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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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CORNEMUSE
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FORMATION MUSI…
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PIANO & CLAVIERS
Piano seul
502
Piano, Voix et Guitare
301
Piano, Voix
191
Piano Facile
123
1 Piano, 4 mains
56
Piano (partie séparée)
34
Instruments en Do
23
Accompagnement Piano
17
Orgue
16
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
6
Piano Trio: piano, violon, violoncelle
4
Accordéon
4
2 Pianos, 4 mains
2
Orgue, Piano (duo)
1
Clavier
1
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GUITARES
Guitare notes et tablatures
122
Ligne De Mélodie, (Paroles) et Accords
64
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39
Guitare
32
Guitare (partie séparée)
27
Ukulele
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Basse electrique
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Guitare, Violon, Violoncelle (trio)
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Piano, Guitare (duo)
1
Guitare, Flûte, Clarinette
1
Mandoline
1
Dulcimer
1
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VOIX
Chorale SATB
253
Chorale 3 parties
198
Chorale 2 parties
143
Chorale TTBB
93
Chorale
71
Chorale Unison
37
Chorale SSAA
18
Voix duo, Piano
13
Voix Alto, Piano
5
Voix duo
3
Voix seule
2
Voix Tenor
2
Voix moyenne, Piano
2
Voix Soprano, Piano
1
Chorale SSATB
1
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VENTS
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389
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316
Flute (partie séparée)
99
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62
Flûte traversière et Piano
52
Hautbois, Piano (duo)
50
Flûte traversière
49
Clarinette et Piano
46
Clarinette
46
2 Saxophones (duo)
44
Saxophone Alto
40
Saxophone Alto et Piano
38
Quatuor de Saxophones: 4 saxophones
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
32
Flûte, Hautbois, Clarinette, Basson
26
Saxophone Tenor et Piano
23
Hautbois
23
2 Clarinettes (duo)
21
2 Flûtes traversières (duo)
18
Quintette de Saxophone: 5 saxophones
17
Saxophone Soprano et Piano
17
Saxophone Baryton, Piano
15
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette Basse
11
2 Hautbois (duo)
11
Quatuor de Flûtes : 4 flûtes
9
Flûte à bec Soprano
8
Saxophone Tenor
8
Saxophone Soprano
6
3 Saxophones (trio)
6
Flûte, Clarinette (duo)
5
Saxophone Baryton
4
Piccolo
4
Quintette de Clarinettes: 5 clarinettes
4
Cor anglais, Piano
4
Trio de Flûtes: 3 flûtes
4
Clarinette Basse, Piano
3
Hautbois, Violoncelle
3
Flûte, Violoncelle
3
Instruments en Mib
3
Flûte à Bec
3
Flûte, Clarinette et Basson
3
Ensemble de Clarinettes
3
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Basson (duo)
3
Clarinette et Alto
2
Clarinette, Violoncelle (duo)
2
Hautbois et alto (duo)
2
Flûte, Alto (duo)
2
Hautbois, Flûte
2
Flûte à bec Alto
2
Flûte à bec Tenor
2
Clarinette, Basson (duo)
2
2 Saxophones, Piano
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Basson
2
Quatuor de Flûtes à bec
2
Flûte, Violon
2
Ensemble de saxophones
2
Hautbois, Clarinette (duo)
2
Ensemble de Flûtes
1
Piccolo, Piano
1
2 Clarinettes, Piano
1
Hautbois, violon (duo)
1
Flûte à Bec, Piano
1
Hautbois, Basson et Piano
1
3 Flûtes à bec (trio)
1
2 Flûte à bec (duo)
1
Clarinette, Violon (duo)
1
5 Flûtes à bec
1
Cor Anglais
1
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CUIVRES
Trompette (partie séparée)
283
Trombone (partie séparée)
229
Cor (partie séparée)
147
Tuba (partie séparée)
58
Trompette, Piano
47
Cor et Piano
44
Trompette
38
Cor
29
Trombone et Piano
25
Tuba et Piano
25
Trombone
24
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Tuba ou Euphonium ou Saxhorn
16
2 Trombones (duo)
14
2 Trompettes (duo)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Tuba
13
Quatuor de Cuivres
12
2 Cors (duo)
9
Euphonium, Piano (duo)
7
Trompette, Trombone (duo)
5
2 Tubas (duo)
5
Trompette, Cor (duo)
4
Bass Clef Instruments
4
G Instruments
4
Cor anglais, Piano
4
Quatuor de cuivres: 4 trombones
3
Instruments en Sib
3
Ensemble de Trombones
2
2 Euphoniums (duo)
2
Cornet A Pistons
2
Quatuor de cuivres: 4 cors
2
4 Tubas
2
3 Trompettes (trio)
2
Ensemble de Cors
2
Trombone, Tuba (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Trombone, Cor (duo)
1
Trompette, violon (duo)
1
Trompette et Guitare
1
Trombone basse et Piano
1
Ensemble de Tubas
1
Ensemble de Trompettes
1
3 Cors (trio)
1
Cor, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor Anglais
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
117
Contrebasse (partie séparée)
83
Violon (partie séparée)
82
Violon et Piano
65
Violon
57
Violoncelle (partie séparée)
50
Violoncelle, Piano
47
Alto, Piano
47
Alto seul
26
Contre Basse
26
Alto (partie séparée)
25
Violon, Violoncelle (duo)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Contrebasse, Piano (duo)
17
2 Violons (duo)
15
Trio à Cordes: violon, alto, violoncelle
14
2 Violoncelles (duo)
13
Violoncelle
9
Harpe
9
Violon, Alto (duo)
9
2 Altos (duo)
8
Violon, Guitare (duo)
7
Quatuor à cordes : 4 altos
5
Trio à Cordes: 2 violons, violoncelle
4
Alto, Violoncelle (duo)
4
2 Harpes (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 altos
2
2 Contrebasses (duo)
2
Trio à cordes
2
Trio à cordes: 3 violins
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
1
Violon, Basson (duo)
1
4 Violoncelles
1
Harpe (partie séparée)
1
Harpe, Flûte (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1028
Percussion (partie séparée)
228
Orchestre
201
Orchestre à Cordes
74
Batterie (partie séparée)
38
Fanfare
35
Ensemble Jazz
32
Timbales (partie séparée)
31
Timbales
23
Percussion
20
Batterie
18
Cloches
16
Orchestre de chambre
15
Ensemble de cuivres
14
Ensemble de Percussions
7
Jazz combo
4
Xylophone
3
Vibraphone
1
Marimba
1
Vibraphone et Marimba
1
Vibraphone (partie séparée)
1
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AUTRES
Vous avez sélectionné:
Lights
Guitare
Partitions à imprimer
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Lights of Chanukah
Guitare
Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1128104 Composed by Tradi…
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Easy Guitar (no TAB) - Level 2 - Digital Download SKU: A0.1128104 Composed by Traditional Jewish Folk Song. Arranged by Gail CM Gordon Chang. Folk,Hanukkah,Holiday,Jewish,Traditional. Score. 6 pages. Gail CM Gordon Chang #728720. Published by Gail CM Gordon Chang (A0.1128104). Lights of Chanukah is arranged for a Guitar Quartet Ensemble in E minor. Score and 4 parts are included. No lyrics.
$1.99
1.86 €
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Guitare
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Traditional Jewish Folk Song
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Gail CM Gordon Chang
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Lights of Chanukah
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Gail CM Gordon Chang
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SheetMusicPlus
O You Little Candle Lights by Traditional - Guitar Tab
Guitare
Traditional - O You Little Candle Lights - O Ir Kleine Lichtelech - Guitar Solo in D minor…
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Traditional - O You Little Candle Lights - O Ir Kleine Lichtelech - Guitar Solo in D minor Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement does not contain lyrics), scoring: Instrumental Solo;Guitar Tab, instruments: Guitar; 1 pages -- Holiday & Special Occasion~~Jewish~~Chanukah~~Fingerpicking
$3.99
3.72 €
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Guitare
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Guitar Tab
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Musicnotes
Blinding Lights
Guitare
Easy Guitar (no TAB) - Interactive Download SKU: HX.1283836 By The Weeknd. This edi…
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Easy Guitar (no TAB) - Interactive Download SKU: HX.1283836 By The Weeknd. This edition: Interactive Download,scorch. Dance,Pop. Score. 2 pages. Hal Leonard - Digital #317382. Published by Hal Leonard - Digital (HX.1283836).
$2.99
2.79 €
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Guitare
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The Weeknd
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Blinding Lights
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Hal Leonard - Digital
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SheetMusicPlus
I Still Call Australia Home
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arrang…
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Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional,World. 31 pages. Milhomusic #942151. Published by Milhomusic (A0.1357622). I Still Call Australia Home - A Captivating Musical Journey for Choir and Guitar Orchestra by Rafael MilhomemIt is with immense pride that we present the sheet music for Rafael Milhomem's vibrant and passionate arrangement of Peter Allen's iconic I Still Call Australia Home. This brilliant work is a musical celebration of Australia, transforming Allen's timeless melody into a unique experience for choir and guitar orchestra.Arrangement Highlights:Celebrating Australian Identity: Milhomem's arrangement captures the essence of the original song, enriching it with emotional nuances and a distinctive touch, creating an atmosphere that resonates with the Australian soul.Captivating Interaction between Choir and Guitar Orchestra: The sheet music highlights a magical fusion of angelic voices and the vibrant strings of guitars, resulting in an engaging and memorable sonic experience.Eclectic Structure: Milhomem's ability to blend classical and contemporary elements provides a unique and emotionally rich interpretation of the piece, suitable for a variety of musical contexts.About the Arranger: Renowned for his passionate performances and innovative arrangements, Rafael Milhomem has invested his meticulous craftsmanship and passion into this creation. His artistic vision and technical prowess shine through, elevating the musical experience to new heights.Technical Information:Instrumentation: Choir and Guitar OrchestraApproximate Duration: [2´11´´]Experience the Australian Musical Magic: By acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience. Contact us for more details on how to make this captivating work part of your repertoire.We appreciate your consideration and look forward to contributing to the elevation of your musical expression.Check out another sheet music by Rafael Milhomem!!!#Classicalguitar #Guitarorquestra #guitarquartet #Guitarensemble #Choirandguitar #Childorchestra #Choir.
$8.00
7.47 €
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Guitare
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acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience
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Peter Allen
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Rafael Milhomem
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I Still Call Australia Home
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Milhomusic
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SheetMusicPlus
Twelve Studies in 12 Major Keys for Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak…
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Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #4312085. Published by Kenneth Pasciak (A0.820286). Twelve Studies in 12 Major Keys features twelve etudes for solo guitar. Each unique etude features a different major key, including rarely seen keys such as F#, Db, Ab, Eb and Bb. Beginning with a rag in C Major, Twelve Studies takes the performer through each key by ascending fifths. Highlights include: 2-against-3 study in G, a Terry Riley inspired etude in D, an up tempo waltz in Db, a quintuplet study in Eb and an Astor Piazzolla inspired piece in F major. For intermediate to advanced guitarists. Kenneth Pasciak Music Publishing, ASCAP
$6.99
6.52 €
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Guitare
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Kenneth Pasciak
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Twelve Studies in 12 Major Keys for Guitar
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Kenneth Pasciak
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SheetMusicPlus
Killing Me Softly With His Song
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1354614 By Roberta Flack. By Charl…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1354614 By Roberta Flack. By Charles Fox and Norman Gimbel. Arranged by Paul Smith. 20th Century,Classical,Hip-Hop,Singer/Songwriter,Standards. Individual part. 2 pages. Conservatory Radio USA #939308. Published by Conservatory Radio USA (A0.1354614). Arranged for the Solo GuitarHighlights modern elevated fretboard techniqueVideo by Rec.Today
$9.99
9.32 €
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Guitare
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Roberta Flack
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Paul Smith
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Killing Me Softly With His Song
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Conservatory Radio USA
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SheetMusicPlus
Another Brick In The Wall, Part 2
Guitare
Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters.…
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Guitar - Level 3 - Digital Download SKU: A0.1355903 By Pink Floyd. By Roger Waters. Arranged by Rafael Milhomem. Classical,Contemporary,Rock,Singer/Songwriter,Traditional. 22 pages. Milhomusic #940626. Published by Milhomusic (A0.1355903). Exploring Classics with Innovation: Another Brick in the Wall, Part 2 for Guitar QuartetYou are invited to embark on a unique musical journey with our vibrant and innovative arrangement of Pink Floyd's classic Another Brick in the Wall, Part 2, specially crafted for a guitar quartet. This renowned piece, already ingrained in the collective musical imagination, takes on new life in the skilled hands of our guitarists.Arrangement Highlights:Respect for the Original Essence: Our arrangement captures the emotional essence and powerful message of the original song, maintaining the integrity of Pink Floyd's masterpiece.Expressiveness of the Guitars: Each guitar plays a crucial role in recreating this classic, providing a unique and nuanced auditory experience.Versatility for Guitar Orchestra: Aside from being ideal for guitar quartets, this arrangement easily adapts for a guitar orchestra, allowing for an expansive and grand interpretation.Important Note: Our arrangement stands out for its unique approach, excluding the transcription of the guitar solo. However, we acknowledge that interested parties can easily access the guitar solo transcription in a PDF format available online to integrate, if desired.Rediscover a Classic: By choosing our arrangement of Another Brick in the Wall, Part 2, you're investing not only in an exceptional musical performance but also in an opportunity to offer your audience a renewed perspective on one of rock's greatest hits.Technical Information:Duration: [3´20´´]Availability: [intermediate]Don't miss the chance to add a distinctive piece to your repertoire. Contact us for more details and discover how our arrangement can elevate your musical performance to new heights.We look forward to being part of this exceptional musical journey with you!#Classicalguitar #guitarquartet #guitarorchestra #Pinkfloyd #Guitararragements.
$6.00
5.6 €
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Guitare
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Pink Floyd
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Rafael Milhomem
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Another Brick In The Wall, Part 2
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Milhomusic
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SheetMusicPlus
Cool Coals
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1252859 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1252859 Composed by Doug Smith. 20th Century,21st Century,Classical,Contemporary,Instructional. Individual part. 6 pages. Doug Smith Guitar Studio #846661. Published by Doug Smith Guitar Studio (A0.1252859). Cool Coals highlights the character of the 3rd or G' String of the guitar. The melody is played going up and down on the G string while an accompaniment weaves around the melody note.
$1.99
1.86 €
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Guitare
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Doug Smith
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Cool Coals
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Doug Smith Guitar Studio
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.53 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Minuet in G (BWV Anh. 114)
Guitare
Solo Guitar - Level 2 - Digital Download SKU: A0.1269356 Composed by Christian Petz…
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Solo Guitar - Level 2 - Digital Download SKU: A0.1269356 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861876. Published by All Music (A0.1269356). This is a guitar arrangement of the first minuet (BWV Anh. 114) from a suite for harpsichord by Christian Petzold (1677 - 1733), which was included in the 1725 Notebook for Anna Magdalena Bach and previously attributed to Johann Sebastian Bach (1685 - 1750). The arrangement was meticulously transcribed for the guitar by Pedro Abreu in 2013, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach.Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar. The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.When played together with the Minuet in G minor (BWV Anh. 115), this arrangement offers a glimpse into the suite's elegant and charming character, which is emblematic of the Baroque era.
$3.00
2.8 €
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Guitare
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Christian Petzold
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Pedro Abreu
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Minuet in G
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All Music
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SheetMusicPlus
Canon K230
Guitare
Guitar - Level 1 - Digital Download SKU: A0.1243117 Composed by Wolfgang Amadeus Mo…
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Guitar - Level 1 - Digital Download SKU: A0.1243117 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical. 6 pages. Andre_Nusa #838155. Published by Andre_Nusa (A0.1243117). Immerse yourself in the enchanting melodies of Mozart's Canon K. 230 with this mesmerizing arrangement. This sheet music captures the timeless allure and intricate interplay of the original composition, allowing you to experience Mozart's musical brilliance in a new light. Specifically tailored for acoustic guitar duo, this arrangement showcases the essence of Canon K. 230 with precision and elegance. The two instruments blend seamlessly, creating a rich and resonant sound that highlights the depth and complexity of Mozart's composition. Perfect for performances, recitals, or chamber music enthusiasts, this arrangement offers an opportunity to showcase the talents of acoustic guitar, bringing the beauty of Canon K. 230 to life for your audience. The interplay between the instruments creates a captivating musical dialogue, accentuating the unique tonal colors and expressive capabilities of the two instruments. The sheet music includes standard notation and tablature.
$4.99
4.66 €
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Guitare
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Wolfgang Amadeus Mozart
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André Nusa
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Canon K230
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Andre_Nusa
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SheetMusicPlus
Blue-Eyed Billy-Bob Brown Blues
Guitare
Guitar - Level 3 - Digital Download SKU: A0.497972 By Brett Watchorn. By Brett Watc…
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Guitar - Level 3 - Digital Download SKU: A0.497972 By Brett Watchorn. By Brett Watchorn. Arranged by Brett Watchorn. Blues,Classical,Contemporary,Contest,Festival,Traditional. 8 pages. Brave Music Australia Publishing #111645. Published by Brave Music Australia Publishing (A0.497972). Blue-Eyed Billy-Bob Brown Blues is a fun and swanky blues shuffle for an intermediate guitar trio. The song is remeniscient of classic 12-bar blues tunes with a slight 1950's rock 'n roll edge. This piece is sure to get the audience toes tapping, and the players should have some fun too. Guitar 3 functions as a bass player, with walking bass lines and some groovy little licks. Guitar 1 features solos and melody highlights. Guitar 2 functions as the harmoniser, but also has some counter-melodies and licks too. --- Key: G blues --- Tempo: Recorded at 100bpm --- Time signature: 4/4 --- Feel: Blues shuffle --- Form: In A A B A --- bravemusicaustralia.com.au --- Sunglasses essential! ð.
$4.99
4.66 €
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Guitare
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Brett Watchorn
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Brett Watchorn
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Blue-Eyed Billy-Bob Brown Blues
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Brave Music Australia Publishing
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.53 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Etude No. 1 for guitar
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1014955 Composed by Benedic Justin…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1014955 Composed by Benedic Justine Velasco. Contemporary,Instructional,Latin. Individual part. 2 pages. Benedic Justine Velasco #4572575. Published by Benedic Justine Velasco (A0.1014955). A short study piece for building melodic and expressive quality of the right thumb, and its versatility in switching from a main voice to an accompanying one. May be used as a connecting piece after Villa-lobos' Prelude No. 1 which highlights the thumb as well. Approximately 2:00.
$2.49
2.32 €
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Guitare
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Benedic Justine Velasco
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Etude No. 1 for guitar
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Benedic Justine Velasco
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.53 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Prelude Op.9 No.1
Guitare
Solo Guitar - Digital Download SKU: A0.899138 Composed by A. Scriabin. Arranged by …
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Solo Guitar - Digital Download SKU: A0.899138 Composed by A. Scriabin. Arranged by Rod Whittle. 20th Century. Individual part. 1 pages. Maggie Creek Music #4349093. Published by Maggie Creek Music (A0.899138). for solo classical guitar (tremolo) 3 pp (4 min.)Alexander Scriabin 1872-1915 Some relevant facts about Scriabin are: He was Russian â he was born and died in Moscow. He was a child prodigy of the piano, and a great admirer of Chopin. His piano and orchestral compositions are finely crafted, the latter uniting aesthetics with religion. Both are naturally laced with the Russian temperament, and show an embrace of the harmonic revolution of his time. The prelude (Op.9 No.1) is an early piece exhibiting Scriabin's melodic flair. It's form is a kind of condensed sonata â ABA with a coda. The 'B' section of roving, moderately distant, harmonies, and the 'coda' with its binding bass line are equal to the theme, as they should be. I am very fond of the tremolo style, and here it highlights the marvelous counterpoint of the piece.
$5.00
4.67 €
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Guitare
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A
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Rod Whittle
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Prelude Op.9 No.1
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â¦'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.53 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Minuet in G minor (BWV Anh. 115)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1269357 Composed by Christian Petz…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1269357 Composed by Christian Petzold. Arranged by Pedro Abreu. Baroque. Individual part. 1 pages. All Music #861877. Published by All Music (A0.1269357). This is a guitar arrangement of one of the two minuets (BWV Anh. 114 and 115) from a suite for harpsichord by Christian Petzold (1677 - 1733), which were included in the 1725 Notebook for Anna Magdalena Bach and thus previously attributed to Johann Sebastian Bach (1685 - 1750).The minuet has been meticulously transcribed for the guitar by Pedro Abreu (b. 1977) in 2022, and features the same ornaments as the ones included in the 1725 Notebook for Anna Magdalena Bach. Abreu's attention to detail is reflected in the carefully crafted fingering, which balances the stylistic expectations of the era with the technical possibilities of the guitar.The written score showcases the delicate nuances of this arrangement, which highlights the guitar's ability to convey the richness and depth of Baroque music.
$3.00
2.8 €
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Guitare
#
Christian Petzold
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Pedro Abreu
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Minuet in G minor
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All Music
#
SheetMusicPlus
Prelude (C Major)
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.978127 Composed by Valery Dzyabenk…
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Solo Guitar - Level 3 - Digital Download SKU: A0.978127 Composed by Valery Dzyabenko. Contemporary,Country,Standards,World. Individual part. 6 pages. Valery Dzyabenko #5354373. Published by Valery Dzyabenko (A0.978127). Beautiful prelude for guitar with polyphonic structure. C major. Unusual harmony. Figuratively conveys the highlights of the starry sky. Designed for the educational section Polyphony in music schools and colleges. Duration 3:42.
$1.99
1.86 €
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Guitare
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Valery Dzyabenko
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Prelude
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Valery Dzyabenko
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SheetMusicPlus
Neon Lights
Guitare
This edition: Interactive Download. Pop. 4 pages. Published by Hal Leonard - Digital Sheet…
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This edition: Interactive Download. Pop. 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.297260). - - Pop - Hal Leonard - Digital Sheet Music
$2.99
2.79 €
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Guitare
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Neon Lights
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
When Lights Are Low
Guitare
By Benny Carter. C Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. …
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By Benny Carter. C Instruments. Jazz; Standards. Leadsheet (melody/chords only). 1 pages. Published by Hal Leonard - Digital Sheet Music
$1.99
1.86 €
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Guitare
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Benny Carter
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Standards
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When Lights Are Low
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Erik Schrody: Put Your Lights On - guitar solo
Guitare
Instantly printable sheet music by Erik Schrody for guitar solo of EASY skill level. / pop…
(+)
Instantly printable sheet music by Erik Schrody for guitar solo of EASY skill level. / pop,rock,children
$5.97
5.57 €
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Guitare
#
Erik Schrody
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Virtualsheetmusic
Debbie Friedman: Light These Lights Var 2 (arr. Joe Marks) - guitar solo
Guitare
Instantly printable sheet music by Debbie Friedman for guitar solo of MEDIUM skill level. …
(+)
Instantly printable sheet music by Debbie Friedman for guitar solo of MEDIUM skill level. / traditional,jewish
$6.97
6.51 €
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Guitare
#
Debbie Friedman
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Virtualsheetmusic
Debbie Friedman: Light These Lights Var 1 (arr. Joe Marks) - guitar solo
Guitare
Instantly printable sheet music by Debbie Friedman for guitar solo of MEDIUM skill level. …
(+)
Instantly printable sheet music by Debbie Friedman for guitar solo of MEDIUM skill level. / traditional,jewish
$6.97
6.51 €
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Guitare
#
Debbie Friedman
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Virtualsheetmusic
Jimmy Reed: Bright Lights, Big City - guitar solo
Guitare
Instantly printable sheet music by Jimmy Reed for guitar solo of MEDIUM skill level. / blu…
(+)
Instantly printable sheet music by Jimmy Reed for guitar solo of MEDIUM skill level. / blues,pop,rock
$6.97
6.51 €
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Guitare
#
Jimmy Reed
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Virtualsheetmusic
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