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Live and Let Die - Baritone B.C.
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Live and Let Die - Baritone B.C.
SheetMusicPlus
Partitions à imprimer
39 partitions trouvées
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Live And Let Die
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Contemporain
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Wings
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Marco Polo C
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Live And Let Die
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880994 By Wings. By Linda McCartney and Paul McCartney. Arranged by Marco Polo C. Ignacio. Cont...
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Instrumental Duet,Piano C Instrument - Level 2 - SKU: A0.880994 By Wings. By Linda McCartney and Paul McCartney. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6369871. Published by MARCO POLO IGNACIO (A0.880994). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatles producer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.
$4.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1361254 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1361254 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #945746. Published by Brambilla-Morris Press (A0.1361254). Live And Let Die - Trumpet (Key of B Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1362445 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1362445 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #946911. Published by Brambilla-Morris Press (A0.1362445). Live and Let Die - Violin (Key of B-Flat Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1363101 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1363101 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #947495. Published by Brambilla-Morris Press (A0.1363101). Live And Let Die - Clarinet (Key of B-Flat Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1363098 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1363098 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #947491. Published by Brambilla-Morris Press (A0.1363098). Live And Let Die - Clarinet (Key of B Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1362443 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1362443 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #946909. Published by Brambilla-Morris Press (A0.1362443). Live And Let Die - Violin (Key of B Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1361255 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1361255 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #945747. Published by Brambilla-Morris Press (A0.1361255). Live And Let Die - Trumpet (Key of B-Flat Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1359626 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Folk,Rock. Lead Sheet / Fake Book. 4 pa...
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C Instrument - SKU: A0.1359626 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Folk,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #944095. Published by Brambilla-Morris Press (A0.1359626). Live and Let Die - Flute (Key of B Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1359628 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1359628 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #944097. Published by Brambilla-Morris Press (A0.1359628). Live and Let Die - Flute (Key of B-Flat)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1360517 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1360517 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #945019. Published by Brambilla-Morris Press (A0.1360517). Live And Let Die - Oboe (Key of B-Flat Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Live And Let Die
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Instruments en Do
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Film/TV
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Rock
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Wings
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R
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Live And Let Die
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Brambilla-Morris Press
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SheetMusicPlus
C Instrument - SKU: A0.1360515 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pag...
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C Instrument - SKU: A0.1360515 By Wings. By Linda McCartney and Paul McCartney. Arranged by R. Salvario. Film/TV,Pop,Rock. Lead Sheet / Fake Book. 4 pages. Brambilla-Morris Press #945016. Published by Brambilla-Morris Press (A0.1360515). Live And Let Die - Oboe (Key of B Major)This is an arrangement for the song Live and Let Die; you will love how it sounds! You will get the score when you download the PDF.
$3.99
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Nicole Elyse DiPaolo
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Chopin - Waltz in E minor op.
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3...
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Piano,Violin - Level 4 - SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3123257. Published by Nicole Elyse DiPaolo (A0.799603). This is my own arrangement of one of my favorite Chopin waltzes for the piano. As the Duo del Mare, violinist Amy Schlicher and I performed this arrangement aboard the ms Zaandam cruise liner, where it proved very popular. Because Amy and I did not have extra time or venues in which to rehearse, I intentionally made this arrangement very accessible (so that we could play it well without rehearsal or an intermediate-level duo could master it with some practice). This waltz would make a great encore or showpiece on your next program.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$5.95
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
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Violon et Piano
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AVANCÉ
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Sergei Rachmaninoff
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Nicole Elyse DiPaolo
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Rachmaninoff - Etude-Tableau i
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole...
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Piano,Violin - Level 5 - SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #3125333. Published by Nicole Elyse DiPaolo (A0.799602). This is my own arrangement of one of my favorite Rachmaninoff pieces, his Etude-Tableau in G minor from the op. 33 set (labeled no. 5 or no. 7 in the set, depending on whom you ask), written in 1911. Suitable for early advanced players, this arrangement is a great addition to your next recital program. The violin part contains numerous parallel sixths, making this a fruitful study in double-stopped 6ths for the high-school or college-age violinist. In addition, the piano accompaniment might also work well on the harp.Both the score and the violin part are included with your purchase. About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$6.95
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Classique
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Robert Schumann
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Nicole Elyse DiPaolo
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Lorelei from Romanzen und Ball
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse Di...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Largo (from Xerxes) for B flat clarinet and piano
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Clarinette et Piano
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FACILE
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G F Handel
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Colin Kirkpatrick
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Largo
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Colin Kirkpatrick Publications
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1313805 Composed by G F Handel. Arranged by Colin Kirkpatrick. Baroque,Historic,Instructional,Opera. Score and part. 6 pages. Colin Kirkpatrick Publications #902523. Published by Colin Kirkpatrick Publications (A0.1313805). This piece is probably Handel’s best-known melody, although it began life as an operatic aria. The opera was called Xerxes, sometimes written Serses and pronounced something like “ZERT-seesâ€. It was commissioned by The King’s Theatre in London and composed by Handel (who had become naturalized British and lived in London at the time) around 1737 and 1738. The opera is loosely based on the real historical figure King Xerxes, who ruled from around 522-486 BC and was the fourth king of the Achaemenid Empire, a vast region that covered most of the present-day Middle East including modern Turkey.  The melody is often known simply as Handel’s Largo (despite being marked “Larghetto†in the musical score) and is the opening aria in the opera. Known by its opening line Ombra mai fu the aria is sung by Xerxes to a plane tree: “Tender and beautiful fronds of my beloved plane tree, let fate smile upon you...â€Although the melody has survived over the years, the opera itself was a complete failure when it was first performed at the King’s Theatre in London’s Haymarket in 1738. The style of the opera was not appreciated by London opera-goers and it generally received poor reviews. The audience may have been confused by the innovative nature of the work because Handel introduced unexpected comic elements into the plot.This arrangement for clarinet in B flat and piano is in E flat major. The lowest note in the clarinet part is written C just below the treble staff and the highest note is written F on the top line. The piano part has been kept as simple as possible.
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Live and Let Die - Baritone B.C.