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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Little suite in ancient style
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AUTRES INST…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Little suite in ancient style
SheetMusicPlus
Partitions à imprimer
3 partitions trouvées
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1
Little suite in ancient style
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Vladimir Vlaev
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Vladimir Vlaev
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Little suite in ancient style
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Vladimir Vlaev
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1404362 By Vladimir Vlaev. By Vladimir Vlaev. Arranged by Vladimir Vlaev. Baroque,Classical. Individual part. 3 pages. V...
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Solo Guitar - Level 4 - SKU: A0.1404362 By Vladimir Vlaev. By Vladimir Vlaev. Arranged by Vladimir Vlaev. Baroque,Classical. Individual part. 3 pages. Vladimir Vlaev #987435. Published by Vladimir Vlaev (A0.1404362).
$5.00
Jazz Trio Suite
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Panagiotis Theodossiou
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Jazz Trio Suite
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Panagiotis Theodossiou
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SheetMusicPlus
Instrumental Duet,Piano Double Bass,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.886670 Composed by Panagiotis Theodossiou. Concert,Contemporary,Ja...
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Instrumental Duet,Piano Double Bass,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.886670 Composed by Panagiotis Theodossiou. Concert,Contemporary,Jazz. Score and parts. 64 pages. Panagiotis Theodossiou #3068583. Published by Panagiotis Theodossiou (A0.886670). Jazz Trio Suite, for flute, piano and double bass (2014)Based on - and adapted from - older compositions (Music and Vision for various ensembles, Little Studies for piano, Hellenic Suite for viola and piano, Suite from Ancient Greece for piano) especially for the alternative ensemble Baroque & Blue (Nikos Katritzidakis - flute, Vyni Founta - piano, Giannis Harbilas - el. bass, Giannis Lelloudas - drums).I. FugueII.JazzyIII.GnomeIV.Seven Times TwelveV.NocturneVI,Fire DanceVII.ToccataIts concertante style derives from progressive jazz idiom. Composer's intention is to give a sequel to Claude Bolling's jazz piano trio suites (already in the ensemble's repertoire). The work is dedicated to the members of Baroque & Blue who performed it at General State Archives, Greece in 2014 and at Attikon Odeion Concert Hall in 2015 (Ichnos Quartet). Transcription availiable for violin, baritone saxophone and piano, dedicated to Mediterranean Trio (2015)https://www.youtube.com/watch?v=XLoPrDrvy5w https://www.youtube.com/watch?v=K6jQj9IULAk https://www.youtube.com/watch?v=kp7yJjV5u6k https://www.youtube.com/watch?v=N_WmJ-ULKlg
$29.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
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Little suite in ancient style