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--INSTRUMENTS--
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Love Is Here to Stay: Bass Trombone
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--INSTRUMENTS--
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ALTO
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Vous avez sélectionné:
Love Is Here to Stay: Bass Trombone
Partitions à imprimer
15 partitions trouvées
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1
Love Is Here to Stay: Bass Trombone
Trombone (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016822_BTN Bass Trombone. Co…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016822_BTN Bass Trombone. Composed by George Gershwin and Ira Gershwin. Arranged by Craig Skeffington. Jazz; Masterwork Arrangement; Standard. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016822_BTN. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016822_BTN). UPC: 038081499086.Featuring a chorale introduction with trumpet melody, Love Is Here to Stay leads into a bright swing around 184 BPM with suggested solos for tenor and alto. The lead trumpet range is up to written B above the staff. A hot festival chart! (4:23).
$3.00
2.77 €
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Trombone (partie séparée)
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George Gershwin and Ira Gershwin
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Craig Skeffington
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Masterwork Arrangement
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Love Is Here to Stay: Bass Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Love Is Here To Stay (24-Piece Digital Pack)
Ensemble Jazz
Jazz band Tuba - Level 3 - Digital Download SKU: HX.303796 By George Gershwin. Arra…
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Jazz band Tuba - Level 3 - Digital Download SKU: HX.303796 By George Gershwin. Arranged by Rick Stitzel. Broadway,Love,Standards. Individual instrument part. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.303796).
Digital Pack includes:Love Is Here To Stay - Conductor Score (Full Score)Love Is Here To Stay - Alto Sax 1Love Is Here To Stay - Alto Sax 2Love Is Here To Stay - Tenor Sax 1Love Is Here To Stay - Tenor Sax 2Love Is Here To Stay - Baritone SaxLove Is Here To Stay - Trumpet 1Love Is Here To Stay - Trumpet 2Love Is Here To Stay - Trumpet 3Love Is Here To Stay - Trumpet 4Love Is Here To Stay - Trombone 1Love Is Here To Stay - Trombone 2Love Is Here To Stay - Trombone 3Love Is Here To Stay - Trombone 4Love Is Here To Stay - GuitarLove Is Here To Stay - PianoLove Is Here To Stay - BassLove Is Here To Stay - DrumsLove Is Here To Stay - VibesLove Is Here To Stay - FluteLove Is Here To Stay - Bb Clarinet 1Love Is Here To Stay - Bb Clarinet 2Love Is Here To Stay - F HornLove Is Here To Stay - Tuba
Digital Pack includes
:
Love Is Here To Stay - Conductor Score (Full Score)
Love Is Here To Stay - Alto Sax 1
Love Is Here To Stay - Alto Sax 2
Love Is Here To Stay - Tenor Sax 1
Love Is Here To Stay - Tenor Sax 2
Love Is Here To Stay - Baritone Sax
Love Is Here To Stay - Trumpet 1
Love Is Here To Stay - Trumpet 2
Love Is Here To Stay - Trumpet 3
Love Is Here To Stay - Trumpet 4
Love Is Here To Stay - Trombone 1
Love Is Here To Stay - Trombone 2
Love Is Here To Stay - Trombone 3
Love Is Here To Stay - Trombone 4
Love Is Here To Stay - Guitar
Love Is Here To Stay - Piano
Love Is Here To Stay - Bass
Love Is Here To Stay - Drums
Love Is Here To Stay - Vibes
Love Is Here To Stay - Flute
Love Is Here To Stay - Bb Clarinet 1
Love Is Here To Stay - Bb Clarinet 2
Love Is Here To Stay - F Horn
Love Is Here To Stay - Tuba
$40.00
36.88 €
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Ensemble Jazz
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George Gershwin
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Rick Stitzel
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Love Is Here To Stay
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Hal Leonard - Digital
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SheetMusicPlus
Love Is Here To Stay
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1203310 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1203310 Composed by George Gershwin and Ira Gershwin. Arranged by Toshi Clinch. Jazz. Score and parts. 31 pages. Toshi Clinch Productions #801985. Published by Toshi Clinch Productions (A0.1203310). Originally arranged by Nelson Riddle for the Frank Sinatra album Songs For Swingin' Lovers! (1956), this version has been transcribed and adapted by Toshi Clinch for a smaller ensemble.Instrumentation:VoiceTrumpet x2Alto SaxTenor SaxTromboneGuitarPianoBass Drums.
$50.00
46.1 €
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Ensemble Jazz
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George Gershwin and Ira Gershwin
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Toshi Clinch
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Love Is Here To Stay
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Toshi Clinch Productions
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SheetMusicPlus
Love Is Here To Stay
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.718642 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.718642 Composed by George Gershwin and Ira Gershwin. Arranged by Daryl McKenzie. Jazz,Standards. Score and parts. 55 pages. Daryl McKenzie #6477661. Published by Daryl McKenzie (A0.718642). Arranged in the style of Ella Fitzgerald (https://www.youtube.com/watch?v=NoJcEybKPGY) - Vocal Key Bb with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Guitar , Bass, Drums) with optional Strings (Violin 1, Violin 2, Viola, Cellos, Contra Basses and 2nd Keyboard Strings reduction).More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: https://mckenziemusicproductions.com/contact Youtube Playlist: https://bit.ly/3m0oUkH.
$59.99
55.31 €
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Ensemble Jazz
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George Gershwin and Ira Gershwin
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Daryl McKenzie
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Love Is Here To Stay
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Daryl McKenzie
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SheetMusicPlus
Love Is Here To Stay from GOLDWYN FOLLIES from AN AMERICAN IN PARIS
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Double Bass,Drum Set,Flute,Piano…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Double Bass,Drum Set,Flute,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.809831 Composed by George Gershwin and Ira Gershwin. Arranged by Robert E. Proctor. 20th Century. Score and parts. 30 pages. R. E. Proctor #3483779. Published by R. E. Proctor (A0.809831). One of the Gershwin's great American classics set here for jazz / dance band.
$15.99
14.74 €
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George Gershwin and Ira Gershwin
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Robert E
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Love Is Here To Stay from GOLDWYN FOLLIES from AN AMERICAN IN PARIS
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R. E. Proctor
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SheetMusicPlus
Love Is Here To Stay from GOLDWYN FOLLIES from AN AMERICAN IN PARIS
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.734029 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.734029 Composed by George Gershwin and Ira Gershwin. Arranged by Daryl McKenzie. Jazz,Standards. Score and parts. 45 pages. Daryl McKenzie #4885933. Published by Daryl McKenzie (A0.734029). In the style of Ella Fitzgerald (https://www.youtube.com/watch?v=NoJcEybKPGY) - Vocal Key Bb with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano, Keyboards (Strings) , Guitar , Bass, Drums) More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
64.52 €
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Ensemble Jazz
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George Gershwin and Ira Gershwin
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Daryl McKenzie
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Love Is Here To Stay from GOLDWYN FOLLIES from AN AMERICAN IN PARIS
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Daryl McKenzie
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SheetMusicPlus
Love Is Here to Stay (23-Piece Digital Pack)
Ensemble Jazz
Level 4 - Digital Download SKU: HX.309920 By George Gershwin. Arranged by Mark Tayl…
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Level 4 - Digital Download SKU: HX.309920 By George Gershwin. Arranged by Mark Taylor. This edition: scorch. Jazz. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.309920).
Digital Pack includes:Love Is Here to Stay - Trombone 1Love Is Here to Stay - Trombone 2Love Is Here to Stay - Trombone 3Love Is Here to Stay - Trombone 4Love Is Here to Stay - GuitarLove Is Here to Stay - PianoLove Is Here to Stay - BassLove Is Here to Stay - DrumsLove Is Here to Stay - VibesLove Is Here to Stay - C Solo SheetLove Is Here to Stay - Bb Solo SheetLove Is Here to Stay - Eb Solo SheetLove Is Here to Stay - Bass Clef Solo SheetLove Is Here to Stay - Conductor Score (Full Score)Love Is Here to Stay - Alto Sax 1Love Is Here to Stay - Alto Sax 2Love Is Here to Stay - Tenor Sax 1Love Is Here to Stay - Tenor Sax 2Love Is Here to Stay - Baritone SaxLove Is Here to Stay - Trumpet 1Love Is Here to Stay - Trumpet 2Love Is Here to Stay - Trumpet 3Love Is Here to Stay - Trumpet 4
Digital Pack includes
:
Love Is Here to Stay - Trombone 1
Love Is Here to Stay - Trombone 2
Love Is Here to Stay - Trombone 3
Love Is Here to Stay - Trombone 4
Love Is Here to Stay - Guitar
Love Is Here to Stay - Piano
Love Is Here to Stay - Bass
Love Is Here to Stay - Drums
Love Is Here to Stay - Vibes
Love Is Here to Stay - C Solo Sheet
Love Is Here to Stay - Bb Solo Sheet
Love Is Here to Stay - Eb Solo Sheet
Love Is Here to Stay - Bass Clef Solo Sheet
Love Is Here to Stay - Conductor Score (Full Score)
Love Is Here to Stay - Alto Sax 1
Love Is Here to Stay - Alto Sax 2
Love Is Here to Stay - Tenor Sax 1
Love Is Here to Stay - Tenor Sax 2
Love Is Here to Stay - Baritone Sax
Love Is Here to Stay - Trumpet 1
Love Is Here to Stay - Trumpet 2
Love Is Here to Stay - Trumpet 3
Love Is Here to Stay - Trumpet 4
$55.00
50.71 €
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Ensemble Jazz
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George Gershwin
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Mark Taylor
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Love Is Here to Stay
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Hal Leonard - Digital
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SheetMusicPlus
Let's Stay Together
Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,T…
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Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - Digital Download SKU: A0.1370833 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by MAJOR SCORE PUBLISHING TM. Pop,R & B,Singer/Songwriter,Soul,Wedding. 38 pages. Major Score Publishing #955174. Published by Major Score Publishing (A0.1370833). Let's Stay Together (Al Green) Singers! Perform this soulful classic arranged for Vocalist and 7 or 9 piece band today! Our premium sheet music arrangement of Let's Stay Together by Al Green is designed to deliver and exceed your expectations! Our sheet music is highly detailed to always deliver an authentic and consistent performance with fast rehearsals. Our drum part comes fully notated along with bass, keys (B3 organ & strings) and electric guitar. Our arrangement contains parts for 5 horns with the tenor sax doubling on flute. We have also included an extra alto sax/flute part to be used along with Trumpet 1 and trombone in case you have a 3 horn set up. This arrangement contains a 1 bar vocal break on the 3rd verse and 1 or 2 very tasteful modern chords launching the vocalist and building the energy into the final chorus vamp we know you and your listening audience will just love! This arrangement is in the original key of F Major. Check out the full YouTube demo to preview the entire chart!Whats included in your premium sheet music download?Voice | Alto sax | Tenor Sax/Flute | Trumpet 1 | Trumpet 2 | Trombone | Keys | Electric guitar | Electric bass | Drums | Full Score | Alternate Alto saxflute part for 3 hornsA fantastic resource for:•Featured Vocalists•Guest Entertainers•Headliners•Working band•Tribute Artists•Performing Arts OrganizationsCheck out all of arrangements available here and on our webiste!https://www.majorscorepublishing.com/Follow us today!Instagram@majorscorepublishingYouTube@majorscorepublishingTikTok@majorscorepublishingPinterest@majorscorepublishing
$74.99
69.13 €
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Al Green
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MAJOR SCORE PUBLISHING TM
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strings) and electric guitar
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Let's Stay Together
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Major Score Publishing
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SheetMusicPlus
Crazy Little Thing Called Love
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1473841 By Queen. By Freddie Merc…
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Concert Band - Level 3 - Digital Download SKU: A0.1473841 By Queen. By Freddie Mercury. Arranged by Lorenzo Bocci. Pop,Rock. 112 pages. Lorenzo Bocci #1051559. Published by Lorenzo Bocci (A0.1473841). CRAZY LITTLE THING CALLED LOVE performed by Queenfor Concert Band - Grade 3 - Digital Download - More Queen MusicComposed by Freddie Mercury. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'41''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Crazy Little Thing Called Love is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979 and became the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s. Having composed Crazy Little Thing Called Love on guitar, Mercury played rhythm guitar while performing the song live. Queen played the song live between 1979 and 1986, and a live performance of the song is recorded in the albums Queen Rock Montreal, Queen on Fire – Live at the Bowl, Live at Wembley '86 and Hungarian Rhapsody: Queen Live in Budapest. Subscribe to my YouTube Channel to stay updated on new releases.
$99.00
91.27 €
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Orchestre d'harmonie
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Queen
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Freddie Mercury
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Lorenzo Bocci
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Crazy Little Thing Called Love
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Lorenzo Bocci
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SheetMusicPlus
Nothing Compares (Anthem) - Orchestration
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christ…
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
46.09 €
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.63 €
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Trompette
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Eric Bolvin
#
The Arban Manual
#
SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP PressThe Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer.
Why
Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.
Range Considerations
Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.
The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.
Songs and duets
Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so.
For bass clef instruments
Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.
The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
About SMP Press
$16.95
15.63 €
#
Trompette
#
Eric Bolvin
#
The Arban Manual - Hooten Edition
#
SheetMusicPlus
I'm Not That Girl
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1353084 Composed by Stephen Lawrence Schwartz. Arranged by Max Stannard. Broadway,Musical/Show. Brass Band. 29 pages. Max Stannard Music #937902. Published by Max Stannard Music (A0.1353084). This is an arrangement from the musical Wicked tries to stay true to the broadway orchestration, adapting it for brass band. The melody passes around many of the lower brass instruments, including flugel horn tenor horn, baritone and trombone, so this gives an opportunity for these players to shine. There is also some exciting mute work in the cornet section. A lovely melodious addition to your concerts.
$24.99
23.04 €
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Stephen Lawrence Schwartz
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Max Stannard
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I'm Not That Girl
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Max Stannard Music
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SheetMusicPlus
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Love Is Here to Stay: Bass Trombone
