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Vous avez sélectionné:
Love Theme From Arthur
Partitions à imprimer
9 partitions trouvées
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1
Love Theme From Arthur
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1134605 Composed by B…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1134605 Composed by Burt F Bacharach. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock,Singer/Songwriter. Score. 2 pages. Unimusic Academy (Academia Unimusica) #734653. Published by Unimusic Academy (Academia Unimusica) (A0.1134605). Arthur's Theme (Best That You Can Do) is a song performed and co-written by American singer-songwriter Christopher Cross, which was the main theme for the 1981 film Arthur starring Dudley Moore and Liza Minnelli. The song won the Oscar for Best Original Song in 1981.[1] In the US, it reached number one on the Billboard Hot 100 and on the Hot Adult Contemporary charts during October 1981, remaining at the top on the Hot 100 for three consecutive weeks. Overseas, it also went to number one on the VG-lista chart in Norway and was a top-ten hit in several other countries. The song became the second and last American number-one hit by Christopher Cross.[2] It was included as a bonus track only on the CD and cassette versions of his second album, Another Page, released in 1983.
$8.00
7.19 €
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Piano, Voix et Guitare
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Burt F Bacharach
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Love Theme From Arthur
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Unimusic Academy
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SheetMusicPlus
Love Theme From Arthur
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1455193 Composed by Burt F Bacharac…
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Piano Solo - Level 2 - Digital Download SKU: A0.1455193 Composed by Burt F Bacharach. Arranged by Antonieta Ramos Valverde. Pop. Score. 5 pages. ANTONIETA RAMOS VALVERDE #1034279. Published by ANTONIETA RAMOS VALVERDE (A0.1455193).
$5.99
5.39 €
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Piano seul
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Burt F Bacharach
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Antonieta Ramos Valverde
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Love Theme From Arthur
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ANTONIETA RAMOS VALVERDE
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SheetMusicPlus
The Wonderful Season Of Love
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1298554 Composed by Franz Waxman an…
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Piano Solo - Level 3 - Digital Download SKU: A0.1298554 Composed by Franz Waxman and Paul Francis Webster. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. Score. 6 pages. Timothy Stapay #888449. Published by Timothy Stapay (A0.1298554). The Wonderful Season Of Love is better known as the Theme from Peyton Place, written by Franx Waxman.  In 2005, the American Film Institute recognized the score in its 100 Years of Film Scores, for which it received a nomination.Peyton Place was an American prime-time soap opera that aired on ABC in half-hour episodes from September 15, 1964, to June 2, 1969.  The movie of the same name  was a 1957 American drama film starring Lana Turner, Hope Lange, Lee Philips, Lloyd Nolan, Diane Varsi, Arthur Kennedy, Russ Tamblyn, and Terry Moore..  It was based partly on Grace Metalious's bestselling 1956 novel of the same name. Lyrics:Where I was born time was told, Not by the clock nor the calendar, But by the seasons.  Summer was carefree contentment,Autumn was that bittersweet time of regret, And then Winter fell with a cold mantle of caution and chill.  Spring was promise, But there was a fifth season, Of love, and only the wise knew where to find it!They say that the seasons are four,They come and they go by my door;From April's first roseTo the day that it snows,Same moon is smiling above.They say that the seasons are four,But you and I know there are more!And best of them allIs the one that we callThe wonderful season of love!They say that the seasons are four,But you and I know there are more!And best of them allIs the one that we callThe wonderful season of love!
$6.99
6.29 €
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Piano seul
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Franz Waxman and Paul Francis Webster
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Timothy Stapay
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The Wonderful Season Of Love
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Timothy Stapay
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SheetMusicPlus
Love Theme From Arthur
Guitar - Level 3 - Digital Download SKU: A0.1428912 Composed by Burt F Bacharach. A…
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Guitar - Level 3 - Digital Download SKU: A0.1428912 Composed by Burt F Bacharach. Arranged by PianoSheetNow. Contemporary,Film/TV,Pop,Rock. Guitar Tab. 3 pages. PianoSheetNow #1009712. Published by PianoSheetNow (A0.1428912). Arthur's Theme (Best That You Can Do) was the main theme for the 1981 film Arthur starring Dudley Moore and Liza Minnelli. The song won the Oscar for Best Original Song in 1982,For fingerstyle Guitar Solo (classical guitar or acoustic guitar).Intermediate.With Guitar tablature. With finger position suggestions.Pages: 3 pages, 2:55' min.
$4.99
4.49 €
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Burt F Bacharach
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PianoSheetNow
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Love Theme From Arthur
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PianoSheetNow
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SheetMusicPlus
Romeo & Juliet - Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.913954 Composed by Arthur Breur. 20…
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Piano Solo - Level 2 - Digital Download SKU: A0.913954 Composed by Arthur Breur. 20th Century,Children,Contemporary. Score. 4 pages. Floating Home Music #4725421. Published by Floating Home Music (A0.913954). This is the piano solo version of the theme I composed as incidental music for a theatrical performance of Romeo and Juliet my senior year at Millikin University. This lovely melody was inspired by the words Romeo, oh, Romeo! Wherefore art thou Romeo? On this one, I intentionally used the major 6th opening interval from a number of John Williams' love themes, and used chord progressions inspired by Stephen Foster.Track available for purchase, performed by Carlos Márquez, at BandCamp: https://breur.bandcamp.com/track/romeo-and-julietDURATION: 2m10s
$4.44
3.99 €
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Piano seul
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Arthur Breur
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Romeo & Juliet - Piano Solo
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Floating Home Music
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SheetMusicPlus
Funny Thing
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1457335 Composed by Arthur W…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1457335 Composed by Arthur Williams and Carl Sigman. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1036381. Published by DAVID LEE GINGRAS (A0.1457335). Funny Thing is a song written by Carl Sigman and Arthut Williams in 1954. Some of Carl's writing credits include such songs as Where Do I Begin (the theme from Love Story), but I was unable to find any specific reference to this song - I stumbled across it in an old fakebook I have. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
4.49 €
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Piano, Voix
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Arthur Williams and Carl Sigman
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Dave Gingras and John E
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Funny Thing
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DAVID LEE GINGRAS
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SheetMusicPlus
West Coast Blues
Jazz combo
Jazz Combo - Level 3 - Digital Download SKU: A0.1220916 By Wes Montgomery. By John …
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Jazz Combo - Level 3 - Digital Download SKU: A0.1220916 By Wes Montgomery. By John L. (Wes) Montgomery and Sascha Burland. Arranged by Arranged by Alan Fagan & Dr. LeRoy Henry. 20th Century,Blues,Jazz,Standards. 7 pages. Dr. LeRoy Henry #817258. Published by Dr. LeRoy Henry (A0.1220916).    Fortunately for us, guitarist Wes Montgomery went over to Europe in the spring of 1965 and toured. We're lucky, because Montgomery wound up on European TV shows during many of his stops, resulting in lots of video clips.    Wes was filmed May 7 in England with pianist Stan Tracey, bassist Rick Laird, and drummer Jackie Dougan. This session is quite different from the April 4 session in Belgium with pianist Harold Mabern, bassist Arthur Harper and drummer Jimmy Lovelaceand the April 2, 1965 session in Holland with pianist Pim Jacobs, bassist Ruud Jacobs and drummer Han Bennink in that it includes commentary from club owner Ronnie Scott, who explains the career and music of Wes Montgomery as if he were giving a lecture. The music, of course, features more of Montgomery's great stuff with personable glimpses at each of the artists. The quartet swings and seems to enjoy every minute of the show. The guitarist's West Coast Blues, in particular, makes this video stand out as an unforgettable piece of jazz history.   An interesting thing about this video, the horn section did not know that the chord changes for solos were different than the changes for the theme. One can imagine that Wes was not traveling with a Real Book so the group did not learn this from paper. This arrangement corrects that issue and includes a head chart for the rhythm section and a version for guitar with tablature. It also includes trumpet, alto saxophone, tenor saxophone, and baritone saxophone.
$24.99
22.48 €
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Jazz combo
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Wes Montgomery
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West Coast Blues
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Dr. LeRoy Henry
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SheetMusicPlus
An Avaloch Divertimento
Hautbois, Piano (duo)
Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download
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Instrumental Duet,Piano Flute,Instrumental Duet,Oboe,Piano - Level 4 - Digital Download SKU: A0.837511 Composed by Brett L. Wery. 20th Century,Concert,Contemporary. Score and parts. 56 pages. Sonata Grendel Publishing #6599293. Published by Sonata Grendel Publishing (A0.837511). An Avaloch Divertimento was begun-in fact the first two movements were completed-at the Avaloch Farm Music Institute in New Hampshire. Avaloch or Abhlach, is from the old Irish word meaning, place of the apple trees. The sacred Isle of the Apple Trees, Avalon-where Arthur, King of the Britons, was taken to be healed of his dreadful wounds-takes its name from this ancient word. Avaloch Farm Music Institute (AFMI) in New Hampshire is also a magical place where chamber music groups come to work and create in an atmosphere free from the distractions of everyday life. In the summer of 2021 I had the pleasure and honor of being a resident of AFMI along with Areli Mendoza-Pannone, Robert Frazier, and Mark Evans as we work-shopped my song cycle, Quarry Songs. Areli, Bobby, and Mark had to go back to the real world half way through the residency, leaving me at AFMI to begin work on An Avaloch Divertimento. The first movement is an Aubade, which are traditionally morning love songs-as opposed to evening love songs or serenades. In the seventeenth century aubades became associated with instrumental works depicting sunrises. It is this sense of the word that is used here, complete with a bird-song oboe cadenza. Pippin takes its name from a variety of apple. While at AFMI I would take afternoon walks through the nearby apple orchard to beautiful Walker Pond. It was on one of these walks that I came up with the first draft of the tune used in the central fughetta of the movement. The word, pippin is also included in Carolyn Forché’s poem, The Museum of Stones, which I had set as the final movement of Quarry Songs. The final movement, Amhrán, means song in Irish and is a simple song form with three interwoven themes that emulate the Irish Bodhran (frame drum), fiddle, and singer. Many thanks to Board Chair, Alfred Tauber, Artistic Director, Deborah Sherr, and Operations Director, Hannah Landes and the whole AFMI staff for creating such a wonderful refuge for musicians to work, learn, and create. Learn about Avaloch Farm Music Institute at www.avalochfarmmusic.org. Learn about more compositions by Brett L. Wery at www.BRETTLWERY.com. Duration: 12 minutes
$25.55
22.98 €
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Hautbois, Piano (duo)
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Brett L
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An Avaloch Divertimento
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Sonata Grendel Publishing
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SheetMusicPlus
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Ensemble de Tubas
Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Mil…
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Tuba, Euphonium, Tuba Quintet - Intermediate - Digital Download Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.<br> <br> The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.<br> <br> In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.<br> <br> The recording was also issued as a V-Disc, No. 39A, in November 1943.<br> <br> The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".<br> <br> The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".<br> <br> "Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.<br> <br> A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.<br> <br> "Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.<br> <br> Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).<br> <br> "Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.<br> <br> Wartime release:<br> <br> The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99
11.68 €
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Ensemble de Tubas
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Quintet
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Music for all Occasions
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SheetMusicPlus
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