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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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MARIMBA
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TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lost Woman Song
Non classifié
8
Piano & claviers
Piano seul
5
Piano, Voix et Guitare
3
Piano Facile
1
Guitares
Guitare
1
Voix
Voix Baryton, Piano
3
Chorale SATB
2
Voix Soprano, Piano
1
Chorale SSAA
1
Vents
Cuivres
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
Contre Basse
1
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Ensemble de cuivres
1
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AUTRES INST…
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BUGLE
CHANT - CHO…
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CONTREBASSE
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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PERCU. ORCH…
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Lost Woman Song
Partitions à imprimer
31 partitions trouvées
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1
26
This Woman's Heart
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Jenny McKinney
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Rebecca Brinkerhoff
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This Woman's Heart
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Jennifer McKinney
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pag...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.958065 Composed by Jenny McKinney. Arranged by Rebecca Brinkerhoff. Christian,Contemporary,Spiritual. 4 pages. Jennifer McKinney #3222359. Published by Jennifer McKinney (A0.958065). (for Jo and Natalie) Taken from the Empty Arms Companion Songbook, this song is written for the woman who lost the love of her life, be that a sweetheart or a child. It is appropriate for both situations. The Empty Arms collection of stories and Companion Songbook can be purchased in their entirety at www.jennymckinneymusic.com. Thank you for your honesty. Special thanks to Tami Creamer, Tori Ingram, Caylea Ingram, Christine Jardine, and Kerry Richards for their help on this project.
$2.99
The Lost Chord for Tuba Choir
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Contemporain
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Sir Arthur Seymour Sullivan
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Graham Boag
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The Lost Chord for Tuba Choir
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Graham Boag
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. 20th Cen...
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - SKU: A0.780114 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. 20th Century. Score and parts. 30 pages. Graham Boag #6474497. Published by Graham Boag (A0.780114). The Lost Chord is a song composed by Arthur Sullivan in 1877at the bedside of his brother Fred during Fred's last illness.The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord,published in 1858 in The English Woman's Journal.The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds,and with British contralto Clara Butt.Sullivan was proud of the song and later noted:I have composed much music since then,but have never written a second Lost Chord.Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victimsof the Titanic disaster.The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today.Alternative Treble Clef parts included
$22.99
The Lost Chord for Double Bass Choir
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Contre Basse
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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Graham Boag
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The Lost Chord for Double Bass
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Graham Boag
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual ...
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Double Bass,String Bass Solo - Level 3 - SKU: A0.780036 Composed by Sir Arthur Seymour Sullivan. Arranged by Graham Boag. Concert,Standards. Individual part. 15 pages. Graham Boag #5023179. Published by Graham Boag (A0.780036). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal. The song was immediately successful and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds, and with British contralto Clara Butt. Sullivan was proud of the song and later noted: I have composed much music since then, but have never written a second Lost Chord. Many singers have recorded the song, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The piece has endured as one of Sullivan's best-known songs, and the setting is still performed today. .
$15.99
The Lost Chord by Arthur Sullivan - TROMBONE QUARTET
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sulli
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Matt Smith
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SheetMusicPlus
Brass Ensemble,Trombone Quartet Trombone - Level 3 - SKU: A0.789782 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Romantic Period,Sac...
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Brass Ensemble,Trombone Quartet Trombone - Level 3 - SKU: A0.789782 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Romantic Period,Sacred. Score and parts. 16 pages. Matt Smith #6198151. Published by Matt Smith (A0.789782). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Trombone Quartet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the trombone, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: https://www.youtube.com/watch?v=p7Zhe-pHEc4Visit www.mattsmithmusic.co.uk for more!Also available for Brass Quintet: https://www.youtube.com/watch?v=19pN3XvvCuc
$29.99
The Lost Chord by Arthur Sullivan - TROMBONE QUARTET
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sulli
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Matt Smith
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SheetMusicPlus
Trombone - SKU: A0.1069439 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Broadway,Musical/Show,Romantic Period. Full Performance. Dur...
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Trombone - SKU: A0.1069439 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Broadway,Musical/Show,Romantic Period. Full Performance. Duration 290. Matt Smith #6209707. Published by Matt Smith (A0.1069439). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Trombone Quartet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the trombone, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: https://www.youtube.com/watch?v=p7Zhe-pHEc4Visit www.mattsmithmusic.co.uk for more!Also available for Brass Quintet: https://www.youtube.com/watch?v=19pN3XvvCuc
$2.99
The Lost Chord by Arthur Sullivan - BRASS QUINTET
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sulli
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Matt Smith
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SheetMusicPlus
SKU: A0.1069427 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Broadway,Musical/Show,Romantic Period. Full Performance. Duration 290. ...
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SKU: A0.1069427 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Broadway,Musical/Show,Romantic Period. Full Performance. Duration 290. Matt Smith #6209671. Published by Matt Smith (A0.1069427). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Brass Quintet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the brass family, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: www.youtube.com/watch?v=19pN3XvvCucVisit www.mattsmithmusic.co.uk for more!Also available for Trombone Quartet: https://www.youtube.com/watch?v=p7Zhe-pHEc4
$2.99
The Lost Chord by Arthur Sullivan - BRASS QUINTET
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Sir Arthur Seymour Sullivan
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Matt Smith
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The Lost Chord by Arthur Sulli
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Matt Smith
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.789759 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Romantic Period. S...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.789759 Composed by Sir Arthur Seymour Sullivan. Arranged by Matt Smith. Romantic Period. Score and parts. 18 pages. Matt Smith #2931059. Published by Matt Smith (A0.789759). The Lost Chord is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called A Lost Chord, published in 1858 in The English Woman's Journal.This arrangement for Brass Quintet is a great addition to any concert. It gives the chance to show off the lyrical qualities of the brass family, as well as having a powerful and emotional ending which will satisfy any audience.Duration: About 5 minutesYouTube demo video: www.youtube.com/watch?v=19pN3XvvCucVisit www.mattsmithmusic.co.uk for more!Also available for Trombone Quartet: https://www.youtube.com/watch?v=p7Zhe-pHEc4
$29.99
Lost Woman Song
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Piano, Voix et Guitare
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Ani DiFranco
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Lost Woman Song
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Hal Leonard - Digital
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SheetMusicPlus
Piano, voice and guitar (chords only) - SKU: HX.306291 By Ani DiFranco. Folk,Pop. Piano/Vocal/Guitar (chords only). 10 pages. Published by Hal Leonard -...
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Piano, voice and guitar (chords only) - SKU: HX.306291 By Ani DiFranco. Folk,Pop. Piano/Vocal/Guitar (chords only). 10 pages. Published by Hal Leonard - Digital (HX.306291).
$4.99
Lost Woman Song by Ani Difranco - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Ani Difranco
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Lost Woman Song
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Musicnotes
Performed by: Ani DiFranco: Lost Woman Song Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (...
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Performed by: Ani DiFranco: Lost Woman Song Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 10 pages -- Pop Rock~~Indie Rock~~Alternative Folk~~Singer-Songwriter~~Folk
$5.99
Ani DiFranco: Lost Woman Song - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Folk Rock
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Ani DiFranco
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Virtualsheetmusic
Instantly printable sheet music by Ani DiFranco for voice, piano or guitar of MEDIUM skill level. / folk,pop
Instantly printable sheet music by Ani DiFranco for voice, piano or guitar of MEDIUM skill level. / folk,pop
$8.97
All Out Of Love
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Piano Facile
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INTERMÉDIAIRE
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Air Supply
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Academia Unimusica
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All Out Of Love
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Unimusic Academy
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1293603 By Air Supply. By Clive Davis and Graham Russell. Arranged by Academia Unimusica. Contemporary,Pop,...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1293603 By Air Supply. By Clive Davis and Graham Russell. Arranged by Academia Unimusica. Contemporary,Pop,Rock,Singer/Songwriter. Score. 5 pages. Unimusic Academy (Academia Unimusica) #884073. Published by Unimusic Academy (Academia Unimusica) (A0.1293603). All Out of Love is a song by Australian soft rock duo Air Supply, released as a single in 1980 from their fifth studio album Lost in Love. The song was written by Graham Russell and Clive Davis. The song's lyrics describe the emotional state of a man desperately trying to win back the love of his life after the couple's separation caused by a wrong done by the man against the woman he's in love with. In the United States, it reached number two on the Billboard Hot 100 (blocked from the top spot by both Upside Down by Diana Ross and Another One Bites the Dust by Queen) and number 5 on the Adult Contemporary chart. In the UK, the song reached number 11 on the UK Singles Chart and is their only top 40 hit in that country. It placed 92nd in VH1's list of the 100 Greatest Love Songs in 2003.[2].
$8.00
La adelita - for band
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Mexican Folk Song
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Zoran Radanovic
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La adelita - for band
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Zoran Radanovic
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SheetMusicPlus
Bass Guitar,Drum Set,Electric Guitar,Trumpet - Level 3 - SKU: A0.1376083 Composed by Mexican Folk Song. Arranged by Zoran Radanovic. Folk,Multicultural,...
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Bass Guitar,Drum Set,Electric Guitar,Trumpet - Level 3 - SKU: A0.1376083 Composed by Mexican Folk Song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,Wedding,World. 18 pages. Zoran Radanovic #960648. Published by Zoran Radanovic (A0.1376083). This very famous mexican folk song arrangement is for band with sets of parts (Bb trumpet, bass guitar, el. guitar. drumset).La Adelita is one of the most famous corridos of the Mexican Revolution. Over the years, it has had many adaptations. The ballad was inspired by a Chihuahuense woman who joined the Maderista movement in the early stages of the revolution and fell in love with Madero. She became a popular icon and a symbol of the role of women in the Mexican Revolution. The figure of the adelita gradually became synonymous with the term soldadera, the woman in a military-support (and sometimes fighting) role, who became a vital force in the revolutionary efforts through provisioning, espionage, and other activities in the battles against Mexican federal government forces.[1] However, the song, the portrait, and the role of its subject have been given different, often conflicting, interpretations. It has also been argued that 'La Adelita' expressed the sensitivity and vulnerability of men, emphasizing the stoicism of the rebellious male soldier as he confronts the prospect of death.[2] In another interpretation, the feminist scholar MarÃa Herrara-Sobek argues, Adelita's bravery and revolutionary spirit are lost to the fatalism and insecurities of male soldiers who are focused on passions, love, and desire as they face combat.[2]
$4.99
Julie-Jane: The Ballad Singer (Downloadable)
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Voix Baryton, Piano
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INTERMÉDIAIRE
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Juliana Hall
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Julie-Jane: The Ballad Singer
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Medium - SKU: MQ.8580-1E Composed by Juliana Hall. Secular, 21st century. 8 pages. E. C. Schirmer Music Company - Digital #85...
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Baritone voice and piano - Medium - SKU: MQ.8580-1E Composed by Juliana Hall. Secular, 21st century. 8 pages. E. C. Schirmer Music Company - Digital #8580-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8580-1E). English.An assortment of English country personalities inhabit this song cycle, which deals with the ideas of lost love and betrayal in love. The cycle begins with a ballad singer whom the speaker implores to song as a way of making him forget the pain of losing one whom he loves. Julie-Jane is a young woman whom the speaker fondly remembers after she has passed on following the company of a number of men out of wedlock. A fiddler plays at a country dance, watching as dancers couple throughout the night, and then for life. Carrey Clavel is another woman, one who scorns the company of the speaker, and finally Rose-Ann, who has led the speaker on without telling him she is promised to another. Duration: 24:00Contents:1. The Ballad Singer2. Julie-Jane3. The Fiddler4. To Carrey Clavel5. Rose-Ann.
$4.25
O Mgna Res (2019)
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Chorale SSAA
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AVANCÉ
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Colin Eatock
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ca
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O Mgna Res
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Colin Eatock Music
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SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 5 - SKU: A0.1286803 Composed by Colin Eatock. 21st Century,A Cappella,Medieval,Sacred. 18 pages. Colin Eatock Music #...
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Choral Choir,Choral (SSAA) - Level 5 - SKU: A0.1286803 Composed by Colin Eatock. 21st Century,A Cappella,Medieval,Sacred. 18 pages. Colin Eatock Music #877827. Published by Colin Eatock Music (A0.1286803). A cappella SSSAAA sextet; ca. 3 min.The composer writes: Hildegard von Bingen (1098 – 1179) was a woman of many talents: she was an abbess, a philosopher, a scientist, a poet and a composer. An extensive body of her sacred songs was collected in a cycle called the Symphonia armoniae celestium revelationum (The Harmonic Music of Celestial Mysteries). The collection also contains several texts for which Hildegard’s music has been lost, and “O Magna Res†is one of these. “O Magna Res†could be described as a miniature chronology of the Christian spiritual world. It begins with God alone, proceeding to His creation of life, and then to the fall of humanity. As in many of Hildegard’s texts, “O Magna Res†contrasts the Virgin Mary with Eve. Finally, with the birth of Christ (for which the “dawn†is a poetic metaphor) comes the redemption of Woman, and her beneficent influence on the world.
$4.99
Falling
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Chorale SATB
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Contemporain
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Nathaniel White
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Falling
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Nathaniel White
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1032044 Composed by Nathaniel White. Contemporary. Octavo. 6 pages. Nathaniel White #4301465. Published by Nathaniel White...
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Choral Choir (SATB) - SKU: A0.1032044 Composed by Nathaniel White. Contemporary. Octavo. 6 pages. Nathaniel White #4301465. Published by Nathaniel White (A0.1032044). This song is about a married woman. Every step she takes, her husband supports her. She is enveloped in his world, and he is enveloped in her's. Suddenly, this man dies. She is overtaken by this lonely feeling. Her better half has just been stolen from her.  The word, Falling, is repeated to describe the fact that she knows that she is falling down a bottomless pit called her heart. The words, I can't hear a sound are said to describe that not only is she blinded by her grief but she is deafened as well. She cannot focus on the world around her because her grief consumes her. The words, I want to go home are spoken to describe that her husband was her home. She had her safety net ripped from underneath her and it will never come back. The words, I want to be free are spoken in unison with the entire choir to describe that everyone feels this way at least once in their life. They all have been thrown into a cell that some call the heart, and they've lost the key.  The last portion is the same as the beginning portion because the woman is remembering her husband in all of his glory. The last chord ends in major because she has had the epiphany that he lives on, within her memories.
$4.50
IN MUSIC AND WORDS
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Piano seul
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Contemporain
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Monica Bergo
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IN MUSIC AND WORDS
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012724 Composed by Monica Bergo. Contemporary. Score. 5 pages. Moni Bergo #5743115. Published by Moni Bergo (A0.1012724).
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Piano Solo - SKU: A0.1012724 Composed by Monica Bergo. Contemporary. Score. 5 pages. Moni Bergo #5743115. Published by Moni Bergo (A0.1012724). Music and song composed by meIN MUSIC AND WORDS I will entrust To wind these my words I'll wait Anxiously to get up the sun And the world will watch With all its woes and its fake colors And reborn In music and words while salt the pain and turns the head vanishes love or what remains of it I ordinary woman Stumbling and erring I already feel lost in this battle And I dance but always alone because I do not find anybody that looks like me This is why, grateful, I return to you You're the music and word I’m frail (tired) worthless woman (dull) I'll turn to you that are the friend Protect me (always) by my excesses (fall) If I dash You take me in flight Only you can And bridging know My empty (nostalgia) You will color them Just you and me Against the cold there is You will warm (embrace me) You give life to these thoughts And my sorrows I do not remember more and I will find myself with you I'll have a pair of wings and I tell myself in music and words ghosts within me with you I will defeat because you're light emerges and disappears a tear ever born and I amazed me with your magic beautiful alchemy rust and gold What a disorder in my life dust of regret in me are you by my side and I will reinvented me in music and words ... .. Monica Bergo
$5.00
Meeting Place
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Alex Turner and Miles Kane
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Isaac Regules
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Meeting Place
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Isaac Regules
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwrite...
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Piano Solo - Level 4 - SKU: A0.1494549 Composed by Alex Turner and Miles Kane. Arranged by Isaac Regules. 21st Century,Baroque,Pop,Rock,Singer/Songwriter. Score. 7 pages. Isaac Regules #1071136. Published by Isaac Regules (A0.1494549). Meeting Place (sometimes titled The Meeting Place) by The Last Shadow Puppets, is a standout track from their debut album The Age of the Understatement. The song blends symphonic pop, pop rock and baroque pop, creating a sound that feels nostalgic, haunting and cinematic. This piano solo arrangement of this piece captures the essence of the original, distilling its qualities into a format that allows for an intimate and expressive performance.The song, written by Alex Turner and Miles Kane, explores themes of love, loss, and the lingering impact of memories associated with a particular place. It tells the story of a man who, after a difficult breakup, finds himself reflecting on a relationship that was as fleeting as it was meaningful. The lyrics paint a vivid picture of a couple who, for a short time, found solace in their meeting place, even as they understood their time together was limited. The inevitable end of the relationship, initiated by the woman, leaves the man grappling with heartache and a profound sense of longing.As the man wrestles with his emotions, he is caught between wishing the relationship had never happened and being unable to forget it. The orchestral elements and bittersweet melody underscore the melancholic tone of the song, culminating in a reflective conclusion that leaves a lasting impression of love lost.Miles Kane has mentioned that the inspiration for this song came from his own experiences at Heebie Jeebies, a beloved Liverpool venue where his first girlfriend worked.This piano solo arrangement translates the intricate melodies and uplifting accompaniment into a format that is both accessible and challenging for performers. Intended for intermediate to advanced players, it offers an opportunity to delve into the emotional nuances of the piece while improving technical skills.Engage with this arrangement, and allow the piano to evoke the feelings of longing, memory, and the inevitable pain of break-ups. This sheet music, transcribed and arranged by a life-long TLSP fan, faithfully captures the spirit of Meeting Place”.Listen to the arrangement now on YouTube—find the link in the post details.Contact: wnis4659@gmail.comJust for the love of music.
$5.99
Amber Avenues
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Music by Helen MacCulloch & Ly
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Amber Avenues
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Optimistic Music Company
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008219 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Contemp...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.1008219 Composed by Music by Helen MacCulloch & Lyrics by Alastair MacCulloch. 20th Century,Contemporary,Musical/Show. Score and parts. 8 pages. Optimistic Music Company #5337279. Published by Optimistic Music Company (A0.1008219). This song is about a woman who has recently lost her husband and finds herself at a crossroad in her life. She takes consolation in the company of a younger man and wonders if she has the courage to take this second chance at finding love. Set in 1964, this song is the title song of the musical by the same name and is appropriate for general audiences including high schools and community theatres.
$3.50
Black Is the Color
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Chorale SATB
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INTERMÉDIAIRE
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American Folk Song
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Justine Koontz
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Black Is the Color
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Wild Garden Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.962109 Composed by American Folk Song. Arranged by Justine Koontz. 20th Century,Contemporary,Folk. Octavo. 6 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.962109 Composed by American Folk Song. Arranged by Justine Koontz. 20th Century,Contemporary,Folk. Octavo. 6 pages. Wild Garden Music #2025505. Published by Wild Garden Music (A0.962109). Black is the Color, widely regarded as an American folk song with roots in the English tradition, tells of a mysterious woman described by an obsessing young man. In this arrangement, the simple lyricism of the melody has been paired with a highly chromatic and recurring piano figuration. The result is a haunting and psychological portrayal of a tormented soul who has loved but lost. This arrangement would be suitable for high school, college and community choirs.
$1.99
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Contemporain
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Grace Joy Reid
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Poe's Evening Carousel Ride, b
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Creating Music Joy
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SheetMusicPlus
Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creatin...
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Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
October 1974, Cohoes (Confrontation and Finale)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publish...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
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Brett L
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May 1974, a Greyhound Bus
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts. 13 pages. Sonata Grendel Publishing #5731611. Published by Sonata Grendel Publishing (A0.837494). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 2. May 1974, a Greyhound Bus (duration – 4:08) The Majik Bus to Cohoes A young stage manager takes a long bus ride to a new job in Cohoes, NY only to be visited in a dream by the ghost of Eva. There was a girl with wild eyes glaring from the house. She looked so wounded!
$9.99
June 1974, Cohoes (Wish List Fundraising)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #577024...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
MY MUSE
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Piano seul
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Contemporain
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Moni Bergo
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MY MUSE
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012693 Composed by Moni Bergo. Contemporary. Score. 5 pages. Moni Bergo #5742765. Published by Moni Bergo (A0.1012693). ...
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Piano Solo - SKU: A0.1012693 Composed by Moni Bergo. Contemporary. Score. 5 pages. Moni Bergo #5742765. Published by Moni Bergo (A0.1012693). Music and song composed by me My muse Come and transport me away With notes that lull me Agreements that embrace me you are joy in the soul Where are you from and why did you choose me? What color is your essence? I hear you born in my mind Blind butterfly, beautiful madness And I feel explode immense gratitude To be come to me You, Wild Angel here before all useless I woman lost and fragile You took this my life You have given shape to poetry You who make me feel beautiful And I am not ever been And who shines like a star In the universe of my troubles And when there is a new day My muse will be there You're the light, my smile In my hell, paradise You're my muse who will guide me, depth Appear and disappear abstract memories and images Together with you, I'll find The origins, the right way, To make peace with the past For every tear, a shame You who make me feel beautiful And I am not ever been And who shines like a star In the universe of my troubles And when there is a new day My muse will be there You're the light, my smile In my hell, paradise Monica Bergo
$5.00
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Lost Woman Song
