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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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Mad At Myself
Non classifié
11
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Piano, Voix et Guitare
12
Piano seul
6
Instruments en Do
2
Orgue
2
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1
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1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
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2
2 Saxophones (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone (partie séparée)
1
Hautbois (partie séparée)
1
Saxophone Alto
1
Quatuor de Flûtes : 4 flûtes
1
Cor Anglais
1
+ 5 instrumentations
Retracter
Cuivres
Cor
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Tuba
1
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon
1
Violoncelle
1
Alto seul
1
2 Violons (duo)
1
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2
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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TROMPETTE
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Vous avez sélectionné:
Mad At Myself
Partitions à imprimer
71 partitions trouvées
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1
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51
Mad At Myself
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Batterie
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Contemporain
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Issues
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Sebastian Peredo
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Mad At Myself
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Sebastian Peredo
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SheetMusicPlus
Drum Set,Drums - SKU: A0.955900 By Issues. By Adrian Redmund Rebollo, Derek Tyler Carter, James Young, Josh Mark Manuel, Michael Ryan Bohn, Skyler Colem...
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Drum Set,Drums - SKU: A0.955900 By Issues. By Adrian Redmund Rebollo, Derek Tyler Carter, James Young, Josh Mark Manuel, Michael Ryan Bohn, Skyler Coleman Acord, and Tyler Joseph Acord. Arranged by Sebastian Peredo. Contemporary. Score. 3 pages. Sebastian Peredo #5321645. Published by Sebastian Peredo (A0.955900). Drum sheet music transcription for Mad at Myself by Issues, from the album Issues (2014). Drums by Josh Manuel.
$4.99
Fifth Book of Madrigals ("I Tatti")
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Gavin Bryars
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Fifth Book of Madrigals
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Schott Music - Digital
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SheetMusicPlus
Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score....
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Mixed voices (STTTBarB) - SKU: S9.Q42747 (The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score. Schott Music - Digital #Q42747. Published by Schott Music - Digital (S9.Q42747). Italian.The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti, who was a specialist in Bronzino and Pontormo. Bronzino's sonnet is a lament on the death of Pontormo, his teacher; Laura Battiferri's poem is a direct response to that of Bronzino. As I was also asked to set sonnets by Petrarca, I chose two of his closely linked sonnets, numbers 229 and 230 in the Rime Sparse. I had written a work for I Tatti some five years earlier setting Petrarca (A qualunque animale, the first in my Fourth Book of Madrigals) and was familiar with the context. However, through correspondence with Kathryn Bosi, Music Librarian at I Tatti and, through her, Craig Smyth's family, I became increasingly aware of his unusual and quite special character. From his undergraduate days at Princeton and indeed throughout his life, although a great scholar and writer, he was at the same time an aficionado of jazz, loving above all Louis Armstrong, being photographed with Duke Ellington, taking his children to see Thelonious Monk, listening to Ben Webster and playing the tenor saxophone himself. Indeed, he had told Kathryn Bosi that he had been proud to walk in procession at the funerals of black musicians in New Orleans. In some ways his life was almost an obverse mirror image of parts of my own - I was a professional jazz musician but found myself teaching art history for a time. As Fiorella Superbi of I Tatti has said: Craig was a maestro di vita. I raise a glass in his memory and dedicate these sonnets to him. Gavin Bryars.
$16.99
All By Myself
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Instruments en Do
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Ragtime
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Jazz
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Irving Berlin
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Mark W
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All By Myself
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808079 Composed by Irving Berlin. Arranged by Mark W. Huxhold. Jazz,Ragtime. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, L...
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C Instrument - SKU: A0.808079 Composed by Irving Berlin. Arranged by Mark W. Huxhold. Jazz,Ragtime. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #2329649. Published by Mark Wayne Music, LLC (A0.808079). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)Left bar lines -heavy left barlines that infer the song form (AABA-heavy barline at B and last A, ABAC-heavy barline at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys included with each title, each key having its own page.
$1.99
All By Myself
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Chorale SSAA
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INTERMÉDIAIRE
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Celine Dion
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Garth Davies
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All By Myself
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Garth Davies
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1015898 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Garth Davies. A Cappella,Film/TV. Oc...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1015898 By Celine Dion. By Eric Carmen and Sergei Rachmaninoff. Arranged by Garth Davies. A Cappella,Film/TV. Octavo. 5 pages. Garth Davies #6635755. Published by Garth Davies (A0.1015898). Arrangement of the power ballad, made famous by Céline Dion, for female a cappella quartet or chorus (notated for barbershop voicing). Length: 3m. Short melody passages for bass and tenor. Tenor has two exposed passages including at the iconic key-change introduced by Dion's producer David Foster. In barbershop voicing. Bass (lowest voice) gets as high as Bb4 and Tenor (highest voice) as high as A5. Short post for lead in the tag. Learning tracks are available from Hannah Briggs (https://www.hbteachtracks.co.uk). Price is per copy.
$1.99
Perdoname (all By Myself)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Camilo Blanes
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Juan Carlos Rodriguez Cerdan
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Perdoname
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Juan Carlos Rodriguez Cerdan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.846693 Composed by Camilo Blanes. Arranged by Juan Carlos Rodriguez Cerdan. Contemporary. Score. 4 pages. Juan Carlos Rod...
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Piano Solo - Level 3 - SKU: A0.846693 Composed by Camilo Blanes. Arranged by Juan Carlos Rodriguez Cerdan. Contemporary. Score. 4 pages. Juan Carlos Rodriguez Cerdan #5968459. Published by Juan Carlos Rodriguez Cerdan (A0.846693). Arrangement made to play this beautiful song at piano.
$9.99
What am I Doing Here PVG
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Voix duo, Piano
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INTERMÉDIAIRE
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Steven H
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Ashley Ivers
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What am I Doing Here PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishin...
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Piano,Voice Duet Piano,Voice - Level 3 - SKU: A0.984013 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 6 pages. Boothe Publishing #4360965. Published by Boothe Publishing (A0.984013). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
$3.99
What am I Doing Here Piano Minus Vocal
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Piano seul
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Pop musique
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Boothe Publishing
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Ashley Ivers
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What am I Doing Here Piano Min
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069966 Composed by Boothe Publishing. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 183. Boothe Publishing #4633693. Published...
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Piano - SKU: A0.1069966 Composed by Boothe Publishing. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 183. Boothe Publishing #4633693. Published by Boothe Publishing (A0.1069966). One of my auntie's got killed coming home from work late one evening by a drunk driver who was not obeying the traffic signals. I remember thinking to myself that this wasn't fair. It wasn't right. This was the first time that someone close to me was ushered out of this world. I started looking at my own life. Was I ready to leave this world behind? My auntie didn't get to decide. One moment she was here. The next she was gone, leaving her children behind. As I looked at myself I noticed there were a lot of flaws in my character. I liked some things about myself, however, there were a lot of other character traits where I felt that I was lacking in integrity and honesty. The question, What am I doing here? made me want to correct those flaws so that I could feel good about meeting God when I leave this world. I have found that change is possible.
$1.99
Peace I Leave With You
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Orgue
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FACILE
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Musique Sacrée
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Jonathan Thomas Madden
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Peace I Leave With You
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Jonathan Thomas Madden
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SheetMusicPlus
Organ - Level 2 - SKU: A0.1042196 Composed by Jonathan Thomas Madden. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Jonathan...
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Organ - Level 2 - SKU: A0.1042196 Composed by Jonathan Thomas Madden. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Jonathan Thomas Madden #646998. Published by Jonathan Thomas Madden (A0.1042196). Originally scored for SATB voices, this is the organ arrangement of my first choral work from 2014, and it is dedicated to the memory of Hannah Metzler. The choral version may be downloaded for free at my website (jonathanthomasmadden.com). Arranged for organ in 2022 amidst a continuing pandemic, senseless violence both domestic and abroad, and a difficult season of loss for myself and others, it is my hope that this work continues to bring peace, healing, and comfort to its listeners.
$10.00
My Bittersweet Love
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Mudiwa Williams
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My Bittersweet Love
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Mudiwa Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1168363 Composed by Mudiwa Williams. Chamber,Classical. 15 pages...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1168363 Composed by Mudiwa Williams. Chamber,Classical. 15 pages. Mudiwa Music #768695. Published by Mudiwa Music (A0.1168363). EMAIL ME FOR PARTS: mudiwamusic@gmail.comI pride myself on my ability to hear melodies. For composition assignments, I excelled at writing pieces with an interesting melody and harmonic progression. Writing a small ensemble piece for a woodwind quintet was a struggle for me. It took me twice as long to finish this piece as any other piece before it, and I really beat myself up about it. However, this piece taught me that music takes time and that is okay. I have a bittersweet relationship with this piece, as I hated figuring out how to write it, but completely love what the finished product has become. I greatly appreciate the work of Amanda Welch, Madison Church, Kendra Sachs, Trenton Carr, Aaron Lukenbill, and Cheyenne Cruz, as the performers and director for this piece.
$12.00
Forty - One Organ Pieces
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Dr
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Forty - One Organ Pieces
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Dr. Gregory Hamilton
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1117618 By Dr. Gregory Hamilton. By Dr. Gregory Hamilton. Arranged by Dr. Gregory Hamilton. 20th Century,Christian,Classical,C...
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Organ - Level 4 - SKU: A0.1117618 By Dr. Gregory Hamilton. By Dr. Gregory Hamilton. Arranged by Dr. Gregory Hamilton. 20th Century,Christian,Classical,Contemporary,Spiritual. Score. 148 pages. Dr. Gregory Hamilton #719161. Published by Dr. Gregory Hamilton (A0.1117618). These organ works are collected from a variety of sources, commissions, practical situations that appropriate music was called for, and occasions great and small. They form no program or sequence, but are simply a collection of various organ works composed over the past few years. They encompass many different styles, and I am sure that not all organists will resonate with each of these works. Few registrations are given, as it is expected that organists will need to solve registration challenges with the instrument at hand, and thus flexibility is expected. This collection is dedicated to the Memory of Dr. Marilyn Mason (Madame Mason) who taught at the University of Michigan for 63 years. A number of organists have recorded many of these pieces, and myself, a search on YouTube will reveal some of these. www.gregoryhamilton.org.
$25.99
Duplicitous Heart
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Piano seul
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AVANCÉ
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Contemporain
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Dakota Anthony
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Duplicitous Heart
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Dakota Anthony
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (...
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Piano Solo - Level 5 - SKU: A0.1015500 Composed by Dakota Anthony. Contemporary. Score. 13 pages. Dakota Anthony #4785575. Published by Dakota Anthony (A0.1015500). This is a 5-6 minute long piano solo piece that uses styles from blues, jazz, and contemporary genres. If you have questions please contact me at one of the following:Facebook page- https://www.facebook.com/dakanthony1Email- dakanthony1@gmail.comI write a poem for all of my songs. Hopefully it helps give a little meaning to its purpose!One songIt just takes one song to move myself to another world,And my heart beats faster.One songMakes me feel I can conquer every problem-All the world's disasters.One songIt makes my heart break and mend itself overAnd overAnd overUntil it's a whole new heartWith a whole new stature.One songI hear joy. I hear peace.But it's all for myself.It doesn't even matter.One songI don't know how to share what I hear.One songSo what I hear disappears.One songTurns to none, so I fear,And try to find another one songThat I can hold dear.One song,But it all happens again.One songBreaks a heart that's already bee mendedBy the first one song,And the heart's offended.Now there's two songs;The one song has ended.Two songs Clash and pretend thatTwo songsAre unique but they can't be - insteadTwo songsAffected the same heart.With two songsThe first's uniqueness is upended.Two songsSplit the heartHalf as powerfulAs the start,So I need another two one songsTo double the power.But the result is the same, And the dilution gets stronger.And what was difficult to share initiallyBecomes impossible because my heart isn't free.It's torn into a million piecesEach tied to a one song, each song with the thesisThat I want to share my songs to everyoneBecause of how it broke and mended my heart.But too many songs made my heart hardenedUntil the songs hardly affect a heart - just scar it.By the time I learn how to share any songThey'll all be goneJust the heart's shadow of what it longed to share.So I watch others to see if my one song was a myth.They all have one songs creating the semblance of mended heart.So my one song could only make another heart splitDiluting their one song to half as powerful as its start.
$7.99
Clarinet Concerto in A major, K. 622 - Score Only
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Classique
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Wolfgang Amadeus Mozart
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Nelson Ramos
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Clarinet Concerto in A major,
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Level 3 - SKU: A0.1141683 Composed by Wolfgang Amadeus Mozart. Arranged by Nelson Ramos. Classical. 8 pages. Published / Arranged by Nelson Ramos #74204...
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Level 3 - SKU: A0.1141683 Composed by Wolfgang Amadeus Mozart. Arranged by Nelson Ramos. Classical. 8 pages. Published / Arranged by Nelson Ramos #742041. Published by Published / Arranged by Nelson Ramos (A0.1141683). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, which takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.Contact me for the parts PDF, and having been shown proof of acquisition, I will gladly send them.I adapted/arranged this Clarinet Concerto, by Amadeus Mozart, for a Mixed Ensemble, with Alto Saxophone Solo, constituted by Organ, Piano, Soprano and Alto Saxophone, Flute, Clarinet in Bb, Trombone and French Horn, apropos of a small project I used to have with a class at EAB, in Portugal – that explains the unusual orchestration. Inasmuch as there was no tuba, the French Horn part, played by myself, had to play really low notes. If required, separate parts can be sent via email, if shown purchase proof.
$20.00
Eine Kleine Nachtmusik
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Classique
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Wolfgang Amadeus Mozart
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Nelson Ramos
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Eine Kleine Nachtmusik
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Published / Arranged by Nelson Ramos
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SheetMusicPlus
Acoustic Guitar,Alto Saxophone,B-Flat Trumpet,Horn,Mezzo-Soprano Voice,Organ,Piano - Level 3 - SKU: A0.1141701 Composed by Wolfgang Amadeus Mozart. Arra...
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Acoustic Guitar,Alto Saxophone,B-Flat Trumpet,Horn,Mezzo-Soprano Voice,Organ,Piano - Level 3 - SKU: A0.1141701 Composed by Wolfgang Amadeus Mozart. Arranged by Nelson Ramos. Chamber,Classical. 31 pages. Published / Arranged by Nelson Ramos #742077. Published by Published / Arranged by Nelson Ramos (A0.1141701). IMPORTANT: If you want to help me, and instead of buying the arrangement via this platform, which takes 50% comission over the price from the arranger / composer, please contact me via email at nelsonramos@pm.me and I may even make you a discount, since I will receive the value in its entirety.I adapted/arranged this piece, by Amadeus Mozart, for a Mixed Ensemble, constituted by one Mezzo-Soprano, Organ, Piano, Alto Saxophone, Trumpet in Bb, French Horn and two classical guitars, apropos of a small project I used to have with a class at EAB, in Portugal – that explains the unusual orchestration. Inasmuch as there was no tuba, the French Horn part, played by myself, had to play really low notes.
$20.00
Above All
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Chorale Unison
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INTERMÉDIAIRE
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Rebecca St
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Joseph Pugh
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Above All
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Joseph Pugh
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.855188 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Oct...
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Choral Choir (Unison) - Level 3 - SKU: A0.855188 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Octavo. 14 pages. Joseph Pugh #6423495. Published by Joseph Pugh (A0.855188). © 1999 INTEGRITY'S HOSANNA! MUSIC (ASCAP) and LENSONGS PUBLISHING (ASCAP) INTEGRITY'S HOSANNA! MUSIC Admin. at CAPITOLCMGPUBLISHING.COM All Rights Reserved Used by PermissionThis song Above All, by Michael W. Smith has a story with it.. As Jim Caviezel told it:I listened to it over and over and over again. My heart started to burn. I mean burn inside. I had tears coming out and at that point my whole day was gone in 10 minutes. It put me in a zone and took me out of my pain. It took me out of feeling sorry for myself and it took me into heaven, Caviezel said, going on to note that the song made him realize that even in all this suffering, man, evil has no power over us at all.
$3.99
Santa Tell Me
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Ariana Grande
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Dan Edwards
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Santa Tell Me
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arr. Dan Edwards
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1310163 By Ariana Grande. By Ariana Grande, Ilya, and Savan Kotecha. Arranged by Dan Edwards. Christmas,Classical,H...
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String Orchestra - Level 4 - SKU: A0.1310163 By Ariana Grande. By Ariana Grande, Ilya, and Savan Kotecha. Arranged by Dan Edwards. Christmas,Classical,Holiday,Pop. 21 pages. Arr. Dan Edwards #899298. Published by arr. Dan Edwards (A0.1310163). Santa Tell Me by Ariana Grande, arranged for string orchestra by Dan Edwards.Download the audio demo for free here. Everyone gets the tune (except the basses) in this imaginative and fun arrangement. The tune in the chorus is in octaves between the first violin and viola, with wonderfully resonant chords from the second violin and cello - in real life this sounds incredible, if I dare say so myself! An essential for your Christmas repertoire.Score - 12 pagesViolin 1, Violin 2, Viola, Cello - 2 pagesBass - 1 pageDuration: 3 minutes 5 secondsDifficulty: Advanced intermediateThe cello part is quite high up - have a look at my YouTube video.Dan Edwards is a prize-winning composer, arranger, producer and multi-instrumentalist, and for years was the Staff Arranger for the orchestra at Buckingham Palace. He studied the cello with Richard Markson at Trinity College of Music, London.Please contact my through my website or social media if you would like any changes made to any of my arrangements. For example: keys, clefs, difficulty, instrumentation, etc.Keywords: Santa Tell Me String Quintet, Santa Tell Me String Orchestra, Christmas String Orchestra, Christmas Pop Songs for String Orchestra.
$49.99
Highlands [2 violins]
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2 Violons (duo)
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FACILE
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Ir...
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Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
C'è una favola triste
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Piano seul
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Enfant
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Monica Bergo
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C'è una favola triste
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). ...
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Piano Solo - SKU: A0.976864 Composed by Monica Bergo. Children. Score. 7 pages. Monica Bergo #3239683. Published by Monica Bergo (A0.976864). 2017 Holiday Contest Entry♫ *'¨` * • .¸¸. ♫ ♫ There is a sad fairy tale'¨` * * • .¸¸. ♫ There is a sad fairy tale closed inside me magic does not exist no principles nor King and I lose myself in the woods of my but and my if Tom Thumb is hidden no crumbs for me I decompose in the abyss of my weakness Stop the clothes that I wear now and I have a new identity sweet fairy or princess I decide I do not know ugly witch or sad ogress which form I will assume? hidden there is a mirror where Alice one day passed I stare at my reflection recognize me I do not know an instant and I’m inside it strange depths beats the heart at the slow rithm different realities in the house of the witch there is something wrong children no longer binds she is alone, sad and in poverty in the silence explodes a song It takes shape my name on hell as Dante but I would like a Virgil me too Fairytale sad that I've never read you I had made up your end already know I would know the plot and your lapels and a character without a role I would not be Who are you? masked rider Follow us if you want we are barefoot and disheveled and dance with us but you will not touch we have hands and feet tied show your face while time stands still you already know without ever met you and now I know who you are and what you offer candy from a stranger like in a movie slow motion dilated the flames around you the abyss now it is wide open and you not laugh more, and we do not scare you're in the dark forest on our realm to shame those who are mean and infamous yes ,we are marginalized you yourself have created us Black man or Bluebeard your real name ....... bondage an unconscious moment and go back to my reality I am not fairy or princess I am just this side but if I were a character storytellers I would minstrel a little 'wild at the court of the gods with colorful clothes and flowers in my hair always free between the meadows and I'd live music sad tale while I skim your steps I die, reborn and I retrace my days I could do that would change your plot but for the happy ending I would like to thank you ..... Monica Bergo
$3.99
Santa Tell Me
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Ariana Grande
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Dan Edwards
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Santa Tell Me
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arr. Dan Edwards
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1302764 By Ariana Grande. By Ariana Grande, Ilya, and Savan Kotecha. Arranged by Da...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1302764 By Ariana Grande. By Ariana Grande, Ilya, and Savan Kotecha. Arranged by Dan Edwards. Christmas,Classical,Contemporary,Holiday,Pop. 17 pages. Arr. Dan Edwards #892387. Published by arr. Dan Edwards (A0.1302764). Santa Tell Me by Ariana Grande, arranged for string quartet by Dan Edwards.Everyone gets the tune in this imaginative and fun arrangement. The tune in the chorus is in octaves between the first violin and viola, with wonderfully resonant chords from the second violin and cello - in real life this sounds incredible, if I dare say so myself! An essential for your Christmas repertoire.The cello part is quite high up - have a look at my YouTube video.Includes a full score (9 pages) and complete set of parts: Violin 1, Violin 2, Viola, Cello - 2 pages each.Duration: 3 minutes 5 seconds.Dan is a prize-winning composer, arranger, producer and multi-instrumentalist, and for years was the Staff Arranger for the orchestra at Buckingham Palace. He studied the cello with Richard Markson at Trinity College of Music, London.Please contact my through my website or social media if you would like any changes made to any of my arrangements. For example: keys, clefs, difficulty, instrumentation, etc.
$16.00
Above All
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Chorale SATB
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INTERMÉDIAIRE
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Rebecca St
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Joseph Pugh
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song Above All, by Michael W
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Above All
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Joseph Pugh
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.855089 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Octa...
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Choral Choir (Mixed) - Level 3 - SKU: A0.855089 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Joseph Pugh. Christian,Gospel. Octavo. 9 pages. Joseph Pugh #6136991. Published by Joseph Pugh (A0.855089). This song Above All, by Michael W. Smith has a story with it.. As Jim Caviezel told it:I listened to it over and over and over again. My heart started to burn. I mean burn inside. I had tears coming out and at that point my whole day was gone in 10 minutes. It put me in a zone and took me out of my pain. It took me out of feeling sorry for myself and it took me into heaven, Caviezel said, going on to note that the song made him realize that even in all this suffering, man, evil has no power over us at all.
$2.99
The Song That Reached My Heart - Julian Jordan arr. GH Farnell (Brass Quartet)
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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FACILE
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Contemporain
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Julian Jordan
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Geo H Farnell & Peet du Toit
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Co., a publisher in
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The Song That Reached My Heart
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.802635 Composed by Julian Jordan. Arranged by Geo H Farnell & Peet du Toit. Contemporary. Score...
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.802635 Composed by Julian Jordan. Arranged by Geo H Farnell & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6072419. Published by Peet du Toit (A0.802635). Julian Jordan (November 10, 1850 – October 13, 1929) was an American composer, vocal instructor and singer. He worked with Willis Woodward & Co., a publisher in New York City's Tin Pan Alley. In 1887, he wrote his most successful composition, The Song That Reached My Heart.The Song That Reached My HeartMr. Jordan tells the following story of how he came to write The Song that Reached My Heart. Mr. Sayres, manager of the minstrel company, chanced to hear at one of the New York theaters a song entitled The Song for Me, which introduced Home! Sweet Home! as a finish. The following day Mr. Sayres and I met. He spoke of the song he had heard and said that he would like to have me get it for use in this minstrel company. Naturally I objected to taking the composition of another man, being a song writer myself, and so I told Mr. Sayres that if he was desirous of having a song which would introducethe melody of Home, Sweet Home I believed that I could compose one which would be as effective as theone he wished me to obtain. The idea was favorable to him, and Mr. Sayres at once suggested as a title for the song that I was to compose, The Song That Reached My Heart. Take that for a title and go home and see what you can make of it are the words Mr. Sayres used. I went home and the possessors of 100,000 copies of the song today know what I made of it. Willis Woodward, the song'spublisher, regarded the piece to be one of the most lasting and profitable hits in his long career.[Julian's twin brother, Jules Jordan, was also a composer and singer.Here's my contribution with a transcription of this beautiful composition for a brass quartet.
$13.00
Show-type Tune (tune For A Lyric)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Bill Evans
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Sarah Jane Cion
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Show-type Tune
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Safflower Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1100228 By Bill Evans. By Bill Evans. Arranged by Sarah Jane Cion. Film/TV,Jazz. Score and parts. 122 pa...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1100228 By Bill Evans. By Bill Evans. Arranged by Sarah Jane Cion. Film/TV,Jazz. Score and parts. 122 pages. Safflower Music LLC #704104. Published by Safflower Music LLC (A0.1100228). Show Type Tune Back in 1989 I was taking an arranging course at NEC taught by George Russell (who subsequently received the Genius Grant for Lifetime Achievement). I worked on this big band arrangement for about a year. My concept was to take a Bill Evans tune and harmonize his solo for saxes within the body of the arrangement. About a week before graduation it finally came time for the class to have their work heard. I was SO excited! A big band was assembled and after a few days of classmate’s charts workshopped, George Russell fell ill, and I never got to hear my arrangement. I was devastated. It had taken me months to arrange, and hand-write the 17 parts as back then, no computers of course!So, tearfully it all went into a red folder—and eventually made its way to the bottom of a box, a box that somehow followed me throughout life. Recently concerned about doing nothing all week at family camp—I thought to myself, with my present knowledge of music notation software, why not dig up that dusty red folder and input the chart to finally hear it —32 years later? I figured if the work had any merit I could print it out and bring it to Library Band ! So. in the tiny log cabin with laptop and travel keys, I began, soon falling into what can only be described as timeless awareness—future self collaborating with inner conservatory undergrad—and dare say, I was rather impressed with her 😂 Although a few tweaks needed, the work proved nothing short of a sound effort. Tying up this life-long loose-end feels nothing short of spiritually inspired. ðŸ˜.
$49.99
3 Preludes for a Quarantine for Solo Piano
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Piano seul
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AVANCÉ
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Contemporain
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Anthony Bannach
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3 Preludes for a Quarantine fo
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Anthony Bannach Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published...
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Piano Solo - Level 5 - SKU: A0.995184 Composed by Anthony Bannach. 20th Century,Contemporary. Score. 16 pages. Anthony Bannach Music #5794481. Published by Anthony Bannach Music (A0.995184). I hope everyone has been doing well during this crazy time. Originally I wrote these preludes as parts of composing exercises for Alan Belkin's book Music Composition: Craft and Art. They sat around for a bit until during the quarantine when I took a look at them again. I realized that these pieces had a lot of character to them, and they were quite distinct in nature. The first movement is a simple ternary form piece which begins and ends in the key of g minor and has a very neo-romantic tonal space. The B section is a brisk, more straight-forward tonal texture, but has a fun little twist sequencing up near the end of the section. The second movement was composed with the B vs Bb dichotomy functioning as a germinating cell for the rest of the movement's material. More impressionistic and mysterious than the other two movements, it also lacks a more traditional formal structure, instead relying on the development of motivic cells to make the movement cohere together in a logical way. The third movement is also a modified ternary movement, but with the A sections being played at different speeds, and the second A ending having an outro section attached. The B section is also more like a sonata form developmental section (without the required tonic-dominant modulatory feature). This movement is not only tonally very colorful, but also dynamic in regards to tempo, slowing and quickening often, giving the piece a continual sense of renewed spirit. Rather than just release the preludes as seperate pieces, I found that when played in a certain sequence, they represent a progression of mental and spiritual being that many people have, including myself, been going through during this time. As such, I made them into a suite. If it brings you a little bit of joy or excitement during this time (and after this is over), that's all that I can hope for.
$10.00
Ah mio cor ( Extract from Aria Antiche Vol.1 )
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Classique
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Alessandro Parisotti
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Terry Carpenter
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Ah mio cor
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Terry Carpenter
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1355488 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter....
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.1355488 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter. Baroque. 17 pages. Terry Carpenter #940211. Published by Terry Carpenter (A0.1355488). For Voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire! If the guitar part seems sometimes difficult, play the chords - it works! I suggest you to play it at a lower tempo than Parisotti's tempo. Notice that Parisotti's version is in G minor and the orchestral version is in B minor, sounds great for strings. The guitar part is quite tricky : Handel's chiselled writing made the transcription for guitar a delicate affair, and I had to reverse sometimes melodic lines to to respect the constraint I set myself of transcribing in first position on the neck of the guitar, which makes it easier to read.Listen to The Arts Florissants orchestral version of Alcina (Opera de Paris) to get the right feeling, on the YouTube link belowOn the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.The mp3 was made by musical software.Contact: carpentermusic@yahoo.com.
$4.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
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Mad At Myself
