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Libera Me from

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Libera Me from Faure Requiem in D Minor Op.48 Arranged for Solo Piano #Piano seul #Dirk Chan #Dirk Chan #Libera Me from Faure Requiem i #Dirk Chan Music Pty Ltd #SheetMusicPlus

Piano Solo - SKU: A0.1337362 By Dirk Chan. By Gabriel Faure. Arranged by Dirk Chan. 19th Century,Classical,Religious,Romantic Period,Sacred. Score. 4 pa...(+)

$11.99

Libera Me from "Requiem" (Faure) - Brass Band #Gabriel Fauré, Gabriel Faure #Rob Bushnell #Libera Me from "Requiem&q #Rob Bushnell #SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...(+)

$44.99

Libera Me from the Faure Requiem #Classique #Gabriel Faure #Joe Williams #Libera Me from the Faure Requi #Joe Williams #SheetMusicPlus

String Ensemble Violin - Level 3 - SKU: A0.1103112 Composed by Gabriel Faure. Arranged by Joe Williams. Classical,Romantic Period. Score and parts. 34 p...(+)

$6.99

Libera Me from "Requiem" #Ensemble de Trombones #INTERMÉDIAIRE #Gabriel Faure #Robert Hendrickson #Libera Me from "Requiem&q #Rob Hendrickson #SheetMusicPlus

Trombone Ensemble Trombone - Level 3 - SKU: A0.1214934 By Gabriel Faure. By Gabriel Faure. Arranged by Robert Hendrickson. 19th Century,Christian,Classi...(+)

$1.99

DIES IRAE from REQUIEM by G. Verdi #Quatuor de Cuivres : 2 trompettes, trombone, tuba #FACILE #Giuseppe Verdi #Alessandro MacrÃ¬ #DIES IRAE from REQUIEM by G. V #Music Macri Editions #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.931249 Composed by Giuseppe Verdi. Arranged by Alessandro MacrÃ¬. A Cappella,Concert,Fil...(+)

$9.00

Libera Me, Domine (SAB) Piano Accompaniment Track #Accompagnement Piano #Carol Troutman Wiggins #Carol Troutman Wiggins #Libera Me, Domine #Carol Troutman Wiggins #SheetMusicPlus

Choir,Piano - SKU: A0.1065754 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Christian,Contemporary,Sacred,Spiritual. Accompani...(+)

$3.99

Libera Me, Domine (SAB) #Chorale 3 parties #INTERMÉDIAIRE #Carol Troutman Wiggins #Carol Troutman Wiggins #Libera Me, Domine #Carol Troutman Wiggins #SheetMusicPlus

Choral Choir (SAB) - Level 3 - SKU: A0.727564 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Christian,Classical,Instructional,...(+)

$2.50

Fauré - Libera me domine - Arr. for Baritone solo (no choir) #Voix Baryton, Piano #INTERMÉDIAIRE/AVANCÉ #Classique #Gabriel Faure #David Burkhard #Fauré - Libera me domin #David Burkhard #SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.914880 Composed by Gabriel Faure. Arranged by David Burkhard. Concert,Contemporary,Romantic Period...(+)

$1.99

Pie Jesu/Libera Me #Ensemble de cuivres #Classique #Gabriel Faure #John Wilson, Paul Hanna #Pie Jesu/Libera Me #TBQ Press #SheetMusicPlus

Brass Ensemble - SKU: A0.757172 Composed by Gabriel Faure. Arranged by John Wilson, Paul Hanna. Christian,Contemporary,Romantic Period,Sacred. Score and...(+)

$23.00

Sanctus from "Requiem" for Trombone Octet #Ensemble de Trombones #AVANCÉ #Giuseppe Verdi #Malmstrom, Randall #Sanctus from "Requiem&quo #Gordon Cherry #SheetMusicPlus

Brass Ensemble Trombone - Level 5 - SKU: A0.810826 Composed by Giuseppe Verdi. Arranged by Malmstrom, Randall. Christian,Opera,Romantic Period,Sacred,Sp...(+)

$15.00

"4.Libera me" from Requiem for mixed choir, baryton, oboe, double-bass (amplified) & percussion #Chorale SATB #AVANCÉ #Kim Nandfred #"4.Libera me" from R #Kim Nandfred #SheetMusicPlus

Choral Choir (SATB) - Level 5 - SKU: A0.1021597 Composed by Kim Nandfred. Christian. Octavo. 8 pages. Kim Nandfred #6104085. Published by Kim Nandfred (...(+)

$6.00

ATON part 17-Interlude and Chorus of the Liberals #Orchestre de chambre #INTERMÉDIAIRE/AVANCÉ #David Warin Solomons #ATON part 17-Interlude and Cho #David Warin Solomons #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.576199 Composed by David Warin Solomons. Contemporary,Opera. Score and parts. 48 pages. David Warin Solomons #5617...(+)

$5.00

Libera Me - Theme from "Carlito's Way" #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Film/TV #Patrick Doyle #Mikael Carlsson #Libera Me - Theme from "Carlit #Carlssons Kluster #SheetMusicPlus

SATB - Advanced Intermediate - By Patrick Doyle. Arranged by Mikael Carlsson. Octavo, Score. 9 pages. Published by Carlssons Kluster ...(+)

$3.99

Faure: Requiem Op.48: I. Introit et Kyrie - brass quintet #Quatuor de Cuivres : 2 trompettes, trombone, tuba #INTERMÉDIAIRE #Classique #Gabriel Faure #Ray Thompson #ff #Faure: Requiem Op.48: I. Intro #RayThompsonMusic #SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.553458 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Christian,Contemp...(+)

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.553458 Composed by Gabriel Faure. Arranged by Ray Thompson. 20th Century,Christian,Contemporary,Sacred. Score and parts. 10 pages. RayThompsonMusic #2918103. Published by RayThompsonMusic (A0.553458). Arranged for standard brass quintet.very effective piece for brass...alternating bars of p & ff .The vocal solo in the Kyrie is given to trumpet 1 in the main...I have also reduced the instrumention in places, rather than tutti throughout.Check out my other brass quintet of Libera Me from the Requiem.

$6.95

Requiem #Orchestre de chambre #Harald Weiss #Requiem #Schott Music - Digital #SheetMusicPlus

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es war...(+)

Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... Â· Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin â€¢ German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of â€œletting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: â€œI will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though â€œin an oceanâ€ of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: â€œSo teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boyâ€™s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent â€œlux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: â€œEntreiÃŸ dich, Seele, nun der Zeit, entreiÃŸ dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgenâ€ [â€œTear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: â€œUnd die Seele unbewacht will in freien FlÃ¼gen schweben, um im Zauberkreis der Nacht tief und tausendfach zu lebenâ€ [â€œAnd the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: â€œUnd meine Seele spannte weit ihre FlÃ¼gel aus. Flog durch die stillen Lande, als flÃ¶ge sie nach Hausâ€ [â€œAnd my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethovenâ€™s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my â€œrenewedâ€ occupation with the â€œoldâ€ country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a â€œhomecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) Â· 2 (2. auch Engl. Hr.) Â· 1 (auch Bassklar.) Â· 0 - 2 Â· Flhr. Â· 0 Â· 0 - P. S. (Glsp. Â· RÃ¶hrengl. Â· Gongs Â· Trgl. Â· Beck. Â· Tamt. Â· 2 Holzschlitztr. (oder Woodbl.) Â· Woodbl. Â· gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 Â· 4 Â· 4 Â· 4 Â· 2).

$55.99

Veni Creator Spiritus (Downloadable) #Chorale SSAATTBB #Robert Kyr #Veni Creator Spiritus #E. C. Schirmer Music Company - Digital #SheetMusicPlus

SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.8748-E Composed by Robert Kyr. 32 pages. Duration 5 minutes, 40 seconds. E....(+)

SSAATTBB choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.8748-E Composed by Robert Kyr. 32 pages. Duration 5 minutes, 40 seconds. E. C. Schirmer Music Company - Digital #8748-E. Published by E. C. Schirmer Music Company - Digital (MQ.8748-E). Latin.A setting of a composite text by the composer which combines passages from a variety of sources: the Requiem service (Dies irae, Libera me), the Mass (Agnus Dei qui tollis, Agnus Dei dona nobis pacem), and from a hymn attributed to the Benedictine theologian Maurus (776-856) Veni Creator Spiritus. The images of destruction that begin the work are gradually transformed through an invocation of the energies of creation, as the music of the first half (in minor mode) dissolves into the bright music of the conclusion (in major mode). Duration 5:40.

$3.35

Requiem Octet ... In Memoriam Gunther Schuller (2015) for flute, clarinet, 2 bassoons, 2 trumpets, 2 #Thomas Oboe Lee #Requiem Octet ... In Memoriam #Thomas Oboe Lee #SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contempora...(+)

Small Ensemble Bassoon,Clarinet,Flute,Trombone,Trumpet - Level 4 - SKU: A0.869389 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 39 pages. Thomas Oboe Lee #431995. Published by Thomas Oboe Lee (A0.869389). I was in the midst of composing this octet for Eric Hewitt and the Boston Conservatory Wind Ensemble when I heard that Gunther Schuller died, on Sunday June 21, 2015. Gunther was my first composition teacher when I was a graduate student at the New England Conservatory of Music in Boston. On impulse I decided to redirect this work to Gunther Schuller, in memoriam. The title is Requiem Octet. All the melodies in the octet are coupled with the Latin text from the requiem. There are eight movements. 1. Requiem aeternam ... 2. Dies irae, dies illa ... 3. Tuba mirum ... 4. Recordare ... 5. Confutatis maledictis ... 6. Lacrimosa ... 7. Libera me ... 8. In paradisum ...RIP, Gunther Schuller, 1925-2015.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/requiem-octet-in-memoriam-gunther-schuller-2015

$9.99

Skimrande Var Aldrig Havet #Piano seul #INTERMÉDIAIRE #Mariage/Ballade #Evert Axel Taube #Ingunn Ligaarden #Skimrande Var Aldrig Havet #Ingunn Ligaarden #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1045197 Composed by Evert Axel Taube. Arranged by Ingunn Ligaarden. Wedding. Score. 2 pages. Ingunn Ligaarden #649777. Pu...(+)

Piano Solo - Level 3 - SKU: A0.1045197 Composed by Evert Axel Taube. Arranged by Ingunn Ligaarden. Wedding. Score. 2 pages. Ingunn Ligaarden #649777. Published by Ingunn Ligaarden (A0.1045197). Evert Taube (1890-1976) was a Swedish author, composer and singer. This is an arrangement for piano solo of one of his most well-known and beloved songs, SÃ¥ skimrande var aldrig havet, made by Ingunn Ligaarden - pianist, organist, composer - https://ingunn.se Never did the sea shimmer And never did the shore seem as liberating Never did the fields, the meadows and the trees appear as beautiful And never did the flowers spread their precious fragrance As when you were walking by my side Towards the sunset That wonderful evening When your curly hair hid me from the world While you drowned every one of my sorrows Darling In your very first kiss.

$4.99

A Child's Thoughts at Advent #Chorale 3 parties #INTERMÉDIAIRE #Richard Joseph Barber #A Child's Thoughts at Advent #Barber Music Company #SheetMusicPlus

Choral Choir (SSA) - Level 3 - SKU: A0.915692 Composed by Richard Joseph Barber. Christian,Christmas,Contemporary,Sacred,Spiritual. Octavo. 4 pages. Bar...(+)

Choral Choir (SSA) - Level 3 - SKU: A0.915692 Composed by Richard Joseph Barber. Christian,Christmas,Contemporary,Sacred,Spiritual. Octavo. 4 pages. Barber Music Company #3868873. Published by Barber Music Company (A0.915692). Voicing: Three-part children's or treble choir or trio. Duration: 2:12. Use: If you have a well trained children's choir with members who are confident about their vocal ranges, especially on the top end, this will sound beautiful with a children's choir. It also works with a women's trio or choir. As the name indicates, it will work in worship services during the Advent season. Mood and Style: Legato and essentially soft. There should be a nice ebb and flow of dynamics but always within the context of soft. I had the sound of Libera in mind when I composed this piece. Please share your thoughts, comments or questions about this piece with me. I would love to hear from you. Dick Barber: aspiringtunerrjb@sbcglobal.

$2.00

Estrellita #Piano seul #AVANCÉ #Liberace #Timothy Stapay #Estrellita #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1215199 By Liberace. By Manuel Ponce. Arranged by Timothy Stapay. Film/TV,Folk,Singer/Songwriter,Standards,Traditional. S...(+)

Piano Solo - Level 5 - SKU: A0.1215199 By Liberace. By Manuel Ponce. Arranged by Timothy Stapay. Film/TV,Folk,Singer/Songwriter,Standards,Traditional. Score. 8 pages. Timothy Stapay #812071. Published by Timothy Stapay (A0.1215199). This is an arrangement of the traditional Mexican folk song, Estrellita as played by piano artist, Liberace.Â This is from a very early and rare album called Songs My Mother Taught Me.Tender, romantic, and so elementally lovely that it seems we have carried this melody inside us all our lives â€” thatâ€™s Estrellita, the â€œlittle starâ€ that is surely one of the most popular songs in the world. Estrellita was composed by Manuel Ponce, a 20th-century Mexican composer, who grew up in a musical family and received his musical training from his parents. It is the single work for which he is best known.According to widely accepted tradition, the ineffably lovely melody of Estrellita came to Ponce in a burst of romantic inspiration in a quiet moment as he beheld his wife.Lyrics:Little star, of the distant sky,you see my pain, you know my suffering.Come down and tell me if you love me stillbecause sad alone is this heartthat asks for love from you.Â You are my star, a beacon of love.You alone can give light to the heart.Little star, tell me you still love mebecause sad alone is this heartthat desires love from you.Â Â You are my star, a beacon of love.You alone can give light to the heart.Little star, tell me you still love mebecause sad alone is this heartthat desires love from you.

$7.99

St. Louis Blues #Piano seul #AVANCÉ #W #Timothy Stapay #St. Louis Blues #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 page...(+)

Piano Solo - Level 5 - SKU: A0.1224471 Composed by W.C. Handy. Arranged by Timothy Stapay. Blues,Film/TV,Jazz,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #820575. Published by Timothy Stapay (A0.1224471). This arrangement of St. Louis Blues is written as performed by piano artist, Liberace.Â He performed this on his t.v. show and record albums.Â The Saint Louis Blues (or St. Louis Blues) is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Liberace, and the Boston Pops Orchestra (under the directions of both Arthur Fiedler and Keith Lockhart) are among the artists who have recorded it.Â Lyrics:I hate to see that evening sun go down,Â I hate to see that evening sun go down,Â 'Cause my lovin' baby done left this town.Â If I feel tomorrow, like I feel today,Â If I feel tomorrow, like I feel today,Â I'm gonna pack my trunk and make my getaway.Â Oh, that St. Louis woman, with her diamond rings,Â She pulls my man around by her apron strings.Â And if it wasn't for powder and her store-bought hair,Â Oh, that man of mine wouldn't go nowhere.Â I got those St. Louis blues, just as blue as I can be,Â Oh, my man's got a heart like a rock cast in the sea,Â Or else he wouldn't have gone so far from me.Â I love my man like a schoolboy loves his pie,Â Like a Kentucky colonel loves his rocker and ryeÂ I'll love my man until the day I die, Lord, Lord.Â I got the St. Louis blues, just as blue as I can be, Lord, Lord!Â That man's got a heart like a rock cast in the sea,Â Or else he wouldn't have gone so far from me.Â I got those St. Louis blues, I got the blues, I got the blues, I got the blues,Â My man's got a heart like a rock cast in the sea,Â Or else he wouldn't have gone so far from me, Lord, Lord!WÅ‚adziu Valentino Liberace (May 16, 1919 â€“ February 4, 1987) was an American pianist, singer, and actor.Â A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

$8.99

Blue Moon #Piano seul #AVANCÉ #Elvis Presley #Timothy Stapay/Liberace #Blue Moon #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1198287 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,...(+)

Piano Solo - Level 5 - SKU: A0.1198287 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #797475. Published by Timothy Stapay (A0.1198287). Blue Moon is arranged as played by famous piano artist, Liberace.Â This piano solo arrangement has all of the runs and ornamentations; just as performed by this legendary pianist.Blue Moon is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad.Â Blue Moon became an international number-one hit for the doo-wop group the Marcels, on the Billboard 100 chart and in the UK Singles Chart, and later that same year, an instrumental version by the Ventures charted at No. 54. Over the years, Blue Moon has been covered by many artists, including versions by Frank Sinatra, Jo Stafford, Ella Fitzgerald, Elvis Presley, Bobby Vinton, Sam Cooke, the Platters, Liberace, Dean Martin, Yvonne De Carlo, the Supremes, Cyndi Lauper, New Edition, Bob Dylan, Chromatics, and Rod Stewart.Â See Lyrics below:Blue moon, you saw me standin' aloneWithout a dream in my heart, without a love of my ownBlue moon, you knew just what I was there forYou heard me sayin' a prayer forSomeone I really could care forAnd then there suddenly appeared before meThe only one my arms will holdI heard somebody whisper please adore meAnd when I looked, the moon had turned to goldBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownAnd then there suddenly appeared before meThe only one my arms will ever holdI heard somebody whisper please adore meAnd when I looked, the moon had turned to goldBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownBlue moon, now I'm no longer aloneWithout a dream in my heartWithout a love of my ownWÅ‚adziu Valentino Liberace(May 16, 1919 â€“ February 4, 1987) was an American pianist, singer, and actor.Â A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

$8.99

(they Long To Be) Close To You #Piano seul #AVANCÉ #The Carpenters #Timothy Stapay #(they Long To Be) Close To You #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwrite...(+)

Piano Solo - Level 5 - SKU: A0.1230943 By The Carpenters. By Burt Bacharach and Hal David. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #826633. Published by Timothy Stapay (A0.1230943). This arrangement of Close To You is written as performed by famous piano artist, Liberace.(They Long to Be) Close to You is a song written by Burt Bacharach and Hal David. The best-known version is that recorded by American duo the Carpenters for their second studio album Close to You (1970) and produced by Jack Daugherty. Released on May 14, 1970, the single topped both the US Billboard Hot 100 and Adult Contemporary charts. It also reached the top of the Canadian and Australian charts and peaked at number six on the charts of both the UK and Ireland. The record was certified gold by the Recording Industry Association of America (RIAA) in August 1970.Â Lyrics:[Verse 1]Why do birds suddenly appearEvery time you are near?Just like me, they long to beClose to you[Verse 2]Why do stars fall down from the skyEvery time you walk by?Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blue[Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to you[Bridge]On the day that you were born the angels got togetherAnd decided to create a dream come trueSo they sprinkled moon dust in your hair of goldAnd starlight in your eyes of blueÂ [Verse 3]That is why all the girls in town (Girls in town)Follow you (Follow you) all around (All around)Just like me, they long to beClose to youJust like me (Just like me), they long to beClose to you[Outro]Wha, close to youWha, close to youHa, close to youWha, close to youWha, close to youWha, close to youWha, close to youWhaWÅ‚adziu Valentino Liberace(May 16, 1919 â€“ February 4, 1987) was an American pianist, singer, and actor.Â A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!

$8.99

Brazil #Piano seul #AVANCÉ #The Ritchie Family #Timothy Stapay/Liberace #Brazil #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Latin,S...(+)

Piano Solo - Level 5 - SKU: A0.1217783 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Timothy Stapay/Liberace. Film/TV,Jazz,Latin,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #814316. Published by Timothy Stapay (A0.1217783). This arrangement of Brazil is written as performed by famous piano artist, Liberace.Â This is the same version that he performed on his emmy-award winning TV. show and in concerts around the world.Aquarela do Brasil (Portuguese: [akwaËˆÉ¾É›lÉ du bÉ¾aËˆziw], 'Watercolor of Brazil'), written by Ary Barroso in 1939 and known in the English-speaking world simply as Brazil, is one of the most famous Brazilian songs.Â Ary Barroso wrote Aquarela do Brasil in early 1939, when he was prevented from leaving his home one rainy night due to a heavy storm. Its title, a reference to watercolor painting, is a clear reference to the rain. He also wrote TrÃªs lÃ¡grimas (Three Teardrops) on that same night, before the rain ended.Describing the song in an interview to Marisa Lira, of the newspaper DiÃ¡rio de NotÃcias, Barroso said that he wanted to free the samba away from the tragedies of life, of the sensual scenario already so explored. According to the composer, he felt all the greatness, the value and the wealth of our land, reliving the tradition of the national panels.WÅ‚adziu Valentino Liberace (May 16, 1919 â€“ February 4, 1987) was an American pianist, singer, and actor.Â A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:Brazil, where hearts were entertaining JuneWe stood beneath an amber moonAnd softly murmured Someday soonWe kissed and clung togetherThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the skies aboveRecalling thrills of our loveThere's one thing I'm certain ofReturn, I will, to old BrazilThen, tomorrow was another dayThe morning found me miles awayWith still a million things to sayNow, when twilight dims the sky aboveRecalling thrills of our loveThere's one thing that I'm certain ofReturn, I will, to old BrazilThat old BrazilMan, it's old in BrazilBrazil, Brazil

$8.99

Mon Homme #Piano seul #AVANCÉ #Edith Piaf #Timothy Stapay/Liberace #Mon Homme #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broa...(+)

Piano Solo - Level 5 - SKU: A0.1434239 By Edith Piaf. By Albert Willemetz, Jacques Charles, and Maurice Yvain. Arranged by Timothy Stapay/Liberace. Broadway,Contest,Festival,Film/TV,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #1014454. Published by Timothy Stapay (A0.1434239). Mon Homme (My Man) is the famous song sung by Barbra Streisand in the movie Funny Girl It is arranged as performed by Barbra's good friend, Liberace. Liberace helped give Barbra Streisand her start in the early days of Las Vegas and he recognized her talent very early.My Man, is a popular song first published in 1920. The song was originally composed by Maurice Yvain with French lyrics by Jacques-Charles (Jacques Mardochée Charles) and Albert Willemetz. The English lyrics were written by Channing Pollock. Funny Girl is a 1968 American biographical-musical film directed by William Wyler and written by Isobel Lennart, adapted from her book for the stage musical of the same title. It is loosely based on the life and career of comedienne Fanny Brice.A major critical and commercial success, Funny Girl became the highest-grossing film of 1968 in the United States and received eight Academy Award nominations. Streisand won Best Actress, tying with Katharine Hepburn (The Lion in Winter). In 2006, the American Film Institute ranked the film No. 16 on its list commemorating AFI's Greatest Movie Musicals.[FANNY]Oh, my man, I love him so[FANNY, spoken]He'll never knowAll my life is just despairBut I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am his[FANNY]Forever moreIt cost me a lot but that's one thing that I've gotIt's my manCold and wet tired you betBut all that I soon forget, with my manHe's not much for looksAnd no hero out of books, he's my manTwo or three girls has heThat he likes as well as me but I love himOh my man I love him so, he'll never knowAll my life is just despair but I don't careWhen he takes me in his armsThe world is bright, alrightWhat's the difference if I say I'll go awayWhen I know I'll come back on my knees somedayFor whatever my man is, I am hisForever more.

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