranged by Eve McTelenn. Celtic,Folk. Score. 11 pages. Eve Rodolfi-McTelenn #6487173. Published by Eve Rodolfi-McTelenn (A0.779312). BASIC SCORE - without fingerings & Left hand HelpStyle - Folk Song - from the LP - The Lady and the Unicorn - By Eve McTelenn !!!!!!! Hello ! be careful, the musical version may be a bit different from the score version, but you will have no trouble finding the spirit of my arrangement! Level : intermediateKey : G MajorSheet Tune PDF- Instant Access -//////////////////////////////////////////////////Subscribe My youtube channel : https://www.youtube.com/user/evemctelennDo you want to learn Celtic harp from your home? Visit my new platform website et E-Shop - Breizh Harp Shop - Click Now !https://www.mctelennharpcenter.com

$6.99

Stella Splendens - intermediate & 34 String Harp | McTelenn Harp Center #Harpe #FACILE #Anon #Eve McTelenn #Stella Splendens - intermediat #Eve Rodolfi-McTelenn #SheetMusicPlus

Harp - Level 2 - SKU: A0.779313 Composed by Anon. Arranged by Eve McTelenn. Celtic,Classical. Score. 13 pages. Eve Rodolfi-McTelenn #6487221. Published ...(+)

Harp - Level 2 - SKU: A0.779313 Composed by Anon. Arranged by Eve McTelenn. Celtic,Classical. Score. 13 pages. Eve Rodolfi-McTelenn #6487221. Published by Eve Rodolfi-McTelenn (A0.779313). - Only Score / Juste la PartitionBASIC SCORE - without fingerings & Left hand HelpStyle - Medieval Song -Eve McTelenn's Version from the LP - The Lady and the Unicorn -Level : IntermediateKey : F Major / FA Maj - With One lever move -avec un levier Ã bouger - !!!!!!! Hello ! be careful, the musical version may be a bit different from the score version, but you will have no trouble finding the spirit of my arrangement! //////////////////////////////////////////////////////////////////Sheet Tune PDF - Instant Access -Discover the french LP - The lady and the Unicorn - on Bandcamphttps://evemctelenn.bandcamp.com/album/la-dame-la-licorne//////////////////////////////////////////////////Subscribe My youtube channel : https://www.youtube.com/user/evemctelennDo you want to learn Celtic harp from your home? Visit my new platform website et E-Shop - Breizh Harp SHop - Click Now !https://www.mctelennharpcenter.com

$6.99

I Left Her In New Hampshire #Piano, Voix #Lew Brown, Lewis F #I Left Her In New Hampshire #Smithsonian Institution #SheetMusicPlus

Piano/vocal - SKU: S8.AC0300-1000357 Composed by Lew Brown, Lewis F. Muir. Music from or about New Hampshire. From the Sam DeVincent Collection of Illus...(+)

Piano/vocal - SKU: S8.AC0300-1000357 Composed by Lew Brown, Lewis F. Muir. Music from or about New Hampshire. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 8.32: Geography - New Hampshire, Box 30, Folder B, Archives Center, National Museum of American History, Smithsonian Institution. 7 pages. Published by Smithsonian Institution (S8.AC0300-1000357). Sheet music published in 1915. About Sheet Music from the Smithsonian CollectionThe Smithsonian Collection: These official, high-quality facsimiles have been hand-picked from the Sam DeVincent Collection of Illustrated American Sheet Music in the Archives Center of the Smithsonian Institution and are available exclusively through Sheet Music Plus.The Smithsonian name and logo are registered trademarks of the Smithsonian Institution.

$5.99

Left Of Center #Folk Rock #Rock #Suzanne Vega Feat #Dan Wattis #Left Of Center #Dan Wattis #SheetMusicPlus

Instrumental Duet Bass Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1114758 By Suzanne Vega Feat. Joe Jackson. By Steve Addabbo and Suzanne Vega. ...(+)

Instrumental Duet Bass Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.1114758 By Suzanne Vega Feat. Joe Jackson. By Steve Addabbo and Suzanne Vega. Arranged by Dan Wattis. Folk,Pop,Rock. Score and parts. 4 pages. Dan Wattis #716623. Published by Dan Wattis (A0.1114758).

$14.99

Shchredryk Carol of the Bells #Noël #Mykola Leontovych #JulieAnn Smith #Shchredryk Carol of the Bells #JulieAnn Smith Music #SheetMusicPlus

Instrumental Duet Harp,Instrumental Duet,Piano - Level 3 - SKU: A0.899485 Composed by Mykola Leontovych. Arranged by JulieAnn Smith. Christmas,Classical...(+)

Instrumental Duet Harp,Instrumental Duet,Piano - Level 3 - SKU: A0.899485 Composed by Mykola Leontovych. Arranged by JulieAnn Smith. Christmas,Classical,Concert,Contemporary,Instructional. Score and parts. 4 pages. JulieAnn Smith Music #3234627. Published by JulieAnn Smith Music (A0.899485). Shchredryk; popularly known as Carol Of The Bells for 25/26 string harp, all larger harps & piano. Written for the 25/26 string harp; the harmonics & left hand resonate as if you are also playing bass hand bells. Using the center part of the piano; this piece is fun to play including some left hand over right hand passages. Great for teens. .

$3.99

Jag Minnes Dig - Medieval Swedish Love Song - intermediate & 34 String Harp | McTelenn Harp Center #Harpe #FACILE #Trad #Eve McTelenn #Jag Minnes Dig - Medieval Swed #Eve Rodolfi-McTelenn #SheetMusicPlus

Harp - Level 2 - SKU: A0.779279 Composed by Trad. Arranged by Eve McTelenn. Classical,World. Score. 10 pages. Eve Rodolfi-McTelenn #5041627. Published b...(+)

Harp - Level 2 - SKU: A0.779279 Composed by Trad. Arranged by Eve McTelenn. Classical,World. Score. 10 pages. Eve Rodolfi-McTelenn #5041627. Published by Eve Rodolfi-McTelenn (A0.779279). Jad Minnes Dig - Medieval Swedish Love Song- For Early Intermediate & 34 strings Harp + Fingerings + Left hand chords by Eve McTelenn - Only Score - For Early Intermediate - 4 Pages 1 Sheet Tune PDF- Instant Access -//////////////////////////////////////////////////Subscribe My youtube channel : https://www.youtube.com/user/evemctelennDo you want to learn Celtic harp from your home? Visit my new platform - Teachable - and subscribe to my program, hundreds of hours of videos! Click Now ! https://letsplayleverharp.teachable.com

$6.99

And It Came to Pass: Canticle for Countertenor and Piano on Passages from the Gospel of Luke (Downloadable) #Noël #Juliana Hall #And It Came to Pass: Canticle #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Countertenor voice and piano - Medium - SKU: MQ.8851-E Composed by Juliana Hall. Christmas. Instrument part. 32 pages. E. C. Schirmer Music Company - Di...(+)

Countertenor voice and piano - Medium - SKU: MQ.8851-E Composed by Juliana Hall. Christmas. Instrument part. 32 pages. E. C. Schirmer Music Company - Digital #8851-E. Published by E. C. Schirmer Music Company - Digital (MQ.8851-E). English.And It Came to Pass is a canticle (a musical setting of a Biblical text, in this case from the Gospel of Luke) designed like a triptych painting, but in music, in which the â€œleft panelâ€ or Prologue of the piece proclaims the promise of a Savior who will bring peace; the â€œcenter panelâ€â€”the body of the workâ€”shares the story of the birth of this Savior, Jesus; and the â€œright panelâ€ or Epilogue of the piece confirms that the speaker has now seen that salvation, that with the holy birth the promise has been fulfilled. This piece was first performed as part of a Christmas season â€œCeremony of Carolsâ€ celebration service and, as such, was initially conceived for use in a religious service; it could also, however, be successfully performed within a concert setting, as it is a work of musical storytelling. Duration: 15:00.

$16.95

Rumbaroque Duet for Two Cellos #2 Violoncelles (duo) #INTERMÉDIAIRE/AVANCÉ #Katherine L Fraser #Katherine L Fraser #Rumbaroque Duet for Two Cellos #Katherine L Fraser #SheetMusicPlus

Cello Duet Cello - Level 4 - SKU: A0.1227042 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Baroque,Classical,Contemporar...(+)

Cello Duet Cello - Level 4 - SKU: A0.1227042 By Katherine L Fraser. By Katherine L Fraser. Arranged by Katherine L Fraser. Baroque,Classical,Contemporary,Contest,Early Music,Festival. Score. 7 pages. Katherine L Fraser #823049. Published by Katherine L Fraser (A0.1227042). This duet is a little left of center, but it is fun to play.Â Â Suitable for cellists at the Intermediate level, and up.Â Ideal for general performances, or just for fun.Â If you know someone who plays the ukulele, they can join in with ukulele tremolo in the second movement.Â Audio and video are provided for an idea of tempo and dynamics.Â I hope you enjoy!

$4.99

Left of Center by Suzanne Vega - Piano/Vocal/Guitar, Singer Pro #Piano, Voix et Guitare #Suzanne Vega #Left of Center #Musicnotes

Performed by: Suzanne Vega: Left of Center Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (t...(+)

Performed by: Suzanne Vega: Left of Center Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 6 pages -- College Rock~~Pop Rock~~Alternative Pop/Rock~~New Wave

$5.79

Slumber Song Of Izumo - Japanese Lullaby - 27 Strings Harp Version - with Eve McTelenn's fingerings & Left hand #Harpe #FACILE #Contemporain #Asie #Anon #Eve McTelenn #Slumber Song Of Izumo - Japane #Eve McTelenn #SheetMusicPlus

Harp - Early Intermediate - Composed by Anon. Arranged by Eve McTelenn. World, Folk, Asian, Children's Music. 14 pages. Published by Eve McTelenn ...(+)

Harp - Early Intermediate - Composed by Anon. Arranged by Eve McTelenn. World, Folk, Asian, Children's Music. 14 pages. Published by Eve McTelenn
Learn at home
Left Hand Argt and Fingerings By Eve McTelenn

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Visit my new platform website et E-Shop - Breizh Harp SHop - Click Now !

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$5.99

Sovereign King - Trumpet Trio with Flexible Brass Group Score and Parts PDF #Flûte, Hautbois, Clarinette, Basson #INTERMÉDIAIRE #Mainz Gesangbuch #Brendan Elliget MAGA 527 #Duration 2:10 mins #Sovereign King - Trumpet Trio #BJE Music #SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.750835 Composed by Mainz Gesangbuch (1870). Arranged by Brendan Elliget MAGA 527...(+)

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.750835 Composed by Mainz Gesangbuch (1870). Arranged by Brendan Elliget MAGA 527. Christian,Christmas. Score and parts. 15 pages. BJE Music #3685431. Published by BJE Music (A0.750835). This is an arrangement of the tune ICH GLAUB AN GOTT (To Jesus Christ Our Sovereign King) by Mainz Gesangbuch (1870) featuring a Trumpet Trio and a Flexible Brass Group accompaniment. Originally written for two trumpets and organ. The trumpets could be placed at three different areas of a stage: right, left and center for example. Each part could be played by more than one player. There are many other arrangements of this piece at this site including Orchestra, Concert Band, Brass Band, Brass Quartet, Trumpet Trio and Organ, and Clarinet Quartet.Grade = 3 Duration 2:10 mins

$10.00

Sovereign King - Trumpet Trio with Organ Score and Parts PDF #3 Trompettes (trio) #INTERMÉDIAIRE #Noël #Mainz Gesangbuch #Brendan Elliget MAGA 537 #Sovereign King - Trumpet Trio #BJE Music #SheetMusicPlus

Brass Ensemble Trumpet - Level 3 - SKU: A0.750834 Composed by Mainz Gesangbuch (1870). Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts....(+)

Brass Ensemble Trumpet - Level 3 - SKU: A0.750834 Composed by Mainz Gesangbuch (1870). Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 17 pages. BJE Music #3685373. Published by BJE Music (A0.750834). This is an arrangement of the tune ICH GLAUB AN GOTT (To Jesus Christ Our Sovereign King) by Mainz Gesangbuch (1870) featuring a Trumpet Trio and organ. Originally written for two trumpets and organ. The trumpets could be placed at three different areas of a stage: right, left and center for example. Each part could be played by more than one player...This arrangement is also available for Orchestra, Brass Band, Concert Band, Brass Quartet and Clarinet Quartet.The MP3 was recorded with NotePerformer 3. Grade = 3Â Duration = 2 mins. Â

$8.50

A Letter From The Girl You Left Behind #Chorale TTBB #J #A Letter From The Girl You Lef #Smithsonian Institution #SheetMusicPlus

TTBB choir - Composed by J.A. Parks. From the Sam DeVincent Collection of Illustrated American Sheet Music, Unproccessed Series: Box 601A, Folder Parks' Progra...(+)

TTBB choir - Composed by J.A. Parks. From the Sam DeVincent Collection of Illustrated American Sheet Music, Unproccessed Series: Box 601A, Folder Parks' Program Quartets Number 3, Archives Center, National Museum of American History, Smithsonian Institution. Barbershop. 7 pages. Published by Smithsonian Institution

$5.99

Sonata No. 6 "Kharkiv", Op. 48 #Guitare #AVANCÉ #Classique #Konstantin Bliokh #Sonata No. 6 "Kharkiv", Op. 48 #Les Productions d'OZ - Digital #SheetMusicPlus

Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...(+)

Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate nÂ° 6 Kharkiv pour guitare solo a Ã©tÃ© composÃ©e en 2021, Ã la fin du confinement liÃ© au COVID-19. Ã? ce moment-lÃ , ma famille et moi Ã©tions restÃ©s dans notre ville natale de Kharkiv (Ã©galement connue sous le nom de Kharkov), en Ukraine, pendant prÃ¨s de deux ans. Nous considÃ©rions cette pÃ©riode de pandÃ©mie comme un dÃ©sastre, mais nous avons rÃ©alisÃ© plus tard que c'Ã©tait en fait un moment plutÃ´t heureux, car la guerre est arrivÃ©e dans notre pays quelques mois plus tard. Depuis 2022, une fraction considÃ©rable des 1,5 million de citoyens de Kharkiv ont quittÃ© leur foyer, ceux qui sont restÃ©s vivent sous des attaques incessantes de missiles, et beaucoup ont Ã©tÃ© tuÃ©s. Je voudrais dÃ©dier cette Sonate Ã la ville frontaliÃ¨re de Kharkiv et, surtout, Ã ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spÃ©cifique. Ici, je donnerai un bref aperÃ§u de ses principaux Ã©lÃ©ments de composition pour faciliter les interprÃ©tations futures.Les premier et quatriÃ¨me mouvements de cette Sonate sont basÃ©s sur l'interaction entre le principe dodÃ©caphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basÃ© sur l'interaction de la triade de sol majeur Solâ??Siâ??RÃ© des cordes de guitare Ã vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (Ã l'origine sur la premiÃ¨re corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (Ã l'origine sur la corde de basse 6). Ces Ã©lÃ©ments se complÃ¨tent presque pour former douze tons (Ã l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato oÃ¹ chaque note de la triade de sol majeur est dÃ©placÃ©e pas Ã pas d'un demi-ton vers le haut ou vers le bas.Le deuxiÃ¨me mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentuÃ©s et des passages rapides, ainsi qu'un mouvement mÃ©lodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisiÃ¨me mouvement est un Adagio mÃ©ditatif basÃ© sur un thÃ¨me composÃ© dans l'Ã©chelle hexatonique RÃ©â??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse Ã vide Miâ??Laâ??RÃ© et le demi-ton Siâ??Do.Enfin, le quatriÃ¨me mouvement est basÃ© sur le thÃ¨me dodÃ©caphonique complet composÃ© de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??RÃ© et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thÃ¨me est prÃ©sentÃ© dans ses formes prime et rÃ©trograde. Il y a des dialogues entre la premiÃ¨re corde, les basses et les cordes mÃ©dianes Ã vide, similaires au premier mouvement. Ã? son apogÃ©e, le thÃ¨me dodÃ©caphonique est interprÃ©tÃ© en utilisant le mouvement parallÃ¨le de l'accord de sol majeur standard de la guitare avec les cordes mÃ©dianes Ã vide sur douze positions.La Sonate a Ã©tÃ© crÃ©Ã©e en premiÃ¨re et enregistrÃ©e (CD Naxos No. 8.574630) par le cÃ©lÃ¨bre guitariste ukrainien Marko Topchii, qui a Ã©galement vÃ©cu et Ã©tudiÃ© Ã Kharkiv. Je lui suis extrÃªmement reconnaissant pour l'interprÃ©tation brillante de cette piÃ¨ce.Je suis trÃ¨s redevable envers Productions d'Oz d'avoir conservÃ© mes notations originales lÃ oÃ¹ celles-ci ne correspondent pas au style de l'Ã©diteur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.

$7.95

BEING3 (2021) for solo violin #Violon #INTERMÉDIAIRE/AVANCÉ #Rocco Di Pietro #BEING3 #Rocco Di Pietro #SheetMusicPlus

Violin Solo - Level 4 - SKU: A0.1290937 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. 5 pages. Rocco Di Pietro #881623. Publ...(+)

Violin Solo - Level 4 - SKU: A0.1290937 Composed by Rocco Di Pietro. 21st Century,Chamber,Classical,Contemporary. 5 pages. Rocco Di Pietro #881623. Published by Rocco Di Pietro (A0.1290937). The Genealogy of the â€œBeingâ€ PiecesBeingOn a poem by Georges Bataille called â€œGodâ€ in which Bataille states that â€œif God knewhe was God he would cease to be God. Therefore God is a-theist, profoundly so.â€ ForSATB mixed chorus, a capella. (Los Angeles, CA. 2004).Being MirrorThe Bataille text is hidden with only a few fragments left due to the generalimpossibleness of choral ensembles worldwide. For menâ€™s chorus and chamberensemble. (Palo Alto, CA. 2014).PrayerAs the third movement of the cello symphony The Art of Imaginal Listening. Batailleâ€™stext is renounced, the chorus reduced to syllables. For womenâ€™s chorus and orchestra.(Clarence Center, N.Y. 2014).Lost PrayerSince the text cannot be revealed, the Prayer is lost. The choral element is renouncedcompletely. For string orchestra or string quintet. (Clarence Center, N.Y. 2016).Lost Prayer2Expanding on all the possible choral and instrumental timbres, the cycle continues forwind instruments. For concert wind band. (Columbus, OH. 2019).Being3The last work in the cycle for a solo player, completes the project ending in agnosis. Forsolo violin. (Columbus, OH. 2021).

$12.00

Jacques Leguerney: Impromptu for piano #Piano seul #INTERMÉDIAIRE #Jacques Leguerney #Jacques Leguerney: Impromptu f #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.533319 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 12 pages. Musik Fabrik Music Publishing #234...(+)

Piano Solo - Level 3 - SKU: A0.533319 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 12 pages. Musik Fabrik Music Publishing #2343097. Published by Musik Fabrik Music Publishing (A0.533319). This charming piano solo was first performed by its dedicatee, Jacques Leguerneyâ€™s good friend and muse ThÃ©rÃ¨se Cahen (1897-1944), in the Salle Debussy-Pleyel. They met around 1925. Cahen was the first person outside of his family to encourage his musical aspirations. For years, they met every Saturday to read through and discuss his music. She not only helped him with piano and harmony, but also performed his early chamber works, recruiting from her entourage to help him find high level interpreters for his music. Other early Leguerney works that she premiered included the Trio pour violon, violoncello et piano; the Sonatine pour flÃ»te et piano; and two vocal chamber works presented by the SociÃ©tÃ© Musicale IndÃ©pendente (S. M. I.), Epitaphe guerriÃ¨re and Clair de lune for voice, flute and piano. Their friendship lasted until Cahen was deported from Paris on July 31, 1944, only a few weeks prior to the Liberation of Paris. Working with the Center of the Union GÃ©nÃ©rale des IsraÃ©lites de France in Saint-MandÃ© (a Parisian suburb), ThÃ©rÃ¨se Cahen had dedicated herself to the care of children of deported French parents. She left Paris with these children in the Convoy 77, and was taken to the gas chamber of Auschwitz. She left a letter for him, along with her grand piano, which remained in his apartment until his death.My dear Jacques,It is impossible to write on this little page how much I have appreciated your kindness toward me for years and years, and how much happiness this has given me: there have been thousands of Saturdays, and I thought of them every day of the week. Probably you didnâ€™t realize the influence you have had on me: it seems that my whole personality, my way of thinking and feeling has been transformed by you; it is a very deep imprint. If I am taken and in consequence you read this letter, tell yourself that I will continue to count the Saturdays in order to have an idea of the number of songs composed during my absence and that I will be delighted to hear them when I return. If I donâ€™t return, I definitely want you to keep my piano but I donâ€™t think it will happen and I say that I will see you soon.Very tenderly,ThÃ©rÃ¨sePS Speaking of tenderness, I think with emotion about the little passage concerning tenderness in your latest song.[La Fontaine dâ€™HÃ©lÃ¨ne]

$10.35

Sweet Betsy Sonatina #Piano seul #INTERMÉDIAIRE #Thomas Coker #Sweet Betsy Sonatina #Thomas Rembert Coker Jr #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.933610 Composed by Thomas Coker. 20th Century,Instructional,Standards. Score. 9 pages. Thomas Rembert Coker Jr #3503503. ...(+)

Piano Solo - Level 3 - SKU: A0.933610 Composed by Thomas Coker. 20th Century,Instructional,Standards. Score. 9 pages. Thomas Rembert Coker Jr #3503503. Published by Thomas Rembert Coker Jr (A0.933610). To quote Wikipedia: Sweet Betsy from Pike is an American ballad about the trials of a pioneer named Betsy and her lover Ike who migrate from Pike County (Missouri?) to California. The cover art here is drawn by artist, Kaytha Coker Potts, whose image captures the imagined Betsy and Ike as they cross rivers, plains, and mountains on the way to California. The music for the various movements of Sweet Betsy, similarly, can be seen as musical pictures of this harrowing yet thrilling trip. Movement I pictures a joyful determination to make the trip, accompanied by energy enough to make the early struggles endurable. Movement II pictures rest and reflection. The evening comes when one thinks through the events of the day with peace and anticipation of continuing the journey tomorrow. Movement III paints the joy of the journey with the end in sight. High energy and much joy is found here.This sonatina was inspired by â€“ and in many ways patterned after â€“ Dmitri Kabalevskyâ€™s Sonatina Op. 13, No. 1. The first movement, Allegretto, imitates Kabalevskyâ€™s use of the arch phrase in which two bars are mirrored by the following two bars. As the movement progresses, the tempo adjusts to meet continuing challenges â€“ all filled with energy. In the second movement, Introspection Andante, one takes the time to rest and reflect and, in so doing, to find the mental and musical balance needed on a journey as well as in music. Movement III, the sonatinaâ€™s name sake, is in rondo form and rollicks along in b minor and 6/8 meter. The tune, Sweet Betsy, always in mind yet unstated, finally erupts three times in the center section, first in the left hand (in B Major), then a second time (in F Major) before appearing in the right hand (in C# Major) while accompanied (in B Major) in the left hand. The resulting conflicting tonalities are followed by a transitional sixteenth note run leading back to the first theme in b minor as the rondo plays out.

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