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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lovers Know
Non classifié
46
Piano & claviers
Piano seul
37
Instruments en Do
7
Piano, Voix
4
Piano Facile
4
Piano, Voix et Guitare
1
Piano Trio: piano, violon, violoncelle
1
+ 1 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
16
Guitare
3
Guitare notes et tablatures
2
Piano, Guitare (duo)
1
Dulcimer
1
3 Guitares (trio)
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
6
Chorale SSAA
2
Voix moyenne, Piano
1
Chorale 3 parties
1
Vents
Quintette de Saxophone: 5 saxophones
7
Quatuor de Saxophones: 4 saxophones
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
2 Flûtes à bec, Guitare
1
Ensemble de saxophones
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon et Violoncelle
1
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1
Quintette de Flûte : 5 flûtes
1
Flûte et Guitare
1
Clarinette et Piano
1
Hautbois, Piano (duo)
1
Saxophone Soprano et Piano
1
2 Clarinettes (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
5 Flûtes à bec
1
Saxophone Alto et Piano
1
Clarinette, Guitare (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
+ 14 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Piano
1
Trompette, Violoncelle et Piano
1
Cor et Piano
1
3 Euphoniums
1
3 Trombones (trio)
1
Ensemble de Cors
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
+ 6 instrumentations
Retracter
Cordes
Violon et Piano
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Alto, Piano
3
Violoncelle, Piano
3
4 Violoncelles
2
2 Violons (duo)
2
Harpe, Violon (duo)
2
Violon, Clarinette, Piano (trio)
1
Trio à cordes: 3 violins
1
Violon
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
6
Orchestre
3
Jazz combo
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Lovers Know
Partitions à imprimer
218 partitions trouvées
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Lovers Know
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Alan Simon
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Lovers Know
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Chappell & Company Inc, USA
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1008555 Composed by Alan Simon. Jazz. Score. 1 pages. Chappell & Company Inc, USA #4885075. Published by Chappell & Compa...
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Piano Solo - Level 4 - SKU: A0.1008555 Composed by Alan Simon. Jazz. Score. 1 pages. Chappell & Company Inc, USA #4885075. Published by Chappell & Company Inc, USA (A0.1008555). A contrafact of the standard You Don't Know What Love Is, but played as a medium-up swinger instead of a ballad. The A sections use augmentation so that they are doubled (16 bars each) while the B section (bridge) is only 8 bars like the original-a total of 40 measures. On the recording the head is preceded by two chorus' of 12-bar blues in F minor featuring guitarist, Rory Stuart. The rest of the band is Glenn Wilson on baritone sax, Ernie Krivda, tenor sax, Jeff Halsey, bass, John Hazilla, drums and Alan Simon on piano.
$2.99
Be Still and Know (in F)
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Musique Sacrée
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David Kai
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David Kai
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Be Still and Know
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David Kai
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SheetMusicPlus
Level 3 - SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708...
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Level 3 - SKU: A0.1105037 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Rock. Full Performance. Duration 239. David Kai #708281. Published by David Kai (A0.1105037). This song is a reflection on Psalm 46. Like many Psalms, it contains elements of questioning, challenge and finally, faith. It is written in a Contemporary Christian/Christian Rock style. BE STILL AND KNOW (Psalm 46) BE STILL AND KNOW Chorus: Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God You are the Word beyond all words, a holy mystery, A presence in the universe that I can’t touch or see, A force in space and time with no beginning and no end, A spark of inspiration that I cannot comprehend. In a world that’s so embraced by pain how can Your love be shown? In life that’s short and fleeting, can eternity be known? My questions have no answers for I’ve painted You too small, So I will cease my babbling and worship You in awe. Be still and know that I am God, Be still and know that I am God Be still and know that I am, Be still and know that I am God Our God’s a refuge and our strength, and so we will not fear, Though mountains shake and waters roar our God is always near, God makes the wars to cease and breaks the bow, the shield, the spear, Behold the works of God whose reign of peace will dry all tears. You are the glints of sunlight through the amber-dappled leaves, You are the hints of silence in the vows that lovers breathe, You are the one who awes me with the love that we receive, You are my first and dying breath, in You I will believe. Be still and know that I am God...
$1.99
For All We Know
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The Carpenters
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Mark Phillips
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For All We Know
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A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet - Level 3 - SKU: A0.1264944 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by Mark Phillips. Film/TV,Pop,...
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Instrumental Duet - Level 3 - SKU: A0.1264944 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by Mark Phillips. Film/TV,Pop,Standards. 4 pages. A. J. Cornell Publications #857784. Published by A. J. Cornell Publications (A0.1264944). For All We Know (from Lovers and Other Strangers) for flute and guitar.
$4.99
For All We Know
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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The Carpenters
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Mark Phillips
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For All We Know
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A. J. Cornell Publications
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1354970 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by Mark Phillips. Film/TV,Pop. Score....
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Piano Solo - Level 3 - SKU: A0.1354970 By The Carpenters. By Fred Karlin, James Griffin, and Robb Wilson. Arranged by Mark Phillips. Film/TV,Pop. Score. 3 pages. A. J. Cornell Publications #939684. Published by A. J. Cornell Publications (A0.1354970). For All We Know (from LOVERS AND OTHER STRANGERS) for solo piano (after a recording by Takurou).
$4.99
Butterfly Lovers Concerto - Score Only
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Gang Chen and Zhanhao He
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Donglai Shi
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Butterfly Lovers Concerto - Sc
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Shi Donglai
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - SKU: A0.1512405 Composed by Gang Chen and Zhanhao He. Arranged by Donglai Shi. 20th Century,Folk,Multicultural,Tr...
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Piano Trio,String Ensemble - Level 4 - SKU: A0.1512405 Composed by Gang Chen and Zhanhao He. Arranged by Donglai Shi. 20th Century,Folk,Multicultural,Traditional,World. 12 pages. Shi Donglai #1087474. Published by Shi Donglai (A0.1512405). A medley made of two widely-known Chinese traditional pieces: the Butterfly Lovers and the Jasmine Flower for piano trio.The first section is a trascription for piano trio of the first movement of the Butterfly Lovers Violin Concerto.The second section is a set of 6 variations on the Jiangsu folk song Jasmine Flower. Two versions of the song is used and intertwined in this section.
$15.00
For All We Know
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Dulcimer
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The Carpenters
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For All We Know
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Larry Conger/Dulcimerican Music
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SheetMusicPlus
Mountain Dulcimer - Intermediate - Digital Download By The Carpenters. Arranged by Larry Conger. Tablature. 5 pages. Published by Larry Conger/Dulcimerican...
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Mountain Dulcimer - Intermediate - Digital Download By The Carpenters. Arranged by Larry Conger. Tablature. 5 pages. Published by Larry Conger/Dulcimerican Music
Originally written for the film "Lovers and Other Strangers" this song was a hit for The Carpenters in 1971. This solo mountain dulcimer arrangement is intended for the intermediate level player in 1-5-8 or DAD tuning. The primary challenge will be the numerous three finger chords found throughout the arrangement.
Four pages. Tablature, standard musical notation, lyrics and guitar accompaniment chords are included.
$4.99
Tutte dormono sulla collina
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Violon et Piano
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Gospel Spirituel
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Jazz
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Monica Bergo
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it
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #...
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99
Mea Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Mea Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.864429 Composed by Mark D. Templeton. Contemporary. Octavo. 8 pages. Mark Templeton Choral Music #2098371. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.864429 Composed by Mark D. Templeton. Contemporary. Octavo. 8 pages. Mark Templeton Choral Music #2098371. Published by Mark Templeton Choral Music (A0.864429). Mea Lesbia, commonly known as Catullus 87, consists of two elegiac couplets written by Gaius Valerius Catullus (84 - 54 B.C.E) for his lover, Lesbia. Catullus was only one of Lesbia’s many lovers, and he often wrote of his jealousy and disdain for her unfaithful actions. This elegy was written at a time when Lesbia had been particularly cruel toward Catullus. Despite being broken hearted, his obsession with her never waned. In his despair and desperation, he basically says, My love for you is so great that no other woman could possibly even know what love is..
$2.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Tears In Heaven
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Chorale 3 parties
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DÉBUTANT
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Eric Clapton
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César Zumel
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Tears In Heaven
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César Zumel
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.940022 By Eric Clapton. By Eric Clapton and Will Jennings. Arranged by César Zumel. Contemporary,Rock. Octavo....
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Choral Choir (SSA) - Level 1 - SKU: A0.940022 By Eric Clapton. By Eric Clapton and Will Jennings. Arranged by César Zumel. Contemporary,Rock. Octavo. 3 pages. César Zumel #5355899. Published by César Zumel (A0.940022). This arrangement allows the teacher to sing and play guitar this so famous Eric Clapton song. At the same time, school choir can sing two easy voices just to know how they can contribute to the general sound.Easy and soft for beginners, for S XX music lovers, for Eric Clapton music lovers (mainly parents and children).
$12.99
Strangers In The Night
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Frank Sinatra
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Timothy Stapay
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1307701 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay. Film/TV,Jaz...
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Piano Solo - Level 4 - SKU: A0.1307701 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #896964. Published by Timothy Stapay (A0.1307701). Strangers in the Night is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder.  The song was made famous in 1966 by Frank Sinatra.Reaching #1 on both the Billboard Hot 100 chart and the Easy Listening chart, it was the title song for Sinatra's 1966 album Strangers in the Night, which became his most commercially successful album. The song also reached No. 1 on the UK Singles Chart.Sinatra's recording won him the Grammy Award for Best Male Pop Vocal Performance and the Grammy Award for Record of the Year, as well as a Grammy Award for Best Arrangement Accompanying a Vocalist or Instrumentalist for Ernie Freeman at the Grammy Awards of 1967.Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$5.99
Strangers In The Night
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Piano seul
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AVANCÉ
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Frank Sinatra
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Timothy Stapay/Liberace
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Br...
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Piano Solo - Level 5 - SKU: A0.1342176 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay/Liberace. Broadway,Film/TV,Musical/Show,Pop,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #927698. Published by Timothy Stapay (A0.1342176). Strangers In The Night is here arranged as performed by famous piano artist, Liberace. He played this in concerts around the world and on his piano albums. This piano solo arrangement has all of the sparkle and fiery improvisations that made Liberace famous. Now for the first time, here is the sheet music as played by Liberace.On a personal note: I saw Liberace perform this live at a concert in Chicago, when I was a very, very young piano student. My parents were both Liberace fans and took me to one of his concerts. The memory stayed with me for a lifetime!Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$8.99
Tristan und Isolde
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Classique
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Richard Wagner
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Tristan und Isolde
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 3 - 4 · 3 · 3 · 1 - P. S. (Trgl. · Bck.) - Hfe. - Str. Auf der Bühne: Engl. Hr. · 6 Hr. · 3 Trp. · 3 Pos. - SKU: S9.Q17773 Handlung in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 270' 0. Schott Music - Digital #Q17773. Published by Schott Music - Digital (S9.Q17773). German.An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. TRISTAN UND ISOLDE Performance directions by the singer Ludwig Schnorr von Carolsfeld are incorporated in the vocal score from the Complete Edition’s Tristan und Isolde volume. He entered these directions into his own copy of the Tristan part which he used at the 1865 Munich premiere. Richard Wagner was deeply impressed by his interpretation of the title role. For the first time in a vocal score of Tristan und Isolde all cuts are incorporated—with the corresponding transitional bars—which Wagner himself made, and approved, in two cases, were actually declared by him to be final. These cuts strikingly document Wagner’s struggle with the final form of the work. For the first time in a single edition all of Wagner’s own suggestions for ossias are found; ossias which evolved from performances under his own direction. Egon Voss writes about this in his foreword to the vocal score: “Such ‘pointers’, as you might say, were current practice in the 19th century which Wagner, as the example shows, did not evade. He was enough of a practical man of the theatre to know that a badly sung top note is worse than doing without it. Wagner even tolerated the transposition of lengthier passages because he was less concerned with the letter of the score than with theatrical effectiveness. [...] The present vocal score goes beyond the Complete Edition [...] in that the ossias mentioned above are indicated in the vocal part itself, in small notes. They concern principally the role of Tristan, but also those of Isolde, Brangäne and Kurwenal. They rest in part on the Tristan edition within the Complete Edition but for the greater part go back to a source which could not be consulted for the Complete Edition because it was not yet accessible. This relates to a vocal score from the estate of the composer Peter Cornelius who was engaged by Wagner as repetiteur at the Vienna rehearsals in 1861-63. That the ossia bars go back to Wagner can be taken as certain, since in some places they are notated in his own hand.†(Egon Voss, quoted from the foreword to the vocal score) The transpositions mentioned by Egon Voss—two by Hans von Bülow for the revival of the work which he conducted in Munich in 1869 and the third suggested by Wagner himself in 1861—are printed in the appendix to the vocal score. The ossias, transpositions, and cuts are available for practical use in the theatre and in rehearsal. The cuts are also incorporated into the orchestral materials for Tristan und Isolde. This is also the case with ossias which affect the orchestral parts.2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Götterdämmerung Die Meistersinger von Nürnberg Parsifal.
$47.99
Vincent (Starry Starry Night)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Don McLean
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Timothy Stapay
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Vincent
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwrit...
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Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 10 pages. Timothy Stapay #1067707. Published by Timothy Stapay (A0.1490922). Vincent (Starry, Starry Night) is a song by Don McLean, written as a tribute to Vincent van Gogh.McLean wrote the lyrics in 1971 after reading a book about the life of Van Gogh. It was released on McLean's 1971 American Pie album; the following year, the song topped the UK Singles Chart for two weeks, and peaked at No. 12 in the United States, where it also hit No. 2 on the Easy Listening chart. Billboard ranked it as the No. 94 song for 1972.Lyrics:StarryStarry nightPaint your palette blue and greyLook out on a summer's dayWith eyes that know theDarkness in my soul.Shadows on the hillsSketch the trees and the daffodilsCatch the breeze and the winter chillsIn colors on the snowy linen land.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey did not know howPerhaps they'll listen now.StarryStarry nightFlaming flo'rs that brightly blazeSwirling clouds in violet haze reflect inVincent's eyes of China blue.Colors changing hueMorning fields of amber grainWeathered faces lined in painAre soothed beneath the artist'sLoving hand.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.Perhaps they'll listen now.For they could not love youBut still your love was trueAnd when no hope was left in sight on that starryStarry night.You took your lifeAs lovers often do;But I could have told youVincentThis world was neverMeant for oneAs beautiful as you.StarryStarry nightPortraits hung in empty hallsFrameless heads on nameless wallsWith eyesThat watch the world and can't forget.Like the stranger that you've metThe ragged men in ragged clothesThe silver thorn of bloody roseLie crushed and brokenOn the virgin snow.And now I think I know what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey're notList'ning stillPerhaps they never will.
$8.99
Beyond the Rainbow Bridge - backing track
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David Kai
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David Kai
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Beyond the Rainbow Bridge - ba
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David Kai
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SheetMusicPlus
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christi...
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String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
$1.99
The Mystery
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Chorale SSAA
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INTERMÉDIAIRE
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Stephen Chatman
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The Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSAA choir and piano - Medium - SKU: MQ.8810-E Composed by Stephen Chatman. Instrument part. 9 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Mus...
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SSAA choir and piano - Medium - SKU: MQ.8810-E Composed by Stephen Chatman. Instrument part. 9 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8810-E. Published by E. C. Schirmer Music Company - Digital (MQ.8810-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs. Duration: 2:30.
$2.65
The Mystery (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Stephen Chatman
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The Mystery
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Pu...
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SATB choir and Piano - Medium - SKU: MQ.8804-E Composed by Stephen Chatman. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8804-E. Published by E. C. Schirmer Music Company - Digital (MQ.8804-E). English.Sara Teasdale’s poem, The Mystery, depicts deep lasting love - “Your eyes drink of me†and “We have long been loversâ€. It also raises a question - “Can I ever know you / Or you know me?†Stephen Chatman’s expressive setting begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the initial melody. One of a set of six of Teasdale's love songs.
$2.65
La dulzura del silencio (The Sweetness of Silence), Celtic song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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La dulzura del silencio
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holi...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 4 - SKU: A0.900399 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3534751. Published by Gustavo Fuentes (A0.900399). The sweetness of Silence. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, flute, recorder or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.Lovers communicate in unique and diverse ways. They use words of love, loving glances and tender caresses to share in the joy of being together.But one of the most enjoyable things a couple can share is silence. Being silent, perhaps holding hands and looking into each other’s eyes, can communicate plenty. Merely knowing the other person is right there by your side with love, affection and understanding is one of the most gratifying feelings in the world. And that is what this song is about: love, lovers and shared silence. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. La comunicación entre los enamorados es única y diversa. Palabras de amor, miradas, caricias, todo aporta en el momento de compartir el sentimiento de felicidad y dicha que los envuelve.Y una de las cosas más disfrutables es compartir el silencio. Ese dulce silencio –tal vez tomados de la mano y mirándose a los ojos- donde sin decir una palabra se dice tanto, y donde la mayor motivación es saber que el otro está ahÃ, presente a su lado con su amor, su cariño y su comprensión.De eso habla esta canción: del amor, de los enamorados, y de la dulzura de su silencio compartido.
$4.99
Woody Woodpecker
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Piano Facile
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FACILE
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Kay Kyser & His Orchestra
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Glauco Fernandes
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Woody Woodpecker
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Glauco Fernandes
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1452767 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructi...
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Easy Piano - Level 2 - SKU: A0.1452767 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructional. Score. 2 pages. Glauco Fernandes #1032048. Published by Glauco Fernandes (A0.1452767). Sale of Easy Piano Arrangement Sheet Music for the Woody Woodpecker Cartoon ThemeAre you passionate about music and looking for a fun and nostalgic piece to play on the piano? Then the easy piano arrangement sheet music for the Woody Woodpecker cartoon theme is perfect for you!Why choose our sheet music?Easy Arrangement: We have developed an arrangement accessible to all skill levels, from beginners to more experienced pianists looking for a light and enjoyable piece.Fidelity to the Original: We captured the essence and energy of the classic Woody Woodpecker melody, maintaining the fidelity to the original theme that everyone knows and loves.Guaranteed Fun: Ideal for practice sessions, performances, or simply playing for pleasure. Bring the joy and fun of the famous cartoon into your home.Quality Material: Our sheet music is clear and well-formatted, making it easy to read and interpret. Printed in high quality, it will withstand continuous use.Additional Benefits:- Musical Development: Playing recognizable tunes like the Woody Woodpecker theme can help develop sight-reading skills, rhythm, and musical expression.- Culture and Nostalgia: Relive childhood memories and share the fun with friends and family.Who should buy it?- Piano students looking for well-known pieces to expand their repertoire.- Music teachers who want to introduce a touch of fun and nostalgia into their lessons.- Lovers of classic cartoons who want to bring a piece of their history to the piano.Don't miss the chance to add this charming piece to your repertoire. Let the Woody Woodpecker melody enliven your piano sessions and enchant everyone around you!Happy practicing and have lots of musical fun!
$5.99
Woody Woodpecker
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Piano seul
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FACILE
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Kay Kyser & His Orchestra
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Glauco Fernandes
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Woody Woodpecker
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Glauco Fernandes
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1452763 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructi...
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Piano Solo - Level 2 - SKU: A0.1452763 By Kay Kyser & His Orchestra. By George Tibbles and Ramey Idriss. Arranged by Glauco Fernandes. Film/TV,Instructional. Score. 2 pages. Glauco Fernandes #1032044. Published by Glauco Fernandes (A0.1452763). Sale of Easy Piano Arrangement Sheet Music for the Woody Woodpecker Cartoon ThemeAre you passionate about music and looking for a fun and nostalgic piece to play on the piano? Then the easy piano arrangement sheet music for the Woody Woodpecker cartoon theme is perfect for you!Why choose our sheet music?Easy Arrangement: We have developed an arrangement accessible to all skill levels, from beginners to more experienced pianists looking for a light and enjoyable piece.Fidelity to the Original: We captured the essence and energy of the classic Woody Woodpecker melody, maintaining the fidelity to the original theme that everyone knows and loves.Guaranteed Fun: Ideal for practice sessions, performances, or simply playing for pleasure. Bring the joy and fun of the famous cartoon into your home.Quality Material: Our sheet music is clear and well-formatted, making it easy to read and interpret. Printed in high quality, it will withstand continuous use.Additional Benefits:- Musical Development: Playing recognizable tunes like the Woody Woodpecker theme can help develop sight-reading skills, rhythm, and musical expression.- Culture and Nostalgia: Relive childhood memories and share the fun with friends and family.Who should buy it?- Piano students looking for well-known pieces to expand their repertoire.- Music teachers who want to introduce a touch of fun and nostalgia into their lessons.- Lovers of classic cartoons who want to bring a piece of their history to the piano.Don't miss the chance to add this charming piece to your repertoire. Let the Woody Woodpecker melody enliven your piano sessions and enchant everyone around you!Happy practicing and have lots of musical fun!
$5.99
God Rest Ye Merry Gentlemen for Recorder Quintet
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5 Flûtes à bec
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INTERMÉDIAIRE
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Unknown
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Ander
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God Rest Ye Merry Gentlemen fo
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Woods Only, Arrangements
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1319765 Composed by Unknown. Arranged by Ander. Baroque,Chamber,Christian,Christmas. Recorder Ensemble. 16 pages. Woods Onl...
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Recorder - Level 3 - SKU: A0.1319765 Composed by Unknown. Arranged by Ander. Baroque,Chamber,Christian,Christmas. Recorder Ensemble. 16 pages. Woods Only, Arrangements #908323. Published by Woods Only, Arrangements (A0.1319765). I present to you an arrangement of the famous melody, God Rest Ye Merry Gentlemen, for Recorder Quintet. This arrangement brings a new look to the melody, playing with its elements, but maintaining the essence of the original work. It is perfect for any Christmas event, whether in chamber music recitals, concerts, public shows, or as teaching material for music teachers to encourage their students. God Rest Ye Merry Gentlemen is a traditional English Christmas song. The melody, which is known for its cheerful and comforting nature, has been associated with the song since at least the mid-eighteenth century. This arrangement breathes new life into this timeless melody, making it a valuable addition to any Christmas repertoire. With its combination of tradition and innovation, this arrangement is an excellent choice for musicians and music lovers. Get yours now and bring a touch of magic to your Christmas celebrations!
$9.99
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