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Lydian Waltz for Piano
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Vous avez sélectionné:
Lydian Waltz for Piano
Partitions à imprimer
7 partitions trouvées
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Lydian Waltz for Piano
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Piano seul
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INTERMÉDIAIRE
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Jonathan Harrington
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Lydian Waltz for Piano
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Jonathan Harrington
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1016505 Composed by Jonathan Harrington. 20th Century,Contemporary,Instructional. Score. 4 pages. Jonathan Harrington #57...
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Piano Solo - Level 3 - SKU: A0.1016505 Composed by Jonathan Harrington. 20th Century,Contemporary,Instructional. Score. 4 pages. Jonathan Harrington #5723021. Published by Jonathan Harrington (A0.1016505). A waltz for solo piano.
$4.10
Waltz No. 1 (2020)
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Piano seul
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AVANCÉ
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Gerald W
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Waltz No. 1
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Gerald W. Gabbard
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1427785 Composed by Gerald W. Gabbard. 21st Century. Score. 6 pages. Gerald W. Gabbard #1008525. Published by Gerald W. G...
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Piano Solo - Level 5 - SKU: A0.1427785 Composed by Gerald W. Gabbard. 21st Century. Score. 6 pages. Gerald W. Gabbard #1008525. Published by Gerald W. Gabbard (A0.1427785). Thank you for your interest in this advanced piano solo piece I composed during the first year of the COVID-19 Pandemic. I found a sense of hope and optimism from performing this light waltz, despite that the vaccine was still many months away at that point and things were looking grim.The waltz is written pretty much in an Intro-A-B-A'-Coda form. While the tempo is listed as “Moderately,” do not play it too quickly. There are some elements of B-flat Lydian interspersed.Regarding articulation: I use tenuto and accent + tenuto marks frequently in my compositions. I tend to use them mostly as indications for the melody and/or notes that should be emphasized or brought out. I never intend the accent + tenuto to be harsh, but it should be stronger than the tenuto alone.This is the first of eight waltzes for piano I composed between September 2020 and April 2024. I intend to have a collection of all eight available for sale in addition to individual pieces. The available recording on Arrange Me and Sheet Music Plus is an export from Finale – not a live performance. I hope you enjoy playing this piece! Gerald Gabbard.
$4.99
The Farewell Waltz (Solo Easy Piano)
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Piano Facile
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DÉBUTANT
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Nicholas Steinbach
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Nicholas Steinbach
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The Farewell Waltz
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Nicholaas Steinbach
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.711726 Composed by Nicholas Steinbach. Arranged by Nicholas Steinbach. 20th Century,Film/TV,Graduation,Holiday,Romantic P...
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Easy Piano - Level 1 - SKU: A0.711726 Composed by Nicholas Steinbach. Arranged by Nicholas Steinbach. 20th Century,Film/TV,Graduation,Holiday,Romantic Period. Score. 2 pages. Nicholaas Steinbach #2852735. Published by Nicholaas Steinbach (A0.711726). 2016 Easy Piano Contest Entry. This is an easy solo piano arrangement to a piece written by Nicholas Steinbach titled, The Farewell Waltz. - Note From The Composer - While writing The Farewell Waltz, I imagined it being played at a dinner party back in the early 1910's before a family member left on a trip overseas. I tried to capture the sense of anxious and nervous excitement someone would have felt as he/she leaves family to chase dreams abroad. The key I chose to write in is B flat which has a warm color and a pensive tone. Throughout the piece, I relied on the sharp 4 scale degree (Lydian) to build a sense of mild tension as it is heard over the tonic before a release and quick resolution. Enjoy! Please leave feedback if you'd like!
$1.99
Balloon Ride, 29 Original Piano Solos, Intermediate
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Piano seul
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INTERMÉDIAIRE
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Cindy Blevins
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Balloon Ride, 29 Original Pian
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Cindy Blevins
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.540931 Composed by Cindy Blevins. Contemporary,New Age,Standards. Score. 67 pages. Cindy Blevins #3088359. Published by C...
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Piano Solo - Level 3 - SKU: A0.540931 Composed by Cindy Blevins. Contemporary,New Age,Standards. Score. 67 pages. Cindy Blevins #3088359. Published by Cindy Blevins (A0.540931). Balloon Ride is a book of original piano solos. Approximate range is Intermediate. There are 29 two-page solos, for a total of 58 pages of music. The audio sample is Balloon Ride.I have added five sample pages to the eBook, so that you can view samples here. The samples are excerpts of several of the pieces. This will give you a general idea of the difficulty level of this book. When you purchase the download, you can ignore these pages.The song titles are: Sky Puffs, Dominoes, Gypsy Fantasy, Waltz With Me, Leap Phrog, Balloon Ride, Perceptions, Dorianation, Two-Step, Rain Drops, Birdies In the Bushes, Osodorian, Mind Over Minor, Insignificance, Fish Jumping, The Tide, Minor Malady, Illogy, Robin In Spring, Aoleo, Lydian Lilt, Mixin' It Up, Cat On a Ledge, Almost Spring, Absence, Dilemma, Impossibilities, Two in the Mornin' and Walking In Circles.My website: https://www.blevinsmusic.com
$22.95
Seven Pieces in Twentieth-Century Styles
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Piano seul
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INTERMÉDIAIRE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
Late October
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Heather Pierson
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Late October
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Sacred Vessel Recordings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1097949 By Heather Pierson. By Heather Pierson. Contemporary,New Age. Score. 12 pages. Sacred Vessel Recordings (ASCAP) #...
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Piano Solo - Level 4 - SKU: A0.1097949 By Heather Pierson. By Heather Pierson. Contemporary,New Age. Score. 12 pages. Sacred Vessel Recordings (ASCAP) #700868. Published by Sacred Vessel Recordings (ASCAP) (A0.1097949). Late October is a 12 page advanced intermediate level piece in the key of E flat major (though it spends most of its time in A flat lydian). It is from my album 'The Open Road', a collection of 14 of my solo piano compositions. There is nothing quite like fall in New England, and there is also a very poignant beauty to be found in that time after the tourists have all gone home, after the brilliant colors have faded, before the leaves have all fallen to the ground. It is that stark beauty that inspired this piece. Other pieces available in this collection are: Bittersweet, Doc Bradley’s Waltz, Edith, Flight of Fancy, Jasper County, Lullaby, Marble In My Pocket, The Open Road, Prairie Sunset, Skipping Rocks at Shoal Creek, The Storm’s Promise, Sunflowers, and Wheat.
$4.99
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