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--INSTRUMENTS--
ACCORDEON
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BANJO
BASSE
BASSON
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CHORALE - CHAN…
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Little Flamenco - Conductor Score
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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VIOLONCELLE
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Vous avez sélectionné:
Little Flamenco - Conductor Score
Partitions à imprimer
6 partitions trouvées
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Naoko Ikeda: Little Flamenco Dancer - piano four hands
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Naoko Ikeda
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Virtualsheetmusic
Instantly printable sheet music by Naoko Ikeda for piano four hands of MEDIUM skill level. /
Instantly printable sheet music by Naoko Ikeda for piano four hands of MEDIUM skill level. /
$6.97
Soli Deo Gloria (Jazz Band)
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Ensemble Jazz
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INTERMÉDIAIRE
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Jazz
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Latin/Musique du monde
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Ric Flauding
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Soli Deo Gloria
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Denise Lea Flauding
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.867923 Composed by Ric Flauding. Jazz,Latin. Score and parts. 67 pages. Denise Lea Flauding #2891301. Pu...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.867923 Composed by Ric Flauding. Jazz,Latin. Score and parts. 67 pages. Denise Lea Flauding #2891301. Published by Denise Lea Flauding (A0.867923). In the Spanish-Flamenco style (Son Montuno). Features Guitar or Piano, or the melody may be played by 2 B-flat instruments (trumpets recommended). Scored for Little Big Band but may also be performed by full jazz big band as it was for the premiere by the Rock Valley Jazz Band (Illinois) and the University of North Dakota Jazz Band. flaudingmusic.com
$35.00
Senorita
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Lynieve Austin, Simon James
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Senorita
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DML
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.928250 Composed by Lynieve Austin, Simon James. Contemporary,Latin,World. Score and...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.928250 Composed by Lynieve Austin, Simon James. Contemporary,Latin,World. Score and parts. 6 pages. DML #5334939. Published by DML (A0.928250). This song is based on a Colombianas a Flamenco style imported, as the name suggests, from South America. There has always been a rich interchange between Spain and South America, not so surprising perhaps. I had written the beginning as a solo piece but when Lynieve heard it she said it gave her a strong image of a little girl playing outside in the sun. So I just let her go with it. The lyrics are mostly hers but I added a line here and there and a lot of the melody sprang naturally from the lyrics. We tried to retain that original image of childhood but with just a hint of the unavoidable growing up. Although the lyrics are in English it forms a group with Torito and Una Pena Quita Pena as it is based on various styles of Flamenco.
$2.99
Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
Suite for guitar and orchestra (mp3)
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Guitare
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Contemporain
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David Warin Solomons
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Suite for guitar and orchestra
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David Warin Solomons
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SheetMusicPlus
Guitar - SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Publ...
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Guitar - SKU: A0.1059303 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 650. David Warin Solomons #511059. Published by David Warin Solomons (A0.1059303). Performance of my suite for guitar and orchestra by András Csáki and the Budapest Scoring Symphonic Orchestra under Péter Illényi in 2015. The suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm It has elements of Romantic and Renaissance music, flamenco, Latin American, a bit of Celtic square dancing, classical minuets and a general joie de vivre mixed with a little spirituality. Dreaming is a romantic getting to know you scene between guitar and orchestra, with slow harmonic progressions in the strings and melodic imitations and dialogues between guitar and woodwind and then also between guitar and harp. A simple waltz follows, in which the flutes take up new melodies and the guitar initially just provides accompaniment but joins in the conversation as the movement progresses. The Sanctus and Benedictus section reflects the rhythms of the Latin words of the mass, with the Osanna after each main part being a little faster and reminsicent of some of the lute works of Vincenzo Galilei. The harmonic ideas of the Sanctus also colour the slower parts of the last movement, Distant Storm, but the main part of this final movement is a rhythmically exciting dialogue between the various sections of the orchestra and the guitar, leading to an abrupt conclusion, possibly the first thunderclap of a distant but approaching storm, or possibly just a bit of fun. Score and parts:https://www.sheetmusicplus.com/title/20143223?aff_id=175705
$3.50
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