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Long Sought Home
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Vous avez sélectionné:
Long Sought Home
Partitions à imprimer
6 partitions trouvées
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Long Sought Home (based on Southern Harmony No. 302 and Aurora Waltz by E.L. White)
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William Walker and Edward L
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Linda Dzuris
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Long Sought Home
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Linda Dzuris
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SheetMusicPlus
Bells,Carillon,Instrumental Solo - Level 2 - SKU: A0.1401731 Composed by William Walker and Edward L. White. Arranged by Linda Dzuris. Christian,Religio...
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Bells,Carillon,Instrumental Solo - Level 2 - SKU: A0.1401731 Composed by William Walker and Edward L. White. Arranged by Linda Dzuris. Christian,Religious,Sacred,Traditional. Individual part. 3 pages. Linda Dzuris #984915. Published by Linda Dzuris (A0.1401731). Carillon setting of William Walker's Southern Harmony tune no. 302 and Aurora Waltz by Edward L. White.
$1.99
LITTLE COUNTRY
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Piano, Voix
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Hilary Brooks, Lyrics by Clive
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LITTLE COUNTRY
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Hilary Brooks
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1017876 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Contemporary,Musical/Show,World. Score. 4 pages. Hilary Br...
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Piano,Vocal,Voice - SKU: A0.1017876 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Contemporary,Musical/Show,World. Score. 4 pages. Hilary Brooks #6343497. Published by Hilary Brooks (A0.1017876). Piano/Voice. Musical theatre song from the musical MELANIA. Solo female. Satire. Melania Trump longing for home?It's a long way from the Eastern Bloc to the East Wing - and for one former glamour model turned FLOTUS it hasn't been a happy journey. Can the ghosts of Eleanor Roosevelt and Jackie Kennedy lift our heroine's spirits? Hilary Brooks and Clive King have written a highly entertaining musical with songs full of humour and irony (Mumble Musicals) ★★★★★@brooksandking. Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. Requests for script copies and permissions for productions should be sought through MSA.A chamber musical for three female actors.Original production length: 58 minutes. Suitable for MT students, colleges, MT societies.
$4.37
The Puss Suite
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Film/TV
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Henry Jackman
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Chris Gorman
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The Puss Suite
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1084575 Composed by Henry Jackman. Arranged by Chris Gorman. Film/TV. Brass Band. 60 pages. Chris Gorman #688762. Published by Chris Gorman (A0.1084575). Puss in Boots is a Spanish-speaking, anthropomorphic cat named for his signature pair of boots. A fugitive on the run from the law, Puss is seeking to restore his lost honor. He learns that the murderous outlaw couple Jack and Jill have the magic beans he has long sought, which can lead him to a giant's castle known by legend to contain valuable golden goose eggs. When Puss attempts to steal the beans at their hideout, a female cat named Kitty Softpaws interrupts. She was hired to steal them as well by Humpty Alexander Dumpty, a talking egg and long-estranged childhood friend of Puss from the orphanage where they both were raised. Puss tells Kitty his origin story and how he felt betrayed by Humpty, who tricked Puss into committing a bank robbery in his hometown of San Ricardo. Puss has been on the run ever since. Humpty eventually convinces Puss to join them in finding the beans and retrieving the golden eggs.
$30.00
Soon We Will Be Done (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Gospel Spirituel
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Kyle Pederson
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Soon We Will Be Done
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporati...
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SATB choir and Piano - Medium - SKU: MQ.1.3610-E Composed by Kyle Pederson. African American Heritage. Instrument part. 22 pages. Galaxy Music Corporation - Digital #1.3610-E. Published by Galaxy Music Corporation - Digital (MQ.1.3610-E). English. From the arranger, Kyle Pederson To me, spirituals are the most powerful type of music. Spirituals were birthed and rooted in the experience of chattel slavery in the United States—and arose out of, as Arthur C. Jones asserts, “deeply meaningful, archetypically human experiences, relevant not only to the specific circumstances of slavery but also to women and men struggling with issues of justice, freedom, and spiritual wholeness in all times and places.†The original text of Soon Ah Will Be Done is as follows: Soon ah will be done with the troubles of the world (repeat) Goin’ home to live with God No more weeping and a-wailing (repeat) Goin’ home to live with God I want t’ meet my mother (repeat) Goin’ home to live with God I want t’ meet my Jesus (repeat) Goin’ home to live with God When I sang this spiritual growing up, I was struck by both the withering sorrow and expectant hope throughout. The melody and emotion has stuck with me since. When approaching my own arrangement, I hoped to honor the voice of the original writers and their experience of slavery, and I also sought to extend a voice to people today who are suffering from oppression and discrimination. I hoped an appropriate way to honor the experience of the original writers might be to invite the contemporary listener to envision and commit to a better, more just world today—a world of inclusion, radical kindness, compassion, love, and grace—a world where we have the courage to champion the inherent dignity and value of all people, a world where we will be done with all the ways we deny a person’s worth. A world where “heaven has come to earth.†In this arrangement, spoken word is incorporated throughout, intended to heighten the intensity of the performance, and meant to give a sense of immediacy to the challenge for the choir and audience to work together for justice, equity, and wholeness. Spoken word has often been used as the language of protest—and I include it intentionally as a way of giving voice to the choir members (and listener)—where all can stand in solidarity against oppression and injustice. If desired, choir members are encouraged to write their own spoken word text that speaks to issues of inequity and injustice in their own communities. I am writing this program note not long after George Floyd was killed in Minneapolis, MN, on May 25, 2020. As a Minneapolis area resident for the past 25 years, I want to take a more active role in working towards justice in my community. All proceeds received from the sale and performance of Soon We Will Be Done will be directed to ISAIAH—a multi-racial, state-wide, nonpartisan coalition of faith communities fighting for racial and economic justice in Minnesota. You can read more about the phenomenal work ISAIAH is doing at isaiahmn.org.
$3.20
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
Come, Holy Spirit, Dove Divine
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Chorale SATB
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FACILE
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Musique Sacrée
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Robert Myers
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raised to walk in new life
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Come, Holy Spirit, Dove Divine
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. P...
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Choral Choir (SATB) - Level 2 - SKU: A0.976727 Composed by Robert Myers. Christian,Praise & Worship,Sacred. Octavo. 2 pages. WheatMyer Music #5197337. Published by WheatMyer Music (A0.976727). It was one of those accidents where you find something useful when you’re looking for something else. While reading on the nature of worship, a particular blog article ended with Adoniram Judson’s early 19th Century baptismal poem, Come Holy Spirit, Dove Divine. The flowing text called out (at least to me!) for a musical setting. Accordingly, some melodic and harmonic ideas began to percolate in my thoughts. However, before getting very far along in writing a tune, there were two surprises in store. First many others had already set the text to music before (with a multitude of tunes) going back to at least 1833. Second, despite being a Baptist for over forty years, I discovered that this hymn has been in the Baptist Hymnal since 1956 yet I have no recollection of every singing it! Well, chagrined at my ignorance, I carried on writing a new melody and harmony for this deserving text. I sought to make it friendly to congregational singers while still containing rich and sing-able harmonies and so aimed for a four-part hymn-style form. However, as I suspect my ignorance of the hymn is a common condition, a fresh and modern tune which would be at home in varied musical styles and have popular appeal was also pursued. The result is a delightful and uplifting tune, easy to sing, with an optimistic and forward momentum, commensurate with the meaning of believers’ baptism, Buried with Him in baptism; raised to walk in new life. The music is flexible in application to many church music styles: praise team and band, choir and organ, congregation and piano, or mix and match to fit your needs. May you find Come, Holy Spirit, Dove Divine, singing a much needed text, a means for your congregation to joyfully join with new believers in celebration of their baptism!
$1.99
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Long Sought Home
