Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Long-Awaited One
Non classifié
3
Piano & claviers
Piano Facile
4
Piano seul
3
Orgue
1
1 Piano, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Guitares
Voix
Voix Alto, Piano
1
Chorale 3 parties
1
Chorale SATB
1
Voix duo, Piano
1
Vents
Ensemble de Flûtes
5
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
2
2 Clarinettes (duo)
1
Ensemble de saxophones
1
Clarinette, Basson (duo)
1
Saxophone Alto et Piano
1
3 Clarinettes (trio)
1
+ 3 instrumentations
Retracter
Cuivres
Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Orchestre & Percussions
Orchestre de chambre
1
Orchestre à Cordes
1
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1
Partitions Numériques
35
Librairie Musicale
95
Matériel de Musique
7
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Long-Awaited One
Partitions à imprimer
35 partitions trouvées
<
1
26
Sonata for Alto Saxophone and Piano
#
Saxophone Alto et Piano
#
AVANCÉ
#
Diana Mascari
#
Diana Mascari
#
Sonata for Alto Saxophone and
#
Diana Mascari Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.1452043 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classi...
(+)
Alto Saxophone,Piano - Level 5 - SKU: A0.1452043 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber,Classical,Jazz. Score and part. 78 pages. Diana Mascari Music #1031355. Published by Diana Mascari Music (A0.1452043). Diana Mascari's Sonata for Alto Saxophone and Piano is a long-awaited composition from her catalog.It is the first piece which features the alto sax and with piano accompaniment that she has written (completed in January 2024. The movements are: I. Swing, II. Introspection, III. Beguine and the total duration is approximately 11'40.In addition to the jazz influence so characteristic of Ms. Mascari's work, this sonata is the reflects the love she has for classical works for this instrument. In addition to four saxophone quartets (one with pipe organ), a piece for Tenor Saxophone and pipe organ, Diana composed a concerto for Alto Saxophone and Orchestra which was premiered in Switzerland in the late 1990s. For questions about Diana Mascari's compositions and/or composition lessons please visit: www.dianamascari.com.
$19.95
Long Awaited
#
Quintette à cordes: 2 violons, alto, violoncelle, basse
#
INTERMÉDIAIRE
#
David G
#
Long Awaited
#
St. Hildegard Foundation
#
SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1073901 By David G. Boney. By David G. Boney. 20th Century,Jazz. Score...
(+)
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1073901 By David G. Boney. By David G. Boney. 20th Century,Jazz. Score and parts. 79 pages. St. Hildegard Foundation #678158. Published by St. Hildegard Foundation (A0.1073901). Contemporary chromatic and modal composition for string quintet.
$10.00
Long-Awaited One
#
Chorale 3 parties
#
Musique Sacrée
#
Douglas Nolan
#
Long-Awaited One
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Choir, Choral, Voice (SAB) - Arranged by Douglas Nolan. This edition: scorch. Choral. Advent, Sacred. Octavo. 11 pages. Hal Leonard - Digital ...
(+)
Choral Choir, Choral, Voice (SAB) - Arranged by Douglas Nolan. This edition: scorch. Choral. Advent, Sacred. Octavo. 11 pages. Hal Leonard - Digital #271418. Published by Hal Leonard - Digital
$2.35
The Songcord
#
Ensemble de saxophones
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1169670 Composed by Simon F...
(+)
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1169670 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #770032. Published by Lisa L Ochoco (A0.1169670). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for saxophone choir – 2 sopranos, 3 altos, 2 tenors, and baritone.  There is an optional bass saxophone part. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
From Darkness To Light
#
Ensemble de Flûtes
#
AVANCÉ
#
Simon Franglen
#
Lisa Ochoco
#
From Darkness To Light
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1165816 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporar...
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 5 - SKU: A0.1165816 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #766187. Published by Lisa L Ochoco (A0.1165816). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.  One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, this is how the “Shimmer†part can be played:  Hang a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  Be creative with this percussive part!  You can use whistle tones, a little xylophone, wind chimes, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.  Duration: 3.75 minutes.
$16.00
From Darkness To Light
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
From Darkness To Light
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1169298 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contempo...
(+)
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1169298 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 18 pages. Lisa L Ochoco #769652. Published by Lisa L Ochoco (A0.1169298). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for clarinet choir - Eb, 4 Bb, alto, bass and contrabass.  One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, this is how the “Shimmer†part can be played:  Hang a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  Be creative with this percussive part!  You can use whistle tones, a little xylophone, wind chimes, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.  Duration: 3.75 minutes.
$16.00
Just The Two Of Us
#
Voix duo, Piano
#
INTERMÉDIAIRE
#
Comédie Musicale
#
Kevin Longley
#
Just The Two Of Us
#
Kevin Longley
#
SheetMusicPlus
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 3 - SKU: A0.1148844 Composed by Kevin Longley. Broadway,Jazz,Musical/Show. 21 pages. Kevin...
(+)
Piano,Voice Duet Baritone Horn TC,Piano,Soprano voice - Level 3 - SKU: A0.1148844 Composed by Kevin Longley. Broadway,Jazz,Musical/Show. 21 pages. Kevin Longley #748983. Published by Kevin Longley (A0.1148844). Duet for soprano and baritone with band accompaniment depicting a long awaited meeting of 2 lovers.
$1.99
Seven Last Words (Septem Ultima Verba) (Choral Score)
#
Musique Sacrée
#
Michael John Trotta
#
John 19:23-28, 30
#
Seven Last Words
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Soprano and baritone soli, SATB choir, and piano or full orchestra or chamber ensemble - Medium - SKU: MQ.70-390-E Composed by Michael John Trotta. Lent...
(+)
Soprano and baritone soli, SATB choir, and piano or full orchestra or chamber ensemble - Medium - SKU: MQ.70-390-E Composed by Michael John Trotta. Lent, Triduum/Three Days. 91 pages. MorningStar Music Publishers - Digital Sheet Music #70-390-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.70-390-E). English, Latin. Luke 23:34, 37, 42-46; John 19:23-28, 30; Matthew 6:10; Matthew 27:40, 46, 51-52, 54; Mark 15:32, 34; Psalms 75; Psalms 76:9.This long-awaited major work is a seven-movement choral journey through the Passion, which delivers a powerful and captivating story encompassing a breathtaking palette of emotion, from intimate tenderness to majestic triumph. A rare gem, powerfully emotive and effective in both liturgical and concert settings. The work may be performed in either English or in Latin. Duration: 40 min. Movements include:1. Father, Forgive Them2. Today, You Will Be with Me3. Behold Your Son4. I Thirst5. My God, Why Have You Abandoned Me?6. Into Your Hands I Surrender My Soul7. It is Finished. The piece may be done with Full Orchestra (Flute, Oboe, 2 Trumpets in C, Horn in F, Timpani, Harp, Strings), or with a Chamber Ensemble (Flute, Oboe, Horn in F, Piano). Preview pack includes a choral score and CD recording.
$9.95
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
From Darkness To Light
#
Orchestre à Cordes
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
From Darkness To Light
#
Lisa L Ochoco
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1176717 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. Score and parts. 19 pages. Lisa ...
(+)
String Orchestra - Level 3 - SKU: A0.1176717 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. Score and parts. 19 pages. Lisa L Ochoco #776796. Published by Lisa L Ochoco (A0.1176717). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  From Darkness to Light is a beautiful instrumental piece in the movie that shows off the beauty of the water.  On paper, the music seems a little too simple, but the chord progressions together with the moving parts make for quite a beautiful and memorable piece.  This arrangement is scored for string orchestra - 3 violins, 2 violas, 2 cellos and double bass.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The Shimmer part could be played by wind chimes.  Franglen mentioned that they used keys hanging from strings (car keys, house keys, etc) to create this effect among other creative objects-turned-instruments.Duration: 3.75 minutes.
$50.00
The Songcord
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporar...
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1163640 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 20 pages. Lisa L Ochoco #763982. Published by Lisa L Ochoco (A0.1163640). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute choir – piccolo with 4 C, alto, bass, and contrabass flutes.  There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range.One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  The piccolo should always be played softly - at the equivalent volume of the group’s piano.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
The Songcord
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1163661 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contempo...
(+)
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1163661 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 19 pages. Lisa L Ochoco #764005. Published by Lisa L Ochoco (A0.1163661). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009.  The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end.  A songcord is a mnemonic device used by the Na’vi that assists them in storytelling.  In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for clarinet choir – Eb, 4 Bb, alto, bass, and contrabass. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  With that in mind, “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.Be creative with this percussive part!  You can use a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure.Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
The Songcord
#
Ensemble de Flûtes
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/T...
(+)
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169424 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #769781. Published by Lisa L Ochoco (A0.1169424). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.  The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for low flute choir – 4 altos, 3 basses, contra alto in G, and contrabass. There is an optional cello part that doubles the contrabass that can be played by any bass clef C instrument in a similar range. One of the most important parts of this piece is what helps create the mood, which is where the part called “Shimmer†comes in.  In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes.  The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string.  Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Always keep the melody prominent.  Play this slowly and freely, with a lot of rubato.  Duration: 3.75 minutes.
$16.00
Let All Creation Praise His Coming, sacred music for SATB choir
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Kevin G
#
Let All Creation Praise His Co
#
Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
(+)
Choral Choir (SATB) - Level 4 - SKU: A0.1107927 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #710541. Published by Kevin G. Pace (A0.1107927). An epic, exciting, sacred composition for SATB choir. Music by Kevin G. Pace. Text by Mary Ann W. Snowball. Text: Let all creation praise His coming, Sending triumph through the sky! When Jesus Christ steps from the Father All the heavens will supply Grand hallelujahs to all list’ning. And those long-awaited sounds Will announce the Second Coming When His glory will abound. So, let the earth burst forth revering; Let the waters cheer with praise. Let the mountains shout for gladness All because our Lord was raised. Let all valleys hear rejoicing And the seas and dry lands bring Grandest strains to all formation Because He is Christ, our King. Let the stars and morning sunbeams Sing together, all as one. Let the woods and trees and meadows Voice their joy because He comes. Then let the animals speak jointly, And the sun and moon share light; Let the whole world join in worship Because He is in our sight. Let his creations call for oneness To declare his name with love, To proclaim the voice of Jesus When He visits from above. Let all creation praise His coming For his light will be our sun; Let us shout with hymns of singing Because Christ, our Savior comes!
$1.99
The DaySpring
#
Orgue
#
INTERMÉDIAIRE
#
Gilbert M
#
The DaySpring
#
Sacred Music Press
#
SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ. Composed by Gilbert M. Martin. Sacred, Advent. Sacred Music Press #70...
(+)
Organ: 3-staff - Intermediate SKU: LO.70-1608S Advent Meditations for Organ. Composed by Gilbert M. Martin. Sacred, Advent. Sacred Music Press #70/1608S. Published by Sacred Music Press (LO.70-1608S). ISBN 9780893288372.For the coming of the Christ-child, whether quietly awaited or fervently desired, expectation is musically gathered in this joyous collection of organ music designed for the Advent season. Familiar carols (and one or two less familiar ones) receive sparkling and contemplative treatments. Registered for all organs and accurately timed.
Song List
: Watchman Tell Us Of The Night Come Thou Long Expected Jesus O Come O Come Emmanuel Savior of the Nations Come Creator Of The Stars Of Night On Jordan's Bank The Baptist's Cry
$25.00
"July" (Serenade) in F major, from Das Jahr - Level 3 piano arrangement
#
Piano Facile
#
FACILE
#
Fanny Mendelssohn Hensel
#
Cameron Smith
#
"July"
#
Cameron E Smith
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.902461 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Perio...
(+)
Easy Piano - Level 2 - SKU: A0.902461 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996643. Published by Cameron E Smith (A0.902461). Basic Info:Piano Solo Sheet music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:One of 12 pieces in piano suite Das Jahr (The Year), F major, composed by Romantic composer Fanny Mendelssohn Hensel. H. 385. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 16 measures. Right-hand and left-hand use finger crossings and multiple positions. Flats and sharps are mixed. Quarter-notes, half-notes, dotted half-notes and whole notes.Technique:Finger crossings are introduced. Long tied notes. Flats and sharps. Hands are mostly independent.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composer? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
Piano Trio in G Minor - Level 2 piano arrangement
#
Piano Facile
#
DÉBUTANT
#
Clara Wieck-Schumann
#
Cameron Smith
#
Piano Trio in G Minor - Level
#
Cameron E Smith
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.902466 Composed by Clara Wieck-Schumann. Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,Worl...
(+)
Easy Piano - Level 1 - SKU: A0.902466 Composed by Clara Wieck-Schumann. Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996795. Published by Cameron E Smith (A0.902466). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 2, Upper ElementaryDetailed Description:Piano trio for piano, violin and cello in g minor composed by Romantic composer Clara Schumann. First movement, Allegro Moderato. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner. Arranged by Cameron Smith.This is a primer level arrangement in the key of a minor and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 16 measures. Right-hand is in a 5-finger, middle C position. Left-hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and whole notes.Technique:Dotted quarter-notes are introduced. 5-finger scales with right-hand fifth finger extension. Tied notes. One accidental.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Clara Schumann was one of the best concert pianists of her time, and composed chamber music, choral pieces, and songs in addition to solo piano pieces. She married the composer Robert Schumann and often premiered both his music and the music of Johannes Brahms. After he husband's early death, she became an influential piano educator and continued to tour as a concert pianist.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
The Songcord
#
Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169321 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film...
(+)
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1169321 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 14 pages. Lisa L Ochoco #769675. Published by Lisa L Ochoco (A0.1169321). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie.The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family.This arrangement is scored for flute quartet - 2 C, alto, and bass.An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€. You can also use wind chimes, a little xylophone, bells, etc. The idea is to create a magical mood without overpowering the music. Play this part wherever there is a note in the measure.Duration: 3.75 minutes.
$16.00
The Songcord
#
Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE
#
Simon Franglen
#
Lisa Ochoco
#
The Songcord
#
Lisa L Ochoco
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1169759 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 15 pages. Lisa L ...
(+)
Flute Quartet,Woodwind Ensemble - Level 3 - SKU: A0.1169759 Composed by Simon Franglen. Arranged by Lisa Ochoco. Contemporary,Film/TV. 15 pages. Lisa L Ochoco #770123. Published by Lisa L Ochoco (A0.1169759). Avatar: The Way of Water, is the long-awaited sequel to the award-winning film from 2009. The soundtrack for the new film was written by Simon Franglen, who originally wrote 5 hours of music to cover any and all situations in the almost 3-hour movie. The Songcord is a beautiful song that is heard twice in the film – at the beginning and at the end. A songcord is a mnemonic device used by the Na’vi that assists them in storytelling. In this song, Neytiri is thanking Eywa – the Great Mother - for her family. This arrangement is scored for flute quartet - 4 C or 3 C and alto. An optional part of this piece is what helps create the mood, which is the part called “Shimmerâ€. In an interview, Simon Franglen said that an important part of the music is the feeling of light, and he achieved that by including shimmering sounds into his tunes. The “Shimmer†part can be played by hanging a few keys (house keys, car keys, etc.) that have different pitches on short lengths of string. Use a small metal or wooden object to lightly hit the keys to create little “dingsâ€.  You can also use wind chimes, a little xylophone, bells, etc.  The idea is to create a magical mood without overpowering the music.  Play this part wherever there is a note in the measure. Duration: 3.75 minutes.
$16.00
The Craft of Musical Composition
#
The Craft of Musical Compositi
#
Schott Music - Digital
#
SheetMusicPlus
SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). ...
(+)
SKU: S9.Q780183 Exercises in Three-Part Writing. Book. Op. 3. Schott Music - Digital #Q780183. Published by Schott Music - Digital (S9.Q780183). English.Originally published in the 1940s, Paul Hindemith's remarkable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that many years later these books should remain essential reading for the student and the professional musician. Parts 1 and 2 of Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America during the Nazi era. The long-awaited translation of Part 3 with exercises for three-part composition completes the English edition The Craft of Musical Composition.Parts 1 and 2 of the Unterweisung im Tonsatz were already translated into English during Hindemith's lifetime, when he was in exile in America. The translation of part 3 with exercises for three-part composition completes the English edition of The Craft of Musical Composition.
$22.99
He Is Born, the Divine Christ Child (piano duet)
#
1 Piano, 4 mains
#
INTERMÉDIAIRE
#
French carol
#
Anne Britt
#
He Is Born, the Divine Christ
#
Anne Britt
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1494816 Composed by French carol. Arranged by Anne Britt. Celtic,Christian,Christmas,Irish. Score. 18 pag...
(+)
1 Piano,4 Hands,Piano Duet - Level 3 - SKU: A0.1494816 Composed by French carol. Arranged by Anne Britt. Celtic,Christian,Christmas,Irish. Score. 18 pages. Anne Britt #1071382. Published by Anne Britt (A0.1494816). The French carol “Il est né, le divin Enfant” celebrates the long-awaited birth of the Savior, foretold by ancient prophets. This intermediate piano duet arrangement starts out sweetly with the melody being played lightly, then starts adding in rolled open-fifth chords and ornamentation to give it a Celtic flair. The energy picks up as it transitions to an lively 6/8 meter, making you want to get up and dance in joyful celebration! The primo part is a bit more advanced than the secondo part. 5 pages each for the secondo and primo parts, or 8 pages for the combined score. The PDF contains both layouts so you can play from the one you prefer. Performance time: approximately 3:00.Also available for late intermediate piano solo.Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/.
$6.99
The River
#
Voix Alto, Piano
#
INTERMÉDIAIRE
#
Sydney Stevens
#
The River
#
Sydney Stevens, Water Music
#
SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Pu...
(+)
Alto Voice,Vocal Solo - Level 3 - SKU: A0.859664 Composed by Sydney Stevens. Country,Folk,Pop,Wedding. 8 pages. Sydney Stevens, Water Music #2949779. Published by Sydney Stevens, Water Music (A0.859664). Contact: sydneystevenspianostudio@gmail.comThe River: Uplifting piano/vocal by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Dar Williams, Judy Collins, Christina PerriFrom Album: Cycles of Life Theme: Long awaited true love, new love.Mood: Happy, romantic, inspired.Musical Traits: Broken chords in the left hand piano, right hand melody that reflects the vocal line.Performance Time: 3:17Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113aBIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer,.
$4.95
Notturno in G Minor - Level 3 piano arrangement
#
Piano Facile
#
FACILE
#
Fanny Mendelssohn Hensel
#
Cameron Smith
#
Notturno in G Minor - Level 3
#
Cameron E Smith
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.902464 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Perio...
(+)
Easy Piano - Level 2 - SKU: A0.902464 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996729. Published by Cameron E Smith (A0.902464). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 3, Early IntermediateDetailed Description:Nocturne for piano in g minor composed by Romantic composer Fanny Mendelssohn. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an early intermediate level arrangement in the key of a minor and serves as an introduction to historic women composers of the Romantic period. 3/4 time signature. 17 measures. Right-hand melody, left-hand broken chord accompaniment. Eighth-notes, quarter-notes, dotted quarter-notes, half-notes and dotted half-notes.Technique:Broken chord accompaniment is introduced. Multiple hand positions are used. One accidental. There are also level 1, 2 and 4 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas, and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
Notturno in G Minor - Level 4 piano arrangement
#
Piano seul
#
FACILE
#
Fanny Mendelssohn Hensel
#
Cameron Smith
#
Notturno in G Minor - Level 4
#
Cameron E Smith
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.902462 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Perio...
(+)
Piano Solo - Level 2 - SKU: A0.902462 Composed by Fanny Mendelssohn Hensel (1805-1847). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards,World. Score. 1 pages. Cameron E Smith #5996723. Published by Cameron E Smith (A0.902462). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 4, IntermediateDetailed Description:Nocturne for piano in g minor composed by Romantic composer Fanny Mendelssohn Hensel. 19th century. German Romantic. Historic Women Composers. Classical Piano Repertoire for the intermediate beginner. Arranged by Cameron Smith.This is an intermediate level arrangement in the key of g minor and serves as an introduction to historic women composers of the Romantic period. 6/8 time signature. 11 measures. Right-hand is mostly in thirds, left-hand utilizes broken chord accompaniments. Sixteenth-notes, eighth-notes, dotted eighth-notes, quarter-notes, and dotted quarter-notes.Technique:6/8 time signature is introduced. Right-hand finger crossings in thirds. One accidental. There are also level 1, 2 and 3 arrangements of this piece available.History:This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms and Tchaikovsky. Fanny Mendelssohn Hensel is the older sister of the well-known composer Felix Mendelssohn. Often attributed to be a greater pianist than he, Hensel wrote many works for the piano, as well as some chamber music, cantatas and oratorios. Due to the complications surrounding women composers at the time, much of her music was published under her brother's name.Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
Theme from Piano Concerto - Level 1 piano arrangement
#
Piano seul
#
DÉBUTANT
#
Amy Beach
#
Cameron Smith
#
Theme from Piano Concerto - Le
#
Cameron E Smith
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Sc...
(+)
Easy Piano - Level 1 - SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996573. Published by Cameron E Smith (A0.902458). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 1 Early ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner.This is an early elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand is in a 5-finger, middle C position. Left hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, half-notes and dotted half-notes.Technique: 5th finger stretch in the right hand is introduced. 5-finger scales. No accidentals. There are also level 2-4 arrangements of this piece available.History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Long-Awaited One
