1. Pomp and Circumstance Edward Elgar

2. Andante (Surprise Symphony) Franz Joseph Haydn

3. Arioso Daniel Gottlob Turk

4. Lullaby Johannes Brahms

5. Melody Robert Schumann

6. Sarabande George Frideric Handel

7. Silent Night Franz Xaver Gruber

8. A Little Piece Robert Schumann

9. Carnival Of Venice Julius Benedict

10. La Donna E Mobile Giuseppe Verdi

11. Largo (The New World) Antonin Dvorak

12. Old French Song Peter Ilyich Tchaikovsky

13. Waltz (Sleeping Beauty) Peter Ilyich Tchaikovsky

14. We Wish You A Merry Christmas EnglishFolk Song

15. Air Henry Purcell

16. Ode To Joy LudwigVan Beethoven

17. Italian Polka SergeiRachmaninoff

18. Minuet (In F Major) Wolfgang Amadeus Mozart

19. Solveig`s Song EdvardGrieg

20. Sonatina (In C Major) Muzio Clementi

21. Waltz DmitriKabalevsky

22. Alouette FrenchFolk Song

23. Gaudeamus Igitur Johannes Brahms

24. Green Sleeves English Folk Song

25. Hongroise Adolphe-Charles Adam

26. Minuet (In F Major) Franz Joseph Haydn

27. Serenade (Eine Kleine Nachtmusik) Wolfgang Amadeus Mozart

28. Soldier\'s March Robert Schumann

29. Arietta MuzioClementi

30. Emperor Waltz JohannStrauss Jr.

31. Grand March (Aida) Giuseppe Verdi

32. Happy Birthday To You Patty and Mildred J. Hill

33. Minuet (In D Minor) Johann Sebastian Bach

34. Santa Lucia Italian Folk Song

35. The Emperor\'s Hymn Franz Joseph Haydn

36. La Paloma Sebastian Yradier

37. Dance Of The Hours Amilcare Ponchielli

38. Fur Elise Ludwig Van Beethoven

39. Humoresque Antonin Dvorak

40. Minuet (In G Major) Johann Sebastian Bach

41. Toreador Song Georges Bizet

42. Turkish March Wolfgang Amadeus Mozart

43. Ave Maria FranzSchubert

44. Barcarolle Jacques Offenbach

45. In The Hall Of The Mountain King Edvard Grieg

46. Melody In FAnton Rubinstein

47. None But The Lonely Heart Peter Ilyich Tchaikovsky

48. Polovtsian Dance Alexander Borodin

49. Spanish Romance

50. Liebestraum (Dream Of Love) Franz Liszt

51. Arioso George Frideric Handel

52. O Mio Babbino Caro Giacomo Puccini

53. O Sole Mio Eduardo Di Capua

54. To A Wild Rose EdwardMacDowell

55. Sobre Las Olas (Over The Waves) JuventinoRosas

56. Waltz (Op. 39 No. 15) Johannes Brahms

57. Blue Danube Waltz Johann Strauss Jr.

58. Bridal Chorus (Wedding March) Richard Wagner

59. Gavotte Jean-Baptiste Lully

60. Die Forelle FranzSchubert

61. Pavane Gabriel Faure

62. The Skaters Waltz Emile Waldteufel

63. Wedding March FelixBartholdy Mendelssohn

64. Adagio (In G Minor) Tomaso Giovanni Albinoni

65. Can Can Jacques Offenbach

66. Habanera GeorgesBizet

67. Passacaglia Handel-Halvorsen

68. Radetzky March JohannStrauss Sr.

69. Serenade FranzSchubert

70. Theme From Symphony No.40 Wolfgang Amadeus Mozart

This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.

The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.

The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.

This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.

The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.

The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.