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Life in the Rear View Mirror
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Vous avez sélectionné:
Life in the Rear View Mirror
Partitions à imprimer
2 partitions trouvées
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Life in the Rear View Mirror
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Clarinette et Alto
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AVANCÉ
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Contemporain
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Amy Dunker
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5:00
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Life in the Rear View Mirror
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Amy Dunker
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 5 - SKU: A0.969894 Composed by Amy Dunker. 20th Century,Concert,Contemporary. Score and parts...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 5 - SKU: A0.969894 Composed by Amy Dunker. 20th Century,Concert,Contemporary. Score and parts. 18 pages. Amy Dunker #6417551. Published by Amy Dunker (A0.969894). Life in the Rear View Mirror is a short musical commentary on the changes one goes through in life.Duration: 5:00
$10.00
Sonata Franckoniana
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99
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