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PARTITIONS GRATUITES
Instruments
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CITHARE
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CLOCHES
CONTREBASSE
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
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Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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débutant
facile
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avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1232
PIANO & CLAVIERS
Piano seul
707
Piano, Voix et Guitare
447
Piano, Voix
379
Piano Facile
245
Orgue
43
Accordéon
40
Instruments en Do
38
Piano grosses notes
21
1 Piano, 4 mains
19
Piano Trio: piano, violon, violoncelle
11
Accompagnement Piano
7
Piano (partie séparée)
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon, Voix
1
Instrumentations suivantes
Retracter
GUITARES
Basse electrique
231
Guitare notes et tablatures
103
Ligne De Mélodie, (Paroles) et Accords
93
Guitare
33
Paroles et Accords
32
Ukulele
17
2 Guitares (duo)
4
Piano, Guitare (duo)
3
Mandoline
2
Banjo
2
Dulcimer
1
Guitare, Orchestre
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
464
Chorale 3 parties
88
Chorale 2 parties
76
Chorale TTBB
64
Chorale SSAA
47
Voix duo, Piano
27
Chorale Unison
25
Chorale
16
Voix Soprano, Piano
13
Voix duo
10
Voix seule
10
Voix haute
4
Voix moyenne, Piano
4
Chorale SSAATTBB
3
Voix Tenor, Piano
2
Voix Soprano
1
Voix Alto, Piano
1
Chorale SSATTB
1
Voix, Guitare
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix basse
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
116
Flûte, Hautbois, Clarinette, Basson
76
Flûte traversière
64
Clarinette
62
Flûte traversière et Piano
52
Hautbois, Piano (duo)
50
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Clarinette et Piano
38
Saxophone Alto et Piano
35
2 Saxophones (duo)
33
Saxophone Tenor et Piano
30
2 Flûtes traversières (duo)
24
Saxophone (partie séparée)
24
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Alto
21
Ensemble de Flûtes
19
Saxophone
14
2 Clarinettes (duo)
14
Hautbois (partie séparée)
13
2 Flûte à bec (duo)
12
Saxophone Tenor
11
Trio de Flûtes: 3 flûtes
10
Hautbois
9
Ensemble de saxophones
9
Quatuor de Flûtes : 4 flûtes
9
Ensemble de Clarinettes
8
Saxophone Soprano et Piano
8
3 Clarinettes (trio)
7
Quintette de Saxophone: 5 saxophones
6
Flûte à bec Soprano
6
Clarinette (partie séparée)
5
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
3 Saxophones (trio)
4
Flûte, Violon
4
2 Hautbois (duo)
4
Flûte, Violon et Violoncelle
4
Quintette de Flûte : 5 flûtes
3
Clarinette Basse, Piano
3
Flûte à Bec
3
Flûte et Guitare
3
Hautbois, Clarinette, Basson (trio d'anches)
3
2 Flûtes traversières, Piano
3
Hautbois, Clarinette (duo)
3
Clarinette, Harpe (duo)
2
Flûte, trombone et piano
2
Flute (partie séparée)
2
Flûte, Clarinette et Basson
2
2 Clarinettes, Piano
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Violon (duo)
2
Flûte, Violon, Piano
2
Saxophone Baryton, Piano
2
Flûte à bec Soprano, Piano
2
5 Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Basson (duo)
1
Flûte, Basson et Piano
1
Clarinette, trompette et piano
1
Flûte à bec Alto
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Basson (duo)
1
Piccolo
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Harmonica
1
Flûte, Saxophone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Clarinette, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Cor anglais, Guitare (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trompette
51
Trombone
36
Trompette, Piano
35
Trombone et Piano
33
Cor et Piano
27
Trompette (partie séparée)
25
Cor
19
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
12
Tuba
11
Trompette, Trombone (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
2 Trompettes (duo)
8
Quatuor de Cuivres
8
Trombone (partie séparée)
7
2 Cors (duo)
6
2 Trombones (duo)
6
Cor anglais, Piano
5
3 Trompettes (trio)
5
Trio de Cuivres
4
2 Tubas (duo)
4
Euphonium, Piano (duo)
4
Bass Clef Instruments
2
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
2 Trompettes, Clavier (piano ou orgue)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 cors
2
2 Euphoniums et 2 Tubas
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone, Piano
1
Ensemble de Trompettes
1
Cor (partie séparée)
1
4 Tubas
1
Tuba (partie séparée)
1
Euphonium
1
Ensemble de Trombones
1
Trombone basse
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Trompette, Saxophone (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
425
Violon
284
Violon, Violoncelle (duo)
240
Trio à Cordes: violon, alto, violoncelle
203
Quintette à cordes: 2 violons, alto, violoncelle, basse
84
Violon et Piano
75
Harpe
56
Violoncelle, Piano
41
Alto seul
38
Alto, Piano
32
Violon, Alto (duo)
24
2 Violons (duo)
23
Violoncelle (partie séparée)
19
Violoncelle
18
Alto, Violoncelle (duo)
12
Alto (partie séparée)
11
2 Violoncelles (duo)
10
Harpe, Flûte (duo)
9
Contre Basse
9
Violon (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
7
Contrebasse, Piano (duo)
7
2 Altos (duo)
7
Contrebasse (partie séparée)
5
Harpe, Voix
5
2 Contrebasses (duo)
4
4 Violoncelles
4
Trio à cordes: 3 violins
3
Alto et Harpe
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Harpe, Violon (duo)
2
Harpe, Violoncelle (duo)
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
Violon, Tuba (duo)
1
Violon, Guitare (duo)
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
4 Contrebasses
1
Harpe (partie séparée)
1
Alto, Guitare (duo)
1
Violon, Clarinette, Piano (trio)
1
3 Harpes
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
197
Orchestre à Cordes
150
Orchestre
103
Ensemble Jazz
60
Ensemble de cuivres
47
Orchestre de chambre
41
Jazz combo
17
Ensemble de Percussions
17
Cloches
16
Batterie
11
Fanfare
7
Percussion (partie séparée)
4
Marimba
2
Percussion
1
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
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ME AND MY MUSIC
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Count on Me
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download By Bruno Mars. By Ari Levine, Peter Hernandez, …
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Piano/Vocal/Chords - Digital Download By Bruno Mars. By Ari Levine, Peter Hernandez, and Philip Lawrence. Pop/Rock. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015621. Published by Alfred Music - Digital Sheet Music
ISBN 9780739094785.<br> <br> For music makers who love pop music, this collection provides unlimited fun! It contains more than 250 pages of piano/vocal/guitar sheet music for 44 familiar favorites. Titles: Because of You (Kelly Clarkson) * The Big Bang Theory (Main Title Theme) * Billionaire (Travie McCoy) * Bittersweet Symphony (The Verve) * California Gurls (Katy Perry) * Count on Me (Bruno Mars) * Dancing Queen (ABBA) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Falling Slowly (from Once) * Firework (Katy Perry) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Give Your Heart a Break (Demi Lovato) * Greatest Love of All (Whitney Houston) * Grenade (Bruno Mars) * Home (Phillip Phillips) * I Don't Want to Miss a Thing (Aerosmith) * I Have Nothing (Whitney Houston) * I Won't Give Up (Jason Mraz) * If I Die Young (The Band Perry) * I'll Stand By You (The Pretenders) * Just the Way You Are (Amazing) (Bruno Mars) * Kiss from a Rose (Seal) * Love Song (Sara Bareilles) * Love You Like a Love Song (Selena Gomez & The Scene) * Make You Feel My Love (Adele) * Man in the Mirror (Michael Jackson) * My Immortal (Evanescence) * Nothin' on You (B.o.B. featuring Bruno Mars) * Out Here on My Own (Irene Cara) * Over the Rainbow (IZ) * Play That Funky Music (Wild Cherry) * The Prayer (Celine Dion and Andrea Bocelli) * Say It Right (Nelly Furtado) * Teardrops on My Guitar (Taylor Swift) * Teenage Dream (Katy Perry) * Temporary Home (Carrie Underwood) * Un-Break My Heart (Toni Braxton) * What Goes Around . . . Comes Around (Justin Timberlake) * Wide Awake (Katy Perry) * You and Me (Lifehouse) * You Light Up My Life (LeAnn Rimes) * You Raise Me Up (Josh Groban).
$3.99
3.73 €
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Piano, Voix et Guitare
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Bruno Mars
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Count on Me
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Suite in D Minor for Two Mandolins
Mandoline
Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Cla…
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Mandolin - Digital Download SKU: A0.1017685 Composed by Gordon Jackson. Baroque,Classical,Folk,World. Score. 16 pages. Gordon Jackson #6498403. Published by Gordon Jackson (A0.1017685). Suite in D MinorThe Baroque period in music lasted from approximately the end of the sixteenth century to about the middle of the eighteenth, culminating most famously in the works of Bach and Handel. The suite was a short collection of stylised dance tunes, sometimes (but not here) preceded by a prelude. The suite typically comprised the dances allemande, courante, sarabande, and gigue, to which others may be added. I have added a bourrée and a minuet. Although this is arranged for two mandolins, other instruments can of course be used. I have added a line of mandolin tablature for those who don’t read standard notation. (Actually, I don’t read tablature myself – I used my favourite notation program, Harmony Assistant, to write the score, and it very kindly created the tablature for me!)As a performer of mostly traditional folk tunes, I am driven first by melody, then rhythm, and only then by harmony. For each of these pieces, the melody came first, keeping to the strict rhythmic imperatives of each dance form. Only then were counterpoints added. In this score, the only dance to be repeated is the minuet. Here, the first time through is played on a single mandolin, with rather a lot of double stopping. On the second time through the first mandolin sticks to the basic melody, while the second mandolin plays a counterpoint. Some may recognise the opening bar of the bourrée; it was inspired by a tune by Turlough Ó Carolan (1670-1738) entitled The Princess Royal. The rest, however, is mine!
$6.99
6.54 €
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Mandoline
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Gordon Jackson
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Suite in D Minor for Two Mandolins
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Gordon Jackson
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SheetMusicPlus
Busted Heart (Hold on to Me)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015503 By For King and Country…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015503 By For King and Country. By Ben Glover, Jenna Torres, Joel Smallbone, and Luke Smallbone. Gospel/Sacred. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015503. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015503). ISBN 9780739091098. UPC: 038081442259.Immensely popular songs like 10,000 Reasons (Bless the Lord) (Matt Redman), Blessings (Laura Story), Let the Church Say Amen (AndraA(c) Crouch), plus dozens more make this collection of more than 300 pages of sheet music a must-own item for music makers and worship leaders. Containing 46 contemporary Christian hits, beloved worship songs, and gospel standouts, this is an exciting assortment unmatched in any other songbook. The piano arrangements are modeled after familiar recorded versions of the songs, including complete lyrics and melodies, along with basic chord fingering grids for optional guitar accompaniment. Titles: 10,000 Reasons (Bless the Lord) (Matt Redman) * Above All (Michael W. Smith) * Alive (Mary Magdalene) (Natalie Grant) * All This Time (Britt Nicole) * Amazing Grace (My Chains Are Gone) (Chris Tomlin) * Better Than a Hallelujah (Amy Grant) * Blessings (Laura Story) * Busted Heart (Hold On to Me) (For King and Country) * Carry Me to the Cross (Kutless) * Christ Is Risen (Matt Maher) * Cinderella (Steven Curtis Chapman) * City on Our Knees (tobyMac) * Courageous (Casting Crowns) * Dependence (Jamie Slocum) * Glorious Day (Living He Loved Me) (Casting Crowns) * Held (Natalie Grant) * Hold Me (Jamie Grace featuring tobyMac) * How Beautiful (Twila Paris) * How Great Is Our God (Chris Tomlin) * How He Loves (David Crowder Band) * I Can Only Imagine (MercyMe) * I Lift My Hands (Chris Tomlin) * I Will Be Here (Steven Curtis Chapman) * I Will Rise (Chris Tomlin) * I'm With You (Ruth & Naomi) (Nichole Nordeman and Amy Grant) * In Christ Alone (Newsboys) * In My Arms (Plumb) * Lead Me (Sanctus Real) * Learning to Be the Light (NewWorldSon) * Let the Church Say Amen (AndraA(c) Crouch) * Mighty to Save (Hillsong) * Oh Happy Day (Edwin Hawkins) * Only Hope (Mandy Moore) * Overcome (Jeremy Camp) * The Prayer (Celine Dion and Andrea Bocelli) * Revelation Song (Kari Jobe) * Shout to the Lord (Darlene Zschech) * Strong Enough (Matthew West) * Stronger (Mandisa) * U.
$3.99
3.73 €
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Piano, Voix et Guitare
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For King and Country
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Busted Heart
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
ME AND MY MUSIC
Voix Alto, Piano
Alto Voice,Vocal Solo - Digital Download SKU: A0.1017881 Composed by Hilary Brooks,…
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Alto Voice,Vocal Solo - Digital Download SKU: A0.1017881 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Celtic,Film/TV,Musical/Show. 15 pages. Hilary Brooks #6344933. Published by Hilary Brooks (A0.1017881). Musical theatre. A travelling song. An adventure song. A song full of idealistic expectation. The opening number from WEE FREE! The Musical Piano/Voice. 15p. For F solo. 1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. 020 3214 8282 Script perusal and hires can be arranged through MSA
$5.86
5.48 €
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Voix Alto, Piano
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Hilary Brooks, Lyrics by Clive King
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ME AND MY MUSIC
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Hilary Brooks
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.75 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Mandolin Chord Melody System
Mandoline
Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Pub…
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Composed by Aaron Weinstein. Jazz, Improvising. Ebook. 53 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30502EB). - Ebook - Jazz, Improvising - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115453. 8.75 x 11.75 inches. If you've heard jazz guitarists like Joe Pass play chord melody, you may think that the style requires an encyclopedic knowledge of music theory, musical super-powers, or making a deal with the devil. But fear not! This book will show you how to create your own satisfying chord melody arrangements on the mandolin...and will do so in a practical, applicable, non stroke-inducing way. "Aaron Weinstein has many musical accomplishments. I am very proud to have played a small part with some of them. When he was only 12 he made his first recordings and asked me to play mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling and Joe Venuti style jazz. Not long after that Aaron became interested in the mandolin and chords and he came by every so often to play and discuss voicings, improvisation and the like. I showed him some of the Jethro Burns chord melody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself! Fast forward a few more years and Aaron has a Berklee degree, traveled the world playing hot violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah, one other thing: he took the art of chord-melody mandolin style to an entirely new level! The rich harmonies of the standard jazz and show tune repertoire, the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style, thanks to his great ear, open mind and gift at locating things on the fretboard. And now Aaron has documented, explained and shared his discoveries and approach with all of us in this book. Thank you Aaron! This is truly a step-by-step method that you will enjoy. You'll find yourself saying 'oh, of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and connected on the fretboard. This part is laid out in a very logical manner with clear explanations and fun activities. After working through these etudes you will know the fretboard better and be a better mandolin playing musician regardless of what style of music is your favorite. As I looked this part over I recalled the parable about 'give someone a fish and he will have a meal. Teach him to fish and he'll eat the rest of his life..' The second part puts your new-found chops to work playing some great solo chord melody tunes Weinstein style. Again the author walks us gently into the material by providing two versions of each piece, the basic structure followed by a more developed version. In the history of mandolin playing there have been many examples of techniques, arrangements and music that might be thought of as 'chord-melody' style. Consider works by Raffaele Calace, or 'Duo' style from the early twentieth century American stylists and then again as modernized by Evan Marshall in the current era. Bach on the mandolin, as played by virtuosi such as Caterina Lichtenberg, Mike Marshall, Carlo Aonzo, Chris Thile and others also illustrates harmony and melody simultaneously. And of course Jethro Burns did so much in the way of bringing jazz and standards to life with chord-melody mandolin that it is often referred to as 'Jethro Style'. The book you have in your hand presents a unique and accessible route to these types of techniques and sounds. Bravo, Aaron! And thank you, my friend." Don Stiernberg.
$14.99
14.03 €
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Mandoline
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Aaron Weinstein
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Mandolin Chord Melody System
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.45 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Me and My Broken Heart: Piano Accompaniment
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_K Piano Accompaniment.…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_K Piano Accompaniment. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_K). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Piano Accompaniment
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: 1st F Horn
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_H1 1st F Horn. By Rixt…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_H1 1st F Horn. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_H1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Mallets
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_M1 Mallets. By Rixton.…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_M1 Mallets. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_M1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: 1st B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_T1 1st B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_T1 1st B-flat Trumpet. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_T1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: 1st B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Tuba
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_TB1 Tuba. By Rixton. B…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_TB1 Tuba. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_TB1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: 2nd B-flat Trumpet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_T2 2nd B-flat Trumpet.…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_T2 2nd B-flat Trumpet. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_T2). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Electric Bass
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_EB Electric Bass. By R…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_EB Electric Bass. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_EB). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Electric Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: 1st Percussion
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_PC1 1st Percussion. By…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_PC1 1st Percussion. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_PC1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: 1st Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Timpani
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_TMP Timpani. By Rixton…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_TMP Timpani. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_TMP). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: E-flat Baritone Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_BTX E-flat Baritone Saxoph…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_BTX E-flat Baritone Saxophone. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_BTX). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: E-flat Baritone Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: B-flat Bass Clarinet
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_BC B-flat Bass Clarinet
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Concert Band - Digital Download SKU: AX.00-PC-0016772_BC B-flat Bass Clarinet. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_BC). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: B-flat Bass Clarinet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: B-flat Tenor Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_TX1 B-flat Tenor Saxophone…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_TX1 B-flat Tenor Saxophone. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_TX1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Flute
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_F1 Flute. By Rixton. B…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_F1 Flute. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_F1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Oboe
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_O1 Oboe. By Rixton. By…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_O1 Oboe. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_O1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Oboe
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: E-flat Alto Saxophone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_AX1 E-flat Alto Saxophone
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Concert Band - Digital Download SKU: AX.00-PC-0016772_AX1 E-flat Alto Saxophone. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_AX1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Bassoon
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_B1 Bassoon. By Rixton.…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_B1 Bassoon. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_B1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
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Rixton
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Me and My Broken Heart: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: Baritone B.C.
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_BBC1 Baritone B.C.. By…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_BBC1 Baritone B.C.. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_BBC1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
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Orchestre d'harmonie
#
Rixton
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Me and My Broken Heart: Baritone B.C.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Me and My Broken Heart: 1st Trombone
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PC-0016772_TN1 1st Trombone. By R…
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Concert Band - Digital Download SKU: AX.00-PC-0016772_TN1 1st Trombone. By Rixton. By Ammar Malik, Benjamin Levin, Steve Mac, and Wayne Hector. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016772_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016772_TN1). UPC: 038081500706.Rixton is a name you should know by now---if not, you'll definitely recognize their #1 single---a really catchy mid-tempo pop song with a melody that's soulful and effusive. With a couple of solo opportunities in the introduction and its laid-back groove, this one will be a hit on your very next concert! (3:00).
$3.00
2.81 €
#
Orchestre d'harmonie
#
Rixton
#
Me and My Broken Heart: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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