Great exercises and tune selections, an outstanding addition to the learning material for harp. Formerly in two volumes, now nicely combined into a 60-page method, this superb collection of exercises and songs can be used for all harps, though the range is specifically for small harps. Exercises are simple and move slowly, developing a solid technique. The book is meant to be used under the guidance of a harp instructor. Fingerings and brackets are well marked, songs are well known, aiding in learning! Tunes are laid out well.

Contains: Drink to Me Only, Amazing Grace, London Bridge, Lavender?s Blue, Cockles and Mussels, Hints of Christmas (a one-page medley that is easy and impressive!), Susy Little Susy, Ode to Joy, Brahms? Lullaby, Kum-ba-yah, We Three Kings, For He?s a Jolly Good Fellow, Crusader?s Hymn, Potpourri (an original tune using many of the techniques found in the book), and Untraveled Path, a tune by one of Ms. Drake?s theory students, arranged for small harp.

"It is five o'clock, Paris awakens" (Il est 5h, Paris s'�veille) is an iconic 1968 French song by singer-songwriter Jacques Dutronc. It has been covered by artists such as Sylvie Vartan, Jacques Le Glou, Ange, Zaz and An Pierl�, and was voted the best French-language single of all time, beating Jacques Brel's "Ne me quitte pas" into second place. The song features a famous, playful flute solo improvised by renowned classical flutist Roger Bourdin on the day of the recording.

Flutist Myriam Darme and harpist Maia Darme of ?Travers�es? arranged the hit for flute and harp duet. This is the version they perform live in concert, as heard in their Youtube music video (https://youtu.be/hEkwpnmKm0U). The harp handles the melody and upbeat accompaniment while the flute responds with an elaborate birdlike counterpoint.

The PDF file includes both the score and parts. Suitable for intermediate-advanced students as well professionals looking for an entertaining yet virtuosic addition to their repertoire. Duration: 2?10 without repeats.

More arrangements and recordings by flute and harp duet ?Travers�es? are available at www.ensembletravers�es.com.

Excellent arrangements, upper intermediate to advanced. Each song segues seamlessly from one to the next with nifty modulations. These tunes have been specifically designed for using lever harp.
Table of Contents:
The First Nowell, It Came Upon a Midnight Clear, Away In A Manger, Hark! The Herald Angels Sing, Angels We Have Heard, Silent Night, O Come Emmanuel, Coventry Carol, Of The Father's Love Begotten, Let All Mortal Flesh Keep Silence, We Three Kings, What Child Is This, God Rest Ye, Good King Wenceslas, He Is Born, Ding Dong Merrily On High, Here We Come A-Wassailing, Deck the Hall.

Solo arrangements of medieval and Renaissance music, from cantigas (13th century Spain) to popular dance tunes from the 16th and 17th centuries. There are two ensembles (for 3 harps): a well-known Praetorius 'Courante' and the Cantiga 282, which has been performed at Somerset and WAFHS.
Table of Contents:
Cantigas de Santa Maria No. 29 , 56, 100, and 282, French Chanson, Avana alla venetiana, Balletto, belo da balar, Branle Pinagay , Nido d'Amore, Doria Colonna, Il Bianco Fiore, Pavaniglia , Italiana, Le Campane di Parigi, Spagnoletta, Courante from Praetorius, Combien que J'aie ensoie.

Excellent arrangements, upper intermediate to advanced. Each song segues seamlessly from one to the next with nifty modulations. Written expressly for pedal harp.
Table of Contents:
The First Nowell, It Came Upon a Midnight Clear, Away In A Manger, Hark! The Herald Angels Sing, Angels We Have Heard, Silent Night, O Come Emmanuel, Coventry Carol, Of The Father's Love Begotten, Let All Mortal Flesh Keep Silence, We Three Kings, What Child Is This, God Rest Ye, Good King Wenceslas, He Is Born, Ding Dong Merrily On High, Here We Come A-Wassailing, Deck the Hall.

A collection of ten Christmas carols from five nationalities: Austria, Czechoslovakia, England, Ireland and Poland, playable on pedal or lever harp with accidentals clearly marked for levers and/or pedals. Modulations and interludes are included for smooth transitions between pieces. A set of lead sheets is included at the end of the collection which are marked with rehearsal letter indications, repeat signs for multiple verses, interludes and modulations.
Titles: Still, Still, Still, Come, All Ye Shepherds, Rocking, Away in a Manger (Wm James Kirkpatrick melody - this is the melody the Mormon Tabernacle Choir does, sometimes known as the 3rd version), In the Bleak Midwinter, The Holly and the Ivy, The Snow Lay on the Ground, Infant Holy, Infant Lowly, Lullaby, Jesus, O Come Rejoicing.

Harp solo of Let it snow with Variations. Suitable for lever & pedal harp.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she is specialized in playing Popharp. She has made many arrangements of Popsongs.

"La Source" is a cornerstone in the pedal harp literature. Written in 1898 by the Belgian-born French composer Alphonse Hasselmans, this etude has become a favorite of all harpists, thanks to its tender melody and its rich and luscious harmonies.Now you can also play it on a lever harp.
This paraphrase preserves the two principal themes, the first in F major and the second in D minor.
The sections with the wider modulations are rewritten using original fragments rearranged in a new order.
The accompaniment is slightly simplified into arpeggiated triplets.
Very few lever changes are required.
Inside the book you will also find a reduced score (melody with chords symbols) printed on only two pages. This is a useful reminder tool for your study sessions and performances.