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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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Non classifié
2414
PIANO & CLAVIERS
Piano seul
1453
Piano Facile
549
Piano, Voix
531
Piano, Voix et Guitare
505
Instruments en Do
111
Orgue
77
1 Piano, 4 mains
35
Accompagnement Piano
19
Piano Trio: piano, violon, violoncelle
16
Piano Quatuor: piano, violon, alto, violoncelle
12
2 Pianos, 4 mains
11
Accordéon
9
Piano (partie séparée)
7
Piano Quintette: piano, 2 violons, alto, violoncelle
7
Piano grosses notes
6
Clavecin
4
Orgue, Piano (duo)
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
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GUITARES
Guitare
169
Guitare notes et tablatures
124
Ligne De Mélodie, (Paroles) et Accords
46
Ukulele
35
Basse electrique
23
Mandoline
11
Guitare (partie séparée)
11
2 Guitares (duo)
10
Banjo
7
4 Guitares (Quatuor)
6
Ensemble de guitares
5
Piano, Guitare (duo)
4
Paroles et Accords
4
Dulcimer
3
Mandoline, Guitare (duo)
3
2 Ukuleles
1
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1
Cithare
1
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VOIX
Chorale SATB
581
Chorale 3 parties
177
Chorale TTBB
124
Chorale 2 parties
88
Chorale SSAA
58
Chorale Unison
48
Voix Soprano, Piano
21
Voix duo
13
Voix duo, Piano
12
Voix Alto, Piano
8
Voix haute
6
Voix Soprano
4
Chorale SSAATTBB
4
Voix moyenne, Piano
4
Voix seule
2
Chorale SSATTB
2
Voix Tenor
2
Voix basse, Piano
2
Voix Mezzo-Soprano, Piano
2
Chorale
1
Soli, choeur mixte et accompagnement
1
Voix basse
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
195
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
194
Flûte traversière et Piano
155
Quintette de Saxophone: 5 saxophones
142
2 Saxophones (duo)
121
Ensemble de saxophones
116
Quatuor de Clarinettes: 4 clarinettes
111
Flûte, Hautbois, Clarinette, Basson
111
Hautbois, Piano (duo)
108
Clarinette et Piano
99
Clarinette
87
Saxophone (partie séparée)
87
Flûte traversière
79
Saxophone Alto et Piano
77
Ensemble de Clarinettes
71
2 Flûtes traversières (duo)
63
Saxophone Tenor et Piano
62
2 Clarinettes (duo)
54
Saxophone Alto
44
Ensemble de Flûtes
44
Saxophone Soprano et Piano
43
Hautbois (partie séparée)
40
Quatuor de Flûtes : 4 flûtes
40
Saxophone Baryton, Piano
34
2 Hautbois (duo)
27
Cor anglais, Piano
26
2 Flûtes traversières, Piano
26
Quintette de Flûte : 5 flûtes
25
Clarinette Basse, Piano
25
Flûte, Clarinette (duo)
21
Quintette de Clarinettes: 5 clarinettes
20
Saxophone, Clarinette (duo)
19
3 Saxophones (trio)
19
3 Clarinettes (trio)
17
Clarinette, Violon (duo)
17
Clarinette (partie séparée)
15
Flûte à bec Soprano
14
Trio de Flûtes: 3 flûtes
14
2 Flûte à bec (duo)
13
Flûte, Violoncelle
12
Clarinette et Alto
11
Flûte et Guitare
10
Clarinette, Trompette (duo)
10
Flûte à Bec
10
Hautbois, Clarinette (duo)
10
Flûte, Alto (duo)
10
Flûte, Violon
10
Hautbois, Basson (duo)
8
Harmonica
8
Flute (partie séparée)
7
Quatuor de Flûtes à bec
7
Clarinette, Basson (duo)
7
5 Flûtes à bec
6
Hautbois
6
Flûte, Saxophone (duo)
6
Clarinette, Guitare (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Saxophone Tenor
5
Flûte, Hautbois (duo)
5
Flûte, Trompette (duo)
5
2 Clarinettes, Piano
4
Flûte et Trio à cordes
4
Clarinette, Violoncelle (duo)
4
Flûte à bec Alto, Piano
4
Hautbois, Flûte
4
Saxophone Soprano
3
Hautbois, Harpe
3
Piccolo, Piano
3
Hautbois, Violoncelle
3
Flûte, Violon, Piano
3
Flûte, Basson et Piano
3
Saxophone et Harpe
3
Piccolo
3
Clarinette, Harpe (duo)
3
Cor Anglais
3
Saxophone Baryton
2
Hautbois, violon (duo)
2
Flûte à bec Soprano, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
2 Saxophones, Piano
2
Flûte à bec Alto
2
Saxophone
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Orgue
1
Flûte à bec Tenor
1
Hautbois, Guitare (duo)
1
Hautbois et alto (duo)
1
3 Flûtes à bec (trio)
1
Cornemuse
1
Flûte, Hautbois, Violon
1
Cor anglais et Harpe (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Violoncelle et Piano
1
Flûte irlandaise
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violon, Piano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Violon et Violoncelle
1
Flûte, Clarinette et Basson
1
Flûte, Tuba (duo)
1
Flûte, trombone et piano
1
Flûte, Trombone (duo)
1
Flûte, Harpe et Violoncelle
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
214
Quatuor de Cuivres : 2 trompettes, trombone, tuba
163
Trompette
80
Trombone et Piano
77
Quatuor de Cuivres: 2 trompettes, Cor, trombone
71
Trompette, Piano
68
Cor et Piano
54
Ensemble de Trombones
43
Euphonium, Piano (duo)
41
Quatuor de Cuivres
38
Cor
37
Trombone (partie séparée)
35
Trompette (partie séparée)
35
Tuba et Piano
33
Trombone
33
2 Trombones (duo)
30
Ensemble de Trompettes
30
Cor anglais, Piano
26
2 Trompettes (duo)
25
Tuba
23
Trompette, Trombone (duo)
17
2 Cors (duo)
15
Quatuor de cuivres: 4 trombones
15
Quatuor de cuivres: 4 cors
9
2 Tubas (duo)
9
Trompette, Saxophone (duo)
8
Euphonium
8
Cor (partie séparée)
8
Ensemble de Cors
7
Tuba (partie séparée)
6
Trompette, Cor (duo)
5
Quatuor de cuivres: 4 trompettes
4
4 Tubas
4
2 Euphoniums et 2 Tubas
3
Trio de Cuivres
3
Quatuor de cuivres: 2 trompettes, 2 trombones
3
Cor Anglais
3
Trombone, Orgue
2
2 Euphoniums (duo)
2
Trompette, Harpe
2
Tuba et Orgue
2
Trompette, Tuba (duo)
2
Trombone basse et Piano
1
Euphonium, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
2 Cors Anglais Et Pianoforte
1
Cor, Violoncelle (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse
1
2 Trombones, Piano
1
Trombone, Cor (duo)
1
Cor et Harpe
1
3 Tubas (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
479
Violon et Piano
150
Violon
123
Alto, Piano
100
Violoncelle, Piano
95
Harpe
79
Violon, Violoncelle (duo)
73
Violoncelle (partie séparée)
62
2 Violons (duo)
53
Quintette à cordes: 2 violons, alto, violoncelle, basse
43
Alto seul
37
Trio à Cordes: violon, alto, violoncelle
35
2 Violoncelles (duo)
34
2 Altos (duo)
32
Trio à Cordes: 2 violons, violoncelle
32
Violon, Alto (duo)
31
Contre Basse
29
Ensemble d'Altos
21
Ensemble de Violons
20
Violoncelle
19
Contrebasse, Piano (duo)
17
4 Violoncelles
16
Violon (partie séparée)
15
Alto (partie séparée)
14
Harpe, Flûte (duo)
13
Alto, Violoncelle (duo)
12
2 Contrebasses (duo)
10
Contrebasse (partie séparée)
10
Quatuor à cordes : 4 altos
9
Quatuor à cordes: 4 violons
9
Trio à cordes: 3 violins
8
Trio à Cordes: 3 violoncelles
8
Harpe, Violon (duo)
8
2 Harpes (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 2 violons, alto
4
Alto et Harpe
4
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
3
Violon, Basson (duo)
3
Violon, Guitare (duo)
3
Harpe (partie séparée)
2
4 Contrebasses
2
Alto et Basson
2
Violon, Orgue
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Harpe et Piano
1
Harpe et mandoline
1
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Ensemble de Violoncelles
1
Violon, Tuba (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
513
Ensemble Jazz
192
Orchestre
185
Orchestre à Cordes
183
Ensemble de cuivres
89
Orchestre de chambre
54
Cloches
45
Jazz combo
44
Ensemble de Percussions
37
Fanfare
22
Batterie
13
Batterie (partie séparée)
6
Marimba
5
Percussion (partie séparée)
5
Xylophone ou Marimba ou Vibraphone
2
Big band
2
2 Xylophones
2
Percussion
1
Orchestre, Violon
1
Xylophone
1
Piano et Orchestre
1
Vibraphone
1
Xylophone, Piano
1
Instrumentation Flexible
1
Vibraphone et Marimba
1
Conga
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Like It Is - Kygo
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9976
This Is Me
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.752540 Composed by Benj Pasek and Justin Paul. Arranged by Hannah Hawken. Contemporary. Brass Band. 54 pages. Hannah Hawken #3620279. Published by Hannah Hawken (A0.752540). This arrangement of the inspirational hit single from The Greatest Showman with be popular with players and audiences alike. It is advanced intermediate level, mainly due to the complexity of the rhythms. Other arrangements for Brass Band: H0.172929-58600 The Bare Necessities (March card) H0.239353-97800 Bridge Over Troubled Water - Grenfell Tower Tribute S0.205349 Cordoba - No. 4 from Cantos de Espana, Op. 232 H0.400435-213093 Forget You (March Card) – CeeLo Green H0.591553-379430 I’m a Believer (March Card) – The Monkees / Smash Mouth H0.607175-SC001254570 I’m Gonna Be (500 Miles) – The Proclaimers S0.607255 In the Hall of the Mountain King – Edvard Grieg H0.497073-SC000024387 It's A Beautiful Day – Michael Bublé H0.195159-51407 Make You Feel My Love - Flugel Solo H0.210185-620360 On The Sunny Side Of The Street S0.353243 Shenandoah (Cornet Solo)H0.497053-SC001312175 One Day Like This H0.591549-SC001287492 Oompa-loompa-doompadee-doo (March Card) https://www.youtube.com/watch?v=7lzL7ak9Jo8
$29.99
27.62 €
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Benj Pasek and Justin Paul
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Hannah Hawken
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This Is Me
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Hannah Hawken
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SheetMusicPlus
Tell It Like It Is
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1320036 By Aaron Nevi…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1320036 By Aaron Neville. By George Davis and Lee Diamond. Arranged by Academia Unimusica. Contemporary,Pop,Singer/Songwriter. Score. 6 pages. Unimusic Academy (Academia Unimusica) #908592. Published by Unimusic Academy (Academia Unimusica) (A0.1320036). Robert Hunter Caldwell (August 15, 1951 – March 14, 2023) was an American singer, songwriter, and musician. He released several albums spanning R&B, soul, jazz, and adult contemporary. He is known for his soulful and versatile vocals. Caldwell released the hit single and his signature song What You Won't Do for Love from his double platinum debut album Bobby Caldwell in 1978. After several R&B and smooth jazz albums, Caldwell turned to singing standards from the Great American Songbook. He wrote many songs for other artists, including the Billboard Hot 100 No. 1 single The Next Time I Fall for Amy Grant and Peter Cetera.[1] Caldwell's musical catalog is perhaps best known today for its later sampling by several prolific hip hop and R&B artists.
$8.00
7.37 €
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Piano, Voix et Guitare
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Aaron Neville
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Academia Unimusica
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Tell It Like It Is
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Unimusic Academy
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SheetMusicPlus
Tell It Like It Is
Piano grosses notes
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.454482 By A…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.454482 By Aaron Neville. This edition: scorch. E-Z Play Today. Rock,Standards. Score. 6 pages. Hal Leonard - Digital #817080. Published by Hal Leonard - Digital (HX.454482). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.75 €
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Piano grosses notes
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Aaron Neville
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Tell It Like It Is
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Hal Leonard - Digital
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SheetMusicPlus
It's Not Cool (TTBB)
Chorus TTBB (TTBB) - Intermediate - Digital Download SKU: D3.SM-17-0001B Composed b…
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Chorus TTBB (TTBB) - Intermediate - Digital Download SKU: D3.SM-17-0001B Composed by Jack Curtis Dubowsky. Choral. Contemporary; secular. Sheet music. 11 pages. De Stijl Music Digital #SM-17-0001B. Published by De Stijl Music Digital (D3.SM-17-0001B). 8.5 x 11 inches.Text excerpted from President Obama's Rutgers Commencement Address, May 16, 2016. It's not cool to not know what you are talking about. That's not keeping it real or telling it like it is. That's not challenging political correctness. That's just not knowing what you are talking about..
$2.25
2.07 €
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Jack Curtis Dubowsky
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secular
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It's Not Cool
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De Stijl Music Digital
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SheetMusicPlus
It's Not Cool (SATB)
Chorale SATB
Chorus SATB chorus (SATB) - Intermediate - Digital Download SKU: D3.SM-17-0001A Com…
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Chorus SATB chorus (SATB) - Intermediate - Digital Download SKU: D3.SM-17-0001A Composed by Jack Curtis Dubowsky. Choral. Contemporary; secular. Octavo. 11 pages. De Stijl Music Digital #SM-17-0001A. Published by De Stijl Music Digital (D3.SM-17-0001A). 8.5 x 11 inches.Text excerpted from President Obama's Rutgers Commencement Address, May 16, 2016. It's not cool to not know what you are talking about. That's not keeping it real or telling it like it is. That's not challenging political correctness. That's just not knowing what you are talking about..
$2.25
2.07 €
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Chorale SATB
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Jack Curtis Dubowsky
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secular
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It's Not Cool
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De Stijl Music Digital
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SheetMusicPlus
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles…
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Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
$6.00
5.52 €
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Violoncelle, Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Cello - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.52 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
6.45 €
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Saxophone Alto et Piano
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Alto Sax - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.84 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
It's Beginning To Look Like Christmas
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1319276 By Michael Buble. By Meredi…
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Easy Piano - Level 1 - Digital Download SKU: A0.1319276 By Michael Buble. By Meredith Willson. Arranged by Claire Summerbell. Advent,Christmas,Holiday,Instructional,Standards. Score. 2 pages. Claire Summerbell #907913. Published by Claire Summerbell (A0.1319276). This super easy piano arrangement of It's Beginning To Look A Lot Like Christmas is suitable for UK Grade 1 level piano.Claire Summerbell is a London-based clarinetist, educator, composer and arranger. Although she specialises in writing intermediate jazz clarinet duets through her website Clarisheets, she also enjoys arranging and composing for piano. #itsbeginningtolookalotlikechristmas #michaelbuble #easypianoxmas.
$4.99
4.59 €
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Piano Facile
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Michael Buble
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Claire Summerbell
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It's Beginning To Look Like Christmas
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Claire Summerbell
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SheetMusicPlus
I Want to Be Just Like You
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818302 By Stephen R Dalrympl…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818302 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Praise & Worship. Score. 22 pages. Stephen R Dalrymple #5194873. Published by Stephen R Dalrymple (A0.818302). I Want to Be Just Like You ♫ Original song by Stephen R Dalrymple ♫ (Worship Team Edition) ♫ based on 1 Peter 2:21-25 and 1 Corinthians 13 ♫ CCLI Song # 7142319 ♫ music © 2006 Stephen R Dalrymple ♫ recording ℗ 2023 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ Who is your hero? Who are the people that we heroize in our culture? So many of us (children, youth, and adults) focus on athletes, rock stars, the rich and famous as our models for life. Unfortunately, many of these ‘heroes’ are flawed and unhappy people whose lives are unworthy of emulating. Jesus Christ is the greatest hero who ever lived! His life is the only one worth imitating. ♫ The Apostle Paul’s love chapter fits the actions of Christ perfectly. Thus it is used in the song as a measure of Christ likeness. ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) optional flute part, and 4) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print)♫ A duplicate video in Haitian Kreyòl can be viewed at https://youtu.be/xi54vbjIsM4♫ YouTube Channel @DalrympleDesigns.
$4.50
4.14 €
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Piano, Voix
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Stephen R Dalrymple
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I Want to Be Just Like You
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Stephen R Dalrymple
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SheetMusicPlus
Sometimes I Feel Like a Motherless Child
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1046304 By Christopher Alexander. B…
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Piano Solo - Level 3 - Digital Download SKU: A0.1046304 By Christopher Alexander. By Traditional Spiritual. Arranged by Christopher Alexander. Praise & Worship,Sacred,Spiritual,Traditional. Score. 12 pages. Christopher Alexander #650817. Published by Christopher Alexander (A0.1046304). This melancholy and sorrowful spiritual grants so much emotion behind it, it needed an arrangement to fit. As easily as this piece begins, it is soon clear there is some powerful upcoming moments. You will soon find more dissonances and thickening of chords that you will feel yourself digging into the piano keys and even more into the spiritual itself. This piece will become a moving experience by the piano player and audience alike.
$2.00
1.84 €
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Piano seul
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Christopher Alexander
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Christopher Alexander
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Sometimes I Feel Like a Motherless Child
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Christopher Alexander
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SheetMusicPlus
The Water is Wide (SAT choir and piano)
Chorale 3 parties
Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditi…
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Choral Choir (SAT) - Level 3 - Digital Download SKU: A0.1274487 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Contest,Festival,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #866631. Published by Colin Kirkpatrick Publications (A0.1274487). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†(it rhymes with daily) which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAT arrangement by Colin Kirkpatrick is ideal for school choir, amateur choir or college choir especially when there are few male voices. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (the G just above the staff, but only once). The alto part range is of B flat 3 to E5. The tenor range is D3 to D4. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.Â
$2.99
2.75 €
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Chorale 3 parties
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
Sometimes I Feel Like a Motherless Child (African-American spiritual) - Viola Quartet
Quatuor à cordes : 4 altos
Small Ensemble - Digital Download SKU: A0.529265 Composed by Spiritual. Arranged by…
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Small Ensemble - Digital Download SKU: A0.529265 Composed by Spiritual. Arranged by Lorento Golofeev. Folk,Spiritual. Score and parts. 8 pages. Lorento Golofeev #6082785. Published by Lorento Golofeev (A0.529265). An arrangement for 4 violas of African-American spiritual Sometimes I Feel Like a Motherless ChildAll of my arrangements include bowings, dynamics and precise articulation for easier sight-reading. Many more arrangements, both pop and classical, are available for purchase. If you liked the quality of my work, please check my list often as it is constantly expanding.
$7.99
7.36 €
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Quatuor à cordes : 4 altos
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Spiritual
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Lorento Golofeev
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Sometimes I Feel Like a Motherless Child
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Lorento Golofeev
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SheetMusicPlus
The Water is Wide (SAB choir and piano)
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264867 Composed by Traditi…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264867 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Early Music,Folk,Irish,Wedding. Octavo. 10 pages. Colin Kirkpatrick Publications #857706. Published by Colin Kirkpatrick Publications (A0.1264867). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as O Waly, Waly which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir, especially if the tenor/bass section is a bit low on numbers. Each section of the choir has the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest note is G5 (which occurs only once and safely approached) and the highest note in the alto part is C5 (in the middle of the treble staff). The bartione part lies between A flat 2 (bottom space in bass clef) and D3 (just above the staff). The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.
$2.99
2.75 €
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Chorale 3 parties
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Water is Wide (SAB choir and piano)
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264866 Composed by Traditi…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264866 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Wedding. Octavo. 9 pages. Colin Kirkpatrick Publications #857705. Published by Colin Kirkpatrick Publications (A0.1264866). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably The Seekers, Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest not is G5 which appears only once and is approached safely. The highest note in the alto part is C5 (in the middle of the treble staff). The baritone part lies between A flart 2 and D 3 (just above the staff) and well within the normal choral range. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.
$2.99
2.75 €
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Chorale 3 parties
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
The Water is Wide (SSA choir and piano)
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditi…
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1251832 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Multicultural,Wedding,World. Octavo. 9 pages. Colin Kirkpatrick Publications #846048. Published by Colin Kirkpatrick Publications (A0.1251832). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly†which means something like “woe is meâ€. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906 using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because performers would often create new lyrics for the song. This melody has attracted a family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular and optimistic lyrics used during the twentieth century. The song was made popular by many folk singers notably Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct†one.This SSA arrangement by Colin Kirkpatrick is ideal for boy choir, amateur choir, school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the Soprano 1 part (which has one brief divisi section), the highest note is G5 (the G just above the staff) and the highest note in the Soprano 2 part is E5 (near the top of the treble staff). The Alto part has a range of G below Middle C (G4) up to B flat in the middle of the treble staff. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike. Note that the audio sample cannot yet render the words.
$2.99
2.75 €
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Chorale 3 parties
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Traditional
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Colin Kirkpatrick
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The Water is Wide
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Colin Kirkpatrick Publications
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SheetMusicPlus
It's Only Sex
Basse electrique
Bass Guitar - Level 3 - Digital Download SKU: A0.1035485 Composed by William James …
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Bass Guitar - Level 3 - Digital Download SKU: A0.1035485 Composed by William James Barnes. Arranged by Daniel Roberts. New Age,Rock. Score. 1 pages. Daniel P Roberts #640699. Published by Daniel P Roberts (A0.1035485). Car Seat Headrest, It's Only Sex note for note bass transcription 4 string bass with TAB. The other night I cried while thinking of having sex with you Not out of desire or shame but some subconscious impulse to feel pain I wiped my tears on my face and neck and the backs of my ears And said, Now it's sweat, now it's sweat, it's sweat now Just to see you It's such a treasure But when I feel you My flesh yields no pleasure And honey I'm cultured I'm very sex positive So what is this feeling? It ain't so positive I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only OK, so I've been reading all the sex blogs And they all talk about how OK it is to be gay And straight and bisexual and asexual And have sex however you like But I don't care about hundreds of hypothetical people And their hypothetical sex deals I care about me, and my sex deal! What about my problems? Baby, my body Constantly betrays me I try to betray it I only hurt myself Yeah, yeah I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex It's only It's only sex C'mon, sexual desire, speak! I want to hold you tight I want to feel your love physically I want to sleep with you But only in the literal sense I can't tell you if I like it, I like it What happens if I don't like it? I like you I can't tell you if I like it, I like it What happens if I don't like it? It's only- I can't tell you if I like it, I like it What happens if I don't like it? I like it I can't tell you if I like it, I like it What happens if I don't like it? It's only- It's only sex (it's only sex) It's only- It's only sex (no, it's not) It's only sex It's only- It's only sex It's only sex It's only-.
$4.99
4.59 €
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Basse electrique
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William James Barnes
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Daniel Roberts
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It's Only Sex
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Daniel P Roberts
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SheetMusicPlus
Santa Claus Is Comin' To Town
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven …
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Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99
5.52 €
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Piano seul
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Michael Buble
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Thomas Gunther
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Santa Claus Is Comin' To Town
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Thomas Gunther Music Productions
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SheetMusicPlus
Funny Like a Monkey for piano quartet
Piano Quatuor: piano, violon, alto, violoncelle
Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed …
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Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.987845 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 105 pages. Robert M. Greenberg #90267. Published by Robert M. Greenberg (A0.987845). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Video: movement 1: https://www.youtube.com/watch?v=abie7jcHVA0 movement 2: https://www.youtube.com/watch?v=b__yWnl7LcU movement 3: https://www.youtube.com/watch?v=_8V3g4AC0eM Duration: ca. 17 minutes Year of composition: 2001 Program Note: I. Knock Yourself Out II. Flutterby III. Morph (with apologies to J. B.) Funny Like a Monkey is one of the many phrases coined by my then 16 year-old daughter in order to address the actions and well-intended attempts at humor by both her younger brother and her hopelessly antiquated father. What I love about these phrases – of which Funny Like a Monkey is but one of many – is their use of nonsequitur elevated to high verbal art. They are at once biting and humorous, and are filled with the sort of over-the-top verbal bravado that only a teenager, as the self-acknowledged epitome of hip, can get away with. Though Funny Like a Monkey is scored as a traditional piano quartet, it is in reality composed for string trio PLUS piano. Along with being part of the larger ensemble, the piano has a featured role in the piece: it is narrator, commentator, curmudgeon, critic, and emcee, as it introduces and comments upon the relative merits of the musical materials that comprise the work. The first movement is entitled Knock Yourself Out. The movement’s energy and exuberance, as well as its mercurial-shift-on-a-dime nature is a rather personal reference to the dedicatee. The second movement is entitled Flutterby. A spoonerism created (or at least favored) by my daughter, the reference is to a sort of macro- butterfly, a mega-mariposa, if you will, one of extraordinary beauty and delicacy that floats and drifts and shimmers in some imagined place. The third movement, Morph, With Apologies to J.B. refers to the rather obvious fact that the music keeps morphing in and out of the finale of Johannes Brahms’ (J.B.’s) Piano Quartet in G Minor, Op. 25. I’m crazy about Brahms’ piano quartets, and I have surrendered to the urge to mess with his pitch collections and thematic motives. The movement, with its musical puns, metamorphoses, and attempts at humor, is a perfect example of what might be referred to as funny like a monkey. Funny . . . is dedicated, with love, to Rachel Amy Greenberg on the occasion of her 16th birthday.
$36.00
33.15 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Robert M
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Funny Like a Monkey for piano quartet
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Robert M. Greenberg
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SheetMusicPlus
That's The Way (i Like It)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine…
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Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
46.04 €
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Orchestre
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K
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Kevin Riley
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That's The Way
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Kevin Riley
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SheetMusicPlus
You Keep Coming Back Like A Song
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1273402 Composed by Irving …
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1273402 Composed by Irving Berlin. Arranged by Laura Harrison. Jazz. Octavo. 36 pages. LauraHarrisonMusic #865557. Published by LauraHarrisonMusic (A0.1273402). This is a great arrangement for a budding SSA choir or a 2-part choir that wants to try something with a little more challenge.The Ella Fitzgerald solo (which I will link) is one of the best vocal improvisations of the era. The introduction on the recording is not featured here. Her solo is.Please contact me if it would be helpful for you to receive a written out bass part, piano part, guitar part, or drum part. Most people who buy my charts don't want it. That being said, I would love to do that for you (at no extra cost to you) if you would like. Just provide me with proof of purchase of the arrangement and I'll email those to you.For Printing (to save paper), you only need to print the full score for the director. You will only need two copies of each rhythm section part (one for the performer, one for the director) and 10 copies of your SSA charts for your students.If you would like a perpetual license for your school (so you don't have to buy more copies since that option isn't available at Hal Leonard). What you can do is the following: if you pay for 30 copies ($90 is how much I usually charge for arrangements), I will be happy to write you a letter giving you and your school a perpetual license to use my arrangement. It is perfectly legal since you will have paid for the arrangements.Please contact me at: DrLauraHarrison@gmail.com if you have any questions, would like written out rhythm section parts, or would like me to arrange something else for you.
$3.00
2.76 €
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Chorale 3 parties
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Irving Berlin
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Laura Harrison
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You Keep Coming Back Like A Song
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LauraHarrisonMusic
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SheetMusicPlus
How Beautiful (Is the Love Between the Two of Us) - Alto solo and piano
Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1074310 Composed by Conn…
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Alto Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1074310 Composed by Connie Boss. Wedding. 3 pages. Connie Boss #678598. Published by Connie Boss (A0.1074310). Here is the perfect song for an alto soloist for a wedding/ engagement or anniversary. It is an original composition, so it's one of a kind. There are other arrangements as well for sale if you want more voices. For questions or requests, email cdboss@cvalley.net Lyrics below: How Beautiful (Is the Love Between the Two of Us) Refrain: How beautiful is your love for me How beautiful is my love for you How beautiful is the love between the two of us Is the love that we trust Verse 1: It’s like the fresh air after it rains It’s like the flowers blooming in the Spring It’s like the sound of voices when they sing When our hearts are beating….in synch Refrain: Verse 2: It’s the moment when we both knew I said I love you and you said it too That special feeling that our love was true Our wedding day when we said… “I do†Outro: How beautiful……. How beautiful…….
$5.99
5.52 €
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Connie Boss
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How Beautiful
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Connie Boss
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SheetMusicPlus
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