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Lilacs in Bloom
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Vous avez sélectionné:
Lilacs in Bloom
Partitions à imprimer
16 partitions trouvées
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Lilacs in Bloom
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kim S
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Lilacs in Bloom 
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Lilacs in Bloom
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.961685 Composed by Kim S. Bean. Contemporary,Standards. Score. 6 pages. Kim S. Bean #6092631. Published by Kim S. Bean (A...
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Piano Solo - Level 4 - SKU: A0.961685 Composed by Kim S. Bean. Contemporary,Standards. Score. 6 pages. Kim S. Bean #6092631. Published by Kim S. Bean (A0.961685). Solo piano, 6 pages, late intermediate. Lilacs in Bloom is the second piece from a set of pieces called Garden Varieties. This emotional and romantic piece starts with a contemplative opening which soon blossoms into a sparkling passage filled with arpeggios. A gentle and delicate reverie follows. A dark mysterious section precedes a transitional passage that builds and grows in heightened emotion, leading back to the main theme. Other pieces available in this set are: Red Fairy Roses and Weeds!
$4.99
When Lilacs Last In The Door-Yard Bloomed
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Piano, Voix
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INTERMÉDIAIRE
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Ben Vining
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When Lilacs Last In The Door-Y
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Ben Vining
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.921832 Composed by Ben Vining. 20th Century,Contemporary. Score. 4 pages. Ben Vining #5191023. Published by Ben Vi...
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Piano,Vocal,Voice - Level 3 - SKU: A0.921832 Composed by Ben Vining. 20th Century,Contemporary. Score. 4 pages. Ben Vining #5191023. Published by Ben Vining (A0.921832). A musical setting of Walt Whitman's poem When Lilacs Last In The Door-Yard Bloomed for piano and solo voice.
$4.99
When Lilacs Last in the Dooryard Bloomed: (Ghost Chorales) (Choral Score)
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Chorale SATB
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AVANCÉ
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Adolphus Hailstork
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When Lilacs Last in the Doorya
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and brass trio (Instrumental Parts include: Trumpet in B-flat and C, Horn, Trombone) - Difficult - SKU: MQ.9195-E Composed by Adolphus Hailst...
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SATB choir and brass trio (Instrumental Parts include: Trumpet in B-flat and C, Horn, Trombone) - Difficult - SKU: MQ.9195-E Composed by Adolphus Hailstork. Funeral. 20 pages. E. C. Schirmer Music Company - Digital #9195-E. Published by E. C. Schirmer Music Company - Digital (MQ.9195-E). English.The new setting of the Walt Whitman text by noted composer Aldophus Hailstork provides a challenge for an advanced ensemble. The harmonic progressions and vocal treatments are adventurous and effective.
$3.15
When Lilacs Bloomd
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Chorale 3 parties
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Ron Atteberry
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When Lilacs Bloomd
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Heritage Music Press
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SheetMusicPlus
SSA choir - SKU: LX.15-1192H Composed by Ron Atteberry. Educational. Octavo. 8 pages. Heritage Music Press #e15/1192H. Published by Heritage Music Press...
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SSA choir - SKU: LX.15-1192H Composed by Ron Atteberry. Educational. Octavo. 8 pages. Heritage Music Press #e15/1192H. Published by Heritage Music Press (LX.15-1192H). UPC: 000308027716. Text: Walt Whitman.Walt Whitman's classic poem has been superbly and poignantly expressed in this stunning new setting. A hauntingly beautiful, almost plaintive melody begins this marvelous work, replete with emotion and intensity. Opportunity for optional solos. With an artistically expressive and supportive accompaniment, this makes a wonderful teaching and concert/festival piece. Highly recommended!
$2.40
Red Fairy Roses
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kim S
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Red Fairy Roses
 
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Red Fairy Roses
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.961684 Composed by Kim S. Bean. Contemporary,Standards. Score. 5 pages. Kim S. Bean #6092623. Published by Kim S. Bean (A...
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Piano Solo - Level 4 - SKU: A0.961684 Composed by Kim S. Bean. Contemporary,Standards. Score. 5 pages. Kim S. Bean #6092623. Published by Kim S. Bean (A0.961684). Solo piano, 5 pages, late intermediate. Red Fairy Roses is the first from a set of pieces called Garden Varieties. This jaunty and rhythmic piece with its cheery mood was inspired by the lovely tiny red roses growing in my garden---small but so full of life, blooming from late spring until late fall! The theme has a somewhat pop melody with a sparkling passage of rapidly played notes in the middle. Other pieces available in this set are: Lilacs in Bloom and Weeds!
$4.99
Weeds!
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kim S
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late intermediate.  
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Weeds!
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.961686 Composed by Kim S. Bean. Contemporary,Standards. Score. 5 pages. Kim S. Bean #6092635. Published by Kim S. Bean (A...
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Piano Solo - Level 4 - SKU: A0.961686 Composed by Kim S. Bean. Contemporary,Standards. Score. 5 pages. Kim S. Bean #6092635. Published by Kim S. Bean (A0.961686). Solo piano, 5 pages, late intermediate. Weeds! is the third from a set of pieces called Garden Varieties. This minor key piece is in the style of a tarantella and is full of fun! Along with the mysterioso minor chords are diminished chords with accents and staccatos, an octave passage, arpeggios, tempo changes and a glissando to end this mischievous piece. Other pieces available in this set are: Red Fairy Roses and Lilacs in Bloom.
$4.99
When lilacs last in the door-yard bloom'd
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Chorale SATB
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AVANCÉ
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Paul Hindemith
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When lilacs last in the door-y
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Schott Music - Digital
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SheetMusicPlus
2.2.2.2 - 3.2.2.1 - Pk, Schlgz - Org - Str - Signaltrp hinter der Szene mixed choir (SATB) with soloists (MezBar) and orchestra - advanced - SKU: S9.Q23334
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2.2.2.2 - 3.2.2.1 - Pk, Schlgz - Org - Str - Signaltrp hinter der Szene mixed choir (SATB) with soloists (MezBar) and orchestra - advanced - SKU: S9.Q23334 A Requiem For those we love. Composed by Paul Hindemith. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 63 minutes. Schott Music - Digital #Q23334. Published by Schott Music - Digital (S9.Q23334). English • German.
$57.99
When lilacs last in the door-yard bloom'd
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Chorale SATB
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AVANCÉ
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Paul Hindemith
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When lilacs last in the door-y
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Schott Music - Digital
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SheetMusicPlus
2.2.2.2 - 3.2.2.1 - Pk, Schlgz - Org - Str - Signaltrp hinter der Szene mixed choir (SATB) with soloists (MezBar) and orchestra - advanced - SKU: S9.Q2000
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2.2.2.2 - 3.2.2.1 - Pk, Schlgz - Org - Str - Signaltrp hinter der Szene mixed choir (SATB) with soloists (MezBar) and orchestra - advanced - SKU: S9.Q2000 A Requiem For those we love. Composed by Paul Hindemith. This edition: choral score. Downloadable, Choral score. Duration 63 minutes. Schott Music - Digital #Q2000. Published by Schott Music - Digital (S9.Q2000). English • German.
$12.99
When Lilacs Last in the Dooryard Bloomed: (Ghost Chorales) (Full Score)
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Adolphus Hailstork
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When Lilacs Last in the Doorya
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Choir and various instruments - SKU: MQ.9195A-E Composed by Adolphus Hailstork. 24 pages. E. C. Schirmer Music Company - Digital #9195A-E. Published by ...
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Choir and various instruments - SKU: MQ.9195A-E Composed by Adolphus Hailstork. 24 pages. E. C. Schirmer Music Company - Digital #9195A-E. Published by E. C. Schirmer Music Company - Digital (MQ.9195A-E).
$17.00
When Lilacs Last in the Dooryard Bloomed: (Ghost Chorales) (Brass Trio Parts)
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Adolphus Hailstork
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When Lilacs Last in the Doorya
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Choir and various instruments - SKU: MQ.9195B-E Composed by Adolphus Hailstork. 15 pages. E. C. Schirmer Music Company - Digital #9195B-E. Published by ...
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Choir and various instruments - SKU: MQ.9195B-E Composed by Adolphus Hailstork. 15 pages. E. C. Schirmer Music Company - Digital #9195B-E. Published by E. C. Schirmer Music Company - Digital (MQ.9195B-E).
$20.00
Liliacia Park: A Ragtime Waltz
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Piano seul
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INTERMÉDIAIRE
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Lawrence H
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Liliacia Park: A Ragtime Waltz
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Lawrence H Underwood
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.967736 Composed by Lawrence H. Underwood. Patriotic,Ragtime,Traditional. Score. 11 pages. Lawrence H Underwood #6195847. ...
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Piano Solo - Level 3 - SKU: A0.967736 Composed by Lawrence H. Underwood. Patriotic,Ragtime,Traditional. Score. 11 pages. Lawrence H Underwood #6195847. Published by Lawrence H Underwood (A0.967736). LILACIA PARK is named for a beautiful park in Lombard, Illinois - The Lilac Village. When the lilacs are in full bloom, it really is an intoxicating mix of colors and scents. . .and this ragtime waltz evokes the wonder one feels at walking among the blooms for the first time. Lilting and full of joy, this waltz is approachable by ambitious intermediate players and easily managed by advanced intermediate musicians. Suitable for concert and recital or simply as a resource for learning to master ragtime piano style.
$3.99
Musical Album. Song and Chorus
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Chorale SATB
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C
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Musical Album. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4340 Composed by C. Connolly. Portraits, Country life, Dwelling, Love, Homecomings. Lester S. Levy Coll...
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Piano and voice (solo and SATB chorus) - SKU: LV.4340 Composed by C. Connolly. Portraits, Country life, Dwelling, Love, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4340). Musical Album. Song and Chorus. Words by M.F. Blacklock. Music by C. Connolly. Published 1879 by F.A. Cotharin, Publisher & Proprietor in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Portraits, Country life, Dwelling, Love, Homecomings. First line reads Where lilacs bloom in yonder lane, sweet resort of bird and bee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Large Sweet Soul
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Music by Glenn Mehrbach, lyric
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The Large Sweet Soul
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Pizza Dreams
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.958642 Composed by Music by Glenn Mehrbach, lyrics from a poem by Walt Whitman. Contemporary. Octavo. 8 pages. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.958642 Composed by Music by Glenn Mehrbach, lyrics from a poem by Walt Whitman. Contemporary. Octavo. 8 pages. Pizza Dreams #4640387. Published by Pizza Dreams (A0.958642). A setting for piano and SATB choir of an excerpt from the Walt Whitman poem When Lilacs Last in the Dooryard Bloom'd..
$2.99
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
Sing On!
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Chorale SATB
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INTERMÉDIAIRE
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Vince Peterson
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Sing On!
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Personage Press, LLC
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.882294 Composed by Vince Peterson. Broadway,Contemporary,Folk. Octavo. 9 pages. Personage Press, LLC #5205067. P...
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Choral Choir (SATB) - Level 3 - SKU: A0.882294 Composed by Vince Peterson. Broadway,Contemporary,Folk. Octavo. 9 pages. Personage Press, LLC #5205067. Published by Personage Press, LLC (A0.882294). Thank you for your interest in this title! You can purchase individual copies for a lower price at PersonagePress.com.This is a setting of a Walt Whitman text excerpted from his epic poem, When Lilacs Last in the Dooryard Bloomed. It is, among other things, a subtle comment on race inequality from the pen of a poet who fought in the Civil War and laid his own life down for American freedom. It begins and ends with a high soprano solo which signifies the bird itself, and bookmarks a quick-moving, infectiously rhythmic collaboration between the chorus and the piano reminiscent of American styles such as that of Sondheim. It's a real crowd pleaser!
$54.00
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