ISBN 9781619118799.

Minor Blues Harmonica includes introductory material for new players on holding the harmonica, achieving a single note, and common techniques that sound great on the instrument. Not-so-new players will enjoy learning new songs at their current skill levels. Intermediate players will benefit from learning to play in 3rd Position to broaden their options while performing. Players at a more advanced level will learn to play in minor keysaa challenge for harmonica players, but less difficult in 3rd Position. In this book weall explore the killer sounds that 3rd Position has to offer, focusing on the following areas: 1) New players will learn to play single notes and moving around the harmonica with good tone. 2) Learning to improvise in 3rd Position in an intuitive way, even for beginners. 3) Learning astudya songs to play by yourself and at blues jams. These songs also provide valuable licks to help develop your own improvisational vocabulary. 4) An overview of music theory to help you understand whatas technically going on. (This is at the end of the book, so itas not required in order to play the examples.) 5) A chapter for the more advanced players to learn how to play the lower octave of the harmonica in 3rd Position (requires good bending skills). Youall need a C Major Diatonic Harmonica for this book and recording. Recordings of all the examples are played by author David Barrett. Includes access to online audio.

ISBN 9781610652117.

Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as 'The Wind Cries Mary', Little Wing', and 'Castles Made of Sand'), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressionsChord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, RandB, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to 'stand alone'; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. Audio download available online. Standard notation and tablature.