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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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CLARINETTE
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233
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110
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1 Piano, 4 mains
26
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25
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5
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41
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2 Guitares (duo)
2
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1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
120
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53
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33
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30
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27
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24
Voix Soprano
23
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20
Chorale Unison
15
Voix duo, Piano
8
Voix duo
4
Voix Soprano, Piano
3
Soli, choeur mixte et accompagnement
1
Paroles Seulement
1
Voix Tenor, Piano
1
Voix seule
1
Chorale
1
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VENTS
Hautbois, Piano (duo)
79
Flûte traversière et Piano
69
Saxophone (partie séparée)
67
Clarinette et Piano
60
Clarinette
60
Saxophone Alto et Piano
57
Flûte traversière
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Saxophone Alto
42
Quatuor de Saxophones: 4 saxophones
41
Flûte, Hautbois, Clarinette, Basson
40
Hautbois (partie séparée)
38
Quintette de Saxophone: 5 saxophones
33
Saxophone Tenor et Piano
30
Saxophone Soprano et Piano
30
Saxophone Baryton, Piano
26
Hautbois
22
Quatuor de Clarinettes: 4 clarinettes
19
2 Saxophones (duo)
13
2 Flûtes traversières (duo)
13
2 Clarinettes (duo)
13
Ensemble de saxophones
10
Cor anglais, Piano
9
Flûte à Bec
8
Clarinette Basse, Piano
7
Quintette de Flûte : 5 flûtes
7
Flûte, Clarinette (duo)
6
Quatuor de Flûtes à bec
5
Quintette de Clarinettes: 5 clarinettes
5
3 Saxophones (trio)
5
Quatuor de Flûtes : 4 flûtes
5
2 Hautbois (duo)
4
5 Flûtes à bec
4
Flûte à bec Soprano
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Harmonica
3
Saxophone Tenor
3
Flûte et Guitare
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Flûte à bec Alto
3
Hautbois, Basson (duo)
3
Saxophone Soprano
3
Cor Anglais
3
Flûte, Violon
3
3 Clarinettes (trio)
3
Ensemble de Flûtes
3
Flûte, Clarinette et Basson
2
Trio de Flûtes: 3 flûtes
2
Saxophone Baryton
2
Clarinette, Guitare (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette, Violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Basson (duo)
2
Clarinette Basse
2
Flûte, Basson et Piano
2
2 Flûte à bec (duo)
2
Ensemble de Clarinettes
2
Saxophone, Clarinette (duo)
2
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto, Piano
1
Flûte, Alto (duo)
1
Hautbois, violon (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle (duo)
1
Saxophone et Guitare
1
Flute (partie séparée)
1
3 Flûtes à bec (trio)
1
Flûte, Violon, Piano
1
Hautbois et alto (duo)
1
2 Clarinettes, Basson
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone
1
Flûte, Hautbois (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette et Alto
1
2 Clarinettes, Piano
1
2 Hautbois, Piano
1
2 Saxophones, Piano
1
Hautbois, Violoncelle
1
Cor anglais, Guitare (duo)
1
2 Flûtes traversières, Piano
1
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CUIVRES
Trombone et Piano
80
Cor et Piano
66
Tuba
60
Trompette
58
Trompette, Piano
48
Cor
48
Trombone
45
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Tuba et Piano
35
Quatuor de Cuivres : 2 trompettes, trombone, tuba
28
Quatuor de Cuivres
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Euphonium, Piano (duo)
10
Cor anglais, Piano
9
Trombone (partie séparée)
7
Ensemble de Trompettes
7
Trompette (partie séparée)
7
2 Trombones (duo)
6
2 Trompettes (duo)
5
2 Cors (duo)
4
Ensemble de Cors
3
Cor Anglais
3
2 Tubas (duo)
2
Euphonium
2
Tuba et Orgue
2
Trio de Cuivres
1
Ensemble de Tubas
1
2 Cors, Piano
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
143
Violon et Piano
81
Alto, Piano
69
Violoncelle, Piano
66
Violon
63
Contre Basse
50
Contrebasse, Piano (duo)
44
Violoncelle (partie séparée)
43
Alto seul
37
Trio à Cordes: violon, alto, violoncelle
22
Trio à Cordes: 2 violons, violoncelle
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
20
Violon, Violoncelle (duo)
18
2 Violons (duo)
14
Violoncelle
13
Alto (partie séparée)
13
Harpe
12
2 Violoncelles (duo)
12
2 Altos (duo)
8
Violon, Alto (duo)
4
Trio à Cordes: 2 violons, alto
4
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Harpe, Flûte (duo)
3
Piano Trio: Violon, Alto, Piano
2
2 Altos, Piano
2
Violon, Clarinette, Piano (trio)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Contrebasses (duo)
2
Harpe, Violoncelle (duo)
2
Harpe, Violon (duo)
2
Alto et Harpe
2
Violon, Guitare (duo)
2
Violon (partie séparée)
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 altos
1
Violoncelle , Guitare (duo)
1
Harpe, Voix
1
Alto, Violoncelle (duo)
1
Violon, Basson (duo)
1
Quatuor à cordes : 4 altos
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
46
Orchestre à Cordes
41
Orchestre
20
Ensemble Jazz
19
Ensemble de cuivres
16
Orchestre de chambre
13
Cloches
12
Marimba
11
Xylophone
5
Ensemble de Percussions
5
Fanfare
4
Xylophone, Piano
3
Batterie (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Batterie
1
Jazz combo
1
Instrumentations suivantes
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AUTRES
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Made For Love
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Scarborough Fair arr. for flute, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Col…
(+)
Level 2 - Digital Download SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
11.01 €
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for flute, clarinet, bassoon and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for two violins, cello and piano
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Col…
(+)
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
11.01 €
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for two violins, cello and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for violin, cello and piano
Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Ar…
(+)
Piano Trio - Level 2 - Digital Download SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
11.01 €
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for violin, cello and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Col…
(+)
Level 2 - Digital Download SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
11.01 €
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Scarborough Fair arr. for flute, oboe, bassoon and piano
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 C…
(+)
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - Digital Download SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
11.01 €
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for flute, oboe, bassoon and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Someone You Loved Piano Solo Easy
Piano Facile
Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lewis Capaldi. Arra…
(+)
Piano Solo, Easy Piano - Early Intermediate - Digital Download By Lewis Capaldi. Arranged by Madeline Stratford. Individual Part, Lead Sheet, Piano Reduction, Sheet Music Single. 3 pages. Published by Madeline Stratford
This version of Someone You Loved is easy for a confident beginner and is in C Major. <br> It is easy and clear to read, with pedal markings included too. <br> I've had a lot of success with my students learning this piece and it sounds really nice.<br> The Piano right hand follows the vocal melody and the left hand has a simple rhythm following the chord progression.
$4.99
4.58 €
#
Piano Facile
#
Lewis Capaldi
#
Madeline Stratford
#
Someone You Loved Piano Solo Easy
#
Madeline Stratford
#
SheetMusicPlus
Julian's Hazelnut for SSAA and B flat clarinet
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrien…
(+)
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
1.83 €
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Chorale SSAA
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Adrienne Inglis
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Julian's Hazelnut for SSAA and B flat clarinet
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Adrienne Inglis
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.82 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.51 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 …
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.<br> <br> <br> "The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.<br> <br> The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.<br> <br> "The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.<br> <br> Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.<br> <br> John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.<br> <br> Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.<br> <br> Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00
35.82 €
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Orchestre
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John Stafford Smith
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Keith Terrett
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United States of America National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Made For Love
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.914014 By Kally S Mashup Cas…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.914014 By Kally S Mashup Cast Feat. Maia Reficco. By Adam Anders, Nicole Hassman, and Par Hakan Aastrom. Arranged by Daniel Luna de Menezes. Broadway,Contemporary,Film/TV,Musical/Show,Pop. Score. 6 pages. Daniel Luna de Menezes #4627135. Published by Daniel Luna de Menezes (A0.914014). Made For Love is a song from the Kally’s Mashup TV series soundtrack. This is a mashup based on Beethoven's Moonlight Sonata (Op. 27 No. 2).This arrangement is an adaptation for voice and piano. Some counterpoints and effects were removed to make the piano accompaniment playable.
$5.99
5.5 €
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Piano, Voix
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Kally S Mashup Cast Feat
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Daniel Luna de Menezes
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Made For Love
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Daniel Luna de Menezes
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SheetMusicPlus
Break Forth, O Beauteous, Heavenly Light
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - Digital Download SKU: A0.88942…
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - Digital Download SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95
9.14 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heavenly Light
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Luis Anjos Teixeira
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SheetMusicPlus
Bach Fuga BWV 539 For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00
22.96 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Everybody Loves My Baby (But My Baby Don't Love Nobody But Me)
Instruments en Do
C Instrument - Digital Download SKU: A0.1474063 By Clarence Williams and The Blue F…
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C Instrument - Digital Download SKU: A0.1474063 By Clarence Williams and The Blue Five. By Jack Palmer and Spencer Williams. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #1051698. Published by Mark Wayne Music, LLC (A0.1474063). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include:18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A)Primary sources consulted and current performance practices considered for the arrangementCommon performance keys are included with each title, each key having its own page.
$3.99
3.66 €
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Instruments en Do
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Clarence Williams and The Blue Five
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Mark W
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Everybody Loves My Baby
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Mark Wayne Music, LLC
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SheetMusicPlus
You Made Me Love You
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856142 Composed by Joe McC…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856142 Composed by Joe McCarthy, James Monaco. Arranged by Liz Garnett. A Cappella. Octavo. 4 pages. Liz Garnett #3023075. Published by Liz Garnett (A0.856142). Written just before the First World War, this flirtatious song anticipates that world where women were finding a new independence and power, and trying to work out what to do with it. On the one hand, the singer doesn’t want to be unfeminine by making the first move, on the other, she’s going to make a bid for what she wants. Go girl, is what I say.This arrangement is suitable for performance in a barbershop contest, and the Southern Comfort Barber Gals won a bronze medal in the Holland Harmony 2009 chorus contest with this it. It is notated in the traditional clefs for women's barbershop: treble and bass alta (i.e. sung an octave higher than written)Ranges:Tenor: F4 - E5Lead: A flat 3 - C#5Bari: B flat 3 - B4Bass: E flat 3 - F#4www.HelpingYouHarmonise.com
$3.25
2.98 €
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Chorale SSAA
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Joe McCarthy, James Monaco
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Liz Garnett
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You Made Me Love You
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Liz Garnett
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SheetMusicPlus
Someone You Loved
Piano Facile
By Lewis Capaldi. By Benjamin Kohn, Peter Kelleher, Samuel Roman, Thomas Barnes, and …
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By Lewis Capaldi. By Benjamin Kohn, Peter Kelleher, Samuel Roman, Thomas Barnes, and Lewis Capaldi. Arranged by Madeline J Stratford. 20th Century, Contemporary, Pop. Score. 3 pages. Madeline Stratford #638935. Published by Madeline Stratford
$4.99
4.58 €
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Piano Facile
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Lewis Capaldi
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Madeline J Stratford
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Someone You Loved
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SheetMusicPlus
Dearly Beloved
Piano seul
Composed by Yoko Shimomura. Arranged by Madeline J Stratford. Children, Classical, F…
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Composed by Yoko Shimomura. Arranged by Madeline J Stratford. Children, Classical, Film/TV. Score. 2 pages. Madeline Stratford #638977. Published by Madeline Stratford
$4.99
4.58 €
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Piano seul
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Yoko Shimomura
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Madeline J Stratford
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Dearly Beloved
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Madeline Stratford
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.77 €
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
The Heart's Deep Appetites NAS. 11 for the left hand
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1246984 By Adam Walter Carlsen. By …
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Piano Solo - Level 3 - Digital Download SKU: A0.1246984 By Adam Walter Carlsen. By Adam Walter Carlsen. Classical,Contemporary. Score. 7 pages. Adam Walter Carlsen #841611. Published by Adam Walter Carlsen (A0.1246984). I wrote this left hand piano piece based on a short narrative I made that has a question/observation followed by the answer.The Heart's Deep AppetitesWe Hunger for more than food. There is also hunger for love and self-worth. We need food to sustain us, and love and self-worth to carry us. Therefore, wouldn't it be wise to do what it takes to satisfy our hunger?Hunger also exists for that which gives us only temporal pleasure. One cannot exist focusing on satisfying this hunger. Our potential should only be used to fulfill our purpose of showing love and self-worth, and sharing it with others. The support of loved ones will see you through adversity and failure, allowing you to chase your dream and achieve your potential. However, one must be careful not to pursue an identity that is cunsuming, as it may overshadow your dream. Facebook: https://www.facebook.com/adam.carlsen.35Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$1.99
1.83 €
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Piano seul
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Adam Walter Carlsen
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The Heart's Deep Appetites NAS. 11 for the left hand
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Adam Walter Carlsen
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SheetMusicPlus
What Was I Made For?
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1313280 By Billie Eili…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1313280 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #902067. Published by Glauco Fernandes (A0.1313280). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
6.42 €
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Saxophone Soprano et Piano
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
What Was I Made For?
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1313283 By Billie Eilish…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1313283 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #902070. Published by Glauco Fernandes (A0.1313283). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
6.42 €
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Saxophone Tenor et Piano
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
What Was I Made For?
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1313284 By Billie Eilish…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1313284 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #902071. Published by Glauco Fernandes (A0.1313284). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
6.42 €
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Saxophone Tenor et Piano
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
What Was I Made For?
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.1313276 By Billie Eili…
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.1313276 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #902062. Published by Glauco Fernandes (A0.1313276). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$4.99
4.58 €
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Saxophone (partie séparée)
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
What Was I Made For?
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1313249 By Billie Eilish.…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1313249 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Score and part. 8 pages. Glauco Fernandes #902036. Published by Glauco Fernandes (A0.1313249). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$6.99
6.42 €
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Saxophone Alto et Piano
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
What Was I Made For?
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.1313281 By Billie Eilis…
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Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.1313281 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #902068. Published by Glauco Fernandes (A0.1313281). Explore the Sheet Music of What Was I Made For by Billie Eilish from the Barbie Movie SoundtrackDid you fall in love with the Barbie movie soundtrack in 2023? Now, you have the opportunity to get the exclusive sheet music of the arrangement of What Was I Made For performed by the incredible Billie Eilish.This carefully crafted sheet music uniquely captures the emotional essence of the song, allowing musicians of all levels to unravel the secrets behind the captivating melody. The sheet music is a gateway to the music that complemented Barbie's story and touched the hearts of many.Whether you're a beginner musician or an experienced professional, this sheet music is for all music lovers who want to connect with the beauty of melody and harmony. Get ready to immerse yourself in the essence of music with the sheet music of What Was I Made For and bring a piece of the Barbie world into your own musical reality. Get the sheet music now and start creating your own version of this unforgettable hit!
$4.99
4.58 €
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Saxophone (partie séparée)
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Billie Eilish
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Glauco Fernandes
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What Was I Made For?
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Glauco Fernandes
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SheetMusicPlus
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