English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
1
Partitions
Numériques
14
Librairie
Musicale
4
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1
PIANO & CLAVIERS
GUITARES
VOIX
Chorale 3 parties
3
Chorale SATB
2
VENTS
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Saxophones: 4 saxophones
1
CUIVRES
Quatuor de Cuivres
1
CORDES
PERCUSSIONS & ORCHESTRES
Orchestre
5
AUTRES
Vous avez sélectionné:
Lyric: from The Great Lakes
Partitions à imprimer
14 partitions trouvées
<
1
Lyric: from The Great Lakes
Chorale SATB
SATB choir (choir divisi) and piano or orchestra (Orchestra: 2[1.2/pic] 1 1 1 – 2 2…
(+)
SATB choir (choir divisi) and piano or orchestra (Orchestra: 2[1.2/pic] 1 1 1 – 2 2 1 0 – 1 – str – Chorus (divisi)) - Moderately Difficult - Digital Download SKU: MQ.8980-E Composed by Gwyneth W. Walker. 14 pages. E. C. Schirmer Music Company - Digital #8980-E. Published by E. C. Schirmer Music Company - Digital (MQ.8980-E). English.The opening movement from the larger Great Lakes Cantata is a musical depiction of the reverence one holds for the lakes, with gently flowing syncopated rhythms.
$2.85
2.63 €
#
Chorale SATB
#
Gwyneth W
#
Lyric: from The Great Lakes
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
As Birds in Flight: from The Great Lakes
Alto voice and baritone voice, SATB choir (divisi), and piano or orchestra (Orchestra: 2[1…
(+)
Alto voice and baritone voice, SATB choir (divisi), and piano or orchestra (Orchestra: 2[1.2/pic] 1 1 1 – 2 2 1 0 – 1 – str – AB Soli and Chorus (divisi)) - Moderately Difficult - Digital Download SKU: MQ.8985-E Composed by Gwyneth W. Walker. 18 pages. E. C. Schirmer Music Company - Digital #8985-E. Published by E. C. Schirmer Music Company - Digital (MQ.8985-E). English.This epilogue to the Great Lakes Cantata begins with a flute solo, representing a bird in flight. The flowing accompaniment supports the lyrical vocal lines.
$3.15
2.91 €
#
Gwyneth W
#
As Birds in Flight: from The Great Lakes
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Oh Shenandoah (SSA choir and piano)
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1257261 Composed by Traditi…
(+)
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1257261 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #850592. Published by Colin Kirkpatrick Publications (A0.1257261). Here’s a new SSA choir arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years. Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SSA arrangement for choir and piano is conceived for boy choir or girl choir and within easy technical reach of amateur or school choirs. The top soprano note is high F on the treble staff and the other parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
$2.25
2.08 €
#
Chorale 3 parties
#
Traditional
#
Colin Kirkpatrick
#
Oh Shenandoah
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Oh Shenandoah (SATB choir and piano)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1255595 Composed by Tradit…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1255595 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Patriotic,Traditional. Octavo. 11 pages. Colin Kirkpatrick Publications #849108. Published by Colin Kirkpatrick Publications (A0.1255595). Here’s a new arrangement of that ever-popular American folksong Shenandoah.  The original song probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. These traders exchanged weapons and tools for animal furs, especially beaver pelts. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries.  In most versions of the song, the lyrics tell of a seafarer, possibly a canoeing fur-trader, who was in love with the daughter of Shenandoah, a Native American Chief who lived in what is now the state of Virginia. John Shenandoah was a real person: evidently an individual of commanding presence who lived for over a hundred years.  Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SATB arrangement for choir and piano is within easy technical reach of most amateur choirs. The top soprano note is G just above the treble staff. The highest alto note is the C above middle C and the tenor and bass parts fall well within the usual choral range. Each section of the choir takes the melody at some point. With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
$2.35
2.17 €
#
Chorale SATB
#
Traditional
#
Colin Kirkpatrick
#
Oh Shenandoah
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Oh Shenandoah (SAB choir and piano)
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1266693 Composed by Traditi…
(+)
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1266693 Composed by Traditional. Arranged by Colin Kirkpatrick. Contest,Country,Festival,Folk,Multicultural,World. Octavo. 11 pages. Colin Kirkpatrick Publications #859371. Published by Colin Kirkpatrick Publications (A0.1266693). This ever-popular American folksong probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SAB arrangement for choir and piano is intended for high school, college or amateur choir and is ideal if the number of male voices is limited. The song is set in E flat major and modulates into F major. There is only one brief divisi passage (3 measure) of sustained notes in the soprano part. The top soprano note is F5 on the top line of the treble staff and the lowest note is Bâ™3 just under the staff. The top alto note is Bâ™ (mid-staff) (Bâ™4) and the lowest note is also Bâ™3. The top baritone note is the D above the bass staff (D4) and the lowest note is the low Aâ™ on the bass staff (Aâ™2). With a running time of 04:00 this piece is enjoyable to sing and hear. It’s an essential addition to your choir’s repertoire.
$2.25
2.08 €
#
Chorale 3 parties
#
Traditional
#
Colin Kirkpatrick
#
Oh Shenandoah
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Oh Shenandoah (SAT choir and piano)
Chorale 3 parties
Choral Choir (SAT) - Level 2 - Digital Download SKU: A0.1274491 Composed by Traditi…
(+)
Choral Choir (SAT) - Level 2 - Digital Download SKU: A0.1274491 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Multicultural,Traditional,World. Octavo. 11 pages. Colin Kirkpatrick Publications #866635. Published by Colin Kirkpatrick Publications (A0.1274491). This ever-popular American folksong probably has its origins among the French Canadians who traded with Native Americans around the Great Lakes during the sixteenth century. Paddling their canoes along the Mississippi and Missouri Rivers the traders were well-known for their singing. However, as most of the traders were illiterate, the songs were never written down and went through numerous changes over the years and centuries. Shenandoah became one of the most popular capstan shanties, a slow song which set a manageable pace for the crew in a heavy and lengthy task. Most versions of the song have a similar couplet at the end of each verse. In some transcriptions, the melody is written out entirely in 4/4 time; others use triple time and some arrangements use a mixture of both. In this version, the lyrics have been selected from different versions of the song. This SAT arrangement for choir and piano is intended for high school, college or amateur choir and is ideal if the number of male voices is limited. The song is set in E flat major and modulates into F major. There is only one brief divisi passage (3 measure) of sustained notes in the soprano part. The top soprano note is F5 on the top line of the treble staff and the lowest note is E â™ on the lowest line of the staff. The top alto note is Bâ™ (mid-staff) (Bâ™4) and the lowest note is B â™3. The top tenor note is D4 (middle of treble staff) and the lowest note (only twice) is the low B flat (with an optional B flat an octave higher). With a running time of 04:00 this piece is enjoyable to sing and hear. It would make a useful addition to your choir’s repertoire.Â
$2.99
2.76 €
#
Chorale 3 parties
#
Traditional
#
Colin Kirkpatrick
#
Oh Shenandoah
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.91 €
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.91 €
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.91 €
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
46.19 €
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
36.95 €
#
Orchestre
#
Mark O'Connor
#
Americana Symphony "Variations on Appalachia Waltz"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Good Morning Good Morning
Quatuor de Cuivres
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.807933
(+)
Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.807933 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 10 pages. RayThompsonMusic #414967. Published by RayThompsonMusic (A0.807933). Arranged standrard brass quartet: 2 tpts, tbn, tuba. Alt. horn in F for trombone. Transposed into Bb from original A to aid brass players.Melody and guitar break given to 1st trumpet. Trombone and 2nd take middle section. Tuba covers bass guitarGreat fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.
$17.95
16.58 €
#
Quatuor de Cuivres
#
The Beatles
#
Ray Thompson
#
Good Morning Good Morning
#
RayThompsonMusic
#
SheetMusicPlus
Good Morning Good Morning
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.867641 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Rock. 8 pages. RayThompsonMusic #474085. Published by RayThompsonMusic (A0.867641). Arranged standrard sax quartet: SATB Transposed into Bb from original A to aid players. Melody and guitar break given to sop tenor and alto take middle section. Bari covers bass guitar.Great fun with mixed time sigs!!Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube Link https://youtu.be/xTpiETCrAqw is my brass quartet version.
$14.95
13.81 €
#
Quatuor de Saxophones: 4 saxophones
#
The Beatles
#
Ray Thompson
#
Good Morning Good Morning
#
RayThompsonMusic
#
SheetMusicPlus
Good Morning Good Morning
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Downloa…
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1273200 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop. 9 pages. RayThompsonMusic #865366. Published by RayThompsonMusic (A0.1273200). Arranged standrard wind quartet: flute, oboe, clarinet and bassoonTransposed into Bb from original A to aid players.Melody given to oboe. guitar break to flute . Bassoon covers bass guitarInterest in all parts!!Great fun with mixed time sigs!! Good Morning Good Morning is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band.It was written by John Lennon and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes.Another reference to contemporary television was the lyric It's time for tea and Meet the Wife, referring to the BBC sitcom. Lennon himself was critical of the track. It's a throwaway, a piece of garbage, I always thought, he once said. I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the songThe song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5/4 and 4/4 bars alternate, with 3/4 transitions.Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.YouTube vid is my brass quartet arrangement.
$17.95
16.58 €
#
Flûte, Hautbois, Clarinette, Basson
#
The Beatles
#
Ray Thompson
#
Good Morning Good Morning
#
RayThompsonMusic
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
