A really nice set list of unusual selections. Most tunes can be played on a harp with less than 26 strings with levers on B, E, F, and C. The level of difficulty ranges from very easy to intermediate. Derry Air and High Road are more challenging, having octaves and full left hand patterns. Helpful hints on how to accommodate a small harp are included.
Titles are: Play with Ideas, The Last Rose of Summer, She Is Always Cheerful, A Woman?s Lament for the Death of Her Hen, The High Road to Fort Augustus, Dr. Joe, Lament for Owen Roe O?Neill, Auld Lang Syne (not the standard melody), Mother?s Lullaby, Derry Air, Avila, Sagudana, Honey Harp, Bonnie George Campbell, Eleanor Plunkett, Carolan?s Receipt, Thy Delicate Rosy Lips, Banish Misfortune, The Morning Dream, Carolan?s Concerto, Lovely Stornaway.

Solos and duets from Celtic lands with additional flute or fiddle parts. Some selections are for duets.

Table of Contents:
A Bruxa, (The Sorceress) by Anton Seoane, Glaicia, Spain with flute/fiddle parts; Bianco Fiore, an Italian piece, with flute/fiddle parts; The Earl of Essex Galliard, by J. Dowland; Summer Morn, by B. Kolle; Summer Night by Geirr Lystrup and Aslaug L. Lygre; The Streams of Bunclody, traditional Irish with flute/fiddle parts; When Morning is Breaking, traditional Welsh, with flute/fiddle parts; Have You Been to Carrick?, traditional Irish; Hardiman the Fiddler, traditional Irish slip-jig; Los Bilbilicos (The Nightingales), traditional Sephardic with flute/fiddle parts; Sheba?s Bellybutton, by B. Kolle with flute/fiddle parts; Bonnie at Morn, traditional Northumberland lullaby with flute /fiddle parts; Voyage South, by B. Kolle; The Lass of Aughrim, traditional Irish ballad with separate solo, duet score, and harp one and two; The Humours of Ballyloughlin, traditional Irish; Saguaro by L. Riley & M. MacBean, harp one and two parts.