English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Longing for Love ???
Non classifié
109
Piano & claviers
Piano, Voix
105
Piano seul
98
Instruments en Do
26
Piano Facile
18
Accompagnement Piano
10
Piano, Voix et Guitare
10
Piano Trio: piano, violon, violoncelle
3
Orgue
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
+ 4 instrumentations
Retracter
Guitares
Guitare
8
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
5
Ukulele
2
Voix
Chorale SATB
33
Chorale 3 parties
9
Chorale 2 parties
6
Voix Soprano, Piano
4
Chorale TTBB
4
Chorale SSAA
3
Voix duo, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Tenor
1
Voix Baryton, Piano
1
Voix Alto, Piano
1
Chorale Unison
1
+ 8 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
18
Flûte traversière et Piano
17
Saxophone Alto
15
Flûte traversière
14
Clarinette
13
Saxophone Alto et Piano
11
Hautbois (partie séparée)
10
Clarinette et Piano
10
Quintette de Saxophone: 5 saxophones
9
2 Flûtes traversières (duo)
9
2 Saxophones (duo)
8
2 Clarinettes (duo)
6
2 Hautbois (duo)
5
Quatuor de Saxophones: 4 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Hautbois
4
Flûte, Hautbois, Clarinette, Basson
3
Saxophone Baryton, Piano
3
Flûte, Violon, Piano
3
Saxophone Tenor
3
Saxophone Baryton
2
Saxophone Soprano
2
Cor anglais, Piano
2
Clarinette Basse
2
Saxophone Soprano et Piano
2
Flûte, Basson et Piano
2
5 Flûtes à bec
2
Cor Anglais
2
Quintette de Clarinettes: 5 clarinettes
2
Ensemble de saxophones
2
Flûte, Violoncelle, Piano (trio)
2
Quatuor de Flûtes : 4 flûtes
1
2 Flûtes traversières, Piano
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Basson
1
Ensemble de Clarinettes
1
Flûte, Clarinette et Basson
1
Saxophone Tenor et Piano
1
Quintette de Flûte : 5 flûtes
1
+ 34 instrumentations
Retracter
Cuivres
Trompette, Piano
12
Tuba
10
Trompette
9
Trombone
9
Cor et Piano
8
Trombone et Piano
8
Cor
7
2 Trompettes (duo)
6
Tuba et Piano
6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
2 Cors (duo)
5
2 Tubas (duo)
4
2 Trombones (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Euphonium
2
Ensemble de Cors
2
Cor Anglais
2
Ensemble de Trompettes
2
Quatuor de cuivres: 4 trombones
1
2 Euphoniums et 2 Tubas
1
Trombone, Violon (duo)
1
+ 18 instrumentations
Retracter
Cordes
Violon
17
Violon et Piano
17
Alto, Piano
15
Violoncelle
14
Violoncelle, Piano
12
Quatuor à cordes: 2 violons, alto, violoncelle
10
Alto seul
10
Contre Basse
8
2 Violons (duo)
6
2 Altos (duo)
5
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
4
Alto (partie séparée)
3
Trio à Cordes: 2 violons, alto
2
Trio à Cordes: 2 violons, violoncelle
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Piano Trio: Violon, Alto, Piano
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
Violon, Alto (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre
6
Marimba
4
Orchestre d'harmonie
3
Orchestre à Cordes
3
Orchestre de chambre
3
Xylophone, Piano
2
Ensemble Jazz
2
Xylophone
2
Cloches
1
Fanfare
1
+ 5 instrumentations
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ACCORDEON
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AUTRES INST…
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BASSE
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CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Longing for Love ???
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Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
(+)
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.95 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
#
SheetMusicPlus
Longing for Love - 望春风 - A Chinese classic song describing a girl pining for love
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1389645 Composed by Chinese Folk So…
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Piano Solo - Level 4 - Digital Download SKU: A0.1389645 Composed by Chinese Folk Song. Arranged by Thomas Ling of Sibu. 20th Century,Folk,Multicultural,Pop,World. Score. 6 pages. Thomas Swee Chin #973241. Published by Thomas Swee Chin (A0.1389645). A beautiful melody written with pentatonic notes : do re mi sol La, but harmonised in a modern fashion with chromatic notes and 'juicy' harmony. 80 years ago, Taiwanese society was bound by feudal ethics, women were only reproductive tools, expressing and pursuing personal emotions was a transgression, and flowery girls could only bear the fate of tools silently until they grew old and died.  The lyric writer was a teenager in Taipei at that time, he wanted to ï¬ght for the right to speak for the girls, so he wrote the song “Longing for spring/love.
$7.80
7.19 €
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Piano seul
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Chinese Folk Song
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Thomas Ling of Sibu
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Longing for Love - 望春风 - A Chinese classic song describing a girl pining for love
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Thomas Swee Chin
#
SheetMusicPlus
Longing
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1026750 Composed by Jackson Lim. Ro…
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Piano Solo - Level 3 - Digital Download SKU: A0.1026750 Composed by Jackson Lim. Romantic Period. Score. 4 pages. Lim Teik Serng @ Jackson #6429341. Published by Lim Teik Serng @ Jackson (A0.1026750). A piano solo piece expressing longing for love. Warm and singing-like, the melody expands itself between sections. 4 pages. .
$1.99
1.83 €
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Piano seul
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Jackson Lim
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Longing
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Lim Teik Serng @ Jackson
#
SheetMusicPlus
Love's Secret
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027447 Composed by E…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1027447 Composed by Elizabeth Macartney. Contemporary. 4 pages. Elizabeth Macartney #423713. Published by Elizabeth Macartney (A0.1027447). A beautiful piece for soprano and piano. Based on the poem Love's Secret by William Blake, this piece showcases a wide range (2 octaves) with a beautiful and haunting melody that reflects the longing for love in the words.
$4.50
4.15 €
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Voix Soprano, Piano
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Elizabeth Macartney
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Love's Secret
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Elizabeth Macartney
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SheetMusicPlus
The Mystery Of Love (Extended Edition)
Small Ensemble - Digital Download SKU: A0.1030414 Composed by Frank Donovan. Arrang…
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Small Ensemble - Digital Download SKU: A0.1030414 Composed by Frank Donovan. Arranged by Frank Donovan. Contemporary. Score and parts. 2 pages. Frank Donovan #6286745. Published by Frank Donovan (A0.1030414). This 10 hour+ creation of mine is a melodic piece that conveys longing for love, unity and honesty.
$2.99
2.76 €
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Frank Donovan
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Frank Donovan
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The Mystery Of Love
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Frank Donovan
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SheetMusicPlus
I Need Love
Bass Trombone,Harp,Percussion,Piano - Level 3 - Digital Download SKU: A0.979476 Com…
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Bass Trombone,Harp,Percussion,Piano - Level 3 - Digital Download SKU: A0.979476 Composed by Ken Piche. Arranged by Ken Piche. Film/TV,Instructional,Multicultural,Pop,World. 20 pages. Ken Piche #3864867. Published by Ken Piche (A0.979476). Beautiful Memorable Catchy Longing For Love Reaching Out Waiting Hoping Looking .Most of the proceeds from sales of my music going to : Sick Children's Hospitals Food Banks Cancer Societies Heart and Stroke Foundations and Diabetes
$1.99
1.83 €
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Ken Piche
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Ken Piche
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Memorable Catchy
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I Need Love
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Ken Piche
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SheetMusicPlus
LOVELY THOUGHTS
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.83 €
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Carrickfergus Traditional Irish Folk Song for Easy Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1293701 Composed by Traditional Cel…
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Easy Piano - Level 1 - Digital Download SKU: A0.1293701 Composed by Traditional Celtic Folk Songs. Arranged by SilverTonalities. Celtic,Folk,Instructional,Irish,Multicultural,World. Score. 33 pages. SilverTonalities #884176. Published by SilverTonalities (A0.1293701). Carrickfergus Traditional Irish Folk Song for Easy PianoCarrickfergus with it’s captivating melody showcases the essence of Celtic Music Traditions. It’s nostalgic lyrics tell a tale of yearning and longing for love. This easy arrangement allows Novice and Beginner Pianists to enjoy the beauty of this timeless ClassicAlso Including 10 Traditional Irish Folk Songs, with Letter Names Embedded in Noteheads to increase the ability to recognize Musical Pitch and Read Music Quickly and AccuratelyPREVIEW, pages 1-2BONNIE BUNCH OF ROSES, pages 3-4CAHIRCIVEEN, pages 5-7THE CAMERONIAN REEL, pages 8-10THE GATHERING OF THE CLANS, pages 11-13DO YOU MISTRUST ME?, pages 14-16THE GOLDEN VALE, pages 17-19THE GREEN WOODS OF TRUIGHA, pages 20-21SLEEP ON MY KATHLEEN DEAR, pages 22-24MY HEART IS YOUR SLAVE, pages 25-26SWEET MOLLY, pages 27-28CARRICKFERGUS, pages 29-31.
$9.99
9.21 €
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Piano Facile
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Traditional Celtic Folk Songs
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SilverTonalities
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Carrickfergus Traditional Irish Folk Song for Easy Piano
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SilverTonalities
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.51 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
I'll Be Home For Christmas
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1382509 By Josh Gro…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1382509 By Josh Groban. By Kim Gannon and Walter Kent. Arranged by Elise Letourneau. A Cappella,Christmas,Holiday,Jazz,Standards. 5 pages. Elise Letourneau #966929. Published by Elise Letourneau (A0.1382509). As sung by The Capital Voices. Gorgeous a cappella SATB arrangement of the beloved jazz standard recorded by Bing Crosby, Elvis Presley, Johnny Mathis, Reba McEntire, Michael Bublé, Pentatonix, and many others. Arrangement includes the verse. Lush harmonies, with lines carefully considered for approachability. Four-stave system with chord symbols. 5 pages. Duration about 2:05. Programming themes include: Christmas, holiday, winter, wartime, separation, longing, hope, love, big band eraElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00
1.84 €
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Chorale SATB
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Josh Groban
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Elise Letourneau
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I'll Be Home For Christmas
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Elise Letourneau
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SheetMusicPlus
Salut d'Amour (Love's Longing) for Trombone Quartet Ensemble
Quatuor de cuivres: 4 trombones
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811160 Composed by Edw…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811160 Composed by Edward Elgar. Arranged by Andrew Poirier. 20th Century,Romantic Period. Score and parts. 8 pages. Gordon Cherry #5769303. Published by Gordon Cherry (A0.811160). Elgar composed Salut d'Amour, Op. 12 in 1888 while he was romantically involved with Caroline Alice Roberts (the work is dedicated to her). It's original title was Liebesgruss (Love's Greeting). It wasn't until the present title was used at the suggestion of his publisher that the work took off in popularity. It is one of Elgar's best-known works and has inspired numerous arrangements for widely varying instrumental combinations. Andrew Poirier's lovely arrangement for trombone quartet of advanced performers will make a beautiful addition to your recital.
$20.00
18.44 €
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Quatuor de cuivres: 4 trombones
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Edward Elgar
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Andrew Poirier
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Salut d'Amour
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Gordon Cherry
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SheetMusicPlus
First Love - 1st Movement
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1047344 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 29 pages. Blaze Scheuerman #651902. Published by Blaze Scheuerman (A0.1047344). First love is inspired by my experience with the first partner I ever loved. It is also slightly inspired by Johann Sebastian Bach’s fugues from the Well Tempered Clavier and Muse’s song “Butterflies and Hurricanes†from the album “Absolutionâ€. It is meant to show the ups and downs of the relationship, especially how the more developed it got the more problems arose. It starts with a cloud-like scene meant to depict mild attraction. It then develops into infatuation in measure 21 as the main character gets to enjoy his experiences with his partner. It lasts for a little while as he finds newer and newer aspects of his partner that he enjoys. He then returns to a moment of stability with the restatement of the opening theme, and then tries again to get back into those moments of bliss. But this time something goes wrong. The character doesn’t quite realize it until it is too late, but a rift appears in the relationship. This is shown in the D Minor section, as the main character is sad and longing for things to go back to how they were, but is just stuck. After a while of trying different things, a settlement is reached and the two get closer again in the relationship, seen in measure 174. Except this time things are different, they are close to the bond shown earlier, except not quite there. This can be seen with the rearrangement of voices in regards to the melody, such as the cello having the melody except the violin in measure 190. Although the two try their best, the relationship once again reaches a rift between the two, seen with the reemergence of the D Minor section. They try once again to patch things up, but end up becoming unsuccessful and breaking apart. The final sections starting at measure 246 depict the sadness and anger that follow, before eventually reaching a resolution back into the home key of F Major.
$5.99
5.52 €
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Piano Trio: piano, violon, violoncelle
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Blaze Scheuerman
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First Love - 1st Movement
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Blaze Scheuerman
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SheetMusicPlus
PERFIL DEL ÁNIMA, Op. 86, for solo cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO.…
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Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del ánima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of Dvořák’s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the cello’s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to Rafał Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.
$4.99
4.6 €
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Violoncelle
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CÉSAR CANO
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PERFIL DEL ÁNIMA, Op. 86, for solo cello
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
Longing For You (Bossa Nova) by Roger Davidson
Flûte, Violon, Piano
Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download …
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.985888 Composed by Roger Davidson. Jazz,Latin,World. Score and parts. 2 pages. Musica Universalis Publishing #3009311. Published by Musica Universalis Publishing (A0.985888). From the CD Brazilian Love Song by Roger Davidson Quintet (Soundbrush Records)Featuring eighteen original compositions, including bossa novas, sambas and chorinhos, Brazilian Love Song, is an exhilarating showcase for one of the most versatile composers in music today.The generous sampling of 18 songs (all composed by Davidson) range form the ecstatic to the most intimate Latin statements about the vagaries of the emotion of love. This is music to dance to, to sit and absorb in a quiet place, or to stir your emotions to overload. Grady Harp AMAZON.COMwww.soundbrush.com/album/brazilian-love-song/
$1.99
1.83 €
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Flûte, Violon, Piano
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Roger Davidson
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Longing For You
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Musica Universalis Publishing
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SheetMusicPlus
I Will Wait For You
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.1489479 By Adair/davidson. By…
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Flute Duet Flute - Level 3 - Digital Download SKU: A0.1489479 By Adair/davidson. By Jacques Demy, Michel Legrand, and Norman Gimbel. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Broadway,Classical,Film/TV,Musical/Show,Pop. Score. 2 pages. Japan Duo Notes #1066342. Published by Japan Duo Notes (A0.1489479). I Will Wait For You (From The Umbrellas of Cherbourg) | Flute Duet ArrangementCapture the bittersweet romance of the classic 1964 French film The Umbrellas of Cherbourg with this elegant flute duet arrangement of I Will Wait For You. Composed by Michel Legrand, this iconic melody is celebrated for its emotional depth and lyrical beauty, evoking the poignant longing of lovers separated by fate. This arrangement for two flutes beautifully conveys the tender harmonies and expressive nuances of the original score, making it a perfect choice for concerts, recitals, or special performances. Suitable for intermediate players, this duet offers a chance to explore the rich emotional landscape and timeless elegance of one of cinema’s most beloved themes. Bring the magic of French cinema to your repertoire with this touching and memorable arrangement.
$8.79
8.1 €
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2 Flûtes traversières (duo)
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Adair/davidson
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Michel Legrand, this iconic melody is celebrated for its emotional depth and lyrical beauty, evoking the poignant longing of lovers separated by fate
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Kan Saito / Japan Duo Notes
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I Will Wait For You
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Japan Duo Notes
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SheetMusicPlus
Longing for the Reagan Years, piano solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.733535 Composed by Amy J. Snyder. B…
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Piano Solo - Level 4 - Digital Download SKU: A0.733535 Composed by Amy J. Snyder. Blues,Concert,Jazz,Standards. Score. 6 pages. Amy J. Snyder #3048041. Published by Amy J. Snyder (A0.733535). Remember the 80's? One of my favorite memories was President Ronald Reagan, a well-loved man that made America a better place. This song is a tribute to our former president. Written in C minor, this late intermediate piano solo is a fun jazz/blues piece played in a swing rhythm complete with fingering, triplets (quarter, eighth, and 16th note), grace notes, and left hand broken octaves that walk up and down the bass section of the piano. The bridge changed to the relative Major of Eb and is an old-time (Happy Days style) rock-n-roll. I think you'll have a lot of fun playing this piece as well as getting some toes tapping. Great for recitals, Assisted Living entertainment, and just for fun. Copyright 2010 by Amy J. Snyder.
$4.25
3.92 €
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Piano seul
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Amy J
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Longing for the Reagan Years, piano solo
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Amy J. Snyder
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SheetMusicPlus
The Longing
Soprano, clarinet and piano - advanced - Digital Download SKU: S9.Q54433 Composed b…
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Soprano, clarinet and piano - advanced - Digital Download SKU: S9.Q54433 Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 9 minutes. Schott Music - Digital #Q54433. Published by Schott Music - Digital (S9.Q54433). German.This work is based on two of Mignon’s songs from Goethe’s Wilhelm Meister. It was devised as a sister work to Franz Schubert’s celebrated lyrical scene Der Hirt auf dem Felsen [The Shepherd on the Rock] of 1829 and can be included in concert programmes performed by the same ensemble of soprano, clarinet and piano. Substantial quotations from Beethoven’s song Nur wer die Sehnsucht kennt establish a stylistic link with Viennese Classicism. We feel Mignon’s unquenchable longing for another world nach jener Seite [to the other side] beyond death, while in the second song So laßt mich scheinen [Thus let me seem], the longing for death is coloured with details from another, lovelier life.
$19.99
18.43 €
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Enjott Schneider
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The Longing
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Schott Music - Digital
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SheetMusicPlus
Love, Will You Come SA (Gaelic Medley)
Chorale 2 parties
Choral Choir (SA) - Level 3 - Digital Download SKU: A0.945414 Composed by Tradition…
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Choral Choir (SA) - Level 3 - Digital Download SKU: A0.945414 Composed by Traditional Gaelic Songs. Arranged by Peggy Carter. Folk,Renaissance. Octavo. 7 pages. Peggy Carter #5993761. Published by Peggy Carter (A0.945414). The first tune is based loosely on Shule Aroon, a lament from Ireland in which a young lass expresses helplessness after sending her lover to war. The second song is from the Orkney Islands off the Scottish coast. A lonely lass sings of her longing for the homeland, and begs her lover to return. The inclusion of Gaelic phrases helps preserve the language connection. Songs expressing sorrow are excellent literature for Middle School and High School singers and add depth and meaning in a concert setting. This one can be sung a'capella, or with the piano accompaniment. Follow Choral Music by Peggy Carter on FaceBook.
$2.99
2.76 €
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Chorale 2 parties
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Traditional Gaelic Songs
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Peggy Carter
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Love, Will You Come SA
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Peggy Carter
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SheetMusicPlus
Love Wind
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437649 By Shin Jaeyoung. …
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1437649 By Shin Jaeyoung. By Jaeyoung Shin and Kyung Jin Song. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 5 pages. The Flautist #1017691. Published by The Flautist (A0.1437649). Love Wind is an excellent legato and bell tone tongung exercise.Empress Ki is a Netflix series that depicts the loves and battles of Empress Ki who exercises her influence in the Yuan Dynasty.The series revolves around Ki Seungnyang, a Goryeo-born woman who ascends to power despite the restrictions of the era’s class system, and later marries Toghon Temür (Emperor of Mongol Empire) to become an empress of the Yuan dynasty, instead of her first love, Wang Yu.Love wind is a love song from the series and reflects Empress Ki’s longing for Wang Yu and her growing feeling for the emperor.
$9.95
9.17 €
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Flûte traversière et Piano
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Shin Jaeyoung
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Eileen Gilligan
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Love Wind
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The Flautist
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.19 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
Variations on a Theme of Mozart for Young Violist and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut.…
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Piano,Viola - Level 2 - Digital Download SKU: A0.939404 Composed by Robert Debbaut. 20th Century,Classical,Contemporary. Score and part. 26 pages. ROBERT DEBBAUT #6342197. Published by ROBERT DEBBAUT (A0.939404). Mozart set Christian Adolph Overbeck’s text to Komm, lieber Mai in January 1791 shortly before what would be his last birthday. Overbeck, a poet and lawyer and later Mayor of Lübeck, wrote a set of poems in 1776 under the title Fritzchen an den Mai (Fritz on the May). This song is highly regarded among the German art songs of the era. Mozart coupled it with two other songs under the title Sehnsucht nach dem Fruhlinge (Longing for Spring). Seemingly taken by his theme, Mozart uses it again in the finale of his last piano concerto, Piano Concerto No. 27 in B-flat Major, K. 595. Mozart’s three songs were published in a collection of children’s song by Ignaz Alberti. While the voice is supposed to be that of a child, it is really an adult’s longing for the flowering of Spring and the promise of new birth and, perhaps, new love.This set of variations were written as a recital work with a young violist (playable in first position) in mind. They are abouyt five minutes in length.
$9.95
9.17 €
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Alto, Piano
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Robert Debbaut
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Variations on a Theme of Mozart for Young Violist and Piano
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ROBERT DEBBAUT
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SheetMusicPlus
Longing For You To Come (Romantic Piano)
Piano seul
Piano - Digital Download SKU: A0.1060576 Composed by James Michael Stevens. Arrange…
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Piano - Digital Download SKU: A0.1060576 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Jazz,Love,Wedding,World. Full Performance. Duration 156. James M Stevens Music ASCAP #2912337. Published by James M Stevens Music ASCAP (A0.1060576). This is the performance of Longing For You To Come as played and composed by Dr. Stevens.
$1.99
1.83 €
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Longing For You To Come
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James M Stevens Music ASCAP
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SheetMusicPlus
A Love Song: Longing, for piano, by Simon Peberdy
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.757004 Composed by Simon Peberdy. 2…
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Piano Solo - Level 4 - Digital Download SKU: A0.757004 Composed by Simon Peberdy. 20th Century,Concert,Contemporary,Standards. Score. 6 pages. Simon Peberdy #2968099. Published by Simon Peberdy (A0.757004). Written for a composition competition run by the pianist William Howard for his Love Songs Project (http://www.williamhoward.co.uk/love-songs-project-1) in 2016. Although I didn't win, it was a very enjoyable piece to compose and play. Essentially a romantic, haunting theme and variations, but with a contrasting, slightly charged middle section. Have a listen, then a play! This piece has not yet had its first public performance, so you could have the premiere - please let me know if you do!For more compositions and arrangements, please visit www.simonpeberdymusic.com
$1.99
1.83 €
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Piano seul
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Simon Peberdy
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A Love Song: Longing, for piano, by Simon Peberdy
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Simon Peberdy
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SheetMusicPlus
Feelslikeimfallinginlove
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1485394…
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1485394 By Coldplay Feat. John Metcalfe. By Apple Martin, Chris Martin, Guy Berryman, Jon Buckland, Jon Hopkins, Max Martin, Tim Rutili, and Will Champion. Arranged by Budaful Music. A Cappella,Contest,Festival,Jazz,Pop,Rock. 23 pages. Budaful music #1062436. Published by budaful music (A0.1485394). Coldplay's, Feelslikeimfallinginlove from thier 2024 album 'Moon Music' has been adapted into an a cappella SATB choir rendition, meticulously crafted for the vocal ranges of high school & college choirs. Envision a captivating performance promising a crescendo of applause, weaving a harmonious spell that captivates the audience, enchanting them and leaving them longing for more! It's in C, the same key as the recording. There is a choral reduction part with fewer pages included. There are more details on the 'notes to the conductor' sample page. This arrangement attempts to stay true to the style of the song with a few caveates. The ending differs from that of the recording opting for a repeated chorus instead of a Bridge/postchorus vamp. The repeated chorus is more practical in a live performance setting.Check out other ColdPlay tunes for choir: Human Heart (SMD) The Scientist (requires accomp)(SMD)
$3.50
3.23 €
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Chorale SATB
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Coldplay Feat
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Budaful Music
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college choirs
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Feelslikeimfallinginlove
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budaful music
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SheetMusicPlus
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